The Victoria Markets

Storm over the old mart,
closed these two hours.
Slick on bitumen
reflects eruptive cloud.
After editorial days
I go out for late beer,
admire the frenzied workers.
It is like a military operation,
our vegetable Dunkirk.
Having come from White Horse
or Point Nepean
(‘into the centre from the source’),
they put away their wares
until someone wants:
‘Cheap today, lady, cheap today!’
mere echoes of their taunts.
Forklift trucks flit
from stall to freezer,
bearers of the wilted spring.
Prawns shimmy on old bones
and gulls will have their say.
By the ring-road,
near an old gas stove
in Federation colours, a boy
practises sharp manoeuvres
on a bandaged skateboard.


This poem nods to (and quotes from) Frank Wilmot’s great poem ‘The Victoria Markets Recollected in Tranquility’.

Posted in 62: MELBOURNE | Tagged

flavour of

at home in right angles
love of legged planters
lifted by migrating bats
conservative
as mirrors
we are deco symmetrical
book-ended
by sweet shaking whippets

do objects do projects do back packs
carry passion of rain
passion
of popular concern
popular outrage
popular dismay
popular tacos
popular three seaters
at home with rose-coloured patina
a yayoi-ed bedroom a yayoi-ed cat
a suite of spotted basil plants
cat puts kettle on in dreams

draw up the roller door to see
the dotted cobbles
the daschund set
the beret-ed moon
the bats the boarded archways
the new shop the old shop
the reno-ed shop the clearance shop
the sneaker watch bike shop
bikes going to work
bikes running cafes
bikes humming bikes singing
bikes growing snow peas
bikes signing tshirts
bikes soaring
in kaleidoscopic formation
bikes drifting
to heaven

it’s time
for the succulent
age
of the ice-cream
age of car-sized
need love liking
plump raindrops are caught and sold
as concept
post alley-way
post neo-macaron
post post cupcake
the cupcake is dead
l l cupcake

Posted in 62: MELBOURNE | Tagged

Double-blind

Albert Park Lake

Beneath a palm, on the lake’s stone wall
a pixie-chinned girl cups low hands, to stress
the pregnant eruption under her dress.

Dogs on leads drag near. Joggers bounce into
the frame as her photographer squats to
catch the curve. She smiles at gusts vexing

her hair, as her eyelashes blink out
a joyful forecast from her thickened waist –
from this rude, commonplace miracle.

Twelve tall palms stiffen in grey corsets
against the wind. Black swans, collared and
numbered, dive for weed in the choppy murk.

Photos lie before the aperture
blackens. Fake smiles stay pinned under glass.
Who will recall her self conscious ache or

the warm wind, or the low buzz of Sunday
afternoon traffic on the Queen’s Road?
That baby in his dark weatherless pond

will never pause at his young mother’s
bump photo. As he pushes through her
and beyond her she might turn from

the undusted mantelpiece, to recall
this fickle sky and the smeared dog turds
on the lakeside path – and remember that

in the screech of plovers, and the growls
of dogs, the caveat was there –
a whisper at the very beginning.

Posted in 62: MELBOURNE | Tagged

we’re lola

we found such MONEY had such soft hands
two roses guarding the door
the sign said SAID SOUL
saying
sluts
gary ablett said slut in his head finally we just
heard it
lets go
to that filthy nice place opposite childhood
the syndicate
drinking what you know
what you did
i pointed out / without / removing my head from
what you said later
the laneway more or less illumined the
sun
from space
& the headache description
daniel grollos penthouse is
is
the 80th floor of eureka
so seen
huge furniture coffee table ½
the size of a normal dumb room those
paintings (to that
anxiousness
bloke) questionable n
great views West a dust bowl looking
LAism (they say) but we didn’t
wanna be there the henchmen
didnt wanna be there
thank god he / wasnt there (?)

feeling like (im 19 again)

Posted in 62: MELBOURNE | Tagged

Melbourne’s 255 Union Jack

Some secrets become sacred time portals, if tenses intertwine.
Access hotly contested, configurations are continually battled.
Antipodeans; hopes & dreams, reality’s raw downunder, but can
What’s in a name explain how a city called Melbourne came to be
Double triplet 255255 divisor 143 “I Love You” code installs
1785-1824 Blow Job donation sexagesimal base, 3 year’s before
First Fleet arrival in Australia, Melbourne’s presumed unthought,
Yet parallel processing programs, search-spiders use other engines.
Break-a-leg Howard’s in Washington DC to meet Dubba Bush for
ANZUS 50th-anniversay 12 September 2001, except 911 postponed.

September 1, 1951 ANZUS began, so 50tth was 11 days earlier, as
New Zealand not invited, mid-80’s nuclear “confirm-deny” warship dispute
A fallout with Car 54 where are you ECHELON connotations if sacred
132=52+122 is great presence; unseen like Nevil Shute’s On the Beach.
Magic 13 Square’s secret number 1105 as time counts down seconds
To 54 minutes before noon or midnight; mise-enbyme, play within play.

255 Greek Cross & Diagonals forms Union Jack to Melbourne,
Sacred to calendar: 365-255=110, being 111 inclusive & in leap year
Magic 6 Square’s secret entity, sum 1 thru 36 is 666, as minutes its
11 hours 6 minutes & 54 before Temple of Laughter – 12 O’clock Rock;
255th day of year is September 12, meaning 111th last day of 2001.
911 hijack was ANZUS 50th postponement codenamed Melbourne.

111th day of year’s April 21, is fourW20 Journal 2009 miscalculation
Mayan short-count 5th World End, April 21 to August 11 is 112 days,
111 in-between & 143 to September 12, is Melbourne’s secret name
Gotham City discourse, Hendra Virus bat to human transmission’s equine.
Trainer Vic Rail’s Brisbane’s Hendra suburb stable’s first diagnosed HeV
Until discovered earlier Mackay death was, recalls Griffith NSW to
Melbourne via mafia, 1960’s cannabis network by 70’s big time until
Donald Mackay killing infers heroin is Vietnam War side effect.

Griffith’s sacred name, but main street Banna Ave aligns Bannavem,
Roman home village in Britain of St Patrick’s kidnapping to Ireland.
He escaped, to return & convert to Christianity, today’s patron saint.
Magic 3 Square’s Purifying Fire 317 row codes March 17, Greek Cross
Column 915 as September 15 is 13 days in-between 9/1 ANZUS.

Griffith has malted the arrowroot, interstate rivalry created Canberra.
1912 winning town plan aftershock is Griffith as 1914 prototype.
Coverstory conceals truth. Deception conveys false information.
Architecture supplants, 255th Prime is 1613=PM: Prime Minister &
Prime Meridian, while post meridiem is Latin’s afternoon juxtaposes
Banna Ave/Bannavem difference AM ante meridiem is before midnight.

