Q&A with David Penny

David Penny is the creator of Portable Poetry, a website where you can virtually assemble a customised book of poetry, which Penny then constructs in the real world, using traditional book-binding methods. David Prater fired off some questions via e-mail.

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Posted in GUNCOTTON | Tagged , , ,

Timothy Yu casts his eye over Cordite #10!

In an effort to get at least one person to critically appraise our magazine, we asked Stanford-based academic and poet Timothy Yu to review Cordite 10: Location Asia-Australia. And before you ask, of course he wasn't paid for it.

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Posted in FEATURES | Tagged , ,

Rebecca Cannon: Detritus – Copyleft In Action

ecc.jpgFor five years Steev Hise has been collecting cultural fall out which certain detrivores would have us call art. Passionately cataloguing, nurturing and studying these oft discarded remnants of society, Hise runs the web site Detritus.net, a minefield for corporate lawyers in need of a suit. Host to the web sites of persecuted cultural saboteurs like Tom (Barbie-will-never-be-innocent-again) Forsythe, and archive to banned audio releases by Negativland, John Oswald and the KLF, Detritus acclaims the fraught position of Patron Saint of the Recombinant.

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Posted in ESSAYS, FEATURES | Tagged , ,

Carolyn Tétaz Reviews Chris Andrews

pub_cacutlunch.jpgCut Lunch by Chris Andrews
Ginninderra Press, 2002

Cut Lunch, Chris Andrews' second collection of poems, is a work strong on nostalgia and reflection, which is neatly captured in the title. In this age of foccacia, ciabiatta and pide, a cut lunch is an object from our recent past, a descriptor for plain white bread, single fillings and frugal practicality. Part of the charm of this collection is Andrews' fascination with the poetry inherent in the everyday, what he calls minor poetries, and a cut lunch is an apt symbol of his affection for the poetry of cupboards under the sink. It is also a phrase that summons images of symmetry and, as with much of Andrews' poetry, the visual is gently reinforced by his skilful use of language, in this case, the assonance of the title.

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Posted in BOOK REVIEWS | Tagged ,

A Message To BardsterTM Users

The BardsterTM community is as you know the largest & fastest growing community on the internet & we have you to thank for that. Since BardsterTM's launch last year poetry lovers have downloaded more than eight billion poems from our eighty million online poetry libraries – that's a poem for every person in the world and then some.

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David Prater Interviews Emilie Zoey Baker

“You Talkin' To Me?” is a brand new CD compilation of Melbourne's spoken word talent, featuring the likes of Ed Burger, Sean M Whelan, Edwina Preston, Terry Jaensch, Dorothy Porter and Phil Norton. It's Emilie Zoey Baker's baby, but she couldn't have done it without the “knob-twirler”. Here she speaks with David Prater about many things, including meerkats.

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Posted in INTERVIEWS | Tagged ,

Copyleft

The theme for this, the 11th issue of Cordite and our fifth online, is copyleft. As one contributor recently asked: “What the #$%! is that?”

It's a good question.

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Posted in ESSAYS | Tagged

Paul Mitchell witnesses Les Murray – LIVE!

Les Murray
Live at the Melbourne Writers Festival
24 August 2002

manfrin_bushpoet_snippet.jpgPaul Mitchell was a guest of the Melbourne Writers Festival in August this year, but only because he paid some cash to get in. While waiting for the opening session to begin, he asked himself the question: “Is Les Murray really the big man of Australian poetry? Or is he just bloody good?”

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Posted in FEATURES | Tagged , ,

I knew these festivals, these two festivals

hedigancondom.jpgAn e-mail arrived one morning inviting me to be a guest at the Mildura Writers Festival, the weekend of 1-4 August. I'd been recommended as an emerging writer.

We would love to be the first festival you get invited to!! the message read.

Of course I said yes.

