The Walker

I walk through the city, plaiting up dreams. They are best found at night, steaming on the road, where they have been tossed out car windows or flattened from the long walks home. I straighten the dreams, pull the colours together, stretch the long-held dreams out to see how they need mending.

In the summer, they are tiny, cotton puffs, thin with the need to escape. They fall out flyscreen doors, float through mesh, gather in apple trees and fall under the strawberry plants. In the winter, nightmares rush out, falling over themselves, yellow, green and blue. These winterdreams are heavier and take longer to sort.

The long-haired girl sighs as she walks. Her dreams are complicated and will turn into pretty plaits — multicoloured, lustrous. Their shine is too bright for too long and, after a time, I decide I need to go inside, to the cupboard. I search the leftovers: five minutes outside, clean sheets and fresh bread, bare feet on the beach, and slip them into the plait for a girl who can see all of her future: endless, beautiful, exact.

I plait her dreams, brush the silky pattern, feel the knot.

Posted in 40: CREATIVE COMMONS | Tagged

apropos

The relation between show & tell
show the seed tell the chair.

there were no poppies but there was beeswax,

there were no forums save the framed rain,

The lead shone purple.
Husks sprouted underneath, Not yellow,
Dry brown. The dried dead,
invited entered grey house, Falling sunflowers, Walked drowned.

Potted metal seedlings mock a germination clock,
Colour spools from fruits & grains,

Alone in their coffins with the dark,
Soft plants not electric but words,

hit floor. The light but largely not light hits the floor. Stuck Between
families & strangers making a visible Celebration.
 
* * *
 
THE INVISIBLE ACCOMPANIES us up & downstairs, hear the
record touch it. Leaves of cocoa vision & concept anchored by

insect sound. Instructions helpful to the point of irritating nonblind blind. I Scooped that was
my involvement left right Both.

 

* * *
 

HIS STRENGTH AND exposure in the early, in his
late current buzz. Old coins make treasure spotted hands make art

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Kerb side collection

Take the broken things
from the side of the road
the rotted cedar setting
the tippling tables
the cathode ray tv
the rusted chair
the torn fabric
the fallen angels
the terracotta pots.

Take the broken things
from this derelict garden
the stumps of trees
the leaking pond
the crushed coral reef
the trembling crust
the pulsing core
the fractured pipe
the spent bromeliads.

Take the broken things
from inside your coat
the old fountain pen
the stitched in quote
the pieces of glass
the vow of love
the crumbled shell
the torn photograph
the strands of her hair.

Take the broken things
from the open tomb
the father
the son
the desecrated host
the unwrapped shroud
the spilt wine
the children
the priests.

Take the broken things
from this punctured can
the first lines of a poem
the interrupted thought
the space between stanzas
the parts of speech
the vowels
the consonants.
This sentence.

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inadequate stovetop

i lap up macadamia fuzz in a middle aged stroll of the ‘nature’. espying a roof rack
means change the world instead, or try on sunglasses ingested by a seven-eleven,
or read emily bitto’s poem & feign a partner’s formal awareness. hum,
like mythic solitary couples sparse atop ‘fauna’.

anyway you’re bubbly. & less lcd in spirit becalmed in those spurts. as spun
wool wet suited & vast they find nothing in my head no feeling no tartan
gift wrapping (though such curling patterns fuck around in dreams, wax
semi-porous opinion). a vaseline moment & a ‘perfect’ sticker
affixed to my clothes. all hot, lovely, or so
my jaw speculates.

over to gorgon youths barraging the heads. girls venture further
& nakeder to peruse the bluster. a blyton shark net hole looses seals
& one lone stingray, a smoker, a maverick snorkeler, is fictional.

living bends my spine in & out of that stuporific posture, a useful
talking point. we meandered into the joust talk like sand djinns,
far-limited by day… now bleached into a pathetic fade of umber,

as a footnote of who will hold the mantle? years ahead in what
might be glum future, else bank queues he stops to borrow
all your stuff – hat flippers coat wallet – with me a carefree grin
they can only breed, then locks under the spume with definite
activity / mindful of things i disappear. awful profundity in the wind.

the huntsman’s legs extended with a passing thunderhead.

our party has become a spider, grappling to predict equal change in feeding ritual.
lime infused tea vomits a vapour of muzak to our traversal of polarization of
digital means – to move / to get static / to tape ‘obstinate’ & bend it through a
low-pass filter, to imagine only the background level subject matter ever:

irony as a head slap / falling from a car after. you’re a tool.

