Maggie: An Apology

Through all

          the little stories

heard

as emulsive-minded children

          on rickety and wrinkled knees,

we soaked them in

          but never developed,

stayed unlit, stayed negative;

and Maggie,

ghosting darkly

          on the edge of my inheritance.

The vibrating shadowness through

hazy days

          and hardwood;

The mute gazes of dairy cows.

An iron roof

          ticking in night's tightest grip,

blacking out the stars.

Its disapproving voice

          a ground back constant,

The consonant bird calls,

the thin newsprint

          that papered the walls.

Hazy days

          and deepslept nights,

          ringbarked hardwood.

Cowhides tanning

                    on the clothesline,

wraith-like.

Maggie,

          slippery through the dappled light

          as she

          whitewashed walls

in the roofless property chapel.

Hazy days

          and a housekept homestead,

and their

heat-fraught,

gin-and-tonic days.

          The highcollared women

          bickering more bitterly

                    for their hardwood silence

the minuteness of their territory,

          the crumbs of a housekeeping budget,

swept like saltbread fragments from a bar.

Cicada song

          like a tuneless madness

buzzing ineffectual

          and restlessness

and migranes.

That tethered energy

          and flyblown efficiency

                    turned to

corroding each other

                    a frustrated daughter

                    running away

                              along the rusty trainlines

so many years

          and mended stockings later.

                    Thrumming through it all,

Maggie watches, barely seen.

Her hazy gaze

          hardening into cataracts and rheumatism,

and ghosting darkly

on the edge of our inheritance.

Posted in 25: COMMON WEALTH | Tagged

Spring News

An elephant seal came to lie along
banked kelp, its eyes wet with the sea's gleam
and all the brighter for being set in that
grey body – one long, lounging muscle
stroked by the tide. This side, a stretch of sand
hemmed in by tape, with a sign: Please keep out,
seal resting
. A liminal paradise.
Next day it had left for other pastures

and there was news of a dolphin found stabbed to death
on a bay beach, each gash a silent mouth:
an unthinkable death that someone – blood-streaked
mind powering the knife – managed to think.
One of the dancers, the guiding spirits, stopped.
When will we ever understand ourselves?

Posted in 25: COMMON WEALTH | Tagged

Cormorants at Solstice

Shades of the goose, the penguin? But that conduit
of snow-striped black, the lithe fluidity
on shore, are yours. Twin peaks, gothic against
humdrum waves, loom as feathers dry.
Body shapes – comic, ingenious or
statuesque – suggest an alphabet
of pictograms, odd pieces of furniture.

What would I need to lose, embrace, to be
so innocent of time; at rest in the fullness,
the adequacy, of what I know? A bevy
of swans and moorhens shares the river's nest.
A brilliant, rounded mind, the moon hones its truth.
Below the horizon, whales in convoy,
knowing what they know, are travelling north.

Posted in 25: COMMON WEALTH | Tagged

3 poems

CHOICE #614

Torn
Between
The modern
And her
Attention
He'll choose
Red
Every
Time
 
 
PHYSICS #057

Fifty miles
North of
Here
I
Don't
Exist
 
 

FUCK #529

A coin
Whose
Love is
Cold and
Flat
Yet
Tender
Enough
For
Debts

Posted in 25: COMMON WEALTH | Tagged

Sickie (10.2.06)

so you lied but only to the machine
now praise it the advent of voice-mail

as a certain reflex tucks the prefatory remarks
of a distance call up its sleeve and plays

back the sample – now somewhere else
you're absent        you can almost breathe

but then there's the ergonomic chair
(resembling emptily

this latest voluntary redundancy)
there

the well-wishers
a dutiful few

upstairs set to extort
the ghost-writers

of each winning C.V. janette
could be volunteer to the stage neatly
restructured turned before the audience

as the booth adjacent says
aren't we all a more random
potentially less

human cabinetry? best not be seen
play it safe write about it as if

someone's got to keep the culture running

Posted in 25: COMMON WEALTH | Tagged

Emptiness Full of Itself

Terra not so firma quaking
Earth reopened bottomless sinkhole aftershocks
Natural depression hollow subway passages
Ants streaming through clogged arteries