255 alphanumeric BEE, seconds expire to sacred Melbourne, cities
Attract great minds & game plans, all possibilities in details, each a
Work in progress to buzzword “ye” pronoun accesses participation.
Global village; Wellington has HIVE, old parliament anagram’s I HeV,
A pronoun to “ye”, Melbourne founded 30 August 1835 is 242nd day,
13 off 255 Union Jack a point of view, living in a city, work & leisure.

Double or quits: 510 duplicity 510510 is product of first seven primes.
One is sacred; product first 2n-primes+1 is prime etc, is “7/31/211/2311”,
2x3x5x7x11x13+1=30031=59×509, if 30zero31 sacred Maya 5 Worlds,
Sixth sense Melbourne’s “five-ten, five-eleven” isn’t dead & buried.

Posted in 62: MELBOURNE | Tagged

Victoria Parade

a squared puddle
a jaw
speaking:
brick terraces
dirt whacked bluestone
crinolines
gloved hands
young plane trees

Mrs Bansgrove:
if you observe that woman walking in victoria parade remember it’s a man

a black flounced dress
shitty petticoats
walking

musth the parade
flushed through the temporal
tarring the road

‘there goes the great eastern’


‘Victoria Parade’ is a section from a long poem, ‘The Great Eastern’, a poem based on the True Story of John Wilson, a former English convict who recently (1851) immigrated to the Port Phillip district from Van Diemen’s Land. Wilson worked the streets of Collingwood and Fitzroy in ‘women’s dress’, soliciting men for sex (locally known as ‘Ellen Maguire of the Great Eastern’). Police constable John Jones arrested them in 1863 for solicitation. Later they were charged with, and found guilty of, sodomy. Chief Justice Stawell sentenced them to death (commuted, after a begging letter, to ‘life hard labour, the first 3 years in chains’). Six years later, Wilson died in Pentridge Prison. Yet.

Posted in 62: MELBOURNE | Tagged

What is the name of Justin Clemens’ cat?

First born’s name?
Favourite playwrite ever?
Mother’s maiden name?
What is the name of your first niece?
What star sign is AG?
What is you mother’s maiden name?
what’s the name of my dog in auckland?
what’s the name of my dog in zagreb?
do i have a monobrow?
mothers maiden name?
dogs name?
favourite colour?
What beach town did you go to as a kid?
What’s your cats name?
Whats you dogs name?
Na koya data pristignahte?
Kak se kazva uchitelkata ti po piano?
Kak se kazva bara na 6ti septemvri?
Name of street I grew up in?
Name of First Pet?
Name of street I grew up in?
Grandma 2’s maiden name?
Grandmother’s Maiden Name?
Mother’s Maiden Name?
Mothers maiden name?
Martina’s st in Berlin?
Phone name?
where do you live?
the name of your dog?
what kind of dog is stella?
Mother’s maiden name?
First street?
Mother’s adopted surname?
What school?
What middle name mum?
What cat?
Name of town where you grew up?
Mother’s maiden name?
Name of your first dog?
Reuben’s middle name?
Mother’s maiden name?
Your middle name?
Brother?
best house mate?
Mother?
first dog?
mother’s original name?
father’s original name?
What is your mother’s maiden name?
What is your father’s full name?
What is your partner’s full name?
APPLE ID?
Boyfriends favourite sport?
HIV?
partners surname?
Mothers Maiden name?
First pet dog name?
Which animals are/were my sister’s favourite animals?
Which sport did I play when I was young?
Which sport does my dad love?
What is your dogs name?
Does your second name have an e in it?
What suburb was the shap house in?
Mothers middle name?
Bunny love!?
What was the name of the first street I live in.?
what is my account number?
what is mums middle name?
what is my dads middle name?
What street is your studio on?
What festival is your project in?
What is Esthers Middle name?
who was your first dog?
mother’s middle name?
nana’s name?
My middle name.?
My sister’s married name.?
My mother’s maiden name.?
What was the first street I lived on?
What was my first cat’s name?
What is my mother’s maiden name?
What is the name of the street that you grew up on?
What is your first pets name?
What was your first tattoo?
lexa’s dogs name?
Andy’s starsign?
where is ponderosa?
Madonna?
Next?
Where did you do your first Creative Development?
Dogs name?
first street name?
mums maiden name?
First Street?
First dog?
What is your Mother’s Madem Name?
what is the wombat’s name?
where is beaker?
who was my favourite teacher at high school?
City of birth?
Football team?
Country of birth?
what is your favourite colour?
what is your dog’s name?
what is your favourite fruit?
Sister is a?
Cat is called?
Father lives where?
who is our cat?
mark twain’s ocean?
who helped you with this application?
gail middle name?
lize middle name?
loz middle name?
who is my dog?
what instrument do I play?
on what st. did I grow up?
tatsumi?
antonin?
min?
What is the name of my mother?
What is the name of our Program producer?
What is the city of Dancehouse?
In what year was La Mama founded?
What is Liz’s mobile phone number?
What street is the Courthouse on?
Phillip’s dog names like picasso?
Phillip’s birthday?
Amplification premiered what year?
Road you grew up on?
Number of Road you grew up on?
Childhood dog’s name?

Posted in 62: MELBOURNE | Tagged

Light on red brick

for Alice

define personism you say
under the green light of Toto

but that’s men’s business
I am telling you how

it was fine being trapped that time
in your courtyard

o’night scaling the wall
of my first Fitzroy

brick in sun
makes sense

it does
the colour of a rusted boomer

the ones we don’t see anymore
see, you go on more than your nerve:

my wife with armpits of thistles
plaits like mescal

a horse of air & how to ride it
under the sign of Georgia/Frida

you stuck the great flower
(solidarity/appendage)

over your heart
the colour of a ranch

where schoolgirls will come
shadowed under the caves of their hats

drought-plaid
you wear it so lightly

my wife with the waist of dunes
head of the black cockatoo:

if you find in me
something to love

Posted in 62: MELBOURNE | Tagged

holographic diary only sparkles in the sun but this is melbourne

important notice: signatures will soon be phased out

driving around paris like carlton tho

pulp it

he goes (dead europe) in brackets

beatmatching

time to think

there’s nothing else inside me tho

jimbo liked your retweet

gr8

what I’m doing here is cataloguing/archiving my thoughts chron-o-lo-gi-cally

almost all of them

all of the ones that feel noteworthy I note

unless I forget them before I get to the page

which almost always anyway is just a text field

text field

we are safety blankets or toys to one another

alerts can come from people or devices, bots, code… alarms or messages, systems or
individuals

don’t discriminate

ibook clamshell,

baby vibrates, check up on it

ride around searching for unlocked wifi… ppl say “passwords used to be easy to crack
in 2003 anyway but nothin online yet”

twenty-four hour post office on Elizabeth Street closes at five every day

a console that enacts your every impulse no filter… seems unPC, will have to do some
research… could also just as well be your brain, your body

there is no undo button

“undo” is the action of shaking of course

not always appropriate while driving tho

i am so pretty sure, hook turn, hook turn, hook turn, scared of go left

public transport, physically crushing on buses

small-town and pre-internet modes of communication

same person separated through time

as we/they, same person? does 1 retain memories through time?

