We’re facing environmental ruin and you’re scared of a text

(via tweet by @jaboukie)

I am trying to write something profound that we’re
going to find funny, yet moving, but resolutely facing

a sunrise that I’m already tired by, environmental
destruction, my spangled nerves swiped and tapped to ruin

and yet no matter how bad things feel, and
believe me they often feel bad, when I read you’re

coming home early, or you’re also feeling scared
and love courses through me like a coronavirus of

my heart I’m just so glad I am living in the time of a
smart phone, and it brought you to me by text.

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On the committee of vultures

The feeling on the island was
that a god had come here to die.
We met lesser angels wandering
drunk through the hills,

accusing passers-by of paying
tax to many-tongued deserts,
beasts muscled in shadow and
serpents who chase their tails

like dogs. We argued about the
rites held on the ridgeline of
her lips, where churches flock
like vultures. Priests there class

the old image of love as reptile
and the new one as heresy.
Accordingly, we sat around the table
looking for answers and taking

on the dimensions of a white bull.
We waited until the sky darkened
and each moon rose, rehearsing
cruel omens: the engine

of a vacuum will choke out of sight,
the legions will form a testudo
and the rain will beat down their shields,
the mirror will sag exhausted into pose

and the pale tongues loll in unison,
the city of gates will uncurl its fist and
the ship will miss the reef, but
only just, the captain

will turn and ask, ‘Did you see that?’

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It Turns Back Upon Itself

It moves like a broken dog. like a dog that has been broken. is what he said to me as we watched it. I read that Wadjemup began as a prison for Aboriginal men and boys. the records show that 373 Aboriginal prisoners died while incarcerated. these men are understood to be buried at a ma ss burial s ite, a b urial ground. the numbers do not seem to be holdin g eno ugh meaning: 437 deaths in custod y since t he 1991 ro y al co mmission. no police or pri son officer has been charged.

He explained that the movement is in the elbows: inward and out. this is how to scoop the air beside you. There are six boys being held in isola          tion at Don Dale who are tear ga ssed and we thep ublic areto ld it is because of a riot but five of th e bo ys are locked in their cel l whe n they were gassed ten times in the space of one and a half minutes. The prison staff are lau ghing andcalling one o f the b oys alittlerfu cker. one boy is lying face down on the floor and is expose d to          t eargas fo r eig htmin utes.

I say to him: I do not believe w e are a c hieving anything. he says back: the words       spoken at protests are heart-felt. I reply that I do not believe that th e government of this country has heart. our words become empty as the government rolls them around on their tongue. throw ing them back                    ward and forw ard o ver an d over              until th e language tur ns inwards: the language turns back upon itself.1

I say to            h im: I donotbelievewea reachievin ga nything.hesays back: thew ordsspokena tprotests are heart-felt. I replythat I do notb elieve that the governmentof this coun tryhas heart.our languagetur ns b ack on itself.o urwordsbecome empty as the governmentro llsthemaround on t heir tongue.throwingthembackwardandforward overandoveruntilthel anguageturn sbac kuponitself.

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The Colour of Shame

Curves and a cause, curves and
some freedom, curves and a voice
A Ramones t-shirt, tight, and a grandmother’s
tartan shrunken to a skirt that covers

not much, a jacket, an XL jacket, a heavy navy
and no frills. But the colour of shame
flushed cheeks – there is a strain, a

tension between how a good
middle class, white, Christian girl should dress
and how this one is

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Counterpoints

1

Lay your body of work on the line, for the unemployed / cry
out for change. They need / content creators. Invest in
something higher. Penthouse suites. In the land of the free /
there are openings. The unemployed fill / the sky. Is the limit
for fledgling investors / land? Speculation lifts the stock
prices / in our hearts. Valued Donors lay / the foundations.
Graduates paint the sky / in this economy of empty
skyscrapers. There are holes for the unemployed to fill.

2

In the only age not named for its weapons the poor raise
their hands / to make their voices heard. Lay down. Your
voices / are heard, objectives achieved. / Return to the
public square / in your palm. Your voices are private.
Property. / Barricades. The public square. / The poor raise
their voices and the only age not named for its weapons
takes up arms.