Thirsty lake swallowing full moon
Big Dipper slipping beneath surface
Silence drowning nascent flappable gills
Deafening quiet bottomless disappearing act

Posted in 25: COMMON WEALTH | Tagged

Fury, a portrait

(for MF and all the others)

She is the woman no one wants to see
The fingered daughter with rage boiling in her

Body flinging pain at all the letters
She taps across the computer screen

From left to right. Her skin sweats fury
When she grits her teeth to deliver her heart

Full of blood and undiluted anguish.
She is her words. She is her longing to be heard

Notwithstanding the hushing sounds of
Sisters who want to silence her

Profound gift for touching the truth. They
Like her as the shadow in the family home

The mote distilled when its door shuts her out.
Unlike them she is articulate.

And while she aims straight at their dissembling,
The magpies in the blue air watch her.

Posted in 25: COMMON WEALTH | Tagged

Party Platform

A new land will be
suspended from low cloud at sea
built from an aggregation of boat plumes,
sundogs and moon halos, jagged noon edges
lost string, single socks, the creases
in origami paper, incorrectly marked
senate ballot papers, reflections
in kettles, pot lids, bicycle mirrors
the smell of extinguished matches and
butcher shops.
There will be plenty of everything
you don't need and it will be cheap.
To get there you need do nothing but
open a plain brown envelope addressed
to The Householder that will
appear any day now under your
terrorist warning official issue fridge
magnet. People will not
have mouths and it will always be
twenty past two or three o'clock
in the morning and everyone has insomnia.
The system of government will be
based on an open packet of morning
coffee biscuits
which two overweight men
will pound to bits with a hammer
while they sing the theme song
from Oklahoma.
OK? Good. We're done.

Posted in 25: COMMON WEALTH | Tagged

Harold Holt Transmits A Message Home

To the people of Australia
especially those scientists and engineers
who keep things humming
at the big radio telescope near Parkes
I send you greetings
that I pray you will discern
from all the intergalactic advertising
that you wrongly read
as the random background
scratchings of the stars.
To all conspiracy theorists
I offer my apologies
for the disappointment you'll experience
when you learn no midget submarine
came to shore to snatch
your buff Prime Minister
away to join a secret think tank
of valued Australian expatriates
feasting in the dark on cockroaches
in a jungle pit outside Phnom Penh.

Nor (and I anticipate your chagrin)
was I simply taken by a shark
as I bathed that morning
panting out my last draft
of dawn fresh Portsea air
in an agonising gasp.
I was not crunched
between the jaws of death.
They'd only try this tough old flesh
if no one else would come to brunch.
To all alien abductionists
I say: Take heart!
You were none of you so wrong
except that when the strange craft came
and hovered low just out beyond
where the waves break
I swam relentlessly towards
the beam that welcomed my ascension
into that giant egg
I now call home.

But to the resurrectionists
I say: Give up!
I go ahead to make a place for you
said Jesus Christ. I shall return.
Doug MacArthur kept his word.
Christ is expected to deliver
but Holt sends this short message home:
The beer is clear. Wish you were here.
I dropped a line. Take up the slack.
The weather's fine. I'm never coming back!

Posted in 25: COMMON WEALTH | Tagged

family

she knows him by his
patchouli hair
he knows her by her
lavender hanky
they meet in the
citrus kitchen
share their
coffee thoughts

Posted in 25: COMMON WEALTH | Tagged

Common

In the commonwealth of flesh: lover and parent
tramp in warm tracks at the only possible rate,
waving at times to our fellows ahead but arriving
at each moot-point a generation late.

Posted in 25: COMMON WEALTH | Tagged

Between finger and thumb

On such small land
between north head and south bay
any standing is in touch-reach of the sea:
no need to define the limits
of a personal estate.