will u?

store them in story

if character drinks anything it’s imaginary

Hypnotiq, turquoise

a picture worth a thousand notes

she doesn’t do battle mode tho

camera people with GoPros on veils and pearls and

then i said “i thought of flowers”

recorded

we drank sparkling water because he wasn’t comfortable taking drink alone

(dead europe)

doing eurenglish

with soft accents

spring street

embedding reading a good book inside book possibly published online with soft accents

clean and beautiful. a good font. cultural skeumorph… literary skeumorph. nice kerning girlie.

text that’s biological

imagine how we will talk in five/ten years… tumblr really does a thing

visions are worth fighting for

more club music × lit fiction crossovers

using rocks from the desert floor to stay in shape

a life spent at one’s desk is a life spent alone

two of these lines are quotes

and it is more intense because

conversational English

conversational sex toys

sexuality, that is, the multimillion dollar underground trade in #melbournebikeshare helmets

a character called Barley, which of course means safe

future memories I can’t quite recall

I was trying to sleep but I could feel something in my hand like keeping me awake

threw it against the wall and it was my phone but I’ve still never smashed the screen

am I being too specific?

the public toilet has a time limit

self-cleans itself

what do you do when the internet hurts your whole entire body?

animal activist girls with beads in their hair

Posted in 62: MELBOURNE | Tagged

Great Notion Road

God is in Heaven. The fish in the tank
in the Thai restaurant, Exhibition Street, Melbourne,
will never see stars fall.

Neil Armstrong rocketed a quarter
million miles to the moon,
a long trip for a small step.

A sign beyond Westgate Bridge
marks our slow progress under the sun
one kilometre from Ceres. Armstrong is dead.

Let us debate who first saw the lighthouse
come over the rise at Split Point.
Wild horses of cloud ride the sky.

Where the sun dips, I fell behind
the retinue on that ridge above Fairhaven.
I will look to the east for your return.

From Erskine Falls to Teddy’s Lookout.
above the St George River Estuary,
voices tumbling over stones mouth clichés of beauty.

The road is sinuous as the sigmoid colon,
continuous to Apollo Bay. Ocean to port,
land starboard. No Apollo splashdown.

Not Armstrong, not Aldrin, nor Collins would pay
to enter the lighthouse at Cape Otway,
so they circle the Bight in spiral orbit.

There were Twelve Apostles. Only nine remain.
Peter, Andrew, Mark, Matthew, Luke, Nathaniel,
Judas, James and John signal the astronauts over the bay.

There are no astronauts, but the angels came down
through a gap in the clouds, just beyond
the limestone pillars, an excellent home for birds.

That fish in the tank knows nothing of wind farms,
nor of sheep on the road to Mount Gambier.
It may bang on the glass, but never will walk on the moon.

The lighthouse at Robe is of modern design:
three concrete slabs with a globe
in a cyclone and barbed wire enclosure.

The fibreglass lobster claws at the sky
from the roadside café at Kingston,
the first crustacean beyond Port Fairy.

When the fish left its tank, Armstrong rose up
and the crayfish broke free from its moorings.
They tyrannised sheep by the salt pans of Coorong.

Armstrong to Aldrin: ‘Buzz, on the moon,
there were no wind farms, no lighthouses,
no fibreglass crayfish.’ ‘Desolate!’ says Aldrin.

Across the causeway on Victor Harbor,
we walk by moonlight around Granite Island.
I was alone when I saw the rainbow.

As the ferry docks at Penneshaw,
a fur seal flicks its whiskers. Silver cars
slip down the ramp like pilchards.

From Kingscote to Seal Bay,
red earth and grey-green scrub,
divided by tarmac from fields of canola.

On the ironstone road to the Marron Café
there are no fibreglass crayfish. The marron
in the tanks go well with chardonnay.

If God was an astronaut, what would She say
to the Cape du Couedic seals at play in the cove
and all the marsupials killed on the road

back to Kingscote at dusk? Wallabies burst
out of the scrub, bound back and forth
in the path of the car, into the scrub again.

The road from the Cape Jervis ferry
branches left to Adelaide, sinuous
along the valley to Yankalilla Bay.

On the Florieau, ghost gums and lavender farms,
roan Angus beasts and black-faced lambs,
all toast on the way, under the sun.

On long hauls through space, do astronauts dream
of summer love, or crayfish with fibreglass claws?
Ask the fish in the tank! Armstrong is silent.

Posted in 62: MELBOURNE | Tagged

Six Shifts at the VISY Recycling Plant, Heidelberg

(i)

Let me introduce you to Chute.
Chute is problematic, has four or five personas
a first version of Iron Man perhaps but anti-hero,
more Alex from A Clockwork Orange than
Gough Whitlam; the easy political duality
of the seventies lost, left/right margins
smudged now by an arm’s length of business.
Chute’s business is eating shit.
his great cuckoo throat opens
he employs automata to feed him,
possessing no arms, no legs himself.
just mouth & iron stomach.

(ii)

Chute says to the new automaton,
Feed me you fucker.
Chute is blunt, 21st century to the point
no time wastage, earplugs can’t block out
his brains’ iron bile – sirens’ clamour,
a stop/start mythology of homesickness
affects most automata,
Don’t jab yourself on a syringe, dickhead
There’s too many of you slack cunts
On Work cover as it is got it?

Chute issues – rubber hardened gloves,
eye protection, long sleeved shirts
& a constitution so Conan, but meaner.

(iii)

Chute has a twin brother, Belt.
Belt is a selective mute because he
has only a vast black rubber tongue.
He has no throat, only a slick muscle
for moving rubbish. Belt sustains Chute,
carries condiments to the ill tempered Titan.
You’re like Polyphemus Chute, so fuckin’ anal!
Some day some cunts gonna poke your eye out!

Chute says to Belt that afternoon,
That new guy’s fuckin’ fast eh?
Put him on glass & tell the prick
To watch out for needles.

(iv)

On his first shift
these are some of the things
the new automaton feeds Chute;
soiled nappies, a mutilated fish
carcass, tin cans (air fresheners/baked beans),
two used condoms (not tied), a car battery,
frying pan, homemade bong, dead kitten
& A Dictionary of Catholic Australia 2000.
Chute is impressed but can’t let him know.
Hey, shit for brains. You almost missed
that broken triple goddess. Gimme it!

The new automaton doesn’t hesitate,
plucks the brandy bottle off Belt’s tongue
& throws it down Chute’s hole.
Ah that’s good, keep it coming newbie.
That’s our environmental policy – eat shit & die!

(v)

Chute says to the Newbie,
Don’t touch that red button –
It’ll shut down Belt completely &
Waste my fucking time, got it?

The automaton understands
these push button people –
how did Dickens describe them?
‘The melancholy mad elephants.’
Listens to the depressed languor
of Chute’s infernal machinations.
& if you switch Belt off, then
Hopper & Extractor & Grader &
Forklift & Bin get all pissed off at me, get it?
If you want this job, don’t fuck up!

