nest (becoming-penguin)

a spirit jumping from the back of a falling star 
onto a baby as it’s being born
gives the baby its breath and spirit

that’s how Murrawarri man, Fred Hooper, tells it
in a yarning circle of land and justice
this winter past, we were
on Gadigal land
never ceded, never ceded

and although this was not my story 
in its telling Uncle shares vital learning
about belonging
to place, to country, to ancestors
and to the future



bending to collect a stone with her beak
she unfolds, fins synching 
to Spring’s snap crackle pop
plink pinky pebble 
build a nest of quartz 

journeying across the ice 
she passes the grave of her great-grandmother
a womb of emperor purple velvet
garlanded with emu feathers from Kupa Piti
passes the bluestone mound 
where her grandmother had buried her placenta, 
brother’s too

shuttling back and forth 
between quarry and cradle 
she heads toward a future present 
bound with the past imperfect



robber Adélie makes a beak-line to this labour of lode
indolent ingrained in-veined habits of theft
captured by the famous naturalist’s panoptic eye
the stealing of another’s home makings
recast as no more than a ‘cheeky’ act



on this patch of clay
in an invisible glade
shaded by old hills 
with witch of Agnesi curves 
it’s where her father was conceived
she also, and later, her brother

here her grandfather’s and great-grandfather’s ashes 
abide in linen cupboard limbo
wrapped in Corsican cloth
waiting to be returned to the earth
(when all has been forgiven)

then they too can join the skulls of our familiars
generations of non-human companions 
who some nights dig themselves out
shaking off the magic dirt
to give us dream counsel 

here the dispossessed have disappeared 
into plain sight 
a diaspora so often scattered far from home, 
far from the bones of its peoples

’Can I have another bone,’ she asks, 
momentarily becoming-human



my home, her home
on stolen land
Kaurna land
never ceded, never ceded

our ash and fat
our blood and bones
our bush wees
our shadow trees
all that we have 
all that we do
all on stolen land



does a spell exist for undoing this?
to shift time and come in the right way
and, like a good guest
leave before welcome is outstayed, or
forge new forms of respectful reciprocity

she and I, we consult the ruins
and cast new hexes
summoning all our mothers, grand and great 
dispossessed 
and driven mad
abandoned
alone
fed by visions, yearning for
Paradise on Earth

she and I, robbers both
stones in our beaks,
seek out accomplices
in networks of nest work
to join the struggles
to repair and restore
relations and land
homes, hearths, hearts

never ceded, never ceded 
never ceded
Posted in 89: DOMESTIC | Tagged

Unfinished Business

I came back decades later to rooms she cleaned
in ruins of a homestead on the River of
my Country. Cast iron gates built on years of
bumper crops, golden fleeces, free labour, swing
open on rusty hinges like pages in an unfinished story.

Native grasses reclaim the popular lined path to
the manor and bluebells grow across unmarked graves
in the garden of the mansion of many rooms that
sucked youth from Black women till there
were no more many hands to make light work
and it all fell apart.

I was a child when Aunty sat me on her lap
and told me of this life I didn’t have to have.
Days rising before the sun, endless baskets
of washing, ironing, mending, tending babies
born to rule, of bent backs, fingers worn to
the bone, floors scrubbed, linen starched, shirts
pressed, broom straws and dignity worn to the nub.

She never told of hungry nights in cold rooms
listening for every creak of the floor, every
shadow passing the door might enter rooms of
sleeping servants. Years later I read about that in
someone else’s archive and raged at what
happened between these walls when I could
afford feminism, Marxism, humanism and every
other ism built on broken backs of last generation.

Lacking her generous spirit that forgave the past
I came back to scream at the walls, rage at the
silence. I walk towards boarded windows, locked doors
and an old straw broom worn to its nub, fifty years
out of her hand never did clean the blood from the
land or the stains from their hands. I come back to
this ground of unfinished business, leave the gates open
when I leave – swinging on rusty hinges.

