Perspective Matter

(after William Kentridge)

I’m going to outer space
to find out if any birds live there.
Just like time and space are relative
magic is a matter of perspective.
The sun blesses the pickles
with yellow flowers
when they’re still cucumbers.
Seeing underneath what is visible.
Latent potential.
A Lithuanian woman wearing a honey cake on her head
to take on a plane to her lover in Berlin.
A Hassid in a bar called Cock
pretending he is lost.
The frog in a stork’s gullet
croaking
everything is going to be okay.
The connection between disparate things
brings us closer to meaning
like finding the sun blessing you
like a blossoming pickle.
I was in the Lithuanian countryside
in a Jewish cemetery
between weathered graves
and broken graves
having an allergy attack.
I was in a tube in London
hearing
A FULL STOP DEVOURS THE SENTENCE WHOLE
instead of
MIND THE GAP.

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Korean Grocer

I can sit here forever in the coffee shop beside the Korean Grocer
watching Brunswick St as the lights come on like in Hyper-reactive
(the award-winning poem by Melody Paloma) feeling like cardboard in the rain
…it won’t last! yells a toddler chasing her father down the footpath
or that’s what I think she says. Fitzroy: where your clothes scream
more-than-just-a-creative, but your tea leaves spell INHERITED WEALTH
I stop to see my reflection in the shop window as I try to accept
the person I have become underneath all this hair which trails
after me a lag of long exposure to a bench around the corner
like the misshapen heart the barista gave my coffee
someone’s lost keys empty pallets a random pantofle
this skip in the laneway someone has tagged incoherently
with a waterproof posca pen: around me things change
like shifting sheets of ice in a David Attenborough documentary
bread left out for birds swells & dissolves like the news
it tastes a little different than the day before — or do I just
want it to? on Instagram I see a tattoo that says NOTHING LASTS
in bright rainbow colours — the bench too wet to sit on
(it’s still drizzling) which reminds me of something my dad
once said to me in a flash storm: that heavy rain never lasts long
anyway I enjoy my soggy donut

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Paul Verlaine’s pistol

rings out through poetry
like a town hall clock in a village where poetry
hides like a pill in a cabinet
(entropy & all that)

leave your text messages unread
your heroes unsung

suggests the band in long coats
supplying off-key brass

here is your bouquet
here is your bucket

I’m dressed like Rimbaud coming back from the shops
there’s doing it (poetry) but in a punk way
subverting form & tradition
spitting at the audience et cetera
but this is not the same as doing nothing at all

I can have as many tabs open as I like
in the gold rush I don’t think anyone really
stopped to brush their teeth

sometimes anxiety is googling weighted blankets
& derealisation other times it’s a fighter plane
refuelling in hostile airspace
piercing the peach-gold sky

announced by the taste of coins
here are fourteen different lenders
who want to give you & your poetry a home loan

Baudelaire uses a word which means cracked bell
that doesn’t have a correlate in English

it was an art teacher of mine who once said
don’t take the money

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Transplants, II

—For Shin Hae-uk

In another room, there is a three-seater couch that your
position only permits you to look at—never to sit on.
The executives share feedback about how the cushions
are as soft as a baby’s belly before feeding. Suspiciousness
filters through you while recording such an alliterative
account for the meeting’s minutes. To interrupt this pattern
of thinking, you inhale a deep breath and whisper—even
though I have been stripped of installation I know I deserve
money in my life.
She, the figure sitting next to you, trembles
upon hearing this. Only after you type out, order, and circulate
the daily reports do you realise you have made a mistake
of address and begin picking at the dirt beneath your nails.
To loosen the growing tension in your shoulders, you twist
your upper body in the direction of a team of people marching
toward you—not stopping at the doorway of the room to admire
the configuration of the couch, and this is no small thing.

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Can You Hear The Thunder?

Because tending bar with Aussies in England
made me miss the sun
Tina Turner and Jimmy Barns were singing ‘Simply the Best’
at the Walkabout Reading franchise in 2005
when I walked out of my job.

The first Australian girl I kissed
told me she would never date a Yankee
which was okay
because all Australians are convicts
my ex-fiancee told me
and the reason Australia has such a low population
is because the animals and insects are poisonous.