(vi)

On his second shift, three Buddha’s
come down Belt, one plaster head only,
one smashed nose & one perfect stone.
To Newbie it seems someone’s thrown out
their enlightenment, complete with river stones,
shiny as soft drink. He asks Stacey, thenewlydivorced
40somethingmotherofthreeteenagersescapeeofaviolent
relationshipknownhimsinceIwaseleventhoughtIcouldn’t
copewithouthismoneybuthereiamdoyoulikeelvis?

Can we take this stuff?
Sure, whatever you find is yours, she replies
stuffing shampoo, lipstick & deodorant
into a plastic bag away from Chute’s mouth.
Who’s gonna give a shit? This stuff’s all junk right?
Now if only I could find some money, even twenty bucks!

Newbie snatches a glance at Chute, then chucks
the stone Buddha by his feet – Stacey smiles.
This newbie’s catching on quick,
I wonder if he’s married?

(vii)

On his third shift, used syringes
pour down the line, maybe a grand’s
worth of little pleasure rockets, blasted
into the arms, feet & arses of drug automata.
We’re supposed to stop the line if there’s
heaps of these but fuck it! I ain’t
, says Stacey
pocketing some red nail polish.
Give them to me Newbie, snaps Needle Bin
the mighty midget of the recycling plant.
Ah thanks mate keep ‘em coming, I need
me hit of crispy plastic & fine steel, cheers.

Newbie digs out thirty or forty syringes
& feeds them to Needle Bin.
Hey fuckhead, don’t forget me, roars
Chute at Newbie’s ear.
That’s right slackarse I’m watching you.
Now hurry up & gimme that silver-plated
Coffee set.

(viii)

The fourth shift is all voodoo.
Stacey plucks a plastic bag choked
with white feathers & chicken legs
off Belt’s greasy altar.
Ah fuck look at this shit, she bellows
above the machinery’s dull curse
as Newbie snatches up a green bag,
a black furry tail hanging over its lip.
Jesus, here’s the mother of that kitten.
Dumps the ex-feline down Chute’s
pitted & scarred maw. A flayed copy
of the Good News Bible descends too.
The iron whale stifles a yawn,
Two months ago we had a fucking dead
Sheep come down Belt, had to stop the line & all.
What sick cunt would do that eh Newbie?
Put a fuckin’ dead ewe in the recycle bin?
Here’s the Polaroid, stunk the place
to high heaven. Belt can still taste
that rotten fucker on his breath!

The automaton can only listen
to Chute’s story, his hands moving
faster & faster; time’s frame slowed down—
more Neo than Newbie.

(ix)

This is like the fucking Matrix isn’t Stacey?
yells Newbie across Belt’s thick distance.
Yeah, my son’s into that shit, I don’t understand
It meself. Too many fucking computers.
Well this factory looks like Zion, machines
Control us & I don’t even think it’s real
,
replies Newbie, skipping bottle-tops
into Chute’s sentinel gullet.
Yeah mate & who do ya think
You are? Keanu fucking Reeves?

The brown eyes bounce back,
her electronic signal crystal as she
snakes a mobile phone recharger
down Agent Chute’s throat.
Maybe I am the One, Newbie shoots
back at her, come to free humanity
From our slavery to the machines
.
Stacey points two used corncobs:
organic 8MM Beretta’s spit at Newbie’s
chest, Listen darling, the only thing that frees
Me from this nightmare is a bourbon
& coke after work & a good hard root!

Chute chuckles loudly at this, Belt’s tongue
narrows ever so slightly & Needle Bin smiles;
shows a row of used syringes as false teeth.
Newbie pauses, stretches, sacrum popping
like a spray can run over by Forklift.
Maybe it’s more like Terminator,
maybe we’re already defeated?
Newbie, don’t talk shit to me. I’ve got
an eight hundred dollar phone bill
that my fifteen year old daughter’s racked up
calling all her friend’s on their mobiles.
No fucking machine made her do that, did they?

Newbie looks across at Stacey, her piston
arms flying, her eyes chemical spillage red,
her combustive nature dwarfs science fiction.

(x)

The fifth shift is all abject.
If any dead animals come down Belt
You’ve gotta stop the line & take a photo

yells Chute to Newbie, as a flayed rabbit’s
head burrows down his gob, its fur/flesh
divide evident. Subject minus its culture.
Why take a photo?
Because it fucking lasts longer
retorts Chute
getting a chuckle out of Stacey, her
G-string predominant as she bends over
& scoops up a headless china doll.
We had a fucking hand come down once, eh Chute
she shouts back over Belt’s mute litany.
Pigs had to come & everything. White gloves.
You know replies Newbie scrabbling
at a used condom, its liquid defilement
contained by its miniature Gordian Knot,
That if a hand is too badly decomposed to recover
Fingerprints, forensics will often skin it & make a glove.
I saw one at the museum. Preserved.
You know what I really hate Newbie, used meds.
Those dirty bitches that throw them into the recycle bin.
How’s that for fucking stupidity?

Newbie doesn’t answer, drags a rotten food bag
into Chute’s maw, frisbees a syringe into Needle Bin.
I don’t think I’ll write a poem about this Stace,
I don’t think this is very romantic.
Fuck romance,
she replies, can you cover for me, Darl
I have to piss.

(xi)

The sixth shift is guilt.
Hey look at this Stace?
Handcuffs + red rubber dildo =?
Here Newbie gimme the handcuffs, my son’ll love them!
What about the dildo?
Fuck that, who knows where it’s been?
If you two want to open up a Club X,
Then do it on your own time, ya lazy cunts!

Chute barks, swallowing the dildo,
his deep throat satisfied.

Posted in 62: MELBOURNE | Tagged

Brunswick Street Nocturne

(for Bill Moussoulis)

Gamblers and parrots in polyvinyl acetate.
Heads on blocks. The film runs backwards
from the dénouement, a profile en face
like a filled-in Rorschach blot coming closer.

The street’s all hard encroachments,
things ricochet, blur, united in the eye-mind’s
sentimental violence. A glass of
poured rag water while we watch.

The word scission, for example, making
conversation the air you breathe.
Owning the future for a hundred bucks, it should
be raining but isn’t, the re-take’s a wrecked

weather machine. Continuity
was last week’s insomnia, today it’s erotomania:
how to keep an audience satisfied.
Crowding the door with hands out for a refund.

The autocue has the gamblers reaching
for their guns, but the parrots are unflappable.
You shoot anyway, the man in the street
drops dead, the moon powers-down. It’s a wrap.

