Pete Hay

Pete Hay Reviews Rachael Mead and Amanda Joy

The chapbook is the ideal public presentation of poetry for the times in which we live. It is even more portable than the conventionally slim collection; its humbler production values permit poets to get their work ‘out there’, thereby meeting the democratic criterion of accessibility for both poet and reader, and it is conducive to the rigours of thematic focus that a small body of work encourages. Long may it flourish.

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The Land as Breath: Can Poetic Forms Be Metaphors for Landscapes?

Ben WalterWe are standing in the midst of a football field doubled in size and then doubled again; a great, flat oval of water covered by streaks of green sedge that strike up from the surface like spindly grass. It’s a wetland, but one that has spent the last few years of drought as land; this year, the heavy winter rains that have filled the island’s hydro dams have tipped this landscape into living water.

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