- 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
Charles Bernstein
The Linguistic Playground of Poetics: L=A=N=G=U=A=G=E Poetry and Systemic Functional Linguistics
I wasn’t entirely prepared for the Canberran rain and cold. Late November, ostensibly summer, and my last trip to the capital at the same time of year almost a decade earlier had shocked me with a week of perfect blue-skied thirty-degree days.
Posted in ESSAYS
Tagged Alison Whittaker, Charles Bernstein, Christian Bök, Douglas Messerli, Elena Isayev, Jared Field, Michael Halliday, Raelke Grimmer, Simon West, Thomas Ford
DIFFICULT Editorial
When people say ‘difficult’ and ‘poetry’ in the same sentence they are usually referring to the experience of reading a certain type of poem.
Posted in ESSAYS
Tagged Charles Bernstein, Holly Isemonger, Oscar Schwartz
Experimental Confessionalism: The Personal Turn in American Post-conceptual Poetry
Language poetry and conceptual poetry have both been enormously important movements in the development of contemporary experimental American poetry. They continue to be influential, however they are now both historical moments. This has led to some contemporary poets positioning themselves as post-language or post-conceptual.
Posted in ESSAYS
Tagged Charles Bernstein, Felix Bernstein, Hazel Smith, Trisha Low
Cruel Buffoonery
In the North American summer of 2015 I journeyed into the heart of the MFA industrial complex.
Posted in ESSAYS
Tagged Charles Bernstein, Clifford Geertz, Erving Goffman, John Kinella, Robert Wood
87 Words for John Ashbery at 87
curvilinear bequeathed propaedeutic emblazoned blazer bemoan befuddle boomerang procrustean pediment Piedmont Yangzi elastic arboreal aerial miscellaneous moribund feckless freakish free-floating arrested interruption hypobolic cryptography cello churn salience succulence sherbet billowing swank swallow swell swarm swoop sweep weep worrisome weary waver …
Posted in 68: NO THEME IV
Tagged Charles Bernstein
Intervistare la voce: Charles Bernstein
This interview is dedicated to Nicholas Zurbrugg (1947-2001), who brought Enzo Minarelli and I together at a conference at De Montfort University just before Nick’s sudden death. Nick taught at Griffith University, in Brisbane, Australia for 17 years, starting in 1995, before moving back to England.
Posted in INTERVIEWS
Tagged Charles Bernstein, Enzo Minarelli
Launch of Tricia Dearborn’s ‘The Ringing World’
Amidst its many echoes, the idea of a ‘ringing world’ conjures up for me a line from Sylvia Plath’s poem ‘Words’, in which words are axes ‘after whose stroke the wood rings’. This ringing takes the form of words’ echoes travelling off like horses. Late in the poem these horses reappear ‘dry and riderless’ but nevertheless continuing on with their ‘indefatigable hooftaps’.
Posted in GUNCOTTON
Tagged Charles Bernstein, Felicity Plunkett, Tricia Dearborn
Wandering through the Universal Archive
One of the sequences produced by the collaborative entity, A Constructed World, renders the phrases ‘No need to be great’ and ‘Stay in Groups’ in a range of media – silk-stitch, screen print, photography and painting. One of the painted versions of the image shows a naked woman covered in yellow post-it notes overseen by a hulking, shadowy male. These figures represent the artists Jacqueline Riva and Geoff Lowe. The image appears again in the form of a photograph and the installation was staged in various places around the world – as if the only way to get the message across would be to subject it to constant repetition in as many different formats as possible. Indeed, a number of the collective’s performances and installations attest to the impossibility of communication – even as these take the form of images that can’t fail to deliver. Avant Spectacle A Micro Medicine Show, 2011, features skeleton-costumed performers inexpertly singing and playing instruments while six knee-high wooden letters – S, P, E, E, C and H – burn like small condemned buildings at front of stage.
Posted in CHAPBOOKS
Tagged Amaranth Borsuk, Astrid Lorange, Brad Bouse, Charles Bernstein, Eddie Hopely, Fiona Hile, Jessica L. Wilkinson, John Jenkins, John Kinsella, Justin Clemens, Kate Middleton, ken bolton, Louis Armand, Maged Zaher, Marty Hiatt, michael farrell, nick whittock, Oscar Schwartz, Pam Brown, Patrick Jones, Richard Tuttle, Sam Langer, Tim Wright, Timothy Yu, Toby Fitch
Catullus 85
translated by Charles Bernstein Odi et amo. quare id faciam, fortasse requiris. nescio, sed fieri sentio et excrucior. Hate and love. Why’s that?, you’d ask Don’t know, I feel it and it’s torture. Richard Tuttle started off with: All I …
Posted in UNIVERSAL ARCHIVE
Tagged Charles Bernstein, Richard Tuttle