I have two Australian poet friends.
Is Dan Disney poisonous?
Is Dom Symes a convict?
And if you are a poisonous poet
if you are a convict poet
does that make you Australian?
I wonder
if I went to Adelaide
and drank a Castlemaine
would I feel at home?

On my imagination telly
Crocodile Dundee and bloomin’ onion rings
play Australian rules in an Outback steakhouse.
Steve Irwin is the referee.
Though I do not know the rules
to Australian rules
I think Kath and Kim just scored and
Nick Cave is more German than Australian and
does every sentence sound like a question now?

Before you visit a country
it exists as a set of cultural clichés
and after you’ve been somewhere new
it feels a lot like everywhere else but
even though I’ve never been to Australia
I listened to Courtney Barnett’s Avant Gardener
so I know
they also have asthma and drink kombucha in Oz.

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A Flightless Bird’s Tired Lovesongs for the Cloudless Sky

In the burnt hole in the centre of a giant Sequoia
I’m standing at the door of the apocalypse
waiting for someone to save us
wondering if the Sequoia still thinks it’s still living
and because I wonder if trees have angels
all the things I imagined are slowly vanishing.
To a 3,000-year-old tree, what is civilisation?
People imagine that trees reach toward the sky.
That the sky is G-d.
But what about the roots?
They weave through the living earth like a mysterious net
and capture the voices of the dead.
Underground, those voices speak still.
Maybe snails are angels.
Their voices echo in my mind
like a sky blacked out with smoke.
Staring at innumerable trees burnt black
like dark toothpicks poking the mountainside.
I don’t want to buy a BMW.
I want to be a snail.
I want to eat the dead
avoid salt
and leave a trail of green slime.
In the Giant Forest
I stood in the centre of a giant sequoia.
A passerby said
‘This is not what I expected’
and a little kid threw a plastic bottle
at General Sherman.
We stopped.
In the silence I tried to listen to the trees.
I believe the trees were listening to me.
I can’t imagine a future.
My imagination is on fire.
Being born a human being
is a crime.

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Tipping point (‘Blues for skip’)

my skin is deathly pale
which is about the only thing I have in common with Keats

if this were the nineteenth century
I’d worry if I really was consumptive
or just capital R romantic

at present all my shirts are hanging up at home
in chronological order waiting to be worn

the lecture is titled: expanding on the poetic line
but I keep looking at my plastic watch

I could go on forever
about how I can’t find a job
or a park in the city

I notice myself describing
how empty the well is
like: that’s the poem!

somewhere online a penguin
is referred to as a business goose

I have always been conscious
that my formality was excessive

no ideas but in things

at night the radio plays love song dedications
even though no one is listening
(not even me)

there’s a tipping point
where a bad enough translation
becomes a new poem
altogether

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Zombie, brains wanted

brains dried out homogenised tongue
I could see it lying there the hollowed coconut
on a koh sumat1 beach
frozen
temporal
space.

I need the right replacement
for my fall-out brain
the scoop they took out was
a macaque’s monkey toy
stomped on
at a full moon party
by the research monkey
boys.

I want it reconstituted like that
rotting raggedy rag doll
restuffed with plant polystyrene pods
fermented woodchips discarded
synthesised improvements stapled in.

I’d like an organic brain
virginal with happiness
essential synapses firing but
not too developed in the frontal lobe
I want the removal of doubt
German precision
Japanese hardware.

Any type will do really
as long as there’s a reset button.

Deletion of all memories.

Make it functional again.

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Future Addiction 3

Time to turn on the Discount Mart sign lights. Like the iffy gaze a survivor makes when they swipe from the shelf mackerel cans that won’t expire even after the apocalypse,

maybe people are sitting around human beings that someone lit up like candles. Maybe it’s time to clap and blow the humans out.

When you cut off a slice of life with a bread knife, shadows are like dogs
under the feet of people going home like plates, dogs waiting for the Discount Mart sign lights, dogs under the table hanging their red tongues to lick their share of plates, and
to show time wearing people out, dogs that bite the world and won’t let go.

I try to call, put my hands out, stroke your back, and ask ‘What’s your name?’
but like darkness baring its red gums,

with white fangs, saliva dripping

without fail

when the sign of Discount Mart lights up, I can’t tell the difference between my family and frozen meat, I can’t tell the difference between bread bags and sleepwalking, nickel plated pots stacked tightly and the sound of claxons.