you could enter into more details. then, there. an academic reference
to richard gere’s rehearsed lines seems slight, in hindsight.
i discovered the tomes on everything (passing forest, firetrails named
after his grave, packets of ‘big things’ & the website to back you up)
but everyone else is incapable of feeling the same awkward.

in houses bereft of for sale signs, boats parked round the side, we’ll straggle
down a murderous side-path not obvious to light. here’s a picnic bench,
a council bin. streaks of wind across some dwindle of bay.
i’m seeking resonance. rub cream into the stings,
& elsewhere, all quarters pleasurable.

the bream flounders under his stern gaze. no worries
blown across, telegraphed as a sentence, whole.

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Quietly Off-Key

~ Donald Justice

 

A song went looking for light,
But that is another story.

Cities burn behind us, the lake
Glitters: Do not bother with odes,

My son, an elegy is preparing itself
For the suicides of 196__
.

The grandfathers holding this poem —
It was his story, it would always be

His story: June 13, 1933 —
Know (like a deserted beach,

A map of love, nostalgia) one
May depend on these old cemeteries.

The poet: re: the question of
Self-portrait as still-life,

The classic landscapes of dreams,
Unflushed urinals, & his voice

Through the smoke & dull flames
Of purgatory …

When the lights go on uptown,
X, you would not recognize me
.

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sueltame rocky coast smelter

sueltame hermana media hermana nada
mas que un acquaintance an accident historic
agujero negro never negro never the home
place never the broken home platitudes
only the sucios make you sweat second
hand I came to understand la ley
de la land la la la la la la mama
tierra? la la la la la la no home in Bodalla
can’t stand Temuco too cold in Hobart Puerto
Montt push it push it I never understood
la ley ’cause I couldn’t stand the swelter
the molten breast milk swelter
pechugas de piedra sucking on salt water
inky heart saltos huyendo how many times has
art rhymed with corazón the reason I’m fleeing
is the buzz of an interstitial buzzing salty
smelters is when I dive into the ocean
cuando escucho las fantasmas
sumergiéndose otra vez en las aguas
it surrounds me like your land surrounds you.

La Serena, Chile

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Just Lexicons

~ George Oppen

 

A zero, a nothing, a barbarity —
Cars on the highway filled with speech,
The darkness of trees.

The extreme from up-state
(Grateful for a breeze):
He who will not work shall not eat.

It is the air of atrocity,
A kind of garden like a flat
Sea. My daughter, my _______,

What can I say? Myth of the blaze, myself I sing:
Now we do most of the killing.
Of such deadly ancestry,

Preceded by mounted police,
Quotations, the resistance,
Survival: Infantry.

Tell the beads of chromosomes
(Like a rosary):
Ultimately, the air

Visits what ends
You are the last,
The Z.

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Beautiful

The word’s been bounced about in gas stations
as you’re pumping way, the spectral drops
on the pavement. You resent it there,
that serpent. The word’s been bellowed
out a bar door flooding with night
after a tab’s been left behind. Who’s
going to pay it now? Beautiful. Just beautiful.
You look away from its flag in your head,
the black stocking flexing out of a car,
a gold chain whipping by, Christmas lights
in April, surface effects, not the real thing.
You want to save it for some special occasion
like the time you had to close the clinic door
on the girl looking in your eyes for hope,
but then you would not dare to think it.

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Gene Pool

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Proverbials

You wax my back and I’ll wax yours.
An itch in thine saves mine.
As the twig is split so the toothpick’s kindling.
A rolling cupboard gathers no moths.
Don’t cook all your eggs in one biscuit.
Let not the black kettle call the white tea pot hot.
Don’t kill the goose that plays the golden shower.
The proof of the prude is in the beating.
Out of sight, never mindless.
Fine feathers make fine feather dusters.
Clothes maketh the bed.
May as well be hung for a sheep as for a coat hanger.
He who lives by the fjord dies by the f’cliché.
Consummatum zest – the soup is finished.

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Contenders

we sit lined

in dim light

our fists

bloodied

from the fight

our hearts

on fire

our failure

smoking still

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One Word D’elfin

Where families go to be families, unseen and unseeing
 
The photograph has all of its teeth,
it’s an elf, a brief elf. The sun makes pale
the over-constructed nose, the wispy hints of vanishings.