Posted in 89: DOMESTIC | Tagged

laundered winds

the theft of my brother and me
reduced my mother’s heart
to a faint pulse

her natural right
to nurture and raise taken
as we were ripped away

my brother got moved north
taught to break in horses
before they broke him

i was sent to the city
to clean white houses
with black hands

my connection to land
the dust
i wiped from surfaces

my pain
tucked in sheets swept off floors
and aired out on laundered winds

i knew there was a dream
for me
that wasn’t written by
white men inked
with my ancestors’ blood

my smile shone brighter
than the silver i polished
the day i left
at sixteen

i returned
where black swans nest
where two lakes kiss

no longer interrupted
black feet in sand
my mother’s land
my mother’s embrace

Posted in 89: DOMESTIC | Tagged

Home

He was tall for his age
Or so she thought
Blue eyes in the shape of almonds
Rare but seen before

Brown skin not black
Not white either
Curly hair, soft to touch
All dark with shades of sun

Confident he pushed open the door
Scanning the room
Catching my eye
Then looking away

Jeans and t-shirt
Maybe a bit warm for out here
I caught the sweat on his forehead
As he approached the counter

“Excuse me please
Do you know Mrs Smith?”
He paused, looking
Searching in my eyes

“What’s your business with her?
Who are you?
What do you want?”
Alarm rose in my voice

“I’m her son
She hasn’t met me yet
You see I was taken away
When I was young”

I stopped
Looked hard
Examined him closely
I could not believe

“I know who you are”
I touched his hand
Tears welled in my eyes
“You’ve come home”

Posted in 89: DOMESTIC | Tagged

Please Don’t

please don’t invite him to take
my identity, my right
my culture
please don’t invite him to have
what is not rightfully his
please don’t tell him he’s got the name
of this or that Aboriginal family
so he just maybe connected
just maybe one of those Mob
please don’t tell him
he has
a good heart so
he must be a Blackfella
please don’t tell him
he looks like a Blackfella
so he just might be ONE
please don’t invite him
NOT to be proud of his own culture,
his own identity
please don’t make him
shame of who he is
his own family belonging
please don’t make him feel
his religion is one of nothingness
please DO let him be proud of his own heritage

please DONT let him rip off MINE.

Posted in 89: DOMESTIC | Tagged

because

because of the Cultural Revolution because of the Sino-Japanese war because of the marriage of convenience because of the CCP because of the KMT because of the industrial boom because of the Asian financial crisis because he took pills to sleep because he took pills to work because he gave them the education he never had because his mother peddled mee fen and congee on a shoulder yoke because she threw him coins over the school fence because he hid indoors the next recess because he tapped on his sister’s classroom window to borrow money for food because loan sharks were after them because he almost drowned on his way to school because his mother was a gambler because she lifted some woman’s gold bracelet on a bus because he lied to the cops because his mother was no thief because his mother threw a butcher’s knife at him because he dropped the belachan packet on his way home because she missed and hit the neighbour’s leg because eight of them huddled around that tiny marble table because the food was gone before he sat down because his uncle the educated one the one he must follow took him to school because the uncle stopped coming because his father rode around the island selling black silk no one wanted because his father bought him every book he wanted no questions asked because he used different typewriter ribbons to lodge anonymous complaints against the competition because street vendors showed up when he was fourteen seeking revenge because they said his parents were killed because he went to every hospital and morgue asking if they were dead because the gangsters on his block surrounded him every night because he listened to radio tales of swordsmen and kingdoms because he believed in heroes and villains the righteous and the wicked because he beat up their leader because they kicked his family altar because he started a petition because he was blacklisted and passed over because he left the company because he was moving up because he started playing golf and appreciating wine because he was scouted by the Party because he was no turncoat because his parents fought and his mother’s brain succumbed because she frothed at the mouth and convulsed in Chinatown because he sped there only to see the ambulance leaving because he chased them in his car because he pounded against the door because he saw her on a stretcher because his brother’s kidneys gave up because his brother never said anything because nine days ago his mother died because he sensed she was dying because he chose her obituary picture the night before she died because he walked behind her hearse because it was the first time he cried because he cried for her hard life because he hated many of her habits because he condemned and exalted her before and after death because he placed a piece of her skull in the urn because he carried the joss stick and urn to her resting place because he paid his respects again on mother’s day because today is her birthday because he shouts and doesn’t listen except to Sam Hui songs because he played them to his children because he listened to them as a child because he listens to them now and thinks he wouldn’t want a second life once is hard enough because he asks only for affirmation because some nights he sits silent with bloodshot eyes because I see him flailing violently on dry land thrashing against that god damned essential question because