Posted in 62: MELBOURNE | Tagged

Mixed Business

The speaker is…


Reliable as anyone I’ve known,
Bob Arnold is the kind of man for whom life works
because (please excuse my sentimental aphorisms)
he loves life’s work; he’s lucky too, since he makes
his luck: wife, two girls, an extended back/
extended up weatherboard, the briskest walk
from Dennis station, a mum and dad further up
the Hurstbridge line.
He’s never said so
but unlike me he’s never let his parents down.
Can’t you hear mine? Why turn out yet another teacher
for the state and why then did you quit?
Why’d you marry whom you did then let
your marriage rot?
Or why in my own phrase
That lack of any focus?
Not that I would mention it,
but when you respect their aptitude, their nous
and clearly their results, when a man does plenty
and it’s all success, a friend like Bob will focus
for you: which dictum Bob need never know
also applied to Beetle.
Let’s say someone walks by/
walks into any spot that’s yours along the strip
at three or four or five pm and Yes you get it
today I’ll score! Let’s further say that this is how
that world of Beetle starts, as one windy, warm
late August afternoon I was at his place and
this girl was there: just past attractive,
just starting to age (as his or anybody’s taster-lady
should be). Sure, with a few days left of
hanging back I still felt detached, with though
that growing ‘edge’, my ‘edge’ which told me
Want what’s offered, take what’s offered.
Your deal mightn’t enter many listings but
your dealer will. If this girl dies (and she
may die) your man won’t even care:
for this is Beetle and isn’t he your man?

I had, I have my still and centred love
of self-respect (rules as still may save me)
where though lay any self-respect in that?
Where it was to be regained of course, that swiftest,
simplest way, the Beetle way.
Those days it seemed
like every second staff room (that’s where I’d been
a year before) let alone every spot along the strip
had one of us at least: happy-go-usey, slightly sad,
making and remaking us ever so slightly sadder,
My wife had never cared for me and sadder,
and so she quit. I’ll always hate her.
She and the boy friend though, I bought them out,
aiming to live alone, which dispensing with the lot
our lot (furnishings, white goods) I did,
enjoying all that propped my pride in minimal living.
Next-to-last off the carpets came, paring me to floorboards
(with a front room facing Lygon Street opposite the cemetery)
and my invalid pension. So I shrugged,
put my place on the market and finished each few days
with silent wails to some distant god
hating it, hating her for that little twerp I was,
so that I would catch, I had to catch the bus
to Clifton Hill and then wait for the Beetle tram.
Until that summer’s day I saw the man who sent me there:
Big Mike on the strip announcing ‘Beetle’s? Don’t exist.’
And I’d be best advised it never had.
Except it had.
And I thought of us: retailers, clientele, those stickybeaks-for-now,
as kids jostling in line with Skunk, Keno, Des ʾnʻ St-st-stu
at Mother Beetle’s tuckshop, big-noting sure,
though most days more big-noter wacky than big-noter paranoid:
like Skunk announcing ‘Wanna join the army so I can give
the officers head!’
‘Well,’ Big Mike sneers, ‘somewhat possible
isn’t it? If he can get away from Beetle. How can he but?’
Not with the quiz-master himself
(our one with all questions, answers, prizes) reminding both how
hadn’t he been Capʾn Midnight’s two-i-c? and how
‘…for a year whilst we were flogging his little bags oʻ joy,
the olʻ Midnight, wasn’t he the Pope!’
Well, Beetle taunted, weren’t our wishes always jelling, jelling,
to be part of such pedigree? Some Reservoir back street?
Never for our Capʾn! Which made me wonder
why indeed for our Beetle? Not that I need ask,
since this is what Beetle ultimately does:
forces you to imagine. I know I must.
This sure is useless bastard weather…and near midnight,
stone-bored with these past two days of northerlies
Des ʾnʻ Stu watch wogs on Elwood Beach wrap up their soccer.
And even if tomorrow’s Sunday, Sunday can be work for some
like Des ʾnʻ Stu: sitting it out, staring at videos, listening yet again
to Beetle and agreeing with him how Dæmon’s been
a very stupid boy. Tonight but, they’ve credit enough with which
to hit the Crystal Palace, to choose and pay (which gets as innocent
as they shall ever be).

In some place which though boarded-up
may have passed for a milk bar, through all the rich,
twenty minute glug of video trailer voice-overs, he’s been phoning
this useless bastard summer Sunday. Welcome to Beetle’s,
for when he’s finished his calls and orders ‘Kill it!’
his boys understand their choice. Beetle or the feature? What choice?
Not when he’s chosen how this afternoon they’re getting Dæmon round
just so these very stupid, very stoned and very minor dealers
(Beetle, Big Mike, Skunk, Keno, Des ʾnʻ Stu) propped by Beetle-rules
can kill him, correct kill him, Dæmon a thirteen year old
user-dobber-thief. Well that’s the Beetle option and if his boys
are out, right out of it enough, this will be done.

The kid’s brought in
and all is prime for Beetle versus Dæmon time, how:
‘It was you wasn’t it sent those fuckers round to bust us?’
‘Shit Beetle-mate, that wasn’t me!’

Which might be answered
Who then but? except everyone’s got so distracted by some boy,
some boy who’s hardly entered high school
calling their mate Beetle…Beetle-mate? Go on try believing it!
‘Hey Beetle-mate,’ Stu asks in nervy spite,
‘c-c-can’t we start the feature now?’

Dumb beyond useless-bastard-useless,
you never had the energy to fast-forward anything.
You’ve been superseded by this grand stoned silence, Beetle as thinker,
who pauses, once, twice and then orates.
‘He gets tied up,’ Beetle stands.
‘And gets put there…’
And where is there?
There, there, there!
Underneath underneath! Underneath where Beetle’s jumping!
‘Feed him dog meat, feed him dog shit, anyone of you
know any better?’ Of course they don’t. ‘And let it be wayout
right Des? Right Stu? And by
right I mean
so real-real wayout, beyond mere real wayout, this’ll be
Return to Wayout City and St-st-stu that’s not some video.
Correct Keno?’ Who always keeps on nodding ‘Correct, Skunk?
The day has now commenced and we are made for it!’

Not quite Big Mike. Earlier that arvo,
once he saw this Dæmon thing unfolding (as if he’d stay
around for that?) he left. They were mental. And either on it
or not today’s product sure was. Yep, on yer bike Big Mike
he told himself, shuffling like he was in some folk dance
sideways to the door On yer bike, we’re relocating.
And he had to since with all of his dealer’s skills and effort,
the product and the risks, obedience was the only other option.
‘I’ve taken such risks,’ Beetle would announce, ‘none will understand.’
Who then murders some prepubescent user so that him and
his Beetle gang of pro dealers, amateur killers get caught,
and for a few days’ worth of summer news they hog it.
(‘Off the record,’ a spokesman said, ‘the underworld is shamed.’)
And I knew them. But also knew myself:
that if it had been necessary I might have been there
that summer afternoon in Reservoir, it might’ve been me
shuffling an exit with Big Mike, or else with Des ʾnʻ Stu
giggling whilst we tried to dump the corpse
(sure hadn’t done that sort of thing before had they,
the things ol’ Beetz got you to do!).
For even through
that slow mania of the Beetle toll, people got to know each other,
cooperate. (‘J-j-jeez Beetz,’ Stu who thought he was funny
once gagged, ‘don’t give them ambos t-t-too much work.’
Wherever he’s been sent there’s plenty imitations starting.)
And truly he unites folk does our Beetle, so that when guilt,
actual proven guilt strides in presenting itself to sighs of joy,
with the bench contributing each decent, hard-working Aussie’s
two bob’s worth, oh Beetle just listen, even the very bludging,
the outright indecent are falling one-over-the-other, just to ensure
how banal you truly were. Or when it’s time for nostalgia to intervene
watch them queue to ask ‘The Beetle merchandise?’ Then answer
‘If you had ways to look at anything and we mean anything
(that philosophy, those manners, anything) all would end in hock
to Beetle. (Or if you had any luck some better class
of wholesaler.) I mean we had to survive. There was little like it.’
Me, I was fortunate. I could still promenade North Carlton
beaming to and marvelling at the Morton Bay Figs.
Beetle couldn’t own me that much, though he still required it known
Your thoughts are my thoughts and my thoughts are your thoughts which are
‘You’ll be forever Beetz the best there is.’

