8 Artworks by Michael Lee


Michael Lee | How Are Things (installation view with artist), 2018

My artworks are personal reflections on city living, with a focus on how space structures human thought, feelings and actions. Researching architectural heritage addresses my own poor memory of places I’ve lived in and been to, which also benefits from and spurs my own speculations of spaces to come.

From 2010-11, I created ‘Second-Hand City’, a series of architectural posters featuring fictional buildings or cities. Among them is Shishitv Tower, which narrates the life cycle of a species of building that disperses its offspring via explosion. Architecture insiders may recognise the reference to contemporary architects here, and my intention is precisely to suggest that, try as Rem Koolhaas and Frank Gehry may to profess personal style and distinction from each other, there is continuity between them. I continued this fascination with how reality rubs against fiction, sometimes in wrong ways, in Notes Towards a Museum of Cooking Pot Bay (2010-11), a large-scale mind map of notes for a hypothetical museum that commemorates the past, present and future of Telok Blangah, a neighbourhood in the Southwest part of Singapore.

While on an artist residency programme at the Künstlerhaus Bethanien in Berlin during the city’s historically coldest of winters in 2012, I was struck by the paradox of solitude as both a state of precarity and a condition for production. I explored spaces of confinements and escapes by making diagrams, including the floor plan in Bahja Caves (2013) and the sculptural outline of a treehouse in Skeletal Retreat No. 1 (2013). Diagonals (2014), an interactive wall mural bearing the hazard symbol of black-and-yellow stripes, enacts the experience of having unknowingly entered a situation without access to the exit. “Planting Building” (2017), whilst revisiting lost buildings and topiary, also throws up dilemmas of growth, training and care.

My recent projects wonder about how to communicate with others for the sake of mutual flourishing. The large-scale text installation, How Are Things (2018), harnessed the subtle colour-and-tonal shifts of holographic stickers to address Woodlands Stadium users and MRT commuters with the titular greeting. In Friendly Strangers Party (2019), 100 pennant flags revisited the words or deeds of people whose identity I never ascertained but who have touched me in one way or another.

I hope my art captures in some ways the opportunities and challenges of urban existence, and suggests fiction not just as a form of entertainment but as a mode of survival.

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A Magical Aquarium Called the Ocean | கடலெனும் வசீகர மீன்தொட்டி

A fishmonger in the wet market
wakes the Sundays, sprinkling
a little palmful of water
across the agape, throbbing mouths

of stranded male fish
awaiting breath. Bristling
with lustful desperation
they gulp for gifts—
Filled with air, unsatiated.

In another dried-up country
a female fish swims in her marital tank.
The scent of her beloved arrives
through the mobile phones
as bait on a glimmering hook.

Droplets roll upon a banana leaf.
On it, a meal of sliced fish
served from her lingering palms.
After, these palms in which wetless kisses
begin in secret to gather and swim.

The meanders of unfulfilled thirst
take their course in the arc
of the thrilled body, springing streams
of sweat along scale edges.

Between the two countries
is an alluring fish tank.
Here, the unending ocean.

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We Speak to the Fish in our National Language | 我们对着鱼缸说国语

Facing the fish bowl, I speak the national language1:
each vowel, a gust upon glass;
each accent, a mosquito’s unsteady dance.

From my watch’s face, each second, turbulent, rises like smoke.

The English of the 50’s was but a colonial tongue.
Thinking of our national language, we’d speak Malay.
But by 1965, what was it? English? Malay? Both?

Smoke clouds roll and swallow the map.
Where can we hope to live in peace?

The Federation. Straits Settlements. Malaya. Malaysia.
Taiwan. The Republic of China.
Temasek. Singapura. Singapore.
Please, repeat after me.
This is my home country – Home. Country.
You have your own national language, as do I.
Our tongues roam free – they are by no means bound.

We sit about a round table, practicing the national language.
The fish, in their round bowl, pout the way all goldfish do.

They are like the snakes in our mouths, these writhing tongues.

Occasionally, our lips, too, are round –
when they are
they are fishes they are languages they are Bahasa Melayu they are Ü;
when they are not
they are ikan2 they are English they are Inilah Singapura3.