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Posted in ESSAYS | Tagged

I Was a Teenage Gertrude Stein

One day soon the videoshop
will be full of movies you've never seen
hide nor hair of the wilde beast
with shakespeare stuck in his paw.
Bastard in a ramshackle shed. All the characters
will buy copies of the same novel.
It is my book, an amalgum of genetic material
siphoned from the greats. I have locks on my doors
& was invented by Ray Roussel at the farm
before the onset of the ice age. There was a debutante
ball caught in a test tube. Take an instant camera,
toss it to the burbling throng.
The smashing part is post muddle-dizzy.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

re mission

stuart macgill's dismissal of brian lara
in the second innings of the second test
2000/2001

it is akin to the
moment when the
batsman left the
atmosphere of his suit
a viral agent is being
expelled from my body
into empty space it
is exploding due to
lack of pressure and
its particles are
dispersing widely and
becoming invisible
benign little pieces
of the cricketer are
registering on the
radar unnoticed in
the panic i am
returning to my
previous good health
there are distances
to be traversed and i
am starting to
orient myself in a
suitable direction you
can see to port-of-spain
from up here when
the launch took place
their was an air of
optimism in the room
expectations were
being tested and some
were fearing humiliation
some had made such
claims in the days
leading up to the event
that they could now
feel harsh
disappointments
approaching these days
were filled with
excitement and i busied
myself with whatever
small task i could
find i used my
thumbnail to scrape
the dirt out of all the
tiny grooves on the
bottom of my nikes
even the most
humble of predictions
caused a sense of
elated terror everything
was so important and so
precarious and this
importance felt just
nice it may have
been seen by some as
a drastic measure
even one deriving
from a touch of
paranoia this purging
of a relatively passive
virus from my body but
it was something i
felt was made all the
more important by this
very passivity itself
my body was far more
decrepit than could be
medically imagined i
had been reduced to
little more than the
creased spaces through
which i still adeptly
moved the problem was
not with the motion itself
i was glad to have gone
through this the
physiotherapist regretted
nothing but the
unpredictability of
the cricketer's
hamstrings the
unrestrained actions
leading directly up to
his death remained
still unprophesied after
years of rigorous
testing and
simulations a little
uncertainty that i
carry with me to
this day to prevent
the very real threat of
feeling oneself out of
form control was raucous
with the threat of
total brain explosion that
haunts any soothsaying
agent or gifted
medicine man they shut
down all outside
communications and
went into a frenzy
of speculation

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Michael Slater 2

i just need some time and space
the cut shot will begin to function
and i will be unstoppable once more in
my exuberance i have let things go
that perhaps should have been
dealt with more rigorously through
my speed and my caution
i have cramped myself for room
i am unable even to reach
all that undifferentiated mass of
chance i used to take
with ease i remember the good times
though i have stopped living them
anew how could i forget i am
skeptical about rebirthing
i have never kissed the badge on
my helmet the way i will kiss it today

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

f(x) – 5th metacarpal; on seeing the x-ray of your broken hand

at first: the suspension of
disbelief. then, comparison – the compulsion

to equate it, this image's spectral nonsense, with something
else; make it lithographic, reproducible.

and so: try fog taking shape – playing at
art – that night on the way back

from the party when you were drunk, but not
too drunk, and near the sharp

decline of the water's edge
traipsing the gravel road that lined it: the less

populated end of the harbour. that's what it's like. or,
perhaps, the shape and seeming

density of exhaled desire (a sheer
fuel spewing: leaked from

wherever, whatever it is, inside you that
has burst) breathed onto

the windshield in the cramped boudoir of a father's 88
accord. that, on the night when, although you'd deny

it quicker than the split that
was your first time, it's the nervous december

air outside – not you – that does that
to her nipples. yes. these both and more; other

memories, too, share
something – resemblance, congruency – with it,

the cloudy scaffolding they insist is
simply your hand.

but these, however, are the facts: the knuckle – on
the film, in your hand – is displaced:

fractured and away from its normal metacarpal
syntax. and the twinge, the

dull ache: these are instruments of artifice. all
bits or pieces awash in their

respective museums, fleshy or synaptic. broken or
discarded – adrift – in that

sticky – sometimes sweet, sharp – human cocktail.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

On the Tip of the Visible

1
Morning loosens
small bright spots
from total space.

On one hill, the black trees emerge
arthritically
from indistinguishable
black. Perspective is here

& i can lean against
its vertical to rest, whereas
the dark unclear
fell through my body

in circles as i fall
like a leaf through sleep
when missing clear edge.
 
