Great Notion Road

God is in Heaven. The fish in the tank
in the Thai restaurant, Exhibition Street, Melbourne,
will never see stars fall.

Neil Armstrong rocketed a quarter
million miles to the moon,
a long trip for a small step.

A sign beyond Westgate Bridge
marks our slow progress under the sun
one kilometre from Ceres. Armstrong is dead.

Let us debate who first saw the lighthouse
come over the rise at Split Point.
Wild horses of cloud ride the sky.

Where the sun dips, I fell behind
the retinue on that ridge above Fairhaven.
I will look to the east for your return.

From Erskine Falls to Teddy’s Lookout.
above the St George River Estuary,
voices tumbling over stones mouth clichés of beauty.

The road is sinuous as the sigmoid colon,
continuous to Apollo Bay. Ocean to port,
land starboard. No Apollo splashdown.

Not Armstrong, not Aldrin, nor Collins would pay
to enter the lighthouse at Cape Otway,
so they circle the Bight in spiral orbit.

There were Twelve Apostles. Only nine remain.
Peter, Andrew, Mark, Matthew, Luke, Nathaniel,
Judas, James and John signal the astronauts over the bay.

There are no astronauts, but the angels came down
through a gap in the clouds, just beyond
the limestone pillars, an excellent home for birds.

That fish in the tank knows nothing of wind farms,
nor of sheep on the road to Mount Gambier.
It may bang on the glass, but never will walk on the moon.

The lighthouse at Robe is of modern design:
three concrete slabs with a globe
in a cyclone and barbed wire enclosure.

The fibreglass lobster claws at the sky
from the roadside café at Kingston,
the first crustacean beyond Port Fairy.

When the fish left its tank, Armstrong rose up
and the crayfish broke free from its moorings.
They tyrannised sheep by the salt pans of Coorong.

Armstrong to Aldrin: ‘Buzz, on the moon,
there were no wind farms, no lighthouses,
no fibreglass crayfish.’ ‘Desolate!’ says Aldrin.

Across the causeway on Victor Harbor,
we walk by moonlight around Granite Island.
I was alone when I saw the rainbow.

As the ferry docks at Penneshaw,
a fur seal flicks its whiskers. Silver cars
slip down the ramp like pilchards.

From Kingscote to Seal Bay,
red earth and grey-green scrub,
divided by tarmac from fields of canola.

On the ironstone road to the Marron Café
there are no fibreglass crayfish. The marron
in the tanks go well with chardonnay.

If God was an astronaut, what would She say
to the Cape du Couedic seals at play in the cove
and all the marsupials killed on the road

back to Kingscote at dusk? Wallabies burst
out of the scrub, bound back and forth
in the path of the car, into the scrub again.

The road from the Cape Jervis ferry
branches left to Adelaide, sinuous
along the valley to Yankalilla Bay.

On the Florieau, ghost gums and lavender farms,
roan Angus beasts and black-faced lambs,
all toast on the way, under the sun.

On long hauls through space, do astronauts dream
of summer love, or crayfish with fibreglass claws?
Ask the fish in the tank! Armstrong is silent.

Posted in 62: MELBOURNE | Tagged

Six Shifts at the VISY Recycling Plant, Heidelberg

(i)

Let me introduce you to Chute.
Chute is problematic, has four or five personas
a first version of Iron Man perhaps but anti-hero,
more Alex from A Clockwork Orange than
Gough Whitlam; the easy political duality
of the seventies lost, left/right margins
smudged now by an arm’s length of business.
Chute’s business is eating shit.
his great cuckoo throat opens
he employs automata to feed him,
possessing no arms, no legs himself.
just mouth & iron stomach.

(ii)

Chute says to the new automaton,
Feed me you fucker.
Chute is blunt, 21st century to the point
no time wastage, earplugs can’t block out
his brains’ iron bile – sirens’ clamour,
a stop/start mythology of homesickness
affects most automata,
Don’t jab yourself on a syringe, dickhead
There’s too many of you slack cunts
On Work cover as it is got it?

Chute issues – rubber hardened gloves,
eye protection, long sleeved shirts
& a constitution so Conan, but meaner.

(iii)

Chute has a twin brother, Belt.
Belt is a selective mute because he
has only a vast black rubber tongue.
He has no throat, only a slick muscle
for moving rubbish. Belt sustains Chute,
carries condiments to the ill tempered Titan.
You’re like Polyphemus Chute, so fuckin’ anal!
Some day some cunts gonna poke your eye out!

Chute says to Belt that afternoon,
That new guy’s fuckin’ fast eh?
Put him on glass & tell the prick
To watch out for needles.

(iv)

On his first shift
these are some of the things
the new automaton feeds Chute;
soiled nappies, a mutilated fish
carcass, tin cans (air fresheners/baked beans),
two used condoms (not tied), a car battery,
frying pan, homemade bong, dead kitten
& A Dictionary of Catholic Australia 2000.
Chute is impressed but can’t let him know.
Hey, shit for brains. You almost missed
that broken triple goddess. Gimme it!

The new automaton doesn’t hesitate,
plucks the brandy bottle off Belt’s tongue
& throws it down Chute’s hole.
Ah that’s good, keep it coming newbie.
That’s our environmental policy – eat shit & die!

(v)

Chute says to the Newbie,
Don’t touch that red button –
It’ll shut down Belt completely &
Waste my fucking time, got it?

The automaton understands
these push button people –
how did Dickens describe them?
‘The melancholy mad elephants.’
Listens to the depressed languor
of Chute’s infernal machinations.
& if you switch Belt off, then
Hopper & Extractor & Grader &
Forklift & Bin get all pissed off at me, get it?
If you want this job, don’t fuck up!

(vi)

On his second shift, three Buddha’s
come down Belt, one plaster head only,
one smashed nose & one perfect stone.
To Newbie it seems someone’s thrown out
their enlightenment, complete with river stones,
shiny as soft drink. He asks Stacey, thenewlydivorced
40somethingmotherofthreeteenagersescapeeofaviolent
relationshipknownhimsinceIwaseleventhoughtIcouldn’t
copewithouthismoneybuthereiamdoyoulikeelvis?

Can we take this stuff?
Sure, whatever you find is yours, she replies
stuffing shampoo, lipstick & deodorant
into a plastic bag away from Chute’s mouth.
Who’s gonna give a shit? This stuff’s all junk right?
Now if only I could find some money, even twenty bucks!

Newbie snatches a glance at Chute, then chucks
the stone Buddha by his feet – Stacey smiles.
This newbie’s catching on quick,
I wonder if he’s married?