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Heart | হৃদয়

a heart rendered
like wax, to
insignificance,
to giving up–

a heart rendered
like time, an
amnesiac, spaced
in uniform–

a heart rendered
like love, saying
hello, a teaspoon
of honey–

a heart rendered
like current, in its
own course, feeding
to ocean.

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Our home ocean | எங்கள் வீட்டுச் சமுத்திரம்

I had transmuted all my opinions
into smooth stones
in the fishtank
in the living room.

If the price is right,
Lalitha said, we can buy an ocean.

That Sunday, we both went
to the shop that sells oceans.

For the price of a month’s rent,
said the salesman, you can own
an ocean that comes with full moon waves.

My wife and Lalitha were delighted
to have bought the ocean.

Our cat kept
glowering
at the ocean.

Cha! Saturnine ingénue,
what does it know?
I said.

The Sanitation Officer
inspected the ocean and left.

It was not on his list.
We can buy a tortoise next,
I told Mother.
Mother objected;
like a statue of Krishna
playing his flute,
a tortoise destroys a home.
Everything would be swept away.

As sunlight disperses
on the surface of the water
like bread ripped to pieces
by fish, whales and tortoises,
our home ocean lies
balled up in hunger.

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A Mother Is a Poet | Ibu Adalah Seorang Penyair

In a mother there are two creators:
one a devotion spoken to her children,
the other a conduit for them
as she raises her palms,
reaching to the heavens
in search of the divine wire
at the cost
of her beating heart.

How her children
fall deaf to her pleas.
They muffle it with
thunderous play
until the distance
between them and her
becomes an open circuit.

A mother remains a conduit
until the storm takes her away.

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I’ll Come Back Later | ခဏနေ ကျွန်မ ပြန်ခဲ့မယ်…

Stop setting me alight with that look on your face.
Please just leave me alone.
I’ll come back later.

You have no idea
How I collapse into madness,
How my marrow melts and evaporates,
And how a tempest forms in my mind
When my breasts become stiff and ache.
You can’t read me through and through. You are just a man.
You don’t know all about mothers. You are just a father.
Don’t worry; I’ll come back later.

His scent wafted from my uterus to the end of the universe.
His music traveled from his first breath to my last.
All my dreams were about him.
And he was a beacon of hope.
Now the farmland of my future, like my uterus, is desolate.

What kind of sound did the life I strummed like a guitar make?
What kind of mineral crushed my fetus—my flesh and blood?
The destiny with my name on it is a wasteland.
I have gone mad. I need answers to all these questions.

When I want to scream until my soul shatters
Or when all the veins in my body burst and weep,
I will gently rock the cradle that I made for him.
Or I will push his teal blue pram alone.
I will hum some lullabies.
I also have a pair of pink socks I have to finish knitting.
I will recite Homer’s Greek myths.
And I will draw the picture of his newly sprouted incisors
That I never had a chance to soothe.

Son, I watched every centimeter of your growth.
I watched with delight.
I could build a whole new world with traces of your existence.
I…I…Oh, I…
Don’t worry; I’ll come back later.

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My House | Rumahku

through spaces & slits

breath, spirit, longing shelter

seeks
no reward

I fashion this prayerful
footstool

to sweat on
so they’ll know a love

weathers
crash & swelter

my house a place
best fashioned
mine & my heart

mama

papa
bless—

what’s treasure got to do with anything?

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Left | 左边

After Wislawa Szymborska

I like the morning-sound of ground coffee beans.
I like the symphony of leaves in light rain.
I like the delight of an unexpected friend around the corner.
I like watching expressions over opening lunchboxes.

I like looking back.
I like windows with views.
I like silhouettes, but not shadows.
I like speaking to people older than me, except when they are children.
I like humanity’s complexity, but not its cunning.
I like when the few are led by the many,
but not when many impose upon a few.

I like the in-betweens.
I like being left more than being right.
I like when someone admits they don’t know the answer,
but not when they say there is only one answer.