It’s an age trap where you look back
and say where did that animal go?
Its tendrilous aspirations and the extra inch of lip.

We pay for it now.
A strange forest goes up and up
and people have not made it to themselves
even after all that running.

The sky has become a pin-prick through the musk
residing over buried enchantments, photographs of air
and the creatures that used to be in them.

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Wanted, taken

OFFER: 3 cans fly spray
assorted videos
Ashbury
Pregnancy test,
Hurlstone Park
WANTED: Road bike
(pref. working condition)
Plaster for mould making
TAKEN: old bamboo
blinds St Peters
OFFER: Assorted shells
(Forest Lodge)
RECEIVED: ping pong table
OFFER: half set vintage
golf bag Darlington
Old Iron Frame Piano
WANTED: Bulky
knitting machine
please (North Rocks)
Trumpet valve oil
TAKEN: toy train
Alexandria
WANTED: garden gnome
piggy bank
Beans for beanbag
TAKEN: DVD cases (empty)

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Poems For Ivor Cutler # 3

I walk uphill to get groceries.
At the top of the hill, it goes down
and there’s the store in a small valley.
Then I walk back uphill and down, home;
though, sometimes, I have a pot of tea
half-way, when the ground flattens itself.

I see cows on these pleasant journeys;
and I hear birds. I lean on my stick.
I’d like life to go on for ever
as long as it doesn’t change too much
or get busy or run out of tea.

On good days, I go uphill again,
leaving my things to eat behind me.
I go past the store and then uphill
then downhill until the road turns left.
There is a good place to sit near there.

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Can-Am Series

for CAS

Chlorine chances taken
cribside

Bast-thistle rehearse
sable her
since startle

A creel of stars or starts

Begin

marine-smitten and blind

static alba, finial, estuary
his rheumatic

There are traces of coals
in the lymph

Serum against the astrolabe

Scarlatti played his cement rib
instead of her

Inclement, linear

narcotic, terse
collide

Colic the stars
on inert cables

Breath entrained on babel
carnival
brim

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The Fighting Temeraire

after Twombly after Turner

 

1

Falling down in triplets
the ships shifted and
shook primed but
nothing else This
is how you jettison
a load slowly but
with forgiveness

 
2

To be built for
fighting is just
another way of
being built for death
and all vision of you
will be blurred
because death is

 

3

You are linked only
to yourself and
you must know
(because I can see)
that your decomposition
is who you are

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zane takes a bullet in the chest

there is blood
but not a lot

there is pain
but not a lot

there is hope
but not a lot

there are cries
but not many

there is a life
but only short

there is truth
but only one

there’s a fear
but not a hate

there’s a siren
but far away

there’s a gun
but not mine

there’s a man
but not him

there is another shot
but not at me

there is death
as you’d expect

there is an end
but not the death

there is me
there is him
there is her
this is it

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Garden Piece

This is not a document of barbarism, we said
                                                        but the weather was fine
and the girls/women were in swimsuit ads
                                                        or at least we thought
they were, but from our position on the dirty
                                                        parterre, really all
that could be seen were the fibrous wires
                                                        holding everything together.

Those fibrous wires, they said, are surely but
                                                        chainlinks in a larger
fence, but the goods, tainted as they were, couldn’t be
                                                        sold, so we didn’t reply.
A new start, really, was all we were looking for
                                                        and our study of homiletics
definitely contributed to that, though the inbreaking
                                                        remained unbroken.

So what, you might say, as they did, there’s nothing
                                                        new under the sun,
which, anyway, was gone from its hegemonic position.
                                                        Meanwhile, on the parterre,
the tulips were thoroughly roasted. Odoriferous, we
                                                        laughed and held our noses.
Everything vegetates, this is known. The cycle of nature,
     we said, remains unbroken.

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Doppelganger

I lack, unlike the others, a menagerie of identities (multiple hes who co-
exist within the same body: the sack
of clotted blood and glowing flesh and gangly bones

that one calls home); there
simply are two mes: Pieta, marble statue
terrified of movement, but with a glare as ghastly

as Medusa’s; and the monstrous
colossus, omnipotent as that God of Plagues
and Chaos, and master of the bold strip tease.

Distinct as Death and Life they’ll never
meet.