(vii)

On his third shift, used syringes
pour down the line, maybe a grand’s
worth of little pleasure rockets, blasted
into the arms, feet & arses of drug automata.
We’re supposed to stop the line if there’s
heaps of these but fuck it! I ain’t
, says Stacey
pocketing some red nail polish.
Give them to me Newbie, snaps Needle Bin
the mighty midget of the recycling plant.
Ah thanks mate keep ‘em coming, I need
me hit of crispy plastic & fine steel, cheers.

Newbie digs out thirty or forty syringes
& feeds them to Needle Bin.
Hey fuckhead, don’t forget me, roars
Chute at Newbie’s ear.
That’s right slackarse I’m watching you.
Now hurry up & gimme that silver-plated
Coffee set.

(viii)

The fourth shift is all voodoo.
Stacey plucks a plastic bag choked
with white feathers & chicken legs
off Belt’s greasy altar.
Ah fuck look at this shit, she bellows
above the machinery’s dull curse
as Newbie snatches up a green bag,
a black furry tail hanging over its lip.
Jesus, here’s the mother of that kitten.
Dumps the ex-feline down Chute’s
pitted & scarred maw. A flayed copy
of the Good News Bible descends too.
The iron whale stifles a yawn,
Two months ago we had a fucking dead
Sheep come down Belt, had to stop the line & all.
What sick cunt would do that eh Newbie?
Put a fuckin’ dead ewe in the recycle bin?
Here’s the Polaroid, stunk the place
to high heaven. Belt can still taste
that rotten fucker on his breath!

The automaton can only listen
to Chute’s story, his hands moving
faster & faster; time’s frame slowed down—
more Neo than Newbie.

(ix)

This is like the fucking Matrix isn’t Stacey?
yells Newbie across Belt’s thick distance.
Yeah, my son’s into that shit, I don’t understand
It meself. Too many fucking computers.
Well this factory looks like Zion, machines
Control us & I don’t even think it’s real
,
replies Newbie, skipping bottle-tops
into Chute’s sentinel gullet.
Yeah mate & who do ya think
You are? Keanu fucking Reeves?

The brown eyes bounce back,
her electronic signal crystal as she
snakes a mobile phone recharger
down Agent Chute’s throat.
Maybe I am the One, Newbie shoots
back at her, come to free humanity
From our slavery to the machines
.
Stacey points two used corncobs:
organic 8MM Beretta’s spit at Newbie’s
chest, Listen darling, the only thing that frees
Me from this nightmare is a bourbon
& coke after work & a good hard root!

Chute chuckles loudly at this, Belt’s tongue
narrows ever so slightly & Needle Bin smiles;
shows a row of used syringes as false teeth.
Newbie pauses, stretches, sacrum popping
like a spray can run over by Forklift.
Maybe it’s more like Terminator,
maybe we’re already defeated?
Newbie, don’t talk shit to me. I’ve got
an eight hundred dollar phone bill
that my fifteen year old daughter’s racked up
calling all her friend’s on their mobiles.
No fucking machine made her do that, did they?

Newbie looks across at Stacey, her piston
arms flying, her eyes chemical spillage red,
her combustive nature dwarfs science fiction.

(x)

The fifth shift is all abject.
If any dead animals come down Belt
You’ve gotta stop the line & take a photo

yells Chute to Newbie, as a flayed rabbit’s
head burrows down his gob, its fur/flesh
divide evident. Subject minus its culture.
Why take a photo?
Because it fucking lasts longer
retorts Chute
getting a chuckle out of Stacey, her
G-string predominant as she bends over
& scoops up a headless china doll.
We had a fucking hand come down once, eh Chute
she shouts back over Belt’s mute litany.
Pigs had to come & everything. White gloves.
You know replies Newbie scrabbling
at a used condom, its liquid defilement
contained by its miniature Gordian Knot,
That if a hand is too badly decomposed to recover
Fingerprints, forensics will often skin it & make a glove.
I saw one at the museum. Preserved.
You know what I really hate Newbie, used meds.
Those dirty bitches that throw them into the recycle bin.
How’s that for fucking stupidity?

Newbie doesn’t answer, drags a rotten food bag
into Chute’s maw, frisbees a syringe into Needle Bin.
I don’t think I’ll write a poem about this Stace,
I don’t think this is very romantic.
Fuck romance,
she replies, can you cover for me, Darl
I have to piss.

(xi)

The sixth shift is guilt.
Hey look at this Stace?
Handcuffs + red rubber dildo =?
Here Newbie gimme the handcuffs, my son’ll love them!
What about the dildo?
Fuck that, who knows where it’s been?
If you two want to open up a Club X,
Then do it on your own time, ya lazy cunts!

Chute barks, swallowing the dildo,
his deep throat satisfied.

Posted in 62: MELBOURNE | Tagged

Brunswick Street Nocturne

(for Bill Moussoulis)

Gamblers and parrots in polyvinyl acetate.
Heads on blocks. The film runs backwards
from the dénouement, a profile en face
like a filled-in Rorschach blot coming closer.

The street’s all hard encroachments,
things ricochet, blur, united in the eye-mind’s
sentimental violence. A glass of
poured rag water while we watch.

The word scission, for example, making
conversation the air you breathe.
Owning the future for a hundred bucks, it should
be raining but isn’t, the re-take’s a wrecked

weather machine. Continuity
was last week’s insomnia, today it’s erotomania:
how to keep an audience satisfied.
Crowding the door with hands out for a refund.

The autocue has the gamblers reaching
for their guns, but the parrots are unflappable.
You shoot anyway, the man in the street
drops dead, the moon powers-down. It’s a wrap.

Posted in 62: MELBOURNE | Tagged

Mixed Business

The speaker is…


Reliable as anyone I’ve known,
Bob Arnold is the kind of man for whom life works
because (please excuse my sentimental aphorisms)
he loves life’s work; he’s lucky too, since he makes
his luck: wife, two girls, an extended back/
extended up weatherboard, the briskest walk
from Dennis station, a mum and dad further up
the Hurstbridge line.
He’s never said so
but unlike me he’s never let his parents down.
Can’t you hear mine? Why turn out yet another teacher
for the state and why then did you quit?
Why’d you marry whom you did then let
your marriage rot?
Or why in my own phrase
That lack of any focus?
Not that I would mention it,
but when you respect their aptitude, their nous
and clearly their results, when a man does plenty
and it’s all success, a friend like Bob will focus
for you: which dictum Bob need never know
also applied to Beetle.
Let’s say someone walks by/
walks into any spot that’s yours along the strip
at three or four or five pm and Yes you get it
today I’ll score! Let’s further say that this is how
that world of Beetle starts, as one windy, warm
late August afternoon I was at his place and
this girl was there: just past attractive,
just starting to age (as his or anybody’s taster-lady
should be). Sure, with a few days left of
hanging back I still felt detached, with though
that growing ‘edge’, my ‘edge’ which told me
Want what’s offered, take what’s offered.
Your deal mightn’t enter many listings but
your dealer will. If this girl dies (and she
may die) your man won’t even care:
for this is Beetle and isn’t he your man?

