GUNCOTTON
Emerging Writers Festival Workshop: The Book as Experimental Form, Emergent Structure (Live Action Test-Drive)
In conjunction with the Emerging Writers Festival, Cordite Poetry Review is chuffed to present a workshop led by Astrid Lorange. Location: The Wheeler Centre Time: 6.30pm-8.30pm Available spaces: 16 Book your free attendance here. Be snappy about it! There are …
Feature Poem with Judith Beveridge: The H Word
There are many levels of identified pain in Omar Sakr’s poem: deprivation, despair, violence, oppression, shame, mortality, the brutal inevitability of loss and disenfranchisement, yet the poem’s interrogation of these issues is often playful and comic, tender and deftly alert …
Notes from Mandalay, Burma
Stepped out at Mandalay airport, a good 40 minutes’ drive to Mandalay.
Bare dry landscape with the odd splash of colour from planted flowerbeds.
Shared the bus ride into town with Jung Chang, author of Wild Swans, Sudah Shah (The King in Exile), Peter Popham (The Lady and the Peacock) and Dr John Casey. Casey is from the renowned mentor of Pascal Khoo-Thwee, author of the exquisite From the Land of Green Ghosts. As we motored past the road posts, John said here they measure not miles or kilometres but FURLONGS! He said he’d once been directed to a local post office as being ‘two furlongs away’. A large friendly town dominated by the moat-encircled Mandalay Palace grounds and Mandalay Hill awaited us.
Feature Poem with Judith Beveridge: October
What strikes me as most compelling about Nadia Bailey’s poem ‘October’, is the way in which she portrays the horror of the October bushfires in the NSW Blue Mountains by telling it ‘slant’. The poem is redolent with suggestion and …
Submission to Cordite 47: COLLABORATION Open!
THIS IS NOW CLOSED. Cordite 48.0: CONSTRAINT is accepting submissions. Poetry for Cordite 47: COLLABORATION is guest-edited by Helen Lambert (Moscow) and Louis Armand (Prague). What kind of poems are we looking for?: Two (or more) people working together to …
Feature Poem with Judith Beveridge: Kalutara
For many poets, place is an enormous point of inspiration. These places may not necessarily be places where the poet physically resides or has resided in, but they may be the imaginative or spiritual places where the poet is most …
Feature Poem with Judith Beveridge: Prawn Heads, Oil Rigs and Infidelity – Kuala Lumpur 1977
‘Prawn Shells Oil Rigs and Infidelity – Kuala Lumpur 1977’ is a highly dramatic poem full of tension and suspense. The poet builds these elements into the poem through the astute use of short, sharp phrases which also deliver their …
Feature Poem with Judith Beveridge: a poem is not a meme
Miro Sandev’s poem ‘poetry is not a meme’ is an ironic take on poetry’s refusal to be subsumed by technological culture. In the octave of the sonnet, the poet uses web jargon and terminology in intelligent and witty ways, effectively …
Submission to Cordite 46.1: MELBOURNE Now Open!
Poetry for Cordite 46.1: MELBOURNE is guest-edited by Michael Farrell. This will be Cordite Poetry Review‘s first special issue that includes a number of poems selected from open submissions. It is supported by the City of Melbourne through its Arts …
Stephen Edgar Launches Jakob Ziguras
From time to time, a genuinely exciting poetry discovery arrives – I was going to say in the letterbox, but more usually now in the email inbox. So it was when Jakob Ziguras first sent me some of his poems, nearly two years ago now. He told me that he had been writing for some fifteen years but had made few attempts to publish his work. I could hardly reconcile the second fact with the first. It was immediately apparent, when I began to read what he had sent me, that I was not dealing with a mere beginner. Here was someone who had not only pretty well mastered the technical skills of formal verse but could employ them – and this does not always follow – to compose poetry. He was already writing with authority and a clearly individual voice.
Submission to Cordite 46: NO THEME III Now Open!
Poetry for Cordite 46: NO THEME III is guest-edited by Felicity Plunkett I am interested in the idea of architecture as a way of capturing the place of a ‘no theme’ issue … amidst Cordite‘s many themed ones. In the …
Submission to Cordite 45: SILENCE now open!