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Amnesia | 失忆症

You don’t need to try again, doctor, really
I honestly can’t remember – What am I?
Address? Where do I live? Hold on –
Ah! I seem to recall, I live in
those clothes, my son’s clothes, other people’s
sons’ clothes. There are a lot, I always wash them
Hold on a minute please, my son’s crying, ah!
This boy, since he was four, his father
has been tracking his progress from a portrait on the wall
these clothes, I live in them, but
then the fire came and drove us out. Ah, no—
That’s not right. I live behind, right, yes,
and they live in front. I don’t dare to go there because
that woman will strangle me—with her eyes
she’ll choke me with a silk band. Her voice, building up
cold, a wall, keeping us apart, me and
my son. But those flames are coming
they’re so unreasonable. My neighbour walks
shouting for me to run. Doctor, please come quickly
help me get something, that suitcase, that
kettle, yes, that one. And here,
this pot, hurry up, Doctor, it’s too late.
The fire was set by the homeowner, I’m sure of it
I’ve owed him rent for so long, it must end, all of it
all the begging, my landlord believes so,
I want to hug my son, he’s crying, but
oh! I’m mistaken, that’s not
my son, he’s not tall enough, sh!
He wants to help me dry the clothes, Doctor
but, I wash the bucket of clothes, and I turn around
and he’s taller than me. He hangs his clothes
saying he can fly. Clamp, and that piece
it flies, and you have to compensate. But I don’t
see how he flies. He just walked in
that door, the one made of glass, and then
gave me a whole load of hope. Uncle
look again, what is he saying now, can I trouble you
I don’t know how to read, Uncle, ah, no, Doctor. Please
don’t ask me again, I can’t quite remember, it’s too vague
the door was so thick and the aircon so cold. He walked over,
he finally came home, I know. Because that woman
isn’t coming home, her skin is too sensitive
in my room, there’s bacteria
my granddaughters said so. They’re adorable, my son’s
daughters. They never once let me touch them,
their clean little hands. So I know, Doctor
he finally came back. My son, it’s him.
My relatives and neighbours said he’s here
their eager eyes pry him out. It’s really him.
Him, and he brought a gift too, a foreign brand
– my daughter-in-law and my granddaughters. It’s so cold
the aircon. Thank you, Doctor, that’s much better
if you were just my son. If I just
had a son, that would be good. But I don’t have
an address. Where do I live? Someone’s knocking
Doctor, why don’t you open the door? Someone’s there
I heard it, it must be him, he’s finally back
since he was small, he was always so sensible, my son
he came over and handed me the dry clothes
came over and gave me hope to hold in my arms
now, Doctor, look, he’s coming over
he said, he said she said, the house is too small, next weekend
they want to take me there, where it’s so warm, that
old folks’ home. But, Doctor, no
that’s not my home. They made a mistake. But
they’ll come and chase me, like that fire, so
I went to look for my son, he was gone
then, I forgot where I live.
What am I? Let me think, hey,
I remember my name. My name is
garbage, yes, garbage, useless. I heard
my name, floating, from those gentle, sweet
lips. I remember, I remember who I am, but
really, I can’t remember anything at all, Doctor.

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Dust | Debu-Debu

How do I tell a story to all
of the uninvited dust
that momentarily comes and dwells in the crevices of my life?

Will my question be answered
as the wind holds its tongue,
quietly sprinkling dust across the earth?

Dust…
Are you the rubble of civilisation that vanishes over time?
Or young tears hungry and thirsty for peace and beauty?
Or stains of greed that steep into the bones of the destitute?
Or remnants of lust from red lanes and their houses?
Or are you the reminder of my death?

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Soil of Purpose | மண் பயனுற

Do away with plastic flowers
Spray no poison in the wide field
Avoid the fruit untouched by insects
Ward off the factories’ smog
Cleave not the atom’s core
Build not on estuary sand
For the soil to prosper
There is nothing you need to do
And if guilt stabs you anyway
Ignore the building interest
But just return the principal:
Plant the shade-tree’s seed
And offer the body as compost

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Sea Fire | Memanggang Laut

Half-light,
Sky stained violet-pink

ball of flame
explosion rolling
into the ocean.

Pink sinking runny
into burnt orange
as melted crayon,
as leaky glow stick,
setting the sea alight.

Look up: home
Constellations
like a map
to the heavens.

The stars
nothing more
than curious angels
beaming down on us

Clouds
a giant shroud
of breath
of vapour
of risen water
embracing the Earth,

like hope,
like God-language,

like perfect balance.