And it fits doesn’t it,
how when I heard that him and his losers were set for judgement
I knew that I’d be seeing him this final time.
And though I liked and trusted that idea, a witness seemed required:
this friend to whom I could announce: ‘Now you get it, don’t you?’
I’m who he’s been dealing with.’
The trial occurred into school vacation time so I asked Bob,
who as he had been painting rooms Ange permitted one day off,
gatekeeper Ange, the wife who took me for my husband’s pin-eyed
user friend, him on his invalid pension
. Let her,
she wasn’t to know that for all the headaches, all the heartaches
(why bother mentioning withdrawals?) R v. Beetle was the primest
vengeance show in town, my year’s grandest attraction.
We caught the train to Flagstaff which got me questioning
Just how many users train it to their dealers?
Unfair asking Bob of course, his problem if he wasn’t in our
Beetle club, though come, come Mr Arnold haven’t you gone teaching
spaced on your very own drug of choice? Most probably not.
Who on any ‘drug’ could be each student’s matey-favourite
yard duty martinet as you are?
One lunch hour then,
Bob is motioning to me: ‘See him grinning there in his long black coat
and big thick boots? Today’s E.T I’ll stand any bet is stoned…’
After which we commenced those Friday evenings when my wife and I,
Bob and Ange fronted bistros, though even then the Arnolds
must’ve guessed the bit, that little bit I’d be using Saturday
to get me through a day a night, another day and night of married life.
(I’ve seen her with the boyfriend once: at the Vic Market where
we gave each other a tiny nod Go on darling guess who that was…
my useless user ex!) And at the next bistro or the next,
just to annoy the spouse Big Mike got referenced in passing.
And that Big Mike? Bob knew him from La Trobe. On Bob ʾnʻ Mike terms?
‘Near enough. A Maoist once…a teacher once…’ hoping to be a junkie once;
any fad taking him to an edge, though hardly so ‘edge’ you couldn’t Oops,
easy-does-it
and adjust.
Anyone’s capable, just be nice if a touch desperate
and ask about in any suburb, any town (in any staffroom!)
‘Know where I can find myself a Beetle?’
Well now’s our final chance to find you a Beetle, Bob,
my chance to get my final taste of Beetle, him to cop
his final shot of me.
And as if I’d conjured, here came his look
that slightest pause part way between Well wadda ya know…
and Who is that prick, I think I know that prick, who is that prick?
Though when the judge, who doubtless knew less than one per cent of it
mentioned him by the name Ma and Pa Beetle gave their baby
Who? I briefly found myself asking Who? Oh yes yes yes
I used to buy from that deadshit once except that now
since anyone can deal he’s not being done for dealing and Beetz

I kept staring back, a prick enough to taunt him Beetz
not anyone can kill and weren’t you at very base camp case
all death?

So that was him?’
‘Was him once.’
‘Nice word once,’
said Bob.
Look Beetle, look Bob at what I was back then:
twenty nine, bound for divorce, a head-and-heartache prone
high school teacher who, one Thursday after work
approached a man I knew, that same Big Mike, who sent me out
to him, this charismatic squirt (squirtier than even me,
who’d hardly make Bob’s shoulders).
‘Yeah we’re Beetle.
What are we doing you for?’
I told him what. Who sent me then?
And as I answered, don’t say we ‘bonded’ though we did,
over Big Mike’s snigger producing, ever-ripening moustache,
there on a Reservoir back street where Beetle worked out of his shop front.
‘…so,’ I asked my dealer, ‘this was a milk bar once?’
‘Mixed business,’ he replied, ‘just like any day.’
And who was there that any day? Taster girl, another woman too,
one I later took for Dæmon’s mother, found within a year
wailing in some park.
Though by now I had a little bag inside
my jacket pocket and having survived that afternoon
I knew that I’d survive this little bag, this anything.
And I have.
For look at what’s evolved:
an even more prone, divorced, ex high school teacher of thirty two
trying his embarrassed ‘Thanks for coming.’
‘My pleasure,’ Bob replies.
Except for headaches I think I’d like to think I’m clean.
Lying down though which is often, my mind remains on her: my wife,
whose secrets forced me into mine. And I could blame that woman plenty,
who though would listen to the blame?
Even Bob, a friend who’s always heard me out would walk away.
I’ve seen him, down the other end of a park, playing with his kids,
and as we waved I knew his feeling in return:
There he goes, someone from then I’d rather wasn’t now.
And never say you’ve never felt that way…
driving through this heritage town who’s that limping relocated man?
Big Mike, one Interferon day to the next. That girl must be dead;
but for each Des, Stu, Keno, Skunk who wants to make some
living-or-dead effort? Hardly me. And Dæmon?
He was a kid on the news whose parents one, two, two and a half
decades back gave idiot name upon idiot name to their disposable offspring,
as if their Dæmon would grow into his generation’s Beetle.
Who just degenerated. For I’ve heard this,
someone’s required to wheelchair him, King Beetle-mate with Aussie flag
round and around the Z Division yard, this someone being recompensed
with product.
So it continues, my tick-off list of
Them them and them, those those and those till it will have happened
much too many years ago, and even these memories, our sour
and blighted memories, surely must need to cease.

Posted in 62: MELBOURNE | Tagged

Us vs City (a tragedy in three parts)

1. The dry panini

Oh no – anything, God but this; this
crumbed tongue of hideousness whipped
from iron pants; fatty brains
oozing prematurely from its mashed skull.

I thought we had made it.
I thought we knew about lunch.

Now we’re talking, but your eyes seek the inner
cheese I can’t hide as my tongue flaps arid
crumbs; feigning homogeny of purpose while a glob
of truth plops like a seagull crap in your latte glass.


2. Night in the know

in a dark gridlock;
clasped fingers squeezing
dead-end doors where buff barmen toss
‘wet kisses’; smirks on ice; tankards of edible flowers
soused in lime…

You chucked in a dumpling restaurant’s wheelie bin.


