Memory of

my father, his back
I would in childhood
vaporub, and try to knead
the knots he spent
his day jeepney driving,
swollen exponentially by his
passengers who would tap
him on the shoulder to hand
over their loose coins, there
where for days I rode shotgun
to conductor for him.
Certainly do I remember
the unergonomic spaces
in which my father almost
24/7 boarded people
onto the first entrance
step, the pathway narrow
and adjacent squeak rusty
steel bars to flail,
backrests used to tender,
unlucky carapace,
how unanthropomorphic
each anthropometric
measurement, why still we’re
designed the lengths
we’re nevertheless willing
to go to. The macho
martyrdom of suffering, our
own crucifix pointed at
trajectories of foreseeable futures
where beckons the light we
for each other make way after,
though all that light is
Third World. Came the overseas
years my father dyed
textiles in Korea, big rotary
printing machines guzzling,
resounding his hunger, or
how at least he made
do with it, while in China,
where he would later be
relocated, the pebbles to
manufacture for production
cemented the market,
balikbayan boxes fat
with sweets and sweat, more
verdant now the grass
though no longer uprooted
from organic soil.
Meanwhile in the Philippines
I live with my sister, who
during graveyard shifts
worships Americans twelve
different time zones away
from earth, the world
within that earth, using
the same Americanized
accent to prove her English,
she’s ashamed, is not broken,
using rapport to prove
that in order to belong,
give it time, belong before
the actual feeling of
belongingness, gullibility:
my father in abroad,
my sister in another call,
the men whose beauty
I keep coming back to
for my shame to see
the whole source of.
When did memory
become the elsewhere
we want immediate,
and elsewhere the place we’re
wont to linger, and
Do you have to, do you have
to, do you have to let it
linger? ask The Cranberries.
I don’t answer and instead
sing along, my diction pseudo-
American, my voice rendered
into song, the song through which
to lip-sync all prayers
home, where my father is other-
wise unalienable, and
where my sister, not her customer
service calls, is always
right, the last veneer of her
empathy and his sinew
I’m given to both coolness
and expertise for which
they will be paid, policy-wise,
dollar-wise, which means
higher peso-value converted,
remitted to my name,
above which is where finally
I plunk my hands down,
I sign the implied promise,
my family to bliss.

Posted in 108: DEDICATION | Tagged

papaver somniferum

i ask him to buy me bananas // he returns with poppy seeds
cupboards spill tiny bottles // scripts flower on walls

tissue-thin milkskin // bloodblooms ache in sockets
i listen hard for the tick

scarlet carpet // crimson maw
redolent mine // stigmatic step

i ask // for quiet
pluck poppies // and yet

heartbeat // echo // blister pack

Posted in 108: DEDICATION | Tagged

Underworld: Los Volcanes de Brea

black domes are hard hats floating on oil
asphalt seeps upwards methane hemispheres
erupt where the dark lake expels its secrets
in, in and down: a police diver ferrets
for clues – Beowulf hunting Grendel’s mother
lake-hag nursing wordless grief
in a bog boiling with her son’s blood

get down. get out. time arches its back
open-mawed Smilodon fatalis
a hovering Cheshire cat he can’t shake off
the thought that something stalks him in this pit
bared teeth hot breath of a predator
a dire-wolf snarling down
through murky water

this thing he dredges up turns slowly
in his hands a fragment of mammoth-tusk
rodent-toes treasure-trove snatched
from the walls of a black cave
or the weapon that could nail a homicide?

crude oil bubbles upwards punctures
the lake’s meniscus he could be mired too
fins sunk to the bottom melded
with curled ferns and ice-age bones
in movement is salvation fossil words
trapped like ants in amber while his brain
grows fur deep wells of tangled bone

dazed out of body light-headed now
methane welling around him
he can barely see his fingers beyond the mask
above men huddle over sonar maps
metal detectors wait for his return
the communication line’s stuck in sludge
but all the signals point to something

crude oil makes mountains of itself
stalagmites belch promises
he squeezes them like a lover
and they mouth answers
in a dead language

Posted in 108: DEDICATION | Tagged

25-to-life

Dedication’s pressing his twenties, had his smile contentious.
Somewhere between portraits, pokies and payslips
he’s hit the minor-jackpot-black-privilege.