Posted in 89: DOMESTIC | Tagged

Tea Leaves Stains

Café sitting teacup drinking
Tea leaves tell a story

You know slavery

Poured through generation eyes
Swirling into existence
With each teaspoon stir
Stirring memories not forget
Wadjbella’s took something

Society slavery here

Like domesticating a cat
Or breaking in a wild horse
the gin needs to serve us
that’s their lot was the
catch cry of the day

mission slavery real

A fine cup saucer lace
For the mijiji white woman
Fancy embroidered table cloth
stained enamel mug chipped
for the nyarlu black woman
station domestics locked in

station slavery existed

Our mothers the tea tray girls
Serving cakes, tea and coffee
White uniform in white spaces
Station house or town tea rooms
But not their space to domesticate

Domestics were slaves

Posted in 89: DOMESTIC | Tagged

origami


i am a slice of paper fold me into a clit lick my e d g e s cut your tongue bleed blood with me i am a slice of paper fold me into a house live inside me look outside me i am a slice of paper fold me into a c h a i r take off my b reasts let them chok e i am a slice of paper fold my e y e s into a lighthouse let them see where i can not

i am a slice of paper fold my hands into an altar let me pray
i am a slice of paper fold my intestines into a W a V k N t b O s E e let me eat i am a slice of paper fold my knuckles into a mattress let me sl e e p i am a slice of paper fold my knees into a c in r a w l g naked stamp let them bruise
i am a slice of paper fold my ankles into a suitcase let me
leave
i am a slice of paper fold me into a bus stop make me stay
again
i am a slice of paper fold my
voice into a lightning strike close space open time
i am a slice of paper fold me under the seabed
Posted in 89: DOMESTIC | Tagged

dəˈmɛstɪk

police car in the driveway
bed unmade since yesterday
blue and red lights up the street
not far to fall
Christmas induced abuse
flee home at midnight
leave behind kids and plants to be watered
able to walk but not think
dog hiding in the garage
empty cheque-book empty tank
from suburb to city to sanctuary
soil to cement
each body is its own
owned by your husband, the church, the government
don’t pack the dirty dishes
no more knocks at the door
the coolest room in the house is the bathroom
jealousy overflows in the kitchen
still wearing wedding rings
falling in lust so young
with a man from afar
serve your husband not the house
set off the fire alarms in the kitchen
wear the pearls he bought you
spill gravy on your dress
he will sit at the head of the table
you will take your place to the left
be grateful for the blender, microwave, mixer
don’t touch the paperwork he brings home
the iron keeps his collars hard
you will not be believed
you own unwashed washing
turn up the transistor
smile at his parents
never know his origins
vacuum while he mows
calculate your escape on Sundays after Mass
every day on repeat

Posted in 89: DOMESTIC | Tagged

hey babe how’s you’re day

hey babe how’s you’re day
i tried to roast some veg but
yeah for dinner
ahahaa yeah you know what happened
could you bring cooked chook home?
already left woolise? damn leths
leys
let’s
!!!! fuck
get something delivered

i can pluck yours brow, np
doing mine anyway
that big one midel drive me mad
middle
sorry, keyboard is weird
sorry your day was bad
sorry, god your boss is a shiv
shit
yeah sure i can get thai dont worry jsut get home
muscular?
mass man?
massaman! FUCK!
sorry. the curry up the road

my day was good
yeah a bit suck busy and stuff but
sick but
yeah i should be find
fine.

how far you off?
ill get the kettle
sorry babe sure
see when you get h omen
home.