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There’s a boom up there (after Scott Morrison)

There’s a boom up there (after Scott Morrison)

This slider puzzle poem is a comment on how recording equipment can be increasingly used to reveal people’s racist attitudes, actions or complicity. ‘There’s a boom up there’ is what Scott Morrison said when Peter Dutton and Tony Abbott were making inappropriate comments about Syrian refugees and the plight of Pacific Island nations. Instead of saying ‘hey, that’s not cool to say that’, his sinister contribution to the conversation was to inform them that they might be overheard.

Source text: ‘There’s a boom up there: 6 times pollies were caught out by a mic’, The Drum, 2015.

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Villanelle (coercion)

Sleep-eyed and fumbling at the sink at seven, recall the phoenix
posing its weary injunction, no less glorious for fatigue:
Get up, again, undone or ashen—just the repetition forms a radix.

Lazarus too was smelly, pyjama-stank composter-chic,
and surely felt mis-given returning from the morgue.
Sleep-eyed and fumbling at the sink at seven, recall the phoenix.

How, rising from the ashes, gray and powdered calisthenics
overpowered, over-joyed, in a dazzle of burned-bronze wings.
‘Get up, again, undone or ashen—just the repetition forms a radix’

(he might as well have said.) Rising’s the basis for no meagre ethics:
A dying-daily thing, daily dying something upright augurs,
sleep-eyed and fumbling at the sink at seven, to recall the phoenix

who did it again, and again, bathing in the dust, left by a hex
to continue a pattern of recurring resurrection and bear the intrigue.
Get up, again, undone or ashen—the repetition itself forms some radix, in

“Now wash and dress”, “now flick the kettle, glance across the Guardian’s fresh polemics”.
Unsure and not unscathed, but here now, step in the mundane – gigue.
Sleep-eyed and fumbling with the taps at seven, recall the phoenix,
get up, again, undone or ashen. Just the repetition forms a radix.

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91 days

uncertainty is a virus

we must all be prepared
art is a virus
love is a virus
the economy is a virus
America is a virus
panic is a virus essential services are a virus anyone who still has a job
is a virus we’re all in this together is a virus all Australians
are a virus the PM’s tie is awaiting results
kindness is a virus the vulnerable are a virus
condemnation is widespread emotion is a virus your friends are a virus
help is a virus the virus is running out of gloves cities are a virus
global warming is a virus acceleration is avirus the virus is adapting the virus
is learning to tweet Mel Gibson is a virus bitcoin is a virus Trump is a pandemic
resilience is a virus empty shelves are a virus singing is a virus flash mobs are a virus
hugging is a virus wear a chickenmask instead racism is a virus old age is a virus youth is a
virus invincibility is a virus the virus is obsessed with Bill Gates the virus is working around
the clock the virus is upskilling parliament is a virus tik-tok is a virus back to business
is a virus normal is a virus the virus is missing its grandparents the virus has lost track of
days memory is a virus 20seconds is a virus it is impossible to catch a virus if you always
wear a beard cruise ships are a virus dancing is a virus healing is a virus stupid is a virus the
public are a virus the people are a virus the virus ismaking the most of it the virus has never been so
clean compassion is a virus the health system is a virus my beloved sharks are a virus I’m
just waiting for the virus to take this seriously eugenics are a virus individuals were otherwise
healthy the virus has unfriended me the virus is drawing the line data is a virus conspiracy is a
virus resistance is a virus please do not comment as this virus is no longer live stress is a virus
challenge is a virus explanations are against the rules changing your clothes is against the virus
changing your mind is against the rules hesitation is a virus spitting is a virus recovery is a virus
thevirus can’t believe what is happening of all the ways the world sings to me this one stuffs its fists
in my mouth the virus is drowning the virus is looking to the future respiration is a virus mutation is
a virus behaviour isa virus time is a virus the virus is inside us the virus knows nothing has changed

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flag

this flag is a gun that spits out soldiers
instead of bullets
and I don’t know how to make peace
with my weaponised mind
or these feet that fear the dirt
or this tongue that won’t trust river water

I confuse liberation with loneliness
and my nation with a strangled kite
trying to break its chain

this body is a landmine
buried in stolen soil

this body is a thread
strung between two continents,
untold wars and forced evictions

raised for a world that never existed
in a country invented by brutal men.