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Lessons in Ideational/Propositional Meaning Theories

That is that
though the is
is the that though.
That is
the, though that is though,
the is that, the and though
though though is that.
Is that that and that? That though
is the The.
The is the that
and that and that
though the though
is though.
But
is though that or that
or the? Or The the?
That is that and that is not that
though that is not that that
though that
is not the that.
That is that
the or though
though though is that or the.
That is not that that, though
the is that that
or that the that.
The though is not the not —
Is not that the though is?
But though is not that is
though though is not
that that.
That is that, or the and that
and that though
is The the, though The the
is that, not that, and though
and though and though.
The the is the the and that;
That is that not that but that and that;
and though though is though,
though is though, not that.

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Flarfing Ginsberg

Allen Ginsberg
Academic articles, collected poems
Cancer-related heart attack, intelligent bridge-player
The most reliable source: corduroy, synthetic biology, rare foot
Howl, Howl, Hello, my name is blog!
Whitman, Ginsberg, Washington DC
Zombie Hamster obscenity trial
Longtime spokesperson
Forthrightly gay, freedom fighter, free collection, free download, listen free
Prophetic American bard, Convocation of Unitarian ministers, Renaissance or die
Elected king of the May by Czech students
Likes technology but LOVES people
Whitman, Wichita, Journalist
Pony Stable, Template Optimiser, Independent biopic
Join Facebook to start connecting with Allen Ginsberg
Who is Allen Ginsberg?
I was briefly in graduate school, Film School reject, spotlight operator,
A photographer in Bentleigh East
The leading boardroom-level advisor to the Accounts Receivable Management Industry
(ARM)
AcRonyM
The only person in the world who wears a nametag 24-7-365
Overestimate the importance
“That’s not an accurate quotation”

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Infinite Interiors (scene from "Orbital Brides")

A red door larger than the house entire, slightly ajar; hand upon the door, a corridor not attached to the frame. Interior. You enter the house but as an actor. Before you in the grey corridor three brass picture frames. You hear a thumping above. The ceiling bends in, elastic, you turn to a mirror — it windows, orange wallpaper, wood-floor under track lighting. A dune collapses from a cinema screen on which plays Nathan’s child. Fine hair streaks out with wild laughter. The incline runs to golden water, surf at a receding fifteen degrees; a fine interplay of sensations as the frame becomes a mirror. The stranger pictured there looks back toward camera, camera looks down a corridor disappearing in red doors ajar. Camera swings back, the stranger stands further down transfixed before another frame — the film slips a spool, chukkachukkachukka-chuk-chuk-chuk … cinema canvas. Scratching behind it.
Posted in 40: CREATIVE COMMONS |

You saw me first Isabella

~Keats: Isabella or The Pot of Basil (after Boccaccio)
 

You saw me first Isabella, passing
beneath your window. Tongue stilled,
dagger at my throat. You mistook my silence
for indifference. I smiled in spite of myself.
The wind filled your ears with sounds
you alone could hear. Lorenzo. My name
travelled like a curse from your lips.
From your lips I rode
into a forest quiet for the slaughter.

Later, in the glade, we met again.
In the shade of a poison oak – you above
I below – we spoke
of gold and wasted hours
(beneath the wasted stars
among the wasted flowers).
Your black nails dripped with silt.
My black mouth smiled
in spite of itself.

You kissed me once and tried the word – love.
Then quickly buried me like a guilt.

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My Private Missile Crisis

My private missile crisis
Ignition falters once
Twice miss the mark by seconds.

Tack my womb to the cross,
Empty my egg baskets,
Soon I will not need them.

A pig with a solid gold nose ring,
Jesus, bless me with your humility
My snout is itching.

Humiliation becomes me
Since before birth,
I’ve picked my nose with a crucifix

Lord lays down his punishment
And now my faulty rocket can’t
Get off the ground

I’ll pay for it in spades,
Repent my nose-picking sins,
Bear this propeller

Splintery lips fire
Static sparks into my body
Still I stall the stuttering engine

Here the Kings of Israel sat
To judge their people
Quivering nights await

It eludes me,
Like mucus on the corner of my iris
I can’t focus on

The mechanic says my engine
Is easily fixed
Soon, he tells me

How certain your promise is,
Of combustive exaltation,
Til my grave ices over

My private missile crisis,
Ignition falters three times,
Mark the miss by years

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