Like a promise
that, once broken,
would make all corners
of the earth tremble
under our feet.

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As Long As One Tree Lives On | 只要还有一颗树活着

No more trees

Actually, this world is already indifferent to trees, but it’s just that according to the calendar,
Spring should see the valleys and hills filled with flowers, lush greenery and the joyous
singing voices of humanity……

The wind can’t find a corner to rest
This is Spring
Dusk is about thirty degrees from the horizon
Someone has chiselled a hole in the concrete floor
And has used fairy tales to nurture the sapling of a tree
And also, is feeling pleased

And the island has already lost track of a round of topics

Actually, according to a psychologist who was hurrying past, the remaining trees have
contracted severe schizophrenia, often mistaking themselves for broken lampposts, or
imagining that the falling of leaves was actually the disdainful expression in their eyes, being
hurled, like spit, at the barren land……

No more trees
With their lines of sight floating to the busy spaces
Many shipwrecked glances, shedding painful tears
Silence suddenly spreads
Their noses will soon be unable to bear these times
What more the birds

The earth holding her head in her hands, brooding

Actually, viewing earth from space, the trees are like the spines of a porcupine
defending humanity, constantly using their height to spy on the sunlight’s depth, because
the trees remember the lessons of history, and know that the sun will one day avenge its
nine brothers……

And the birds have lost track of the topic of conversation
Not knowing how long the chaos will last
The sun begins to yearn for its brothers, shot dead by arrows
All the ways of anxiety, losing one’s calm
Leaves of dry, skinny clouds hang off the branches of the trees
Distorting their life’s story

The streets are blanketed with numb houseflies

Actually, those waiting for the bus are wearing masks, and the flies are also uneasily
rubbing their noses, to dispel the unoxygenated air.

The earth is wrapped in thought
Very earnestly trying to ease the constriction in breathing
Those waiting for the bus are holding knitting needles
Weaving the stale air needle by needle into a web
Hanging it on tree branches
To mourn for those trees who’ve died of lung disease

Each perfectly straight trunk will never betray the moonlight

Actually, even though the trees know that they’ve been deceived by civilisation, still
they wholeheartedly hold to their places, deeply afraid that if they leave, it’d set off a
revolution; humans would come and use the tree trunks to manufacture stacks of paper and
print denunciations of each other……

The street is blanketed with numb houseflies
Buzzing round filling each other’s ears with sickening news
Someone took a whole pile of budget deficits and made fun of them
During a nationwide dialogue,
Ten of thousands of trees which had been cut down used their white innocent bodies to receive
the humiliation of tattooing

The posture of the trees while standing

Actually, I had never thought about the purpose of the trees’ unceasing growth, even
while watering them I did not know why we let them grow so tall; ever since the giant Kuafu
threw that club from his hands, entrusting the mission to the good trees, hoping that one
day they would lessen the distance between heaven and earth…

Each perfectly straight trunk will never betray the moonlight
Even as they work hard to heal
The difference in temperature between day and night
While waiting for the bus
Somebody glimpses a shadow
Imagining an afternoon where the leaves are swirled by the wind

History is, for a moment, left hanging

Actually, the physiology of the trees is definitely much more suited to containing
history than humans are. They don’t really cause themselves to look like they’re not trees,
nor do they deign to allow ornaments that don’t belong to them to be added to their
bodies. And they have even hanged themselves in anger, because humanity doesn’t allow
them the freedom of standing upright and looking to the distance.

The posture of the trees while standing
really puzzles the historian wearing thick black-rimmed glasses
About how to use the most precise scientific calculations
To complete each person’s powers of appreciation and imagination
When a tree’s shadow is as long as its actual height
is the sun at the 3.30 position?

As long as one tree lives on

Actually, as long as one tree lives on it is more than enough, because he will not commit
massacres, and is content to be alone. He will get along well with the wind, and humanity
will better understand dignity.