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Haze

The prime-minister’s words fill the air –
they hang over the bays, obscure the roads
to the little towns, drift
between the bridge’s cables. His words
turn the sunlight a dirty orange.
You need a breathing mask
to get through them.
We are longing for a big downpour
to wash the prime-minister’s words away.

Meanwhile, what he refuses to say
keeps burning.

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Thenar Webspace

Loneliness comes out of the toilet bowl with a flashlight.
This happens in the middle of the night but also the afternoon.
Sometimes you find it screaming around and around,
Sometimes you feel a flushing in your throat. Think
Of the violence as thick images glazed onto porcelain with
Blood/ decide on the aggressiveness of the word schlack
Twenty-thousand black squares hovering before your eyes
Shadow-box the hallucination yell whack/whack whack.
Now stick your head in the water. The roots of your hair
Will pull your scalp outwards until it feels like a hat.
Remove the hat. You are inside. It is impolite.
Flush yourself again. Press the steel button down
Slowly, tenderly, there is an intimacy in self-disgust
A sharpness to harness. Keep at it. Forget your
Passwords. There is only glass in the bowl now
Glass in your mouth now, each big tooth clenched
Inside. Other grooves chalking grooves flush.
Flush again, swirling is swirling the light your white
Hand reaching out with nail clippings. Press them into
A palm. Think of Love. Think of the purple flowers
When you extend your thumb. The dog trapped in
The ceiling fan whimpering. The faulty wiring. The oil
Sea beneath the earth. Dancing on the bar in galoshes
For the blood. Missed messages. That shit in the pipes
That diluted the sun. I want you to understand that this
Is not self-immolation. Not a colour. Sometimes you will
Be tempted. Keep moving, flush again.

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American Dream

I like to pretend I’m a billionaire.
It takes the edge off being broke.
When I wake up in my shoebox room
which I share with a family of rats
(I hear them at night
playing Scrabble in the walls)
I say: I choose to live this way. I like rats.
When I go to work and the boss
tells me to move faster or I’m fired
I think: I could buy this shitty company
and sell it to China if I wanted.
Lah di dah dee, trah lah lah.
Sam Walton, founder of Wal-Mart,
drove a 1979 Ford pickup.
Henry Ford lived modestly in Michigan.
Look Ma! I’m Henry Ford
living modestly in Brooklyn!
I’m wiping my ass with invisible cash!
I’m the richest schmuck in America!
And no one knows it but me.

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The Management

reserves the right
to inspect your head.
please do not leave
before the red light
goes out
& obey all the rules.
survival will be provided
by collected time,
you may feel secure.
we have done all we can
to make you as comfortable
as is reasonably possible.
it is expected in return
that you do the best
we know you can.
more than this is not required.
(you are reminded however
that any less is a serious offence).
we are treating you
like a human being,
please try to act like one.

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Victory (1917)

what did the sun feel like
that armed October day

– did your dried skin
breathe between Nevskiy and Liteyny?

did your hair stand on ending when you saw
in those new men a light refracted full
a future danced into a falling web

– and did you really point your arm like that?
did spasm take you as you cleared the gate?

what dust swarmed in your eye when you first felt
the mechanism of time change form and shape?

and did the body now grown ethyl-thick
run through with an imagination of the motion
spilling to causes from its tongue and hands –

my great-grandmother’s ladle swimming
into the wheat and flesh inside her son

her daughter a distended limb, my father
paused to speak between the eared walls, us all
turning away from faces in the street

knowing to look would mean to trust
and trust belongs
to some imagined country that’s not here

– perhaps the same one that you saw,
Vladimir,
when your gaze tore its teeth on autumn sky

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Red Scare

i.
The little fascist in me is
crushing that little flower,
Earlier Me, who
jumped the train gates
illegally.