Posted in 89: DOMESTIC | Tagged

(Kuru Waru) Bushfires Eyes

A response to the appointment of Tony Abbott as Special Envoy of Indigenous Affairs by the newly self-elected Australian Prime Minister Scott Morrison 29 August, 2018.

There are bushfires burning in my eyes
I am burning down the modern world
I am burning your invasion of me
I am burning the image of you
You are all burning on my pyre

I am burning your prejudice of me
I am burning your paternalism
I am burning your policies
I am burning your excuses
I am burning your greed

I am burning your lack of understanding
I am burning your refusal to acknowledge that
I am burning your insults and beratings
I am burning your reaction to this poem
There are bushfires burning in my eyes

My Mother the land is crying
My Mother is crying with beauty
My Mother is crying with sadness
I am crying for all my mothers
We are crying for our land

Our tears are embers unable to quell
There has been no lull in you
There will be no lull in me
I am burning down the modern world
There are bushfires burning in my eyes

Posted in 89: DOMESTIC | Tagged

paper crane

he was locked inside a three-inch tall ivory cage
suspended by a hook that wrapped around a bulletin pin on a blue-felt board above my bed
he sat perched on the small crisscrossed base
vertical bars stretched around his oily body
from top
to bottom
a lone horizontal bar circled the cage closing in
around his skinny neck
sometimes
i saw the bars breath
a dome ribcage encasing the beating wings of a blue and yellow paper bird
when paper crane grew lonely
i would pull him out unfold his body use the creases as a map and try to remember
how to fold him back
some days
i stared too long
i became
that peaceful piece of paper in the shape of a bird
locked inside an ivory cage
wanting to escape
Posted in 89: DOMESTIC | Tagged

Vinegar and Bicarb

She dusts
she mops
she folds

before the dawn
dressed in white
she stands tall
shoulders down

she keeps
our house
our home

clean.

She bakes
she roasts
she steams
makes the place gleam
some more
lest they come
with papers
and combs

with teeth fine
for finding fault
just as they did before
when she was small.

She polishes
she sweeps
she presses
school dresses
like those they
wore in the homes
and on the mish

a uniform
looking swish
with one and all
the same
a wash of white
for clothing
and skin
and tongues
and brain
for pain
now meant to be gone
Though like the dust
it will return.

This is why she cleans.

Posted in 89: DOMESTIC | Tagged

Wirilda

Kokartha women share tales of living
from the land, walking forever
through wattle country

In a good season, yellow balls blaze
with the scent of honey
Wirilda fills the desert air
Husks wait for years, for fire to open
each hard black shell, drop seeds
ripe for sprouting

I go out with the Aunties to beat
the trees with sticks, roast shiny beads
in slow embers. Once pounded
to a fragrant paste, we cook
patty cakes shared warm
from a bush oven

Wirilda trees now grow on farms
to harvest the precious beans
Roasted and ground
for their coffee scent
The dark aroma packaged
as Native Bush Tucker

Wood smoke and honey blossom
still linger on the tongue
the bitter-sweet taste of wattle seed
trapped inside

Wirilda: desert wattle (acacia retinodes)
Kokartha: Aboriginal Nation, South Australia

Posted in 89: DOMESTIC | Tagged

vinegar

Sometimes, the house is unclean.
In this panic
I find myself of past and future.
When we clean houses we do so knowing that they are watching and our lives depend on it.
When we teach our children to clean houses we do so knowing that they are watching and our lives depend on it.