History is, for a moment, left hanging
Waiting for the seed to sprout
and successfully usher in a new era

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as citizen, i pledge | Singapore

my apathy. bless picnics that replace tupperware
and rattan mats with glassware and grapes.

bless walking around town, not to be seen
as liability. bless the chance to afford ride-hailing
when i do not need to.

bless my unbroken, nuclei family. that my worries
only involve self-improvement.

bless strangers, visibly relieved, when i say i am
majority. bless service staff who tense when
they see my partner
and relax when i hold his hand.

bless the boy who said i would be prettier if fairer.
at least there was consideration?

bless the privilege to skip cleaning house
because i was tired. how i need not think
about when i get to rest.

bless not being the target of disgust,
to be given the chance to oppose,
to protect our friends in this country
who need protection from us.

to protect their love for a place
that does not deserve them.
mine, unmatched.

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POME/struck | Tulala

bawlin is / the bigfeathered quill
mmm ignorance runneth over
yelling an every-word &
wound loudmouth slicey dice

bondage c/o each block of text
gift of pent-up prisonment
riddles each a safety barrier
blockade crisping shut all meaning

oozing thru these figures / of ink
delining each solitary operant / sonnet
& the treachery of the perfect prosaic
gouging thickthumbed erotic

the authority of a metaphor [&c., &c., …………….. ]

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Untitled Poem #1

“Is my love nothing for I’ve borne no children?”
I’m with you, Sappho, in that anarchist land.

– Agha Shahid Ali


Move into a rented house in a foreign land and imagine that you are making a home.

Tie a toran on the door frame. If there is no garden, plant a Jasud and a Champa in pots. Here, you can even find a Mogra plant. In the Botanic Gardens you can see an Ashoka tree along with Orchids. Two years ago there was news of people flocking to see the bright orange flowers of an Ashoka in bloom in Choa Chu Kang. Not the tall False Ashoka that the British favoured in India, a real Ashoka. The kind they say the Buddha was born underneath. There are many large trees here. Far from buildings, far from me.

Move into a rented house in a foreign land and imagine that you are making a home.

Plant in a pot and imagine you are planting a tree. If not for your children, for yourself.

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Lamppost | ল্যাম্পপোস্ট

no crowds choke the streets
the traffic symphonic
and sleek and concrete
as the city’s own citizens
as the city’s sculpted monuments
as the city’s trees
lovingly watered and pruned
as the city’s children

the cuckoo sings from
the branches
as if this city was youth
or if the city
was spring’s riot
against the world
the city’s layers riot with the pungence of my labour and i dream

i love! love? this city / call me crazy / did i forget mother / motherland / bride / child / flag /
did i / do not / forget / perpetual subway dream. interrupted. final destination. never enough.
cash in hand. unknown. alone. in this dream i am umbra / penumbra / my son is a sodium-yellow voice
papa hold my hand walk with me to the bazaar let me ride upon your shoulders touching the
sky forget i have learned to walk to run to forget you

am i / i am a city
i remain sleepless like
night i am
more than
migrant
or worker

i am a lamppost for a family

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Lily | လီလီ

Lily flutters her long pitch-black curly eyelashes.
In the middle of the night, clusters of rainbows bloom
From her ivy-like hair, from her cheeks and from her neck.
Wearing a thin curved hem top and tight mini-jeans,
Lily serves beer…
Lily bends her body more than necessary
And gets close to her customers a bit much.
Lily mixes herself in good proportions
And cultures her own yeast with her own formula.
The pose of a shecat in pencil heels is an appetizer Lily cooks.
The fancy necklace on her milky breasts is a dish of fritters Lily prepares.
Lily’s black irises make her look like a virgin crow searching for prey.
Lily moves like a piece of meat about to be snatched by a hawk.
Lily serves beer…

Lily promotes her beer with her scent.
Lily promotes her scent with her beer.
Lily serves beer…

When Lily uncorks her sweet and gluey laughter,
The faces in the crowd that buzzes like blowflies taking off
Will turn and stare with their fiery eyes.
Lily pours her frothy giggles to be forked at and swallowed.