Humans swaying in the firelight turn off after one block.
Become white smoke.

Like a random barcode, I briefly scan my soul in the darkness and it disappears, the sound
is like the mackerel can opened by an apocalypse survivor, the sound, CRAAAAAAAASSHHH like a collapsing display case.

Dog barks sealed in Discount Mart gift boxes, woof woof, moving to the round plate of the mind,
I mumble in order not to forget, fangs stuck in my name.

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Translucent

Through the only eye that he can move himself
he looks at the wall clock.
Looking a long time is staring.
Yep.
With one side asleep.
God believes in the morning and the morning believes in him
so he still believes in God.
Morning is beautiful.
He talks to himself.
The round band-aid slips underneath the bed from his hand.
With the only arm that he can move himself
he flaps his arm trying to grab it.
Tennis balls roll all the way home
and get cuts in the shape of crosses.
Six dining room chairs.
Four legs a piece.
Twenty-four tennis balls in total.
There’s a nine-year-old autistic boy
who sticks the balls on and pulls the balls off the chair legs.
In the evening he grows a new white beard on his chin.
With the only foot that he can move
he kicks the blanket but it doesn’t fall off.
It’s stuck.
Hey hat. Bye hat.
The hat in the air hasn’t found its face yet.
Snow
heavy and waiting with pouting lips.
Snow falls
all night like it’s some kind of a big deal.
Snow gets bigger in the cold, snow grows on the
snow stuck on the window panes.
Daybreak shaking the white bed sheets after pulling them out of a cabinet.
Who is it?
I heard it could only be a mask with a long arm
that can close that eye.

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There Are Girls That Wander Some Places Sometimes

(with the same rhythm under the same sky 2)


I don’t put the things I like in order.
I’ve come far counting the numbers I know.
Even if it’s not a mistake if you hate me
it might be a crime to forget you.
I’m just going to say it
To speak is the faint desire to show something.
In which book did I copy down this quote by Jacques Roubaud?
Not understanding French, acting vainly is
an evening of adaptation resisting resistance.
A night of cruising antagonising an antagonism.
I can go without speaking for some time.
I don’t have depth. I have width.
I’m a good size to shiver wildly while wandering the forest.
Big world not pig herd.
Star power not wallflower.
Losing the way and getting scared
people call me over and I wander.
The living room light that I looked through the window at was bright and
dancing singers on a T.V filled the whole wall.
You are only in front of the dancers you watch and
I am only beside you watching the dancers.
The ears of only-in-the-front you.
Your habit of pulling your bob hair behind your ears.
What country is this song from?
Even if the ears of only-beside-you me
are there, the song is not for my listening.
Over there you
in the past, not ever following the dancing with a dance
you who disappeared out of me
over there you
lift your heels up a little
and because you press your face to the glass
I scratch.
A big nail stolen from the hardware store said
why don’t you bring the hammer down and smash.
Fucking coward bitch.
Bitches like you are the worst.
Even though I know it
is breaking courageous?
Is the broken thing a relationship?
Black beans or sweet dreams?
The stars in your sky are beautiful and sparkly.
My obvious ornamentation is like diary entries written for others to read.
When I write on the window that nonexistent stars are stars that exist
above my head is one fallen star and that star
is the lit cigarette now ready to be smoked.
Let’s see how far you burn before you get burned.
I tried to let it be
but I couldn’t peel the scab completely off the top of my head and
the dandruff speck grabbed from one hair strand’s end
is fakeness not sadness so
again today to the forest I go and yap.
I wander.

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Those old sad ballads always meant too much

Wallowing was scripted in
melodic minor scales
Rising strings to a chorus of
climax always made us weep.

A kiss must end in marriage
some devotion and a little love
Resulting in children (sons of course)
[never mind the gei dao]1
If it ends any other way
Miss Saigon has to die.

Confucius in your fortune cookie
Confusion in my brain.