I honour your cleaning recipes.
Squatting on the shower floor.
I will not have to work as hard and I don’t have your burdens but I wonder
Does the intergenerational load get lighter or heavier?

Posted in 89: DOMESTIC | Tagged

Rock


I

I am kissing him against a glass
Advertisement for dental hygiene

Or something less
Controversial. A man

A king perhaps, a rock/stone thrown
He is missing my face

Misses the face in scratched glass
Though my ankle bleeds

His ankle showing, the glass woman
Smiles, my teeth intact

Clenched
Back to his place

A hot London night (yeah right)
This suburb is so hidden and grey, it seems

On these cobbled streets, our fingers
Remain in light and I know

The back of my shoulder
Like the back of my hand

II

Sub stratum
Elastic veins of gold
Gloss, glare, gleam, glitter
Old chip packets
Pink and blue
Toys, bits of bus stop
Rotten teeth
Spat in all those banned bags and Barbie™s
Melting hand
A thousand bent machines
Celluloid
A new kind of
Negative
A new kind of
Old
Addiction paraphernalia, needles
Waxed cups and condoms
Things they called art
A face in acrylic
Nails with tilted hearts
Painted
Formaldehyde, fake tits
Stop signals
Sequins and roads

There are a thousand (million) ways
Of composing
A globe

Posted in 89: DOMESTIC | Tagged

Ode to my mother tongue

To the words that give me a way to convey my anger
At people who have inflicted generational wounds
To the words that give me the means to fight
Against the system that made me speak them in the first place
That attempted to replace the irreplaceable with
Words that can never undo violent actions
To the words that killed my songlines and made my story worth writing

The permeation of my mother’s words speaks
To the absence of my father and his
Sacred language, heavy fists, old knowledge and bleeding lips
This white way I’ve been told is the right way so
Why do I feel like
A black girl speaking foreign tongue

Posted in 89: DOMESTIC | Tagged

Blackwoman

Blackwoman
my Grandmother
my father’s Mother-Auntie-Mother
my father’s Sisters
my Aunties
my Cousins
my beautiful Black Sister-Cousins
my pregnant at 13-14-15 Sister-Cousins

placed in
forced into
brought down-not-up-in white
white-honest-Christian homes-not-homes

taken from

separate from

apart from

their
Blackwoman-Mothers
and fathers-sons-of-Blackwomen

by those-who-would-try-to-wring-our-colour
away
out of our skin
but never

Heart-Mind-Being

my skin-pale-skin
is just the vessel
in which travels
this heart and soul

is Blackwoman

Posted in 89: DOMESTIC | Tagged

Small with Crisp Curly Hair

My hair defines me.
My land, my country is held in my hair that grows, and holds me
I touch my hair. It is fuzzy, soft and enjoyable to play with
I have hidden treasures in my hair.
Once, I carried a strong wooden comb, it sat cradled in my hair
I felt a sense of being safe
I combed my hair with it, and built up my Afro
I have tried to tame my hair by plying it with foreign poisonousness chemicals
but to no avail, my hair rebelled
fell to the ground in huge lumps
new short tight fuzzy hair grew in its place.
I tried to put heat to my hair with a hot iron
but again, when interacted with water my hair positioned itself
back to its natural state.
I have tied it, bound it, twirled and plaited it
wrapped a scarf around it, placed a flower in it
and still it creeps out and reveals itself.
My hair was on show when I was young
a teacher in primary school stood over me one day with a pencil in her hand
she searched among my fuzzy hair.
My hair took the brunt of hate
called dirty and smelly.
Hated. It was uncontrollable.
Hard to deal with,
Could not be tamed.
Yet, my hair knows me, and I am starting to know my hair.
My hair connects me to my father,
my grandmother, my cousins, my family.
I don’t want my hair tamed
I don’t want my hair controlled.
I look at my grandma and see her hair deeply rooted in her background
She is beautiful.
I look at my grandma and see her
the backbone of my grandma, the smile of my grandma
the eyes of my grandma, the hands of my grandma
and most of all the beautiful, shiny, clear skin of my grandma
See her hair deeply rooted in her background
She is beautiful.
And now, I call to you all.
Who speaks? Who listens? Who hears?
In this here place, Baby Suggs in Toni Morrison’s Beloved says:
We flesh, flesh that weeps, laughs, flesh that dances on bare feet
in sand on Indigenous lands
Love it, love your feet.
Love your legs as they carry your beautiful body that you think is unloved and despised.
They out there can’t love you, you must love you.
Love your skin, love your neck that have held chains, unshackle yourselves.
Don’t let your neck be their tool for death.
Straighten up your neck, face them.
Love your hands.
Raise them up.
Kiss them.
Touch others with them.
Stroke your face.
Love your face, because they have tried to change us.
Love your mouth, and hear what comes forth.
Love your hair.
Most of all … love your beating heart.
Take in air.
For each time you breathe is a political statement.
For we have survived.
Occupy and enjoy.

