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Recent Posts
- Divertimenti: Hemensley on the Time of Vleeskens
- Notes on Five Canadian Small (micro) Publishers
- Inaugural Independent Publishers’ Conference and New Prize for Small Publishers
- JACKPOT Subs Closing Soon, INTERLOCUTOR Next
- Islanding the Antipodes? Notes on Archipelagic Poetics
- Ann Vickery Reviews Gig Ryan
- Guest Editorial: An Introduction to Sydney
- Blustertown
- Pam Brown’s Sydney Poetry in the 70s: In Conversation with Corey Wakeling
- Four Artworks by Kim Rugg: People, Places, Bad Boy and Just Passing Through
- ‘Xerographesis’: On Poetic Art and the Object in Amanda Stewart and Anne Tardos
Recent Comments
- patrick Jones on Divertimenti: Hemensley on the Time of Vleeskens
- Making a splash down under. « on Notes on Five Canadian Small (micro) Publishers
- Stuart Barnes on syd
- Stuart Barnes on Act #12
- Emily Stewart on Islanding the Antipodes? Notes on Archipelagic Poetics
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Recent Tweets
- 'It's a matter of consulting the oracle in the unconscious cave' Awesome ern malley radio feature from 1959 http://t.co/tafmusKv about 5 days ago
- Check out @readism 's close reading of Michael Farrell's poem Transpacific, published in our Sydney issue http://t.co/sN8MGFqJ 12:31:02 AM May 11, 2012
- Submissions for our next issue JACKPOT close next week. Give your pomes a final spruce and send 'em on http://t.co/c44RVPKG 11:48:52 PM May 08, 2012
- RT @w_m_lewis: I adored Ann Vickery's far-reaching and eclectic #poem 'Western Triv' in @corditepoetry Issue 38 http://t.co/mEFkBGEL #poetry 02:47:49 AM May 07, 2012
- Monday fresh: a great guest post by Bonny Cassidy talkin' about Antarctica and Archipelagic poetics http://t.co/CPdsmesi 02:40:53 AM May 07, 2012
CONTRIBUTORS
Kay Rozynski
Kay Rozynski Interviews Mark Tredinnick
I say 'nature writing', you see a Hallmark watercolour landscape replete with furry animals and woolly sentiment. But is this really the extent of it? What the hay is nature writing – or what isn't? Where is the line between …
Seven Secret Cities
A city had never the dimensions of a page; or, if it did, there was no need for the writing of it. Writing is a way in which a city of instances becomes an event. Instances disclose themselves patiently; the intention to account for these translates them into events. The inhabitant, who may or who may not be transitory, writes, and the page opens onto a secret space where instances arrange themselves into constellations: something here can at last and literally take place