Thank the gods our daughters now sing
many different songs

They know that Erato was the result
of mummy’s one-night stand
the heart that bruises
the breathless aches
a primal reaction to biological loss
when another limited-edition ovum
falls
into
sewerage

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Future Addiction 5

You have to wake up to wake up from a dream. But some people still sleep even when they wake up from dreams and some people dream even when they wake up from sleep. Hey, wake up! Having wild dreams, waving their arms… when we wake them up, they’re like people scanning around, hyperventilating.

Adults told me to dream when I was little. That’s why I am still growing up in a dream.
Where am I? Am I asleep? How much more do I have to grow up? Why isn’t anyone waking me?
Trying to run away from my wild dreams, I used up all my breath.
I waved my arms, wandering around inside sleep.

I was nowhere to be found in the night.
Find me.

Beyond a window like the inside of water

the moon divides my body in half and opens me like a map. It quietly looks inside me. Because the only thing I can hand over to myself from the inside to the outside of the dream is my body, I wonder if I can predict my life’s future by plucking the days that hang inside the map like flower petals.

Nope. My ancestors weren’t executioners.
They were labourers.

Life is that night when you carry a sharp pickaxe and cover your face with the black coal that you dug from your overgrown heart.

Under a yellow lamp, the spoon’s clack clacking carries steaming rice and overripe kimchi into the body’s cave, but every dream life shatters together with the morning
and
the season of striking arrives and within the lusciously leafed valley, a snowplow’s red blinking lights.

Like how
you light up this cheek to erase the other cheek

it’s time we confess. I am a person who lives in a dead person’s house and uses a dead person’s stuff like a person who was using my stuff in my house while I was sleeping. I am a person living through the body of a dead person in a dead person’s life.
However

this is a nightmare, and a nightmare has to be in a dream

so how can I be here
if I’ve never been to sleep?

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Future Addiction 1

Nineteen-year-old-me
wanted to see my future
so I lived another thirty years.

So this is my future. I’ve seen it all.
I want to go back and explain.
In this never-ending time-travel that moves hour by hour
I want to stop right now
and go back
and show the nineteen-year-old-me

and would he say that he would want to live the thirty years standing in front of him, or
give it up?

Like a cemetery ravaged by a grave robber, an alley where all the house lights are dark continues, and the streetlamps hang like the pale-red skirt of a woman who hung herself. That night falling with bare feet, hugging it and crying, that’s what it’s like to be nineteen-year-old-me.

Beginning on that long, long night when I thought about

how instead of English vocabulary, names filled his workbook pages black and he carelessly knocked down his bike and stared at the river-water crashing like tire spokes, thinking water doesn’t flow, it jumps endlessly from high to low.

I only lived but a day, but in that thought thirty years had passed and
you haven’t changed at all.
A friend who died when he was twenty-one appears in my dream.
He’s living out the three years that we knew each other.
And then I wake up and he’s dead again.

The attic I lived in when I was nineteen, if you turn the broken hand on the clock
outside the window is the darkness that falls like the hand that fell from the clock.
Remembering being nineteen is not becoming nineteen
but reliving all the time lived it took to get to be nineteen.
Like the hand of a clock wedged into the darkness

close your eyes. Those who know this story are dead already, so in order to listen to this story you have to die.
On that long, long night
close your ears. In order to tell this story, I have to die and become a person that can never know this story.
On that long, long night
where are you? What are you looking for?

I’m looking for the death of a person who wasn’t born. On a long, long night
a story we all know.
Arriving through sleep and unbearable darkness, as if a dead person’s birthday is passing

one day a memory from thirty years in the future reached the nineteen-year-old-me for reasons unknown.
I lived thirty years, but for you
only a day has passed.

Like the black spring tightly wound inside a clock, the attic
spinning every day the same night spinning.