 

2
Surface smudges out of
light creating leaves, twigs,
blue, and red, and green.
And talk is here:

its beginning sparkle of relation,
thing to thing, amid the general glint,

of technology's
spontaneous replication and overflow,
an exuberance of pylons, roadsigns,
hung on the eye, simply
like a print.
 
 

3
And talk is technology, gliding
three centimetres below the eyeball
a plank, a canvas tough enough for feet.

And perspective is surface, frosted on sight
like an outline of dyed ice
crusting the branches at child-height.

And colour is talk, looping through
the throat its paroxyms of indigo, vermillion, puce
their rare flavour.

All toy descriptions shine among the solid,
visible and clear, around the tree's
vertical line. It rights my eye
against the horizon.
 
 

4
The morning is cold.
On my breath i can see:
language is here.

But a mere three
centimetres deep
inside this black coat,

distance still blooms ungageable, like a flower
a mile across, that looks right-sized
from certain heights. In here,

all light has gone,
or not yet appeared,
and against me, the shadows
of unborn trees lean.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

A Poem for Daphne, No. 53

As a child, I watched a man wearing overalls
Fall
Off
A
High
Stool.

He was sitting in a hardware store's aisle,
Among
Nails of many lengths and sizes.
The nails glittered under a bare light bulb.

The straps of his overalls were clipped
With
Tin
Eagles with outspread wings

I was told the man was dead.

I looked at him to see what death was.
His pink face had grayed.

The doors of the hardware store were closed.
I looked at his hands,
His fingers stiff, would not move.

I started bending my eight fingers and two thumbs back and forth.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Hearing Things at the Interactive Sound Exhibit

Scrape at First Site by Chris Henschke, Oct 2001

It's easy to talk as if mere words
didn't hold understanding like a sieve,
easy to succumb to binaries in a digital age.
Some things sneak underneath the radar,
work not as statement but suggestion,
more virus than decisive attack.
In this constructed space, ancient and modern
technologies both tune in to the anarchic swell.
Timelines collapse. Take these two
antique turntables hooked up to a computer –
clutch plates, clock faces, sander sheets, all take the place
of retro vinyl; corroded grooves in both senses.
You sniff around with your fingers, curious
how natural all this electricity feels.
This is playground and jungle.
Even your cautious footsteps click samples
that rush to surround you.
This is chaos within your reach.
These mechanical dinosaurs whirr out the score
for the old old static, the white-noise watertable
lapping under the city, these unutterable words
made sound now, made flesh, hint at buildings
in a slow shift, grinding against each other, massive
illformed teeth. Is this the soul of the machine
or the machinery of the human soul, the hushed
resonance of existence turned up to eleven?
They scrape and whine as you trace tangled grey wires,
push buttons and grab handles, think 'Can I touch this?
Is this interactive?' & wonder if the metal boxes are watching
your response. Supposedly it's either art or entertainment;
from a distance they'll ask what it means. But here
you will huddle over a screen just as obsolete as that
fat bakerlight radio, trawl in the scream in the air,
and snap back to the background slander,
'Do you think you can know anything
outside full immersion?'

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Sonnet: Poetry

Colorful rainy days. Poetry can offer you help
and add to endless joys. Every day it bring
fresh wind. Words put in good shape is great
existence beyond languages and races. Your
personal life gives a peaceful and pleasant mind
and sounding special. Having a bright future
he steals in your mind to lead you into good situation.
Poetry we were conceived in will reveal a joyful race
and the world. Get acquainted with it and
you will start a relationship that will last a
lifetime. Let's watch for it, as a bubble
doesn't enter the eye, however.