I had, I have my still and centred love
of self-respect (rules as still may save me)
where though lay any self-respect in that?
Where it was to be regained of course, that swiftest,
simplest way, the Beetle way.
Those days it seemed
like every second staff room (that’s where I’d been
a year before) let alone every spot along the strip
had one of us at least: happy-go-usey, slightly sad,
making and remaking us ever so slightly sadder,
My wife had never cared for me and sadder,
and so she quit. I’ll always hate her.
She and the boy friend though, I bought them out,
aiming to live alone, which dispensing with the lot
our lot (furnishings, white goods) I did,
enjoying all that propped my pride in minimal living.
Next-to-last off the carpets came, paring me to floorboards
(with a front room facing Lygon Street opposite the cemetery)
and my invalid pension. So I shrugged,
put my place on the market and finished each few days
with silent wails to some distant god
hating it, hating her for that little twerp I was,
so that I would catch, I had to catch the bus
to Clifton Hill and then wait for the Beetle tram.
Until that summer’s day I saw the man who sent me there:
Big Mike on the strip announcing ‘Beetle’s? Don’t exist.’
And I’d be best advised it never had.
Except it had.
And I thought of us: retailers, clientele, those stickybeaks-for-now,
as kids jostling in line with Skunk, Keno, Des ʾnʻ St-st-stu
at Mother Beetle’s tuckshop, big-noting sure,
though most days more big-noter wacky than big-noter paranoid:
like Skunk announcing ‘Wanna join the army so I can give
the officers head!’
‘Well,’ Big Mike sneers, ‘somewhat possible
isn’t it? If he can get away from Beetle. How can he but?’
Not with the quiz-master himself
(our one with all questions, answers, prizes) reminding both how
hadn’t he been Capʾn Midnight’s two-i-c? and how
‘…for a year whilst we were flogging his little bags oʻ joy,
the olʻ Midnight, wasn’t he the Pope!’
Well, Beetle taunted, weren’t our wishes always jelling, jelling,
to be part of such pedigree? Some Reservoir back street?
Never for our Capʾn! Which made me wonder
why indeed for our Beetle? Not that I need ask,
since this is what Beetle ultimately does:
forces you to imagine. I know I must.
This sure is useless bastard weather…and near midnight,
stone-bored with these past two days of northerlies
Des ʾnʻ Stu watch wogs on Elwood Beach wrap up their soccer.
And even if tomorrow’s Sunday, Sunday can be work for some
like Des ʾnʻ Stu: sitting it out, staring at videos, listening yet again
to Beetle and agreeing with him how Dæmon’s been
a very stupid boy. Tonight but, they’ve credit enough with which
to hit the Crystal Palace, to choose and pay (which gets as innocent
as they shall ever be).

In some place which though boarded-up
may have passed for a milk bar, through all the rich,
twenty minute glug of video trailer voice-overs, he’s been phoning
this useless bastard summer Sunday. Welcome to Beetle’s,
for when he’s finished his calls and orders ‘Kill it!’
his boys understand their choice. Beetle or the feature? What choice?
Not when he’s chosen how this afternoon they’re getting Dæmon round
just so these very stupid, very stoned and very minor dealers
(Beetle, Big Mike, Skunk, Keno, Des ʾnʻ Stu) propped by Beetle-rules
can kill him, correct kill him, Dæmon a thirteen year old
user-dobber-thief. Well that’s the Beetle option and if his boys
are out, right out of it enough, this will be done.

The kid’s brought in
and all is prime for Beetle versus Dæmon time, how:
‘It was you wasn’t it sent those fuckers round to bust us?’
‘Shit Beetle-mate, that wasn’t me!’

Which might be answered
Who then but? except everyone’s got so distracted by some boy,
some boy who’s hardly entered high school
calling their mate Beetle…Beetle-mate? Go on try believing it!
‘Hey Beetle-mate,’ Stu asks in nervy spite,
‘c-c-can’t we start the feature now?’

Dumb beyond useless-bastard-useless,
you never had the energy to fast-forward anything.
You’ve been superseded by this grand stoned silence, Beetle as thinker,
who pauses, once, twice and then orates.
‘He gets tied up,’ Beetle stands.
‘And gets put there…’
And where is there?
There, there, there!
Underneath underneath! Underneath where Beetle’s jumping!
‘Feed him dog meat, feed him dog shit, anyone of you
know any better?’ Of course they don’t. ‘And let it be wayout
right Des? Right Stu? And by
right I mean
so real-real wayout, beyond mere real wayout, this’ll be
Return to Wayout City and St-st-stu that’s not some video.
Correct Keno?’ Who always keeps on nodding ‘Correct, Skunk?
The day has now commenced and we are made for it!’

Not quite Big Mike. Earlier that arvo,
once he saw this Dæmon thing unfolding (as if he’d stay
around for that?) he left. They were mental. And either on it
or not today’s product sure was. Yep, on yer bike Big Mike
he told himself, shuffling like he was in some folk dance
sideways to the door On yer bike, we’re relocating.
And he had to since with all of his dealer’s skills and effort,
the product and the risks, obedience was the only other option.
‘I’ve taken such risks,’ Beetle would announce, ‘none will understand.’
Who then murders some prepubescent user so that him and
his Beetle gang of pro dealers, amateur killers get caught,
and for a few days’ worth of summer news they hog it.
(‘Off the record,’ a spokesman said, ‘the underworld is shamed.’)
And I knew them. But also knew myself:
that if it had been necessary I might have been there
that summer afternoon in Reservoir, it might’ve been me
shuffling an exit with Big Mike, or else with Des ʾnʻ Stu
giggling whilst we tried to dump the corpse
(sure hadn’t done that sort of thing before had they,
the things ol’ Beetz got you to do!).
For even through
that slow mania of the Beetle toll, people got to know each other,
cooperate. (‘J-j-jeez Beetz,’ Stu who thought he was funny
once gagged, ‘don’t give them ambos t-t-too much work.’
Wherever he’s been sent there’s plenty imitations starting.)
And truly he unites folk does our Beetle, so that when guilt,
actual proven guilt strides in presenting itself to sighs of joy,
with the bench contributing each decent, hard-working Aussie’s
two bob’s worth, oh Beetle just listen, even the very bludging,
the outright indecent are falling one-over-the-other, just to ensure
how banal you truly were. Or when it’s time for nostalgia to intervene
watch them queue to ask ‘The Beetle merchandise?’ Then answer
‘If you had ways to look at anything and we mean anything
(that philosophy, those manners, anything) all would end in hock
to Beetle. (Or if you had any luck some better class
of wholesaler.) I mean we had to survive. There was little like it.’
Me, I was fortunate. I could still promenade North Carlton
beaming to and marvelling at the Morton Bay Figs.
Beetle couldn’t own me that much, though he still required it known
Your thoughts are my thoughts and my thoughts are your thoughts which are
‘You’ll be forever Beetz the best there is.’