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Humoresque

Because her two hands got tied when she put her two hands together, the woman doesn’t pray. Hands, these two hands, how can one hand stroke the other? Arms folded stuck or stuck in a different crack, when you say that the beak that opens naturally is only natural, super-close lovers have to carry at least four 3,500 won 250-milliliter bottles of hydrogen peroxide for rinsing. Even before the woman tries to say ‘babe’ and pours a bottle, the man pulls out his dick. ‘FUCKING WEASEL DICKED SHIT,’ she screams and whenever she goes to a grill to eat she steals the stainless steel tongs for grilling the meat and thinks, these tongs look exactly like the A in Adultery in The Scarlet Letter. The last line of her book report she wrote for homework for her winter break when she was 16, the angle that is made naturally by the two tightrope walker’s legs the second they drop from the rope. When you say the shame you need to survive is the shame you have to bear, the woman receives the reason to spread the foldable steel ladder on the side of the rooftop. When she steps up the steel ladder, the sky is starless. When she descends, the stars gather inside the water that gathered inside the stone bowl. Those stars, 11 or 12 or 13, she tries but can’t pull them out with the tongs, and the only thing left is her face unseen because it’s been smooshed. ‘Don’t cry. It’s going to get erased. Is sadness just talk? People say it’s a waste.’ When is she going to quit being a target for the gun she points at herself? Actually, maybe nothing happened. Who is the hero of cops and robbers? Is it the one who is cuffed or the one doing the cuffing? The script hasn’t been written. Because the skin of her two sweaty hands was scrubbed when she put her two hands together, the woman still doesn’t pray.

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Tok pissin’


if it blinds me
… i’ll learn brail
if it paralyses me
i’ll learn to run
if it’s terminal
… cremate me
… do not resuscitate
increase the opioids so I die high
closer to the gods

No one has the words
so I keep on talkin’
nothing spills out
but the clock keeps tockin’
nasal tubes ‘n masked
Tik-Tok’s a mockin’


…we are strangers in this
strange ward, a cosmic
lounge for fear,
sans flight and fight responses,
no supernatural saviours here…
Xenus out in Roswell,
Nanook’s in the north,
quendas1 swimming in the lake
nirvana and your corpse,
God is …

Stop!
….
Please stop!

Breathe ….
Count to
three …
Breathe ….
Breeeeeeeathe!!!!!

It’s just a little sting,
(Just a little diggin’)
Crochet needle in my vein
…jab stab stick in.

O2 tank removed
the doors now sealed
In my neck there is a thing
PICC line bling.

Let the infusion now begin!!!!!!

And when it does there’s nothin’ left,
Just tokin’ talk ‘n pissin’.


Note: The title is a play on the term tok pisin, which means ‘pidgin English’ in pigin English.

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The Fall of the West

Despite cutbacks, delays, interruptions
the poison in my stomach
didn’t succeed. Had to walk from the station

of course, no more buses after 11pm. Feet
sincerely sore, the night suitably spooky, at least rain
didn’t add to my despair. Public transport

doesn’t get any better, often gets worse
and despite gruesome dehydration, moral decay and death
dangling the carrot of survival, I thought

of grander things: could Napoleon at all have won
in 1812? Russia, Russia, it’s always Russia. Can protestors
in Iran win? Fat chance. Then

the violent urge to puke again, indigestion
proper is properly vile. It must’ve been that $15 dark
ale — fifteen dollars, for fuck’s sake — that festers

down there. Eerily electrified sign
sports at the driveway to an industrial park
a man (whose face reminds me of a suicidal colleague

at work) shirtless, abs, biceps, idiotic, desperate. Advertisement
for a gym? Another business that’ll go bust? Another
reminder of what connects my malaise with Napoleon’s defeat

with the Iranians’ preordained failure: murderous overpriced
beer here, implacable Islamist ghouls there, where
did the vision of something that used to be called the West

fuck off to? It’s too dark save for more macabrely lit posters
that can’t be bothered with pausing me, houses for sale
at hysterically high prices. I mean if this is

all that remains of the great civilisation
and this Iranian-born French-obsessed drunk
stands tonight as its sole witness, then

it must’ve already ended, surely, the empire
has fallen. Nothing to celebrate, no time to commiserate
because I’m too hungry, too tired for either joy or tears.

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White Pages

When footprints that arrived without permission from far away
cover the given pages

how are the pages going to get their whites back?

The brick heights growing from footprints
and the mouth silences amplifying from footprints,

even in the colonisation season
that thickens the pages

things grow.

Like fungi sporing into the cracks of time, when we

open our mouths thickly, in the end
like jungles

we become dense and barbaric.

Wind blows here from a place of unknown origin and
pages flip and flip and flip.

Without anchor or road
you and I met when we lost our way.

The undeveloped light
finally reaches us.