Create a happy joy feeling, they have
a lot of remembrance and many friends.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Blues

who thought
random adaptable thumb

heavy condensation
he is listening

drawn naturally
him earth blues

quiet unfinished pictogram
whose shoes

constipated curling
streaking in clouds

analogue mapping
simply words

germination
german nation

strata disaster
distilled

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Make Speak God

open window
to glue me.
overheard god.
speaking to you
who is it open
who is it.
is it
glass.
gap for.
addiction to.
addiction to fix.
in passage now.
return to.
glass
who close.
who close now
dead butterfly pins.
and frame
and
sand.
fixed
with heat.
is sculpture.
breathing in
side or outside.
make speak god.
with glass eye
in flight to.
outside rain and.
i water noun.
and dam.
seed well
before passage and after
and after.
drops on.
and spreading me.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Militancy

It's an early Spring so They celebrate by naming
a new constellation after Damir Dokic !
So what if it'll be obscure in four years they argue,
it's contemporary now! And just like Diomedes
he turns up at the press conference with a

brace of margaritas under his belt and it pisses
Them off no end. And how are we supposed
to reply? After all They're the ones running the joint
not me or my doubting cadre. It's like wasted
sweat in the sun and the smallest victory

if They even raise an eyebrow so I celebrate
by going to the Co-op for carob, oiling my weapons and

threading daisies through the handles of the wheelie bins,
hoping the garbage men will ignore our sins.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Pile Up

Fit for a princess
with her prickly pea
or a hundred bedded strumpets
and their sailors sprung
lithe with fiery life,
drunk on enthusiasm.
Cross-hatched by quick love,
bodies lay memory on memory,
the weight of which will crush
metal coils called comfort,
so that even rats leave home
in search of something more
than sex and mattresses for food.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

What It’s Like

If you don't know what it's like you just don't know
and even if you did what good would it do
apart from developing your character
like when a detective reveals how he got
those alluring emotional scars: a blow

that would have destroyed a lower-paid actor
like the one he's trying to console in vain.
But that doesn't mean you can't shut up and stay
and though a cup of tea and a lie down may
not do the trick as well was what the doctor

prescribed, you might as well go and watch fine rain
fall parallel to grey boards and puddles spread
assuming that “just go” really meant “just go
and put the kettle on,” feeling comfortable
in a body wearing out and gathering stains.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Disencumbered 2

You might have missed your chance to see Rome rebuilt
from rain-spotted blueprints and you may never
follow the ghost of a caravan hauling
silk indigo opium cotton or salt.
You might keep forgetting how rhythm is spelt

but there's a smoother way of almost falling
over to be discovered and you won't be
definitively estranged from levity
as long as drums can stop you looking for
a way to justify your antic spelling.

Resonant in your thoracic cavity
the bass is insisting even weary bones
were made to work loose like a dressing-gown belt
and promising when the music stops they'll be
provisionally reconciled with gravity.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged

Zhang Ping: I am Belgium's Zhang Ping. So Are You

Translated by Ouyang Yu

I am Belgium's Zhang Ping. So are you
swaying from side to side, we play saxophones together
two tunes coming out of one brass wind
strolling outside the window, like this snowy night
as you said 'the heart won't melt in the water like the snow — '

The snow and the wind do not have the needle and the thread, and
you said that there was no need to sew and mend
On this wintry night, you left without shaking my hand
leaving me, like slowly going into this mirror before my eyes
except this puffy hair that's curled up
this cheek with a burnt mark, I found a goatee

You and I are one and the same, you and I are two
my familiarity with you, more unfamiliar than others
here, of all the places, simultaneously renting two bodies
You and I have launched one man's war
not able to exit but preferring to shoot each other

On the snowy night, I am recounting helplessness with the saxophone
the sadness you don't like. You said you hated pretensions
but did not sympathize with people in trouble, totally ignoring me
leaving me like an old shoe under the bed, a lost soul by itself
a big snow and wind outside the window, you left in a hurry

You minded them very much, my faults
although they should have been forgotten, you kept nagging
just like an apology that I suddenly happen to think of tonight
because of this friend's death, it's too late
you have moved out, leaving me sulking, with myself

I also tried to make myself look more decent
doing things with resolution, treating people with passion, not too selfishly
the result is that I can't change the facts when I wake up
I still carefully keep the money, on guard against people
haggling over every cent in the market, with burning ears and a red face

I'm Belgium's Zhang Ping. So are you
like this poem, revised from another one
like walking on the snow, with snow falling behind
covering the road, erasing the footsteps
making it difficult to tell who is I, who is you

Zhang Ping, a poet originally from China, is now based in Belgium.

Posted in 10: LOCATION ASIA-AUSTRALIA | Tagged