3. Into Sedonia

Our neighbour flapped; a flippered beauty queen just crowned, ‘Did you
hear? They’re opening a sourdough bakery! How much better
can Seddon get?’ I didn’t know. I was a disingenuous prat without a lifestyle.
She looked around, ‘I couldn’t afford to buy here now!’
Stuck together

by direction, we passed that quirky hovel of right-on retro; selling
cotton toys, organic jewellery, rusty bikes, ironic
lamps; plaster cockatoos on wood from the dump; priced: exotic, stilts from
Campbell’s tomato soup cans. Pock-marked signs of rail routes west…
‘I love this shop! I’ll just have a quick look!’ She said.

I stuffed my muffin from the wrong oven and followed her in
to button-eyes and 50s patterns, just right tops and skirts that said I am, I am, I am, I
picked a ring from the jarring cabinet; should have been smashed glass from heists
stuck up with glue from grandma’s kit… But that wouldn’t stand.
It was nice. How much? Your money and your life…

‘I love those cockatoos,’ she said. It was too much; my head went spare.
‘Oh! Why don’t you buy one, then? It would look great upon a dresser.’
Something wasn’t right; the walls
took a look and hid their eyes. Better dash before the milk goes sour on my step…
Too late. Too late, the crocheted maiden cried.

Posted in 62: MELBOURNE | Tagged

Unwelcome Lycra/Portrait of a Patron with a Straw, Loafer

cnr St Georges Rd & Scotchmer


i.
Half a metre from a calf,
cycle – frightened & tanned,

flexing opine occupy politics
with a cracked bat – he seems to

know everyone in the bakery. His
argument (buttered, smoothed &

neatly we shake hands he) invites
me to the park for a game. I put

my hand into my loaf & refuse –
tuck it under my arm. Running

shoes & sourdough, a simulacrum.
I want, here, to reply. I want argument,

fey. But have tan trousers inappropriate
lunch in my hands, ears etc.


ii.

I sat next to the pig. A patron brought it in mistaking it for a meal and it stayed close to his tarpaulin. He placed it on the table every time he ordered his Sunday lunch “eating as his subject”. I could smell it like a milkshake tucked into a felt dicepouch. It was absolutely rude! I had no idea what time the last train left. I could sit for hours. The pig’s breathing was rolling everywhere hours away and I salted my chips. They were “piping” hot. He had a small tuft of tobacco coming out of his ear and his haircut, the salt and pepper whiskers placed into cigarette paper hanging from his cracked lips, wobbled as the pig nudged him. I sat next to the pig. It was afternoon. I couldn’t sleep. Billy was tuning his guitar to a few pigeons he’d been feeding in Piedimonte’s. I can’t read English in as much as I can blow hot chips and put them into my face my tongue knowing how to guide them along with punctuation. There is in my mouth a ladder (Jorie Graham). Pigs are messy as rugs or, at least, lean in metaphor/self conscious exclamation or bleached hair. I take my straw from its strawberry hide and in no time its gone as a mouse or heart murmur.

Posted in 62: MELBOURNE | Tagged

Bar-Jar-Oh

oh oh oh (etc.,)
The curved corner bar reflected sun off cars oh
Tiled corner bar of all favoured bars oh
Fortune cookie of bars oh
Roast duck corned beef calamari risotto bistro of the bar oh
Carlton and United blackboard of the bar oh
Alcohol floods through all who stop to worry that things could be better oh
oh oh oh (etc.,)
It doesn’t really matter any more because we’re all whores oh
All attention seeking whores in a city of whores of phantasmagorical super capitalist
slave whores oh
I could slit up right now here in the bar slit up right now no one would care oh
In fact they’d insert theirs and not care put their little knives in there and not care oh
If they slit up I’d put mine in theirs I’d put mine in theirs also
oh oh oh (etc.,)
We urbane ourselves like wild things in the boredom of the bar oh
The decay of everything and the beauty of everything by the jar oh
The jar of every diffuse sundown until all is undone and re-discovered in the darkness
of the bar and bistro oh
The jar of all starlight and moonlight through haze of stars the jar of blackest night oh
No moon or stars the jar of no stars and bars but navy blue and moustaches oh
Tables out the back and toilets bare moustaches football stars and palm trees oh
This jar you gaze into crystal ball of jars oh
This jar oh
Facing the jar I’m doing to the jar what I always do to the jar oh
The jar you go looking for and never find until it’s there oh
Facing the jar you’re doing to the jar what you always do to the jar oh
You make the jar feel wanted the strangest jar the usual jar oh
It is the only jar that can call itself a jar oh
It is my jar my lovely jar oh
oh oh oh (etc.,)

Posted in 62: MELBOURNE | Tagged

me n me trumpet set the controls

me n me trumpt have unccontably misplacd our new grindr
so we take to the streets clutchin our big bouncy baglettes of beans
we bought in bulk from a boutique boutique in brunswick
extracted from the rectum of a nut-mental monkey
all t’while engagin’ in mutual admonishmentizings
whaddya do with it? you were looking after it! you always lose me stuff!
at each other ecetera et ecetera interminabababbly
(basically he convincd i lost it when i know he did)
until we crossly come across a new cafe just crotting at the crossrds
in a casual yet snobby kind of way tho’ remaining a bit undecided
when — WHAM! — YEAH! — we cogitatated simultabraineously
THERE BE GRINDRS HERE LET US TREAT USELF TO ONE NOW
so me n me trumpt sneak in behind the sleek untreatd teak counter
past the well-heeled designer backs of the hip hipster caffeinators
to dump our bean babies in the gargantuan zigurratish industrial grindr
and hit PLAY! with the pulverizing air of a coffee bagatelle

Posted in 62: MELBOURNE | Tagged

Field Recording 1 – Clarendon Hotel, South Melbourne

He’s turning 57 in a month and the last six months, I don’t know, he’s

You don’t compromise yourself, no, no, they’re there, but so many close family friends

People like Steve and Jane, they’re the types … You know it’s ridiculous,
everyone’s on edge, so you’ve got to sort it out

My son in law, last Saturday night
I put the caravan at the front door, I put it at the front door, and I was rooted.
It weighs a tonne.

But not quite…the guys from repat came but they can’t do it until next Tuesday … Your birthday present.

It’s your factory, you’re the one with the title. When I went to the footy Anzac
Day the MCG’s drainage, the big difference is you don’t see mud on the ground.

I’d just like to learn about it, guns and knives, and the general of Rome. His general knowledge just leaves me speechless … He should be running the other way, not looking at the sun, he hasn’t got a mean bone in his body.

Wait until you see my new shoes.