My crotch was a hinge
I couldn’t feel
to get me through.
Don’t tell anyone it touched
the metal.

Don’t daddy, do
you have a ticket?
Like neo-New Balance,
neo-Asics, like
Me like Too?

I’m the morgenmuffel,
a nasty Czech waffle,
making posters of paper
in the spring tank,
leaving.

ii.
You’ve done a really bad job,
they said, as I
came, came, came
to the end of the brigade of
knocks and lights of surrender.

Lavender water and beauty,
the girls are saying
whatever comes to
mind through the phone,
No replies guys! Gays and go.

It’s going too right,
I write from the left margin,
a new warm cut
down in the right
place.

Space opening up
for Olinda phrases, bare
feet on the ground.
Thighs down, thighs down,
blood’s here now.

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Another Bushfire Poem

DAY ONE

an early one tucked around the corner
by David Warner
the crowd really starting to feel the vibe
at the SCG
“Waltzing Matilda, Waltzing Matilda
you’ll come a-Waltzing Matilda with me”

welcome to the sydney cricket ground1 wherever you are around the world it’s a hot day out there and it’s only getting drier with water supplies running low and members drinking refreshments since 9am forecast is dry in most areas conditions continuing the pitch is predicted to crack in the heat a long and difficult battle ahead the australians will aim to bat trying to defend their homes until at least tea time barring a collapse or two fires potentially joining to create a mega-blaze on the border the pitch is showing early signs of turning a premeditated sweep into the number of missing has grown a bit hazy in sydney at the moment but met with a solid leave we’ve never been this prepared to stay and protect time for a break for all the players it’s hot out there areas of concern remain at concerning levels at five to three here in sydney its still 35 degrees so the australian captain tim paine will have that in mind it still looks fine to me to play a 15 over stint at the end less heat better conditions for bowling the perfect line as there is no safe level of natural variation just not sure if it’s gonna reverse swing or not it’s very dependent on the wind to stay or go as catastrophe threatens what’s the feeling there will the australian team be able to remain batting all day



DAY TWO

to smith and with conditions never before seen in this state you can’t bowl like that to this field so frightening and fierce it’s been a tough morning as far as run scoring goes for the australians we’ve seen this kind of destructive fast bowling tactics before often seen on the world test stage the australians still struggling to deal with it and score successfully especially in such treacherous and unpredictable conditions like walking into a real life nightmare and that’s what makes test cricket so hard and beaten very close to the outside edge with such ferocity a very trying time terrifying 468 minutes labuschagne’s been out there now and is nearing his first double century he doesn’t like to stick around he likes to have a go this will come as a bittersweet revelation for those oppressive conditions but he’s had a bit of luck it was really a scene from another world earth turned into mars a lovely stroke there with this toxic smoke one of the shots of the day could be gone in moments and will no doubt be hit in the helmet again before the summer is out it’s only going to get worse or should we say get better the pitch is only going to spin more PR before people it’s starting to turn the wrong’un spun triggering warnings while this test match is going on our thoughts and prayers are with those affected popular landmarks so many people struggling all over the country is at its wits end and well done to everyone who has donated the power in this area has once again gone out there are no reviews and there’s no slip in places evacuation centres have been evacuated a chance for a flick off the hip



DAY THREE

good shot really good shot you could hear trees exploding in the forest starc gets it through the gate steve smith gets his first blaze reaching emergency levels hammered by paine plenty of power in that stroke glorious absolutely glorious confirmation of another tragedy joe burns over the rope for six but cummins gets the last laugh he’s countered the tactics well i don’t think there’s anything left the australians understand that if we lose one we can’t lose a second wicket quickly that’s pulled away hard to the fence it goes this season marnus labuschagne’s batting has been freakish i’m sure it’s a summer he won’t want to forget i have never experienced anything like this you just run out of superlatives for this man trying to spend as much time indoors under raging winds for this kind of summer achievement the conditions are looking a bit gloomy not other people have been so lucky to be edged out with australia well on top and paine declaring with a lead of 420 as part of a wider relief package2