Cordite 45: SILENCE is guest edited by Jan Owen Silence as a theme could be interpreted, explored and challenged in innumerable ways. It might seem quietly paradoxical to even think of writing about absence of sound and language, but then …
Cordite Works in the BAP 2013
A quick shout out to Ken Bolton, John Hawke, Andy Kissane, Shari Kocher, Jo Langdon, Cameron Lowe, Ella O’Keefe, Louise Oxley, Ann Vickery and Jessica L Wilkinson … the ten poets featured in Black Inc’s Best Australian Poetry 2013 whose …
Silence Turned into Objects: Looking at where Poets Write
Among the most extreme, in the sense of horrific, writing places for poems bequeathed to us would be the conditions in which Ezra Pound produced The Pisan Cantos. There is some speculation as to the exact number of those Cantos …
Coming in 2014 is Cordite 4X.1: MELBOURNE
Cordite Poetry Review is proud to announce a new partnership and support from the City of Melbourne. This means that our plans for a special issue, MELBOURNE, in response to Astrid Lorange’s beguiling SYDNEY, will proceed. MELBOURNE will be guest-edited …
More on Gaming Transmedia from Christy Dena
Christy Dena discusses ‘Emotion and the Self in Games‘ on ABC Radio National [audio:http://mpegmedia.abc.net.au/rn/podcast/2013/09/lst_20130913_1730.mp3|titles=Emotional Gaming – ABC RN: The List] Emotional Gaming (7:47) | by Jason Di Rosso, Cassie McCullagh and Christy Dena
Submission to Cordite 44: GONDWANALAND open!
Poetry for Cordite 44: GONDWANALAND will be guest-edited by Derek Motion with featured artists Maxine Beneba Clarke and Favianna Rodriguez. What does Gondwanaland mean to Motion? There is no intended prescriptive statement or gestalt. The name suggests a shared history …
Suspensions of the Real
Studying the Sylvia Plath archival papers at Smith College in 1993, poet, editor and critic Felicity Plunkett intuited that a number of pages were missing from one poem draft. Plath assiduously page-marked drafts of the poems that were to become the Ariel poems. Plunkett was unable to uncover these pages in any of the archives made available to her, which were still in the process of being organised. One night, in dream, she ‘receives’ a phone call, made from a black, period-piece telephone, words delivered in Plath’s idiosyncratic trans-Atlantic diction – ‘look in the yellow folder’.
Submission to Cordite 43: MASQUE is now open!
This issue is the Masque. It extends an invite to displays of Devices and Mythic Mayhem. It desires to entertain Bold Interiors of Poetic Fancy and Brocaded Rewindings, Lyricised run-ons and flirtatious Kinks in the Narrative. A toying with Masks and Anti-Masks of identity, gender guises and human conceit.
IWD: Murder, She Wrote
Three lines from The Seventh section of Finola Moorhead’s A Handwritten Modern Classic, first published in 1977 and re-issued March 2013 by Spinifex Press, close out a varied discussion by the author on the political nature of death, that Socrates’ death ‘was political’ (as underlined in the handwritten original), that Socrates was not a writer and that writers ‘need teachers like Socrates’. In the same section she argues that artists often use ‘Another’s pain … for the success of expression’. ‘Art as comfort’, Moorhead follows on, ‘ — strange concept. / Such assumptions aren’t questioned often enough.’
Launch of Tricia Dearborn’s ‘The Ringing World’
Amidst its many echoes, the idea of a ‘ringing world’ conjures up for me a line from Sylvia Plath’s poem ‘Words’, in which words are axes ‘after whose stroke the wood rings’. This ringing takes the form of words’ echoes travelling off like horses. Late in the poem these horses reappear ‘dry and riderless’ but nevertheless continuing on with their ‘indefatigable hooftaps’.
Audio of ‘Nonfiction Poetry: Performing the Real’
This panel from the NonfictioNow Conference 2012 – at RMIT University and in partnership with Iowa University and Barbara Bedell, the Copyright Agency Limited, the Wheeler Centre and ABC Radio National – explores and discusses the potential of ‘nonfiction poetry’ …
Re: NO THEME II Submissions
Just a quick thanks to the 423 of you – and your accumulated snowfall of 1200+ poems – who submitted to Cordite 42: NO THEME II with poetry guest-edited by Gig Ryan. That’s quite the crush of submissions from around …
Ellipsis Getting Bigger
Me: Yeah, no, I write too … Person: Really, great! What do you write? Me: Poetry Person: ‘…’ Sometimes that person actually lowers their eyes, bows their head, as though I have somehow reached too far into their minds and …