And it fits doesn’t it,
how when I heard that him and his losers were set for judgement
I knew that I’d be seeing him this final time.
And though I liked and trusted that idea, a witness seemed required:
this friend to whom I could announce: ‘Now you get it, don’t you?’
I’m who he’s been dealing with.’
The trial occurred into school vacation time so I asked Bob,
who as he had been painting rooms Ange permitted one day off,
gatekeeper Ange, the wife who took me for my husband’s pin-eyed
user friend, him on his invalid pension
. Let her,
she wasn’t to know that for all the headaches, all the heartaches
(why bother mentioning withdrawals?) R v. Beetle was the primest
vengeance show in town, my year’s grandest attraction.
We caught the train to Flagstaff which got me questioning
Just how many users train it to their dealers?
Unfair asking Bob of course, his problem if he wasn’t in our
Beetle club, though come, come Mr Arnold haven’t you gone teaching
spaced on your very own drug of choice? Most probably not.
Who on any ‘drug’ could be each student’s matey-favourite
yard duty martinet as you are?
One lunch hour then,
Bob is motioning to me: ‘See him grinning there in his long black coat
and big thick boots? Today’s E.T I’ll stand any bet is stoned…’
After which we commenced those Friday evenings when my wife and I,
Bob and Ange fronted bistros, though even then the Arnolds
must’ve guessed the bit, that little bit I’d be using Saturday
to get me through a day a night, another day and night of married life.
(I’ve seen her with the boyfriend once: at the Vic Market where
we gave each other a tiny nod Go on darling guess who that was…
my useless user ex!) And at the next bistro or the next,
just to annoy the spouse Big Mike got referenced in passing.
And that Big Mike? Bob knew him from La Trobe. On Bob ʾnʻ Mike terms?
‘Near enough. A Maoist once…a teacher once…’ hoping to be a junkie once;
any fad taking him to an edge, though hardly so ‘edge’ you couldn’t Oops,
easy-does-it
and adjust.
Anyone’s capable, just be nice if a touch desperate
and ask about in any suburb, any town (in any staffroom!)
‘Know where I can find myself a Beetle?’
Well now’s our final chance to find you a Beetle, Bob,
my chance to get my final taste of Beetle, him to cop
his final shot of me.
And as if I’d conjured, here came his look
that slightest pause part way between Well wadda ya know…
and Who is that prick, I think I know that prick, who is that prick?
Though when the judge, who doubtless knew less than one per cent of it
mentioned him by the name Ma and Pa Beetle gave their baby
Who? I briefly found myself asking Who? Oh yes yes yes
I used to buy from that deadshit once except that now
since anyone can deal he’s not being done for dealing and Beetz

I kept staring back, a prick enough to taunt him Beetz
not anyone can kill and weren’t you at very base camp case
all death?

So that was him?’
‘Was him once.’
‘Nice word once,’
said Bob.
Look Beetle, look Bob at what I was back then:
twenty nine, bound for divorce, a head-and-heartache prone
high school teacher who, one Thursday after work
approached a man I knew, that same Big Mike, who sent me out
to him, this charismatic squirt (squirtier than even me,
who’d hardly make Bob’s shoulders).
‘Yeah we’re Beetle.
What are we doing you for?’
I told him what. Who sent me then?
And as I answered, don’t say we ‘bonded’ though we did,
over Big Mike’s snigger producing, ever-ripening moustache,
there on a Reservoir back street where Beetle worked out of his shop front.
‘…so,’ I asked my dealer, ‘this was a milk bar once?’
‘Mixed business,’ he replied, ‘just like any day.’
And who was there that any day? Taster girl, another woman too,
one I later took for Dæmon’s mother, found within a year
wailing in some park.
Though by now I had a little bag inside
my jacket pocket and having survived that afternoon
I knew that I’d survive this little bag, this anything.
And I have.
For look at what’s evolved:
an even more prone, divorced, ex high school teacher of thirty two
trying his embarrassed ‘Thanks for coming.’
‘My pleasure,’ Bob replies.
Except for headaches I think I’d like to think I’m clean.
Lying down though which is often, my mind remains on her: my wife,
whose secrets forced me into mine. And I could blame that woman plenty,
who though would listen to the blame?
Even Bob, a friend who’s always heard me out would walk away.
I’ve seen him, down the other end of a park, playing with his kids,
and as we waved I knew his feeling in return:
There he goes, someone from then I’d rather wasn’t now.
And never say you’ve never felt that way…
driving through this heritage town who’s that limping relocated man?
Big Mike, one Interferon day to the next. That girl must be dead;
but for each Des, Stu, Keno, Skunk who wants to make some
living-or-dead effort? Hardly me. And Dæmon?
He was a kid on the news whose parents one, two, two and a half
decades back gave idiot name upon idiot name to their disposable offspring,
as if their Dæmon would grow into his generation’s Beetle.
Who just degenerated. For I’ve heard this,
someone’s required to wheelchair him, King Beetle-mate with Aussie flag
round and around the Z Division yard, this someone being recompensed
with product.
So it continues, my tick-off list of
Them them and them, those those and those till it will have happened
much too many years ago, and even these memories, our sour
and blighted memories, surely must need to cease.

Posted in 62: MELBOURNE | Tagged

Us vs City (a tragedy in three parts)

1. The dry panini

Oh no – anything, God but this; this
crumbed tongue of hideousness whipped
from iron pants; fatty brains
oozing prematurely from its mashed skull.

I thought we had made it.
I thought we knew about lunch.

Now we’re talking, but your eyes seek the inner
cheese I can’t hide as my tongue flaps arid
crumbs; feigning homogeny of purpose while a glob
of truth plops like a seagull crap in your latte glass.


2. Night in the know

in a dark gridlock;
clasped fingers squeezing
dead-end doors where buff barmen toss
‘wet kisses’; smirks on ice; tankards of edible flowers
soused in lime…

You chucked in a dumpling restaurant’s wheelie bin.


3. Into Sedonia

Our neighbour flapped; a flippered beauty queen just crowned, ‘Did you
hear? They’re opening a sourdough bakery! How much better
can Seddon get?’ I didn’t know. I was a disingenuous prat without a lifestyle.
She looked around, ‘I couldn’t afford to buy here now!’
Stuck together

by direction, we passed that quirky hovel of right-on retro; selling
cotton toys, organic jewellery, rusty bikes, ironic
lamps; plaster cockatoos on wood from the dump; priced: exotic, stilts from
Campbell’s tomato soup cans. Pock-marked signs of rail routes west…
‘I love this shop! I’ll just have a quick look!’ She said.