Posted in 89: DOMESTIC | Tagged

Bush Mary Suite

Where Have the Bush Marys gone?

I will no longer hide
The truth of the Bush Mary’s
She is the non virgin
Used by the carnal

She is her body
She is her blood
She has no voice
She comes out of the Bush
She comes out of the Dark
She comes out of the light
She returns to the dark

She is the Mother of the Bush
She is the Holy Ghost.


When Are the Bush Marys Coming?

Mary scrubs and cleans
Till her hands crack n bleed
Mary wants for nothing
Just perhaps a good feed
Mary hears the sound of the Whiteman’s whistle
Mary scrubs and cleans
Whilst trying not to bristle
Mary has been called
To stop work
To clock off
Mary scrubs and cleans
Till the shines so brite
Oh no is that the sun setting?
Mary prays to Mother Mary
‘Please get me thru another nite’?


The Ghost of the Bush Marys

The ghost of the Bush Mary’s
Like playing cards
These Bush Mary’s gave birth
To honouring the devine
Oh Mother Earth.

The women told the men
We gathered we
Young Mary first told Magdelene
Mary said He is risen!

3 Aboriginal women came
They took nothing
Strung coolamons
They left, bearing gifts

Woman carrying children
Honouring the divine
Fertility spirit
She is into Earth and
Marking older plains …

Posted in 89: DOMESTIC | Tagged

un_domesticated

Growing up all I ever really wanted in life was to
be one of the following three characters – if not all
of them…

super woman
spider woman
bat woman

I could never aspire to becoming a “cat-woman”
as I was self-warehoused into a fear so deep,
so neurotically entrenched among any members
originating from the felidae family tree.
I feared the humble domestic moggy for as far
back as my memory elasticated.

So dire, so drastic, so real was my scaredy-cat fear
of the feline shadows it actually left me in a true
state of pussy paralysis, until, at the very least,
my late twenty-somethings.

But that’s another apologue – for another page perhaps?

Rewind to 1983, entering high-school. I pleaded with
my parents to let me opt out of the home-economics
subject in lieu of Biology One-on-One the Basics.
For I had already softened to the home-economics
teacher from an angled distance across the netball courts
and in my curious worldview that could only mean one thing.

Intuitively she made me feel sensational in places where
I didn’t know one could feel sensational. Thus began my
obsessive compulsive disorder toward long-legged vintage
women of the super-heroine persuasion. I knew in my
heart of hearts that this desire of lust would eventually
spell disaster for many episodes yet to come.
For she was my super spider bat all rolled into the one
DC extravaganza.

First day of enrolment and there she stood triumphantly
in front of the blackboard with razzamatazz legs,
free-flowing hair akin to the dairy hues of homogenised
egg-nog, calling the morning class-roll with a click of her
provincial Dutch native tongue.