That’s the-kettle-calling-the-pot-black-scholarship,
that’s front-page-university-magazine that’s naidoc-week.
All-teeth no-sleep still-black-coffee.

Three-chapters-deep, lofi-on-repeat,
thesis won’t break me, no time for poetry,
don’t panic, it’s pay week. Too many
‘you ain’t been yourself’s lately,
no wonder – that assessment’s due bra.

Pressures pressing his twenties, or more a fear of pressure.
Fears a deeper cession lies due in his expression,
of outlandish-landless-semantics, that king’s english.
Fears he’s fucking up his existence,
Overly-devotedly-anxious-existential-shit.

Depression pressing his twenties, fears he’ll lose himself.
Fears of losing a mother to his unrest, devotedly
cradles her, unsettled-complexion painting him a
smiling-half-naked-half-caste-question-mark.

Fears losing another brother to an entendre,
some-antics always test their patience.
So he wanders, he wonders and ponders,
resting his sentences, more comprehensive.

He’s learning to keep his heart vacant, he’s learning patience.
Learning that self-deprecating, 25-to-life-type-dedication.

A ventriloquising-third-person fulla.
An overly-devoted-traditional-custodian fulla.
Antiheroic-environmentalist fulla.
A not-like-the-rest fulla.

Posted in 108: DEDICATION | Tagged

The Force Publique of Lithium-ion Batteries

‘For the colonialists all means are good if they help them to possess these riches.’
— Patrice Lumumba




Then, our eldest cousin counseled us;
the small children —

The dried apricots,
aren’t apricots at all,
they are the ears of orphans,
See here

proof, his henna-stained fingers traced
the helix’s half-fold

they sell their ears

our protests

we don’t want to eat
the ears of children

muted

our eldest cousin warned

you must,
otherwise they bled for nothing
and the demand for apricots
will dry up
then what will they sell?

pushing apricots our Eucharist,
into holy cherub mouths saving us lowly third sphere angels

tongues dancing over downy hairs,
chewing over sweet-sour rubber lambs blood.

Now, I cut apricot halves
forming sunrise mandalas on parchment,

pressing my fingerprints into their candied skin,
playing knuckles with their stones,

they’re browning in my kiln
and I’m telling my own children —

these are not apricots at all
they are the ears of small children

and when they cry
they don’t want to eat the sweetmeats

I say

You must
otherwise, what will they sell?




During Belgian’s colonial rule of the ‘Congo Free State’ the Force Publique military were responsible for enforcing rubber quotas.
Severed hands became a currency for shortfalls in rubber. It’s been estimated that 10 million people died during this forgotten Holocaust.

The Democratic Republic of the Congo has the world’s largest reserves of cobalt—an essential ingredient in Lithium-ion rechargeable
batteries, such as the ones used in our smartphones, laptops and electric cars. The DRC cobalt mines have been rife with human rights
abuses, including child labour, as detailed in The Washington Post article The Cobalt Pipeline by Todd C. Frankel.

Posted in 108: DEDICATION | Tagged

Bulós (Blood feud)

El Conquistador
The conqueror
Bloodthirsty
Thirsty for blood


They spilt our blood
Stole our land
Our culture
Our lives
Our everything


Thirsty for blood
Colonised bodies
Rivers of red
For their consumption
For their entertainment
For our destruction

Invoking pangayaw
With my ancestors by my side
Blades drawn
We will take a stand






We have spilt enough blood
If there will be blood
Conqueror
It will be yours




It’s their turn
to bleed

Posted in 108: DEDICATION | Tagged

X / O / X

          “You never gain weight from a doughnut hole.”
                         – Tori Amos