I stuffed my muffin from the wrong oven and followed her in
to button-eyes and 50s patterns, just right tops and skirts that said I am, I am, I am, I
picked a ring from the jarring cabinet; should have been smashed glass from heists
stuck up with glue from grandma’s kit… But that wouldn’t stand.
It was nice. How much? Your money and your life…

‘I love those cockatoos,’ she said. It was too much; my head went spare.
‘Oh! Why don’t you buy one, then? It would look great upon a dresser.’
Something wasn’t right; the walls
took a look and hid their eyes. Better dash before the milk goes sour on my step…
Too late. Too late, the crocheted maiden cried.

Posted in 62: MELBOURNE | Tagged

Unwelcome Lycra/Portrait of a Patron with a Straw, Loafer

cnr St Georges Rd & Scotchmer


i.
Half a metre from a calf,
cycle – frightened & tanned,

flexing opine occupy politics
with a cracked bat – he seems to

know everyone in the bakery. His
argument (buttered, smoothed &

neatly we shake hands he) invites
me to the park for a game. I put

my hand into my loaf & refuse –
tuck it under my arm. Running

shoes & sourdough, a simulacrum.
I want, here, to reply. I want argument,

fey. But have tan trousers inappropriate
lunch in my hands, ears etc.


ii.

I sat next to the pig. A patron brought it in mistaking it for a meal and it stayed close to his tarpaulin. He placed it on the table every time he ordered his Sunday lunch “eating as his subject”. I could smell it like a milkshake tucked into a felt dicepouch. It was absolutely rude! I had no idea what time the last train left. I could sit for hours. The pig’s breathing was rolling everywhere hours away and I salted my chips. They were “piping” hot. He had a small tuft of tobacco coming out of his ear and his haircut, the salt and pepper whiskers placed into cigarette paper hanging from his cracked lips, wobbled as the pig nudged him. I sat next to the pig. It was afternoon. I couldn’t sleep. Billy was tuning his guitar to a few pigeons he’d been feeding in Piedimonte’s. I can’t read English in as much as I can blow hot chips and put them into my face my tongue knowing how to guide them along with punctuation. There is in my mouth a ladder (Jorie Graham). Pigs are messy as rugs or, at least, lean in metaphor/self conscious exclamation or bleached hair. I take my straw from its strawberry hide and in no time its gone as a mouse or heart murmur.

Posted in 62: MELBOURNE | Tagged

Bar-Jar-Oh

oh oh oh (etc.,)
The curved corner bar reflected sun off cars oh
Tiled corner bar of all favoured bars oh
Fortune cookie of bars oh
Roast duck corned beef calamari risotto bistro of the bar oh
Carlton and United blackboard of the bar oh
Alcohol floods through all who stop to worry that things could be better oh
oh oh oh (etc.,)
It doesn’t really matter any more because we’re all whores oh
All attention seeking whores in a city of whores of phantasmagorical super capitalist
slave whores oh
I could slit up right now here in the bar slit up right now no one would care oh
In fact they’d insert theirs and not care put their little knives in there and not care oh
If they slit up I’d put mine in theirs I’d put mine in theirs also
oh oh oh (etc.,)
We urbane ourselves like wild things in the boredom of the bar oh
The decay of everything and the beauty of everything by the jar oh
The jar of every diffuse sundown until all is undone and re-discovered in the darkness
of the bar and bistro oh
The jar of all starlight and moonlight through haze of stars the jar of blackest night oh
No moon or stars the jar of no stars and bars but navy blue and moustaches oh
Tables out the back and toilets bare moustaches football stars and palm trees oh
This jar you gaze into crystal ball of jars oh
This jar oh
Facing the jar I’m doing to the jar what I always do to the jar oh
The jar you go looking for and never find until it’s there oh
Facing the jar you’re doing to the jar what you always do to the jar oh
You make the jar feel wanted the strangest jar the usual jar oh
It is the only jar that can call itself a jar oh
It is my jar my lovely jar oh
oh oh oh (etc.,)

Posted in 62: MELBOURNE | Tagged

me n me trumpet set the controls

me n me trumpt have unccontably misplacd our new grindr
so we take to the streets clutchin our big bouncy baglettes of beans
we bought in bulk from a boutique boutique in brunswick
extracted from the rectum of a nut-mental monkey
all t’while engagin’ in mutual admonishmentizings
whaddya do with it? you were looking after it! you always lose me stuff!
at each other ecetera et ecetera interminabababbly
(basically he convincd i lost it when i know he did)
until we crossly come across a new cafe just crotting at the crossrds
in a casual yet snobby kind of way tho’ remaining a bit undecided
when — WHAM! — YEAH! — we cogitatated simultabraineously
THERE BE GRINDRS HERE LET US TREAT USELF TO ONE NOW
so me n me trumpt sneak in behind the sleek untreatd teak counter
past the well-heeled designer backs of the hip hipster caffeinators
to dump our bean babies in the gargantuan zigurratish industrial grindr
and hit PLAY! with the pulverizing air of a coffee bagatelle

Posted in 62: MELBOURNE | Tagged

Field Recording 1 – Clarendon Hotel, South Melbourne

He’s turning 57 in a month and the last six months, I don’t know, he’s

You don’t compromise yourself, no, no, they’re there, but so many close family friends

People like Steve and Jane, they’re the types … You know it’s ridiculous,
everyone’s on edge, so you’ve got to sort it out

My son in law, last Saturday night
I put the caravan at the front door, I put it at the front door, and I was rooted.
It weighs a tonne.

But not quite…the guys from repat came but they can’t do it until next Tuesday … Your birthday present.

It’s your factory, you’re the one with the title. When I went to the footy Anzac
Day the MCG’s drainage, the big difference is you don’t see mud on the ground.

I’d just like to learn about it, guns and knives, and the general of Rome. His general knowledge just leaves me speechless … He should be running the other way, not looking at the sun, he hasn’t got a mean bone in his body.

Wait until you see my new shoes.

Posted in 62: MELBOURNE | Tagged

The Satisfaction of Speech

Stretched out across the selfish wool table,
I fix on a mood in the high key of you,
twiddle my hi-viz wedding ring
and laugh at the way rhyme and metre
protect us from happiness. Angels’ tears
fill the rivers of hell in a song I wrote about you
but nobody’s crying in Atlantis now that we’ve
franchised the reckless antinomies of belated
centurian. Flickering intimate ceremonies
across elmscape cinemas – I wonder how I got so far
away. Landscaped by patent-pending geography,
maxed out in the merchant’s tent of never giving up
on always disappearing. Something in the way you
move, the stave that answers to what was barely
required. The concentration of your Northern Rivers
Cattle Rustle Drawl strings silence across the estuary
wide on sonic sighs and moans. Hitching a ride on your
electrical substation, the way you say my father’s name,
a high tension wire whipping through the gizzard
of I feel too much the surfeit. Are you a real shearer
or just pretending? Your Yackandandah stare fleeces me
witless, that wolf you’re wearing goes with everything.