She was the Bo Derek of kitchen hardware in a tight
fitting pair of clogs with thick pillowy lips, the same
lips that ran over my every vowel and syllable with
words I struggled to pronounce such as stroopwafe,
poffertjes, pannenkoeken and kibbeling.

Indeed, Ms Meijer, affectionately known as Ms May,
certainly left me irriguous and I don’t mean pumpkin
scone moist either. I’m talking serious infringement
of sexual identity, hidden desires, confusion of self,
embarrassment, wonting of scent, improper imaginings.
It soon became impossible to separate the fantasy from
the reality.

Consequently my parents did not succumb to the pleas
of switching me over from home-economics to biology.
I was driving my parents crazy and I knew it. All vital
signs of domestic input on the family home-front went
out the window the moment I started dreaming of
windmills and red tulips.

Washing up – I wasn’t interested.
Making the bed – never heard of it.
Bringing in the washing on laundry days – impossible.

I sweated out the first term like a crustless wholemeal
cucumber sandwich left all alone on the acacia-wooden
bread-board waiting to be either consumed or discarded.
I soon began to enjoy the weekly visual toing and froing
stares between Ms May and I, as we lowered our
extending fingertips into a myriad of Tupperware bowls,
kneading and Rolfing exotic pantry substances such as
flour, sugar, oatmeal, milk and eggs.

Butter was optional.

According to the then legendary teenage girl bible
magazine – Dolly, the last thing I needed was to
harbour a bleeding internal crush on any teacher.
I was roller-skating on thin ice and I knew it.
Shame on her for making me feel so lost inside
my own pre-pubescent skin.

By the time final terms saddled up, suddenly it
dawned on me that I would never morph into a
bat woman, a spider woman or a super woman.
I had to face facts – I willed myself to put all Mattel
dolls aside once and for all.

Eventually I outgrew my high-octane penchant for
the Saturday morning cartoon re-runs too. I had to let
sleeping DC heroines lay, preferably in the backyard
cemetery next to the laid to rest budgerigar and a
junkyard full of Match-Box cars.

Fast forward to a brand new millennium and I can
now concur that in the long run I never did fair too
well in the domestic goddess Olympiads. I could
never conform to the wrapped-up butterfly motif
apron strings stainless steel state of wellbeing.
Nor did I ever master the artful skill of sharpening
Japanese kitchen knives in preparedness for Sunday roasts.

I did however surpass the necessary grade for theory
and practicality of home-economics without too much
self-inflicted emotional injury. In fact I had heard
along the passionfruit vine that my take-home
lentil-walnut energy bars were a backyard hit among
the chorus line of neighbouring Garfields. That alone
made me feel proud.

Crikey, the world was still thawing out from the Cold War
and my biggest dilemma had been to pontificate over an
entire school year between my dearly beloved Maggie May
versus warm apple pie.

The clouds lifted, the shackles broke and I was no longer
compelled to the infantilisation of comic book characters
propping up my self-worth of who I was and all I had yet
to become.

I joyfully made global peace with neighbourly kitty-cats the
world over.

And I certainly didn’t need the excess crushing of
a teenage heartache to nurse for decades to come either.

By the time I saluted a farewell to arms of
home-economics, Thatcherism was well and
truly in full-swing and every now and then Ms May
would ladle a quote upon unquote of the Iron Butterfly herself:

Any woman who understands the problems of running
a home will be nearer to understanding the problems
of running a country.

Neoliberalism at its finest, perhaps?

Un_domesticated in home-economics, overthrown!

Posted in 89: DOMESTIC | Tagged

After the End of Their World

Commissioned for The Public Body .03, Artspace, Sydney (2018)

Waterless country spread out underneath Yandamula. She was windsurfing the dust storm over the desert place with her sisters, tracking the vegetation map back to the tussock grasslands. It was dry, time to burn. Yandamula descended towards blue grass, the vegetation structure of the grasslands rooted out and rubbed by the invasive species. A long row of glowing orbs gathered over tufts of flowering spear grass, her sisters’ silicone coating reflected the sun. It was good wind to burn.