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Speakers of Duckspeak

I’m going to leave this place
and make noise with a bigger mouth.
No thoughts
no concepts
quack, quack, quack, quack.
When I go to the place where Duckspeak1 is spoken
I’m going to say I’m on vacation and
when I open my big suitcase
somebody else’s kid will pop out,
a kid I didn’t pack and
lollipops that the kid brought
will also pop out and
the red round lollies
will shut our mouths and
our cheeks will bulge together and
quack, quack, quack, quack.
To a place where we become happy after chatting
each person brings a single suitcase
black, heavy, and desolate
with nothing allowed in.

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Weereewaa

respectfully yuma weereewaa
filled from the rain
lost under the sun

restricted flow
shallow
but with a deep history

evidence suspended in the silt
pollen and ash
worked stone

eagles circle, watching
lake’s large mouth, calls
it’s tongue licks at the foreshore

Birik sits, looking up from below
careful, he waits
for those who take what is not for the taking

sorrow trees recline in the water-soaked reeds
weathered arms outstretched beckoning to come sit
to heal a scarred soul or

damaged heart

I sit cradled by the woody arms
they whisper the message of peace, forgiveness, and love

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I Go Meet a Friend

I go meet a friend.
Because bugs move from this tree to that tree I go meet a friend.
Because the tree moves before the bug moves I go meet a friend.

When trees move they also don’t move.

Walking along the trees.
Walking along the light shining on the trees.
The light that turns on and off, on and off, blinks first in the head.

Because bugs move from this light to that light I go meet a friend.
If I walk from this light to that light do all the lights stop?
Distant, one light flickers.

I go meet a friend.
Bugs move from this friend to that friend the light goes dark in the head.
To sleep darkness descends.

In the tree that stopped walking is a hole.
The hole swells.
I went to meet a friend and I’m not coming back.

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The Non-Vegetarian

(after Han Kang)

It makes perfect sense, really
to make the most of this body
before the rot sets in. Maybe

a premature sky burial, and who better
than the ghost in this deadbeat machine
to preside as chef de cuisine. I propose

starting with the shoulders, so achy
after so many years of drudgery. Recipe
for pork shoulder steak should do, us humans

so comparable to pigs. Braise or roast? I don’t
have a Dutch oven, so it’ll be smoke. Indeed
years of smoking may have prepared my meat, alas

I could only afford the cheapest tobacco these past
few years. Poverty and overwork are truly
key ingredients for this auto-feast. For Entrée

I’ll crack my skull against the wall — in the absence
of a reciprocating saw, something else I could never
afford. I shall do the right thing, soak the brains

to purge them of blood. Dessert? I’ll stab and tear
into my upper stomach to extract a liver
which is no doubt fatty, courtesy of decades

of alcohol abuse, courtesy of even more decades
of life in an unliveable world. I’ll make foie
gras donuts and will serve all three courses

with goblets of thinned blood and piss. I’ll propose
a pre-dinner prayer to the god of capital and democracy
before my disembowelled corpse grins and digs in.

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The 3rd Poem

(for Sin Yong-Mok)

Cross-cultural implies there are cultures
to cross. There are bodies and languages

sure, but cultures? What is so innately different
between kimchi and vegemite

these things one eats, then one forgets about
as they’re transformed into a dark universal paste

in one’s stomach? Identity was always
an object of false consciousness, comrade

propped up by the true parasites to prevent
us from uniting (to lose our shackles) and so

there’s nothing innately different between
Squid Game and Mad Max: moving images

that depict the horror of the contemporary either
in Seoul or in the Aussie outback. If

there’s something to cross it’s what we assume
separates us, not what separates us. Let’s

assume better. Let’s assume we can unite (act as
if) we can defeat the horrors, or outdo them

by becoming a dark universal entity
beyond culture and identity. Then there’ll be

truths other than the facts of languages
and bodies, vegemite and kimchi, cultures and crosses.

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The Exiled

Because we have a tongue that splits into multiples
we can’t obey.

In this small world
the lights became too many
because you abuse yourselves.

I’m swept away by rakes of speech
and return infinitely
like the coral ends washed up by waves.

Clueless and beautiful children vanished.

Even if you say
let there be light
bodies that need more darkness are born.

In the time of breeding illiteracy

in the prayers of the countless horns
spurting from my tongue
there is no God
or country.

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