DAY FOUR

out and that’s the first breakthrough of the horrendous conditions reverse swinging incredibly quickly and late too only to be criticised and chased out of an embarrassment to be seen walking away a no-ball called a reservoir explosion yep on the replay it was the wrong’un set him up nicely when he thought it couldn’t get any worse it did turn putting their lives at risk so there’s some dry around the randwick street end that will bring a delight to nathan lyon and his off-spinners and that’s bowled him a moment of defiance against conditions that seemed so unstoppable doing nothing is not a solution as we see a backwards cut evading the silly point steve smith taking 39 balls to get off the mark now a comfortable drive through extra cover for four more monster inferno fears perhaps trying to shift the blame as well he’s dropped him can you believe it obscured by thick smoke he just got his feet wrong over the rope over the fence go go timing the ball to perfection now they have seen similar scenes only days ago



DAY FIVE

you gotta make your decision quick it’s getting more difficult to drive on this wicket there’s been some talk of reverse smoke and it’s looking a bit hazy for the first time a shortage of face masks over another maiden it’s looking a lot cloudier but i think there’s a bit of smoke amongst the yellow tinge pluming as we look through the glass here that’ll be out and one down a nervous wait for those families left behind as despite these big wickets where the bloody hell are ya the australians final review is being referred to the third umpire upstairs a dramatic federal intervention stay with your original out decision that’s it australia win the test it’s a very special day indeed3


another one tucked around the corner
by David Warner
the crowd really starting to feel the vibe
at the SCG
“Waltzing Matilda, Waltzing Matilda
you’ll come a-Waltzing Matilda with me”


1 Australians will be gathered whether it’s at the SCG
(Sydney Cricket Ground) or around television sets all around the country and
they’ll be inspired by the great feats of our cricketers from both sides of the
Tasman and I think they’ll be encouraged by the spirit shown by Australians and
the way that people have gone about remembering the terrible things that other
Australians are dealing with at the moment.
Scott Morrison, ABC Interview, 01/01/2020

2 But at the same time, whether they’re started by lightning storms or whatever
the cause may be, our firefighters and all of those have come behind them to support them (sic), whether they’re volunteering on the front line or behind the scenes in a great volunteer
effort, it is something that will happen against the backdrop of this Test match.

Scott Morrison, ABC Interview, 01/01/2020

3 And on television every night, with looks of professional apology,
weathermen and women standing in front of scarlet maps of Australia tell us
over and over again the news that makes sense of all these woes: according
to the best forecasts, we have at least weeks to wait for rain.

‘Australia is becoming a nation a nation of dread – and the world looks on
in with pity and scorn’
David Marr, The Guardian, 31/12/2019

Posted in 97 & 98: PROPAGANDA | Tagged

intro to chinese politics

蹲点: to squat on a point for long enough that you belabour
the point, which is to gain enough experience to make a point
for you to squat on.

重点: all points are equal; some points are significantly more
equal than other points. use these in policy to add more weight
to your points.

工作队: saikang warriors with chinese characteristics. arrows
are stronger than bullet points in emphasizing the significance
of your campaign.

骨干: the backbone of a successful campaign requires
individuals who are willing to sacrifice their backbones to
ensure a successful campaign.

突破口: a breakthrough in your campaign; occurs when
cadres suddenly break their silence and open their mouths in
praise of their achievements.

扎根: pronounced, aptly, the same way one would say
“jargon”; literally means to strike roots. each step listed above
is jargon for how to 扎根.

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this dreamtime is colder than death

how can I forget? a frozen winter sunset when I was playing
in the blow-up pool with mum and Kelisha said – there’s some guy here

to take your baby away. then, out of breath. mum in tears – just you wait
for the storm of needles and waves.
next door, they were watching
the news avoid our context again. and it’s started raining again.

white cockatoos glide over the water. the moment stunning
because of the sad, sad beauty. because the sun reflected every tear

whilst nothing more was said, or was it the prayers inside my head
that started to tighten in all that sadness, making the mozzies
devour my trauma and common sense?