Posted in 62: MELBOURNE | Tagged

The Satisfaction of Speech

Stretched out across the selfish wool table,
I fix on a mood in the high key of you,
twiddle my hi-viz wedding ring
and laugh at the way rhyme and metre
protect us from happiness. Angels’ tears
fill the rivers of hell in a song I wrote about you
but nobody’s crying in Atlantis now that we’ve
franchised the reckless antinomies of belated
centurian. Flickering intimate ceremonies
across elmscape cinemas – I wonder how I got so far
away. Landscaped by patent-pending geography,
maxed out in the merchant’s tent of never giving up
on always disappearing. Something in the way you
move, the stave that answers to what was barely
required. The concentration of your Northern Rivers
Cattle Rustle Drawl strings silence across the estuary
wide on sonic sighs and moans. Hitching a ride on your
electrical substation, the way you say my father’s name,
a high tension wire whipping through the gizzard
of I feel too much the surfeit. Are you a real shearer
or just pretending? Your Yackandandah stare fleeces me
witless, that wolf you’re wearing goes with everything.

Posted in 62: MELBOURNE | Tagged

The Apocalypse for Non-Believers

At the work barbeque they burnt the sausages and chatted about death.
The four horsemen of bureaucracy were late, traffic, they said, shaking their heads
like scythes. Steven had put off doing the mowing for this, and regretted
it. Only fifteen minutes in, and he’d already run out of compassion and
conversation topics. His wife had kept him up all night, washing the sheets
of their son who was no longer home. He’d rolled his sleeves up for the occasion
and bumped into Maddie, who he’d accidently professed a drunken affection
for, long ago. She avoided his eyes, having taken a small breath of her boyfriend
and his joint, in the car before arrival. He was waiting there now, like the beach
trips she always promised herself. The potato salad tasted strange and they
spoke about the Ukraine. Martin took the floor with the surety of a man
who’d been divorced twice but was still looking. Only being the boss saved him
from the ridicule of being caught on dating sites at work. He held forth a gentle
tirade about America. The half-dozen employees bobbed heads like sunflowers
drunk on sunset. A child with a kite ran along the Yarra and they looked, whether
they had their own child or not. The sky is falling, he shouted, eyes wilder than tigers
in a zoo in winter. He ran, leaking string and gaudy patchwork. For a long time after
they’d returned to their sausages and favourite end-times, they kept looking upwards
at the sky, which remained a beautiful, almost painful, blue.

Posted in 62: MELBOURNE | Tagged

Glazed Glitter.

     Love you, no he’s nervous, and we just now had a couple of coffees. An urban sock or about three avocados. No crap no yep. The other day. On the board, you do have milk if that will go away with for service, I saw Snickers ones the other, do it for the cash I had the capability they see it got me into are they there already. How to earn money from the custom well I’ll see.
     From AFL country I’ve been curious to know. And like just properly an architect. Lives an amazing. Isn’t she she’s a gorgeous. They will never see why they, will just need to be prepared two of the regular. Like when he was at my flat and saw me it was credibility to the venture I don’t know where I’m going.






I made this poem by transposing found phrases into the metre of a pre-existing text: Gertrude Stein’s ‘Objects’ in Tender Buttons. The found text comes from speech I overheard while in one of the four spaces in which I often write: a café in Balaclava, on an afternoon train down the Sandrigham line, in Bourke St mall or at my kitchen table. (The titles are Stein’s.) I wanted to maintain the spoken rhythms of the Stein, but the results only show up the constant skirmish between metrical rhythms and the phrasal rhythms of the vernacular, one-upping each other within the line. This poem is extracted from a set of 50.

Posted in 62: MELBOURNE | Tagged

KPTEA

Lucy Guerin Inc
28 Batman St
West Melbourne 19/3/14:11.30-1

Dancing new work
Make feet swan neck swoop
Uh ha uh haha
Silence ooh! Wh whwh heel around heel
Everything depends on what happens next
Who who aspirated
Hahaha whwhwh
Uhhahawhwhwh
Landed uuup
Kptea
Stutter shoulder stutter chest
Solo 60 seconds/30/5 rest
Woh woh wee kptea
Hoo woo whit
Wahwahwah we
Woo woo chchchc kptea
Dsh dsh dsh dsh
In stay out in stay. Out
Yeeehy
He heeeer wrrrr wrrrrr hahaha yep yeeeh
Yeyeyeh
Whwhwh wwooofff ha
Image screen rest revise kptea

At the QV stout man (attempts to)
Runs
Flapping penguin propeller arms
Laughter approaching
Laughter following
Red light startled
At the crossing his gazing up to infinite lunchtime sushi blue

Posted in 62: MELBOURNE | Tagged

Changing the Names of the Past in the Years of Curious Habits

1. Melbourne, 1968

Except for thistle girl,
we never questioned wiping up
the hidden pools

of urine from under
someone else’s skirt.
Mother Eucalypt’s voice,

known as whip crack,
pitched to scatter even
the suggestion of ants.

There was no use for the yard
either. Outside the Morton Bay fig
tugged threads

from under doors. The four seasons―
did what they were supposed
to do. I swear,

for the well-thumbed chapter of a year,
we never left that room.
Inside the clock spoke

conferred with a no-way-back
roundabout of hymns, confessions,
multiplication tables.

Thistle girl, clever by account
of her ancestral belligerence,
keen to stand high-toe kilter,

described the yard through a porthole―
like us, the yard existed as if
never knowing its purpose.


2. Melbourne, 1970

Seven years old, caught under
the abstract glow of her grimace,
Sister Heath’s

bull-dog eyes appeared
at the palm-end of her
air-curling finger―

if you walk your muddy soul
in the gully, you’ll meet Death
like Mother Magnolia.

Sister’s neck muscles
snapped into inimical position,
tight bundles twanging.

And even though a body
would follow the black trail of her
into the dormitory,

her cold breath huffing
new lists of punishments,
my mind was back in the gully,

inside a vacant bower―there, looking up,
seldom a presence in the light,
pollen’s blanket floating.

Sitting in low-limbed shadows
with moths, the conversation
of leafhoppers, away from Sister’s

God, the one with his own troubles,
away from all
the bleeding bones.

Posted in 62: MELBOURNE | Tagged

An Enough [letter to those Melbourne poets]

putting an end to . to fin
ish . after an exhaustion , a sent
ence . not of a person . not a . ho
w of . much heaves . nor to ma
ke pure . nor change . most a how of dare o
r share . much of the space without the cu
t . first the sound them . sec
ond the sense those . first the poem the
se . second the theory . without the line
ar one is . prove to variety they .

yet half if just the said said later wi
th a difference . enough then . eno
ugh now and nothing bundled . and brea
th has less to do than ever . no
t barren . or rich . not this writ

istling . neither resolving the li
near nor solving the circle .

probably the atom more rearr
angeable than the alphabet .
a search for beauty nor to stump .
nor how thort followed think
ing . . no
r an intervention .

nor stating a th
ing a thing more appropriate under
neath . a somewhat flippant strange co
mment surface .

nor to make no . concessions be
cause of the difficulty . these poles ha
ve the between them .

the
re is nothing to show for th
is . the moral is honest eno
ugh to turn on quicksand .

Posted in 62: MELBOURNE | Tagged