Posted in 62: MELBOURNE | Tagged

The Apocalypse for Non-Believers

At the work barbeque they burnt the sausages and chatted about death.
The four horsemen of bureaucracy were late, traffic, they said, shaking their heads
like scythes. Steven had put off doing the mowing for this, and regretted
it. Only fifteen minutes in, and he’d already run out of compassion and
conversation topics. His wife had kept him up all night, washing the sheets
of their son who was no longer home. He’d rolled his sleeves up for the occasion
and bumped into Maddie, who he’d accidently professed a drunken affection
for, long ago. She avoided his eyes, having taken a small breath of her boyfriend
and his joint, in the car before arrival. He was waiting there now, like the beach
trips she always promised herself. The potato salad tasted strange and they
spoke about the Ukraine. Martin took the floor with the surety of a man
who’d been divorced twice but was still looking. Only being the boss saved him
from the ridicule of being caught on dating sites at work. He held forth a gentle
tirade about America. The half-dozen employees bobbed heads like sunflowers
drunk on sunset. A child with a kite ran along the Yarra and they looked, whether
they had their own child or not. The sky is falling, he shouted, eyes wilder than tigers
in a zoo in winter. He ran, leaking string and gaudy patchwork. For a long time after
they’d returned to their sausages and favourite end-times, they kept looking upwards
at the sky, which remained a beautiful, almost painful, blue.

Posted in 62: MELBOURNE | Tagged

Glazed Glitter.

     Love you, no he’s nervous, and we just now had a couple of coffees. An urban sock or about three avocados. No crap no yep. The other day. On the board, you do have milk if that will go away with for service, I saw Snickers ones the other, do it for the cash I had the capability they see it got me into are they there already. How to earn money from the custom well I’ll see.
     From AFL country I’ve been curious to know. And like just properly an architect. Lives an amazing. Isn’t she she’s a gorgeous. They will never see why they, will just need to be prepared two of the regular. Like when he was at my flat and saw me it was credibility to the venture I don’t know where I’m going.






I made this poem by transposing found phrases into the metre of a pre-existing text: Gertrude Stein’s ‘Objects’ in Tender Buttons. The found text comes from speech I overheard while in one of the four spaces in which I often write: a café in Balaclava, on an afternoon train down the Sandrigham line, in Bourke St mall or at my kitchen table. (The titles are Stein’s.) I wanted to maintain the spoken rhythms of the Stein, but the results only show up the constant skirmish between metrical rhythms and the phrasal rhythms of the vernacular, one-upping each other within the line. This poem is extracted from a set of 50.

Posted in 62: MELBOURNE | Tagged

KPTEA

Lucy Guerin Inc
28 Batman St
West Melbourne 19/3/14:11.30-1

Dancing new work
Make feet swan neck swoop
Uh ha uh haha
Silence ooh! Wh whwh heel around heel
Everything depends on what happens next
Who who aspirated
Hahaha whwhwh
Uhhahawhwhwh
Landed uuup
Kptea
Stutter shoulder stutter chest
Solo 60 seconds/30/5 rest
Woh woh wee kptea
Hoo woo whit
Wahwahwah we
Woo woo chchchc kptea
Dsh dsh dsh dsh
In stay out in stay. Out
Yeeehy
He heeeer wrrrr wrrrrr hahaha yep yeeeh
Yeyeyeh
Whwhwh wwooofff ha
Image screen rest revise kptea

At the QV stout man (attempts to)
Runs
Flapping penguin propeller arms
Laughter approaching
Laughter following
Red light startled
At the crossing his gazing up to infinite lunchtime sushi blue

Posted in 62: MELBOURNE | Tagged

Changing the Names of the Past in the Years of Curious Habits

1. Melbourne, 1968

Except for thistle girl,
we never questioned wiping up
the hidden pools

of urine from under
someone else’s skirt.
Mother Eucalypt’s voice,

known as whip crack,
pitched to scatter even
the suggestion of ants.

There was no use for the yard
either. Outside the Morton Bay fig
tugged threads

from under doors. The four seasons―
did what they were supposed
to do. I swear,

for the well-thumbed chapter of a year,
we never left that room.
Inside the clock spoke

conferred with a no-way-back
roundabout of hymns, confessions,
multiplication tables.

Thistle girl, clever by account
of her ancestral belligerence,
keen to stand high-toe kilter,

described the yard through a porthole―
like us, the yard existed as if
never knowing its purpose.


2. Melbourne, 1970

Seven years old, caught under
the abstract glow of her grimace,
Sister Heath’s

bull-dog eyes appeared
at the palm-end of her
air-curling finger―

if you walk your muddy soul
in the gully, you’ll meet Death
like Mother Magnolia.

Sister’s neck muscles
snapped into inimical position,
tight bundles twanging.

And even though a body
would follow the black trail of her
into the dormitory,

her cold breath huffing
new lists of punishments,
my mind was back in the gully,

inside a vacant bower―there, looking up,
seldom a presence in the light,
pollen’s blanket floating.

Sitting in low-limbed shadows
with moths, the conversation
of leafhoppers, away from Sister’s

God, the one with his own troubles,
away from all
the bleeding bones.

Posted in 62: MELBOURNE | Tagged

An Enough [letter to those Melbourne poets]

putting an end to . to fin
ish . after an exhaustion , a sent
ence . not of a person . not a . ho
w of . much heaves . nor to ma
ke pure . nor change . most a how of dare o
r share . much of the space without the cu
t . first the sound them . sec
ond the sense those . first the poem the
se . second the theory . without the line
ar one is . prove to variety they .

yet half if just the said said later wi
th a difference . enough then . eno
ugh now and nothing bundled . and brea
th has less to do than ever . no
t barren . or rich . not this writ

istling . neither resolving the li
near nor solving the circle .

probably the atom more rearr
angeable than the alphabet .
a search for beauty nor to stump .
nor how thort followed think
ing . . no
r an intervention .

nor stating a th
ing a thing more appropriate under
neath . a somewhat flippant strange co
mment surface .

nor to make no . concessions be
cause of the difficulty . these poles ha
ve the between them .

the
re is nothing to show for th
is . the moral is honest eno
ugh to turn on quicksand .