because you might need somebody too. you might be somebody that
needs listening to. that much I can gather in the light of each reflection

but between now and tomorrow I want to remember all the hungers
I have ever known. but where is Kelisha? has she forgotten me?
over the water, a thousand white cockatoos and the splashing sound

of silence as thunder and lightning fall. there is a reflection she won’t
let me leave behind. when I woke up and she was gone I got scared.

when I can’t rub up against you, your touch is all I ever feel
in the music of the howling wind. some guy approaches, shivering.
mum says a scarred surface never heals. who am I to say any different?

there’s some guy breathing heavily in the dark. Kelisha draws close
and softly, into his ear. she says – I’ve come to say goodbye.

there were more tears. the sky is closing in. tomorrow, I will walk
back to myself along the iced edge of the lake.

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Humdrumming

Update #9 from the Department of Nearlyology which at this stage of our unlocking instructs an element of doubt to infect human encounters, a quelling, a coolness, a quiet curiosity. No rushing into arms nor towards other body parts.

Where once loud clapping and howling were deemed essential, now The Dept recommends most citizens perhaps once a week or so to stand in the street outside their homes and engage in humdrumming: a mix of body percussion and the creation of sound through a closed mouth, activities which sit between shutting the fuck up and shouting the heart out, are how we know ourselves from within, unrecorded, un-reflected, and through which we re-render heard songs, remake and repercuss them for our own purposes to express the inexpressible or almost ignored, those scraps of sorrow, bitterness, love, lunch, the everyday and in-between.

This humdrumming, the Dept suggests, can send out a forcefield of emotional complexity guaranteed as much as anything else so far to eliminate most mild symptoms shown of various viruses and hypochondrials. Here lockdown drifts towards the looking into various abysses of grief, ruination and fear, the whole planet staring just now into deep dark.

The Ministry prepares to make defining statements, number the sadly dead, hurriedly moving on to the cheerier rates of infection and frustration, to put an assertive stamp on proceedings, working twentyfourseven on a reboot up the planetary backside to be greener fairer kinder budgets allowing, keyworkers black and all shades of lives mattering some percent moreso.

Meanwhile the humdrumming right across the globe is growing, the pattering on bellies distended by stark staring hunger or anger or grazing on comfort foods, the lips closed, buzzing, ruminating on a tune embodied within us, performed falteringly, to ourselves and those round about, the best means to inhabit these weary skinbags. Let it out but in not quite yet. Hold it in somewhat but still be heard. Humdrumming and look down at our tiptapping fingers, look up to the stars, we are coming up out of lockdown, we open wide shoulders, stretching our backs, pushing out chests, to breathe, resonate, breathe, we must breathe. We are humdrummers no going back and shake.

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Conspiracy Theory is Contemporary Genre Literature

1. the task isn’t to tell the truth / but to induce
in the reader / the belief that they’ve discovered it

2. only the poet finds Abyssiania
inside the toe of their shoe

3. there are / worlds / where the sea / never / makes landfall

4. they dream of a sentence that can be pursued to the end with absolute certainty; of a word as definitive as a
tombstone; of a book after which nothing more can be said

5. silence / finally / also unheard

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Request // Response

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[Immigration Interview: Chinese Exclusion Act 1882]

[Who paid for your passage?]
The blood that burned the brightest
was always the one we followed.

[Is there a clock in your father’s bedroom?]
While he slept, silver wheat grew
from the sweat of his clothes.

The morning always found
a quiet place to kneel.

[Is someone forcing you to come here?]
I don’t understand the question.

[Who were your neighbours?]
The name Yu Yan. The name Ying Yue.
The word yùn dòng. The clouds – sliding
like Wang Shu’s wet slippers across the hallway.
The field – the field inside the finger.
The golden doorknobs wrapped in a blanket.
The loose joints rattling the ginger-jar.
The salt in the curve of a pinnae.
The sound womb glistening the air.
The strand of hair lengthening in the spine of a book.
The ocean forgetting our names.
The sky thirsting for our bodies.
Our bodies thirsting for the sky.
The country – her country – welling in the afterglow.

[Who paid for your passage?]
Unable to speak,
the dark thawed around us.