At sunset eyesight heads east
and east and east until it trips
over the horizon into rising dusk.
An aorta of darkness
pulses towards the southern cross.

All summer
a cold spring wells and whispers
under the hot leaves.
She laces her fingers to bring carefully
a small shared water to their workdried lips.

Leaves shuffle the seasons,
light-angles move across thready bushes
unsteadily timing the hours,
birdstorms incoherently
tumble through scatters of petal.

Sky's voltage cracks down on their hearth
and stuns it into order.
On an island this small
(for the camera he sideshows
between finger and time-flattened thumb)

in a worldscape too large
to play other than dangerous games with
(she nods her two-penn'orth)
they stretch out unclad arms
and juggle each day.

Posted in 25: COMMON WEALTH | Tagged

Rachel Blau DuPlessis and Abstract Morality In Post-Avant Poetry

“Post-avant” poetry is widely considered to be an important branch of the post-modern tree. Yet, a distinction exists between post-avant & “po-mo” in other genres & art-forms. Po-mo visual art, as it exists in video work, installations, paintings & movies, often focuses on bold deconstructive analyses of specific people (sometimes the artist, him or herself; sometimes someone the artist knows, admires, or reviles). Tracy Emin's “Bed” installation, Warhol's portraits, Jeff Koons' mock-porn “Made in Heaven” series (which features Koons in various sexual positions with his porn-star wife “Cicciolina”) are all examples of this.

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Benito Di Fonzo Reviews B. R. Dionysius

BaccCov.jpgBacchanalia by B. R. Dionysius
Interactive Press, 2002

The title poem of Bacchanalia by B. R. Dionysius is a muscular, vivacious and absorbing piece of prose poetry that starts like a fifteen year old's diary entry but morphs darkly into something more akin to a police statement. It is original and exciting. Unfortunately, however, many other poems in this collection do not share these qualities.

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Ali Alizadeh Reviews Mohsen Soltany Zand

dreamweb.jpgAustralian Dream by Mohsen Soltany Zand
(CD) Stickylabel, 2005

There is a spectre haunting Australian poetry – it is the spectre of spoken word. The explosion of spoken word publications (mostly in the form of CDs) and live events (such as poetry soirees, 'slams' and 'open microphones') across Australia's poetry scene over the past decade or so may in due course determine the future of Australian poetry.

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Greetings to the New Malleys

Ern Malley, the original dromedary of Australian poetry has been anthologised, criticised and mythologised beyond belief. It's perhaps sobering to reflect that while Ern Malley's creators, his twin Gepettos James McAuley and Harold Stewart along with his original sponsor Max Harris have passed from this world, Ern's legend lives on. What is it about Ern Malley that refuses to die?

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Wandering in Wuhan

Ali Alizadeh at Wuhan's East Lake
Much has been said, refuted and regurgitated about contemporary China's emergence as one of the world's economic superpowers. As the current hegemon, the United States perspires beneath the weight of a colossal and seemingly incurable national budget deficit (not to mention the more visible disasters of Iraq and Hurricane Katrina). China's fiscal and technological advances, on the other hand, seem destined to elevate the vast Asian nation far above its troubled rivals in the region and, perhaps one day, across the globe.

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Destination Kurdistan

The Kurdish Center of International PEN, the worldwide association of writers, invited me, as an International Vice-president of PEN, to travel with a group of Kurdish writers on a one-week bus trip through Kurdistan in March, 2005. Nestled in the Zagros mountains, surrounded on all sides by repressive neighbors, Kurdistan is the place where the Kurdish people, an ancient mideastern people who are not Arabic and who speak an Indo-European language, have finally had the chance to make their newly autonomous region a model republic.

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Posted in ESSAYS | Tagged

Robert Kennedy: The Journey (Death) of a Library

A library, a private library is something which many of us own. Even if it's just a few books on a shelf, or hundreds, neatly cared for and ordered, filling many book cases. If you set out in life collecting and reading books, these books will become precious to you, and one day you will probably bequeath them to a family member. But what if this library consisted of thousands of books; many about highly specialised subjects such as Eastern Philosophy, and you were the family member who inherited this library? Could you care for them in the same manner as their original owner? What would you do with them?