Posted in 62: MELBOURNE | Tagged

Streets

twentieth century flinders st
was a salon throng
south eastern bitter tinny
tasting koala skull
psychofederation that tanned
orange into a current
sponge cake million fake
denim catwalk corporate
smoothie shop.

sydney road is a
pram sucking wedding
smothering gutter beer
swilling turncoat bubblegum
runway that can spit
further than thornbury
& looks shit but isn’t
& stretches like rabbit proof
fence.

elgin/johnston st will
sink into a nose blowing
green river of gold
detritus sweeping foolish
pregnancy testing ideas
people into dull trends
& will flatten into a flathead
bike tube esplanade costing
darebin.

Posted in 62: MELBOURNE | Tagged

Worry rung (Wurrung)

The hour strikes and you strike
back a feathery blankness pre-Socratic
mean sets up a fervor specked with
broken elements, waking to the heat
and driving hither air and you particulate
the more like license of a congregation giving
itself an audience giving starry
bodies flashing on her head
that vent or gain conversion to
cessation made a ruse of pastoral

The observer stands in front of living loops
enhancement, aft of public stripping
further to a child’s order
inside out, a Circuit of the Mind becomes
monumental in the cardiac sense
you swallow the Museum the day’s
cavernous architect enfolding
the night we count invincible, as
in we swallowed continuously and naturally
sliced through, translate

you’ll end the weekends of your castle hands
moving your cultural life through earth
unaware as water on the floor approaches
rivulets translating red divides
the cave between a contact troupe
committed to a hall, entering in terms of
collage, hermosos hijos smiling in small loops
with an accent pretty city
ochre talking through the caves they meet
the red hands touching on the walls across the long walks
through protective stone you are providence to a fable
later made of teargas blown across the vowels
kindly, very nice

Turning fell to a machine, your body
swerves its balance inside shoes
in which we understand the peeled-out inhibitions of
comparatives blind history
waste arrivals only pelt the beautiful children
part the legs continuously performing axis
past the jacket a community gave
to get it fixed, burn on the design

stippled in text the bred reeds make
the images of sky fall down
the city as she walks to get
the famous bakery items crumbling in her mouth
she’s folding another country further asked
for body ankles and the touch
stones fresh positions for the hair
finger scales in excess proven instruments
gently take on kitchen splashbacks Wathaurong
Glass and stories, we’re really trying
feedback for a mock trial of witnesses
none of whom can be said to have seen

Posted in 62: MELBOURNE | Tagged

Williamstown

1

low native scrub on the promontory
palm-ends splattered with birdshit

upper decks of ships
luminous in the Bay

cloud from the northeast gathers,
the poems dry up,

at the edge of the military base, leaves hang
awaiting scent release

the closest gum, a scribbly trunk,
red-tipped branches,

amid the foliage, bunches
of spherical green pods


2

turbulence on Port Phillip,
Hobson’s Bay out of sight, behind the station,
Corio behind the football stands

anamometers spin

three khaki trucks
two yellow outboards

cirrostratus as punctuation


3

rusted locks face south and east

only the upper level cognisant of light

the rail draped with spiderwebs

a loose strip of flywire

fur jacket on a collapsed settee

The Oxford Book of Jurisprudence


4

a kite, bird-shaped
above the depot

above a protected cove
of black swans

vessels silhouetted
seaward.

the brilliant device
perturbs local birds

hovering low
over the parade ground

an asphalt park’s
empty space,

wire fence disappears
over a hump, on which

the great one falls
entangled on barbs.

over the battery
gulls rejoice

the raptor, unpicked
lifts off, then plummets

gains altitude again,
then it’s gone


5

low coastal eucalypts, ti-tree, palms (introduced)
bend with the wind

figures leave the park
waves flatten

lights, port side
of a monolith

shades of grey-blue
above and below

an odd chromaticism
ship shape under cloud

chatter of settled birds
upstairs, under billiard lights

Posted in 62: MELBOURNE | Tagged

In Line

.
.
.
If I stand here
with my references
and wad of cash
but I won’t
stand here
with my references
and wad of cash
I am tenth
in a line of
borrowed suits
and excuses
and my hair
isn’t quite parted
the right way
but there is no
right way
and nobody
notices the lack
of security
and dodgy leaky
gritty sink
taps on the blink
if taps could
blink
and if I stand
in
line
I might not miss out
on this des res
or I miss out
on this des res
and not miss out
at the tapas
van where
references and
wads of cash
are in short supply
and I am fifth
in line

Posted in 62: MELBOURNE | Tagged

Melbs

pelt harbour / more of the ice-same. ‘memories’ make a ‘memory’ seem triffle / seem tripped. ‘i don’t understand why we’re’ memories make a memory bank extension no? ‘i’ no ‘you’ want ‘all my memories’ up. who knew there was a cave under the citilink so we walked through it / no ran & i ran back again / i ran back to call your father: ‘dad – don’t explain.’ i know what a trip down rock-lane explains: ‘are you bored?’ i said ‘he’s a pebble’: no refraining. a whole nother shelf reels extended in the back-lane. you don’t know coburg’s secrets cos coburg doesn’t know / they’re like the things that kids know / triffle. mums made this possible. who pulled all the cars in. who put each shoulder to a shelf – the only reason you know this is cos everyone kept driving their kids. memories make a right-lane extended: don’t trip. don’t call attention a: ‘don’t think about that’ guy clagged your hand-brace / made a four-letter ice-break / put a dog in a kind of open-ended family-type station with the radio turned to on / it’s tuning. always assuming there’s a station and what if all your ideas are in the bottom of the coopers and the beer’s done & it’s closing? quit: i call a favour. rabbits make this tangent. don’t expect them / don’t reject them. they bounce into screen / make a nuisance / make sense: a boy is just a simple returning. that is it is no thing to ‘don a bother’. open old streets onto a pale street theatre / call shots / call game / take a cake of salt to your craving and give it all kinds of names like ‘now’ and ‘elsewhere’ or ‘i knew there was no returning’. mice make for an indelicate returning. wherever you are they are / sorting broken glass from the future / HA. i see your door frame and raise you game / more than ice / it’s coburg door frames. it’s car doors whirring. in the present it’s your mobile making candy threats punching out your big-fame.

Posted in 62: MELBOURNE | Tagged

Carrionblush Hotel

(Abbotsford)

reanimating the squirrel stiffed
in your pocket. A light bulb holding you above the surface.
Keep yourself south of the sidewalk
Myself as girl I take a gin in the bathtub
Sixpence abortions round the corner of your
curled lips, widows peak
Grey hat on the corner of the League of Beautiful Thighs

Posted in 62: MELBOURNE | Tagged

The German Consulate in Melbourne

As seen from the street the building was reminiscent of a
German consulate in Melbourne.

