- 115: SPACE
with A Sometimes
114: NO THEME 13
with J Toledo & C Tse
113: INVISIBLE WALLS
with A Walker & D Disney
112: TREAT
with T Dearborn
111: BABY
with S Deo & L Ferney
110: POP!
with Z Frost & B Jessen
109: NO THEME 12
with C Maling & N Rhook
108: DEDICATION
with L Patterson & L Garcia-Dolnik
107: LIMINAL
with B Li
106: OPEN
with C Lowe & J Langdon
105: NO THEME 11
with E Grills & E Stewart
104: KIN
with E Shiosaki
103: AMBLE
with E Gomez and S Gory
102: GAME
with R Green and J Maxwell
101: NO THEME 10
with J Kinsella and J Leanne
100: BROWNFACE
with W S Dunn
99: SINGAPORE
with J Ip and A Pang
97 & 98: PROPAGANDA
with M Breeze and S Groth
96: NO THEME IX
with M Gill and J Thayil
95: EARTH
with M Takolander
94: BAYT
with Z Hashem Beck
93: PEACH
with L Van, G Mouratidis, L Toong
92: NO THEME VIII
with C Gaskin
91: MONSTER
with N Curnow
90: AFRICAN DIASPORA
with S Umar
89: DOMESTIC
with N Harkin
88: TRANSQUEER
with S Barnes and Q Eades
87: DIFFICULT
with O Schwartz & H Isemonger
86: NO THEME VII
with L Gorton
85: PHILIPPINES
with Mookie L and S Lua
84: SUBURBIA
with L Brown and N O'Reilly
83: MATHEMATICS
with F Hile
82: LAND
with J Stuart and J Gibian
81: NEW CARIBBEAN
with V Lucien
80: NO THEME VI
with J Beveridge
57.1: EKPHRASTIC
with C Atherton and P Hetherington
57: CONFESSION
with K Glastonbury
56: EXPLODE
with D Disney
55.1: DALIT / INDIGENOUS
with M Chakraborty and K MacCarter
55: FUTURE MACHINES
with Bella Li
54: NO THEME V
with F Wright and O Sakr
53.0: THE END
with P Brown
52.0: TOIL
with C Jenkins
51.1: UMAMI
with L Davies and Lifted Brow
51.0: TRANSTASMAN
with B Cassidy
50.0: NO THEME IV
with J Tranter
49.1: A BRITISH / IRISH
with M Hall and S Seita
49.0: OBSOLETE
with T Ryan
48.1: CANADA
with K MacCarter and S Rhodes
48.0: CONSTRAINT
with C Wakeling
47.0: COLLABORATION
with L Armand and H Lambert
46.1: MELBOURNE
with M Farrell
46.0: NO THEME III
with F Plunkett
45.0: SILENCE
with J Owen
44.0: GONDWANALAND
with D Motion
43.1: PUMPKIN
with K MacCarter
43.0: MASQUE
with A Vickery
42.0: NO THEME II
with G Ryan
41.1: RATBAGGERY
with D Hose
41.0: TRANSPACIFIC
with J Rowe and M Nardone
40.1: INDONESIA
with K MacCarter
40.0: INTERLOCUTOR
with L Hart
39.1: GIBBERBIRD
with S Gory
39.0: JACKPOT!
with S Wagan Watson
38.0: SYDNEY
with A Lorange
37.1: NEBRASKA
with S Whalen
37.0: NO THEME!
with A Wearne
36.0: ELECTRONICA
with J Jones
Charles Bernstein
The Linguistic Playground of Poetics: L=A=N=G=U=A=G=E Poetry and Systemic Functional Linguistics
I wasn’t entirely prepared for the Canberran rain and cold. Late November, ostensibly summer, and my last trip to the capital at the same time of year almost a decade earlier had shocked me with a week of perfect blue-skied thirty-degree days.
Posted in ESSAYS
Tagged Alison Whittaker, Charles Bernstein, Christian Bök, Douglas Messerli, Elena Isayev, Jared Field, Michael Halliday, Raelke Grimmer, Simon West, Thomas Ford
DIFFICULT Editorial
When people say ‘difficult’ and ‘poetry’ in the same sentence they are usually referring to the experience of reading a certain type of poem.
Posted in ESSAYS
Tagged Charles Bernstein, Holly Isemonger, Oscar Schwartz
Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
Language poetry and conceptual poetry have both been enormously important movements in the development of contemporary experimental American poetry. They continue to be influential, however they are now both historical moments. This has led to some contemporary poets positioning themselves as post-language or post-conceptual.
Posted in ESSAYS
Tagged Charles Bernstein, Felix Bernstein, Hazel Smith, Trisha Low
Cruel Buffoonery
In the North American summer of 2015 I journeyed into the heart of the MFA industrial complex.
Posted in ESSAYS
Tagged Charles Bernstein, Clifford Geertz, Erving Goffman, John Kinella, Robert Wood
87 Words for John Ashbery at 87
curvilinear bequeathed propaedeutic emblazoned blazer bemoan befuddle boomerang procrustean pediment Piedmont Yangzi elastic arboreal aerial miscellaneous moribund feckless freakish free-floating arrested interruption hypobolic cryptography cello churn salience succulence sherbet billowing swank swallow swell swarm swoop sweep weep worrisome weary waver …
Posted in 68: NO THEME IV
Tagged Charles Bernstein
Intervistare la voce: Charles Bernstein
This interview is dedicated to Nicholas Zurbrugg (1947-2001), who brought Enzo Minarelli and I together at a conference at De Montfort University just before Nick’s sudden death. Nick taught at Griffith University, in Brisbane, Australia for 17 years, starting in 1995, before moving back to England.
Posted in INTERVIEWS
Tagged Charles Bernstein, Enzo Minarelli
Launch of Tricia Dearborn’s ‘The Ringing World’
Amidst its many echoes, the idea of a ‘ringing world’ conjures up for me a line from Sylvia Plath’s poem ‘Words’, in which words are axes ‘after whose stroke the wood rings’. This ringing takes the form of words’ echoes travelling off like horses. Late in the poem these horses reappear ‘dry and riderless’ but nevertheless continuing on with their ‘indefatigable hooftaps’.
Posted in GUNCOTTON
Tagged Charles Bernstein, Felicity Plunkett, Tricia Dearborn
Wandering through the Universal Archive
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
Posted in CHAPBOOKS
Tagged Amaranth Borsuk, Astrid Lorange, Brad Bouse, Charles Bernstein, Eddie Hopely, Fiona Hile, Jessica L. Wilkinson, John Jenkins, John Kinsella, Justin Clemens, Kate Middleton, ken bolton, Louis Armand, Maged Zaher, Marty Hiatt, michael farrell, nick whittock, Oscar Schwartz, Pam Brown, Patrick Jones, Richard Tuttle, Sam Langer, Tim Wright, Timothy Yu, Toby Fitch
Catullus 85
translated by Charles Bernstein Odi et amo. quare id faciam, fortasse requiris. nescio, sed fieri sentio et excrucior. Hate and love. Why’s that?, you’d ask Don’t know, I feel it and it’s torture. Richard Tuttle started off with: All I …
Posted in UNIVERSAL ARCHIVE
Tagged Charles Bernstein, Richard Tuttle