Kent MacCarter



Submission to Cordite 116: REMEMBER

How is memory assailed by states, by time, by the formation of institutional practices of commemoration? Alessandro Portelli once wrote that oral testimonies ‘are not always fully reliable … Rather than being a weakness, this is however, their strength: errors, …

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Submission to Cordite 112: TREAT

Who are you treating how? What gifts are you giving? What terms do you want to discuss or negotiate? Who or what would you like to heal or cure?

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Dominic Guerrera on as First Nations Literary Editor

We are honoured to announce that Dominic Guerrea has joined Cordite Poetry Review as First Nations Literary Editor.

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Submission to Cordite 111: BABY

Send us your babies. Nobody puts poems in a corner.

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Submission to Cordite 110: POP!

We want poems that POP! Think pop culture, pop art, pop music, popcorn, pop rocks. Poems in the shape of a soup can. Ghazals with Bieber Fever. Sonnets with square eyes. Give us bubblegum poems. Channel-surfing poems.

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Erika M Carreon on as Philippines Literature Editor

I’m honoured to announce that Erika M Carreon joined the Cordite Poetry Review Philippines Literature Editor.

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Submission to Cordite 109: NO THEME 12

We are now up to one dozen issues where there is no theme.

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Submission to Cordite 108: DEDICATION

This issue asks for your devotions, your gestures of esteem and affection, your hot takes on the solemn and fanatical. It delights in submissions seeking abandonment and surrender to a goal or cause.

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James Jiang on as Literature Essays Editor

I’m honoured to announce that James Jiang will be taking up the helm of Literature Essays Editor for Cordite Poetry Review. His care, craft and academic nous is peerless. James Jiang is a writer, editor, and recovering academic based in …

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50% EOFY Sale

Get 50% off your whole order of Cordite Books titles (as supplies last, and with one copy per title).

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Rory Green on as Games Literature Editor

I’m honoured to announce that Rory Green will be taking up the helm of Games Literature Editor, and to finally get back to using the online space and capabilities more consistently than we have the past decade.

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KRG Poets Award 2022

In partnership with FNAWN, we are proud to publish the winning poems from the 2022 KRG Poets Award. The award honours the life and creative work of Aunty Kerry Reed-Gilbert.

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Submission to Cordite 106: OPEN

For OPEN, we’re interested in doublings, triplicates etcetera, and/or play and suggestion.

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Submission to Cordite 107: LIMINAL

Liminal and Cordite are seeking poems by Asian Australian writers.

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Submission to Cordite 103: AMBLE

Forthcoming …

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Submission to Cordite 102: GAME

A game is an environment navigated by apparent rules and structured by invisible rules. All of these (and the game) can be broken if you know where to look.

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SINGAPORE Editorial

We consciously eschewed the substantial but well-represented body of Singaporean poetry originally written in English, and instead sought out voices from Tamil, Malay, Chinese and more which have not been as well circulated in the anglophone literary world.

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Submission to Cordite 101: NO THEME 10

Images courtesy of Jeanine Leane and John Kinsella. From now, and throughout 2021, we’re celebrating 25 years of publishing. Milestones include the publication of Cordite Poetry Review’s 100th issue in February, Cordite Books’ 40th print title, and the new free …

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Submission to Cordite 100: BROWNFACE

The brownface caricature of Jonah Takalua – as created and played by comedian Chris Lilley in the television show Jonah from Tonga – has been haunting Australia for twelve years.

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Introduction to Em König’s Breathing Plural

Will we miss nature, asks Em König in Breathing Plural? In ‘dreams of stale breath’, maybe. Or ‘in another life, on another planet … maybe’ (echoing The Only Ones’ only hit). Glenn Albrecht says in Earth Emotions, ‘It [nature] effectively no longer exists’.

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Submission to Cordite 97: PROPAGANDA

Information can be propagated to divide or to unite. It doesn’t have to lie, it doesn’t even have to frame the truth.

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Tell Me Like You Mean It 3

In curating this chapbook I’m not sure I feel closer to answering these questions: certainly they are never stagnant … But I do feel closer to poetry’s resistance to answer these questions, which does circle back to some kind of answer to my last question – we return to poetry not because we have an answer, but instead return in a process of regeneration.

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Submission to Cordite 96: NO THEME IX

No theme, no rules, except for one: send us your best poems.

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Submission to Cordite 94: EARTH

Why EARTH? Because we are of it, because we are destroying it, because there is nowhere else.

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