— GIORGIO DE CHIRICO

… take any risks you like, but never listen to a deconstructionist.
— CHRISTOPHER KOCH
author, and grandson of J. A. B. Koch,
architect of the German Consulate in Melbourne


Abel Tasman, whose sea-faring adventures in the great southern oceans — having cartographed Van Dieman’s land out of the austral island, plotted an inverted Novaya Zemlya, and pondered Psalmanazar’s boast to have eaten human faeces or flesh in his Historical and Geographical Description of Formosa (2nd ed.) — found his most ardent admirer in one Johann Augustus Bernard Koch. As soon as Johnny “Kokosnuß” was old enough to dream (he was the kind of boy who would have asked to be born), he dreamed of the explorers’ strange land, where style stood preontological to Hegel, & prephenomenological to Husserl; where the body was subjected to nothing more than an ozone-depleted Atlantide or the brunt of a bronzed sun in paradise. At the age of eight — in 1855 — he was to journey, after a short circumnavigation (divagation) of Die Künstler, to Melbourne, capital of the British colony of Victoria, where he was to aspire to become a speculator on the Zeitgeist (for his signature was daedalian and case sensitive). — Which would not have taken even the most sittlich of the nineteenth-century golddiggers by surprise! And so he found himself flung into a quasi-respectable milieutopia. Like all those around him, he was from somewhere else. Two worlds: one substantial and legitimate; the other, irreal and exoticist. The island continent was more than a real frontier, however; it was the last “Other”. Yet, despite its quickly filling “emptiness” (terra nullius), it never did transcend for him the idea of the New World as such, nor counter the predominance of the transatlantic. It was, at base, base coin — from the silver dump to culture as exhibit. To the splendid mansions he built, to the German Consulate in Melbourne, which only a poet or painter could ever dream up …



Acknowledgements

The poem ‘the german consulate in Melbourne’ was first published in pointcounterpoint: New and selected poems 1983 – 2008 (Salt Publishing, 2007).

Posted in 62: MELBOURNE | Tagged

The Weather Broadcast

i could not look at you on the weather

when they panned across the nullarbor i kept my eyes on the floor til it swept up the gold coast

you reminded me too much of the boy


nevertheless you persisted. the third date i was cast into the iron-green crest of the state library you breathed me in a new ventricle, laneways unfurling. to university on a rusted bike and the trees framed with sudden clarity my passage to the horizon. you smelled right, old paperbacks in bookshops, lentils simmering, even my reflection glowed


i stopped dreaming of the boy.

there was no space on the couch for two, no salt on my tongue, no ghost of Lot’s wife gazing on the old city

Posted in 62: MELBOURNE | Tagged

Plus Ça Change … 1981–2011

HOMO NEST RAIDED, QUEEN BEES ARE STINGING MAD

— JERRY LISKER: New York Daily News, July 6, 1969.
Report on the raid by the Tactical Patrol Force on the Stonewall Inn,
a private gay club, at 57 Christopher Street.

Listen. Whatever we do from here on out
Let’s for God’s sake not look at each other
Keep our eyes shut and the lights turned off—
We won’t mind touching if we don’t have to see

— PHILIP WHALEN

1: Move On (1981–1983)

[Chief Justice of the Family Court]
CALLS FOR REPEAL OF HOMOSEXUAL LAWS
[New South Wales government] COY
OVER RIGHTS FOR HOMOSEXUALS
HOMOSEXUALS GAIN RIGHT TO VISIT
U. S. [Stupid As a Painter by]
JUAN DAVILA GETS AN
R-RATING [at the Sydney Biennale, for
“explicit
homosexual material”] [Armed] SERVICES DRAFT
NEW RULES ON HOMOSEXUALS BAN
ON HOMOSEXUALS’
[Ex-Servicemen’s Association] WREATH BID
[at
War
Memorial
service]

2: Look Back in Anger (1984–1988)

EQUALITY FOR GAY DE FACTOS
A[ustralian] B[roadcasting] C[ommission] POLICY A TEST FOR
GAY RIGHTS SAYS LEGAL EXPERT P[ublic] S[ervice] BOARD
WON’T ACCEPT GAY PARTNERS — “I’M OWED SOMETHING”
SAYS BLOOD AIDS MAN [Anglican] DEAN [of Sydney] ATTACKS
ABC OVER GAYS/AIDS: A PHONEY WAR’S PALL OF
FEAR POLICE GIVE AIDS THE SPRAY FUNDING FOR
HOSPITALS SLASHED AIDS-INFECTED INSECTS MAY BE
TRANSMITTING DISEASE GRIM REAPER AIDS AD ENDS
EARLY REAGAN BACKS AIDS FIGHT AIDS WAR STARTS: 2
MILLION AT RISK BLOOD BANK EXPECTS NO LEGAL
ACTION OVER AIDS SHOULD WE ALL BE AFRAID OF AIDS?
AIDS CONFINED TO HIGH-RISK GROUPS BLOOD TESTS SHOW
AIDS PLAN PROPOSES TESTS FOR LONG-TERM PRISONERS

3: Boys Keep Swinging (1989–2000)

[Australian] GOVERNMENT TOLD
IT BREACHED GAY RIGHTS TAS[manian] GAYS
EXPECT TO BE CHARGED FEW BLINK AS HIGH COURT JUDGE
KIRBY GOES PUBLIC ON [his] HOMOSEXUALITY GAY [cabaret
drag] ACTS UNDER FIRE FOR
RACISM
ROMANS PUT
ON A GAY FACE LIMITS
TO EQUALITY [for gays]
MORE LAW CHANGES FOR GAY COUPLES
R[eturned &] S[ervices] L[eague] DECLARES WAR ON
HOMOSEXUALITY
POPE FEELS
BITTERNESS
OVER GAY FESTIVAL

4: Silver Jubilee On: And the Beat Goes On (2001–2011)

GAY TRIAL AN
ISSUE OF STATE SECURITY IN EGYPT
EGYPT JAILS 23 OVER [being in a] GAY DISCO
[Tom]
CRUISE WINS: HE’S NOT GAY
U. S. GENERALS ADMIRAL COME OUT
OF THE CLOSET MACHETE MAN CLAIMS
BIBLE PROMPTED
ATTACKS ON GAYS SPAIN:
SAME-
SEX MARRIAGES GET GO-AHEAD
ELTON JOHN TO WED DAVID
FURNISH RIGHTS ACTIVISTS RECALL A TIME WHEN
GAY
SEX WAS
A
CRIME
GAY HATE CAMPAIGN ROCKS DEFENCE FORCE:
HOMOSEXUAL SOLDIERS OUTED ONLINE AND VILIFIED FOR
“FILTHY LIFESTYLE”
This cento has been composed entirely of headlines quoted verbatim from the poet’s “serious” hometown broadsheet, The Age (Melbourne, Australia), over the past thirty years. Any elucidations or interpolations are indicated in square brackets and are printed in lower case.
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