With her lips in disguise of red berries, Lily serves…
With her seductive smile piercing their stares, Lily serves…

Cutting up their words with her little chats, Lily serves…
Flowing down their throats and then into their arteries, Lily serves…

Lily serves like a shaggy female terrier, cutely petulant.
Lily breaks herself until she fits into a bottle and she serves…

Pretending to be uninterested in the news of homecomings,
Lily grafts herself tree to tree and she serves another beer…
Lily puts herself on a fishhook and angles like there’s no tomorrow.
Lily quips, “Life is a little bitter just like this beer” and serves another…

“I am God’s typing error.” She serves another beer…
“I am a little she-snake from the snake charmer’s basket.”
Lily serves another…

It isn’t bedtime yet…another
Nights are still falling in rain…another
Dawn hasn’t budded…
No crack of light in tomorrows yet…
There’s only darkness…

Lily serves beer.
Lily has served beer.
Lily is serving beer.

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Bukit Panjang

a first memory
running from head to toe:

as the sun loses grace,
cheeky children return to their homes late
with a wipe of their brows and wind
playing in their ears.

in the garden alone,
a young pair of lovebirds
blush in shame.

the sigh of time draws close. in the early
hours of morning, youths arrive
in shifts. one by one,
a farm collapses, an anxious
field hears the thunder
of progress.

hills of trees are shaved free;
sweat off the backs of teenagers
becoming men. one by one,
we lose a thousand dreams
marching towards maturity.

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Memory | স্মৃতি

The sky insists on unfurling
its vast emptiness overhead.
Today you are not here.
In your place,
the ghosts of our landscapes
raise the oceans in me.
Here is what floats up –

The riverside. The thickets,
the tamarinds. The derelict bridge.
Together on the endless beaches,
our hands outspan the moon.

Today you are not here.
Today you do not remember.
(What is to be remembered? how long
have I been an emigrant.)
Today you are not here by the silk tree.
Here we first fell in love,
here the first tree still waits.

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Song of Tebrau | Senandung Tebrau

Straits of Tebrau
I crossed you
looking for a friend
long unseen
because you are a witness
to an old story
when we used to love
fusing affection with faithful promises.

But …
Why now the lack of feelings
and warmth
when we’re together?

Even so
lips part with a smile
the heart is suspicious.
Hands wave with affection
But with feelings divided,
filling each word with a thousand meanings
filling every step with a thousand cares.
hands clasp tightly against a grip so cold.

Is all this …
because we used to
disappoint and fail in a love
still
sore, a wound full of pus
or
is doubt
unrelenting and dissatisfied
that we together
are friends loyal
to our ideals.

Straits of Tebrau
Understand
our love
never reached its peak
However
we are still tied
by bonds of friendship
that fortifies us
in the face of a turbulent world.

Not
enemies looking for conflict
or
nemeses seeking destruction.

Straits of Tebrau
can we strengthen the bond
of love and trust
in the coming days
as a close friend
in a world achurn with uncertainty?

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1964

They painted / dyed the building at the junction, some crows caught in the paint / To this day, black crows remain, nuclear shadows post-explosion eruption of our defences / To this day, the black crows / Paints are just colors, laughs the paint man, That’s why they set it alight / You know this What do you know?/ this is our stone building / Its three-cornered junctions have now changed / They have become sharks with sharp teeth / Their name is paint / This time the streets have not grown ears / But they have eyes like the sun / Long-nosed peoples lead mustached peoples across the three-cornered junctions / the sun laughs at their long noses / The sun’s laughter was like the sound of a raven, a brick building, an island, and a house / the ravens, painted many colors, had now grown noses / flew with them.

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The Inescapable Recollection | မလွှဲမရှောင်သာသော သတိရမှု

I, from all angles, looked at an apple
in the supermarket there, those naturally ripe fruits
dropped from different directions were reproduced
by the advanced biotechnology
another microchip was added to my brain
what I should have wanted to know
had already been known beforehand, and so this became a space
created to learn creation
I started to run along the runway
of a reservoir when independence
became the connotation
of isolation (or vice versa)
it was no longer possible to stop the legs with engines
I used a lift to get at the highest space
at the highest speed to be able to chat with the moon closely,
in the skyscraper standing,
several phone calls were thundering
with the pounding, heavy rain
I set off my shopping footsteps
by electric flowers at the urban river bank
I was being bewitched. I bought being accustomed to
neat and tidy offices, using my credit card.
I shut down my eyesight
only the hospitality of strangers
in the professionally-harmonized tune I heard
was recurring and recurring and recurring
in my sweet memories

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