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Ern Malley's Cat: pigeon 500

i like it when that pigeon man is
playing and                                   it seems so distant now
but i remember this other man who was a seagull there is this
memory                                          is this the real life
                                                           or is it just
i have this                                      this sensation of
great happiness watching the seagull play
i remember it when these two were playing its good to sit there late at night
on a warm lap

trying to keep my eyes open & dreaming of pigeons the same
things keep happening in the cricket as in my dreams its
just pigeon after pigeon                       after pigeon after pigeon
after pigeon                                     when i sit at the window sill
                                                            in the mornings
                                                            watching the pigeons
i think its the cricket again        again
his boots are taking on a golden sheen
                                                            i saw a bit of this film the other day
                                                            and there was beat takeshi
                                                            slapping this mans face
over & over again
there is no difference between the replay
and the next ball                           &
&                                                         the sound of them birds

                                                             i also love all the leaping about
muttering away in the morning   & darting after the ball
                                                             the heater on so late into the night

Ern Malley's cat writes: “the 2005 ashes series was my first ashes”.

Posted in 24: CHILDREN OF MALLEY |

Ethel Malley: Sonnet

If only he'd met a nice girl
and settled down in Croydon..
That blasted poetry, a void in
which his arty friends would hurl
him. He could of been a mechanic
by now in Footscray
instead of dead today
at twenty five. He was always manic

What with breeding mozzies,
frogs- that damn pet swan.
A life gone down the drains. Aussies
thought he was having them on

I said, I said “These poems are jokes.”
Ironic now he's labelled Hoax

Posted in 24: CHILDREN OF MALLEY | Tagged

Ethel Malley Strikes Back

Burwood,
New South Wales

Dear Editors,

I am not certain that I am eligible for your competition, but please bear with me. You see, I am the sister of Ernest. I feel compelled to point out a grave error in your information. You see, Ern had no children – at least, not as far as I know. Although Goodness knows what he got up to with Lex Banning and all those Bohemian friends who led him astray. There was a nice quiet lass back in Melbourne, but they broke it off. I blame the Poetry.

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Posted in 24: CHILDREN OF MALLEY | Tagged

Ern Malley: Six works

1

are these fields
or a flatbed art
hemmed by mountains

these scatterings a sky
or a world above this one

a golden sunrise
a kneeling figure

ravines and temples
in clouds or speckled paint

2

a monstrous bird
on its side, beak
parting the black
collapsed caryatid
oblivious passer-by

3

the side of a silo
overcome by vegetation

4

an eye
or moon
in blue night

5

snow-melt
in the pastel's
upper corner

6

oil scraped off a landscape
the hill that fell off a wall

Posted in 24: CHILDREN OF MALLEY | Tagged

Ern Malley: Things to do in Perth

aspects of natural vegetation may be the same as Sydney (ref. Seddon)

but the focaccia are entirely different

*

Fremantle

At 8.40 you could fire a gun &c

*

Forget the one horse

this is a one-iron

and a no ironing-board town

*

you can see why all the really savage punk bands came from here

*

It's an art deco city. Also a high Victorian one.

Still undemolished facades (it takes recession to ensure this)

*

edge of empire

the taped sounds of barking dogs

Spencer's ‘Christ'

bitten by scorpions

*

notebook stuck on formica

sunlight on Eurokitsch

the great weight of national literature

the need to subside on a couch

‘but it's off to the School of Business, ha ha,

off to the School of Business'

– Arthur Hugh Clough School of The Popular Lyric

*

I think I'm a natural egalitarian. I am slightly alarmed to be addressed as ‘sir' by cafe waiters (this practice seems to have only recently become general)

*

CHURCH OF CHRIS

*

Goodbye pork pie hat

(one passes rested

on an inappropriate head)

back at the Villa Italia

the mind goes blank

Posted in 24: CHILDREN OF MALLEY | Tagged