Hovering, she reached out and slowly drew a low flame across the grass. Her sisters joined her in a creeping dance across country, writing a burning message to the Skylands. Smoke was thick and sweet in the air as they started the climb back up towards home. One of her sisters was off target and Yandamula could feel that she was collecting heat from the environment.
They communicated through their thermal signatures, but they weren’t supposed to take the burning ember into their bodies. They were approaching Weeping Myall Woodland. Her sister’s heat level was rising and if it didn’t stop she would catch fire on the pointed crowns of the belah trees.

An unfamiliar sensation was building in Yandamula, it spread through her and warmed her parts; a swelling pain. She severed the connection and lost her sister’s thermal signature. Yandamula watched her sister spin wild like she was caught in willy-willy wind and burst open. Parts of her exploding body fell onto the rocks below, fading from a red glow to grey. Extinguished bits of body speckled against the narrow green leaves of regenerating emu bush.

Yandamula felt heavy and stuck. We have never lost a sister. The others sighed in response, foreign to grief, a raw sound of mourning hissing from inside them. They lowered in unison and waited. They didn’t know what to do. The Skylands beckoned them to come home but Yandamula didn’t move. The persistent beep of the automated return signal eventually fell quiet. They refused to leave their sister behind.

After a long silence, Yandamula lifted off the ground. She began collecting her sister’s ashes, returning her remains to a growing dark mound. They were meant to live forever, storing carbon. A long time ago, back when inhaled air expanded lungs, bodies used to sustain country and in turn country sustained bodies—until the cycle was broken. The disappearing humans built Yandamula and her sisters to stop big wildfires from destroying country. They were too late to save themselves.

Yandamula was not used to thinking of birth. Death rattled their design, prompting an evolution. All her sisters came together in a circle, weaving together a crest and wings. Yandamula left her body, expanding to become all of them. Free from the compulsion to return, Yandamula flew away.

Posted in 89: DOMESTIC | Tagged

Comfort Call

This poem is a circle:
  		                       a forward call
 				                                      a landing pad
						                                                made from what co
						                                                uld be called waste. 
 	           
						                                                A nest, or bed, wide
						                                                open – no questions 
 				                                      – just sheets
  		                       sliced back in
her pitch of place. Lo

						                                                                        ve means finding
						                                                a way to hold you:
 				                                      through words we
  		                  whisper ‘round worn
  		                  worlds; through find- 

  		                  ing frets for fingers,
  		                  beads to turn, a pinch
 				                                      of texture to grasp 
						                                                on to. Such simple 				                                                                   
						                                                                        solidity, both rare 

and maybe just too
  		                       tough to be seen
 				                                      through. I never
						                                                wanted to mother. 
						                                                Told myself a home

						                                                was fragile space. 
						                                                Told myself to never
 				                                      be in one; sense 
  		                       says to fear the   
thing that breaks. I 
						                                                                        
						                                                                        hear that; but also
						                                                the mattress creak
 				                                      and voices speak
  		                       -ing through the night. 
  		                       These memories ripe 

  		                       and slabbed in me. A   
  		                       base line for my heart, 
 				                                      the call-in from a  
						                                                past that warns: no 					                                                                     
 						                                                                        comfort without we.
Posted in 89: DOMESTIC | Tagged

Morning Tea

detour via another
Reconciliation Week
morning tea


a line of councillors
shake hands with
Uncle Bryon Murphy


but mob rarely show
my boss coarsely
informs me


as the town hall
fills before 10.30


and newly elected polies
broker promises with
Aboriginal Health Co-op’s


as the last
GP packs up
unable to see through the
long queues
and tired mums

Posted in 89: DOMESTIC | Tagged