We held birds like candles.

A child mistook the snow
for his mother.

[What direction does the front of your house face?]
When we were lost,
I pulled the curve of moonlight
from the wet of his lips
into a sickle between my palms.

It always spun South.

[What pieces of furniture were in your living room?]
The radio – the father inside the radio.
The box of chalk. The pocket mirror.
The teeth – the jade inside the teeth.
The map that shrivels in the moonlight.
The wax that blooms in the bone.
The chopsticks – slid – into the holes of coins.
The shadows braided on the clothesline.
The window that breaks like an eardrum.
The wind drawing names in the ashtray.
The bayberry bleeding on the tongue.
The body – thrashing – like a blanket in the mouth.
The candied ginger – goldening on the table.
The breasts – her breasts – swelling ripe in the heat.

[What is your final destination?]
Could you please repeat the question?

[What is your final destination?]
Where the shadow pauses
at the edge of a meadow
into the shape of a gazelle.

[What is your name?]

[What is your name?]

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nothing ever really

i’m at the centre of something and yes, i can break through the plastic barrier of the thing i’m
in but then i will just be trapped again, this time in something bigger, and this process will go
on and on like a perfectly looped video: you are in a cocoon; you shed the cocoon; you
notice a clear film closing in on you; you are being vacuum packed again; the layers never
stop existing.

this is how i feel about politics and echo chambers

raw onions in your mouth: intrusive
and they stick like permanence
and then you add fire
and they are covered in soot
and they crumble
and they are like molasses: sweet
and they are like butter: slipping in and out

when i am in PALESTINE we wake up every day to the smell of sugar
from the bakery/ies downstairs and i feel sick like i am going to vomit

i want you to recall all the pictures
of pelicans after an oil spill
the ones that went viral for a week
then stopped circulating

because traveling when you’re coated in thick diesel slip
cannot last forever. we get tired. we all have to settle eventually

1. stop moving around so much
a. are you trying to go home?
i. yes
١. so…you’re finding somewhere new?
٢. so…you’re returning?
ii. no
١. good

go camping and get trapped in a place with no phone reception
(why are all your stories about being in places with no phone reception?)
when the boyfriend of the friend whose birthday you’re celebrating says
[ISRAEL]
alongside [REDACTED]
and alongside [REDACTED]
and alongside [R E _ _ D _ A C _ _ T _ _ _ _ _ _ _ E _ _ _ _ _ _ _ _ _ _ D]
get more trapped than you were before

you are in a box now
you are always in a box that’s just how things work
but this one isn’t the right one

this is how i feel about politics and echo chambers

you are in a box now
and the box is a yellow dumpster
on jamal abdel nasser street
you are a cattle egret
in a yellow dumpster
on jamal abdel nasser street
even though you’re a waterbird
and Jenin is forty kilometres
from water
in either direction

Posted in 97 & 98: PROPAGANDA | Tagged

Corona lens

The thing is in the air
It rides on breath
It strides in crowds
Yet the marchers are out

Night was once believed to be poison air held high by the sun
To fall against the landscape as night
Windows were closed tight to keep the monster away
Creatures of the nigh originally came from as evil almost sentient
Now the thing is all across the globe stealing breath
Yet the marchers feel the need to be out

Wars once dropped bombs at night to those cowering below
Terror and fire and death from the darkness
Ruin born of architectures
Splinters and ill sculpture of home wall and window
And now the thing rides the very air and breath and needs no bomb or craft
Yet the crowds gather now each day

Death is only abstract when it is seen as far away
It waits for all
Compassion is a kind of contact
Empathy and reason are buildings, halls, seas and shores
And they stop nurses to scream about haircuts and sandwiches

Cities slumber now to try to minimize the tentacles of molecules
To reduce the horrors across the world
And the crowds yell into the ether
Self-congratulatory awash in ill formed rhetoric and base human desires
Like death itself can bow down along with reason and sense
To shouted voices
Like the grave can wave a pale flag to the force of will of so much weight and mass
And that the world is but a singular perception
A lens as globe

Posted in 97 & 98: PROPAGANDA | Tagged