the smaller the hole, the sharper the whistle / paperclip in power socket / needle eye glowing in the dark / tonight X is no name / X is no callback or trace of outline / tonight O is escape / with distance to be closed on both sides of the loophole / cracks in secrets and façades used to bait the line / like Leonard Cohen said, that’s how the light gets in / peek through and you’ll see the hungry void O / ready to rip through a stranger’s body / in place of X / the subtitles read: [dark portal waits for silent scream] / [a body cocooned in the core of a glass sun] / [threshold braces for breach] / / what to do with knowledge hard-earned through arcane means / shame and pleasure gathered in equal parts / part O and part X / like a reverse-moon casting spells to turn / grainy VHS fantasy into hard reality / smalltown boy arrives in the big city / businessman seeks lunchtime escapades / X is a dare / teasing desires until a tide takes everything under / we give everything we crave a name / so we can summon it when we are weak / and all that we love / is cursed with an expiry date / as if to give and receive is a limited offer / loss can feel more permanent than gain / especially when your absences are in communion with someone else’s advances / O on knees / asking for signs / for a weight to be lifted / or passed on to the next insatiable soul for caretaking / trade void for joy / X on knees with hands raised / praying or protesting or washing the feet of the man who loves you / trade O for X / if love is the answer / the question is the breadcrumb trail to midnight awakening / if X is the answer / the question is whispering a confession into a tree’s hollow / plugging it with mud / and marking it with your silence / answer O only if the circle closes / the question is a book that writes itself / learning how to gain from absence

Posted in 108: DEDICATION | Tagged

A handbook for winter days

Secure any bare-boned trees ensconced in winter’s silence,
restore the urge to make new promises, disrupt metronomes,
spread out the necessities, the tools for living, the season’s hues,
trust imperfections, separate the words from the noise.

Restore the urge to make new promises, disrupt metronomes,
segment the landscape, accept that lack of innocence in the sky,
trust imperfections, separate the words from the noise,
tick off the list, rekindle the days, the hours, filter the light.

Segment the landscape, accept that lack of innocence in the sky.
If things yearned for are to be had without bedevilment,
tick off the list, rekindle the days, the hours, filter the light,
beat a path to the mounds of books, blow off the dust.

If things yearned for are to be had without bedevilment,
be practical, prevent the room from swaying, getting smaller,
beat a path to the mounds of books, blow off the dust.
Here’s one! Dog-eared, ready to open doors, sweep you away.

Be practical, prevent the room from swaying, getting smaller.
Even as familiar faces dissolve, enter the mist where books weave.
Here’s one! Dog-eared, ready to open doors, sweep you away.
Take care with invitations, how to select texts and extricate truths.

Even as familiar faces dissolve, enter the mist where books weave,
spread out the necessities, the tools for living, the season’s hues.
Take care with invitations, how to select texts and extricate truths.
Secure any bare-boned trees ensconced in winter’s silence.

Posted in 108: DEDICATION | Tagged

Solstice 2.0

At this time,

we feast the son
mammal-fed, citronella

after dark, little fires
the oldest light

in the world.

At this time,

we ask who we are,
and movement answers

first person—
I was

busy;
oblations

or ablutions
for the short and long

in it all.

At this time,

I have forgotten the body.
Oops.

November agains
and every blossom untendered

goes to seed.

At this time,

I match
another conifer.

I am bone dry.
Tindered. Even the prayer

flags are hung,
bleached

to teak verandahs,
and hot air rushes

escarpments.

At this time,

I swallow a mollusc,
organ as trojan

water type as horse.
We’re rolling

cheap wordplay,
entering

then backspacing
parentheses:

My mother still has
(teeth).

At this time,

I sashay
snout to sphincter

become coconut flesh
so easy to love.

A captain cook cruise.
A malibu-themed christmas,

crown land and common wealth
kikis. Meaning sashimi’d

in terms possessed,
then cured—

like a pig.

At this time,

we have eaten,
find father

in a jock, strapped
to a convertible.

Did he wrap around
the left

or the right?

At this time,

we intermittent
fast

look over the obliques
—tense again—

to see if someone really was there
ready to snatch

this junk,
every little thing

we held,
this close

to loss.

Posted in 108: DEDICATION | Tagged

Ars Poetica, St Kilda

Every Bohemia needs its poets.
Take your time, find your groove, follow
the lines of those Art Deco beauties.
Aloe trees, strange and lovely, flourish here.
The Espy’s cocktails, sex and sweat
could see you in debt, or chains.
Let your inner scream out at Luna Park. Write on.

Dream up odes in tattoo parlours. Compose
off-beat sonnets in coffee shops, pen your elegy
in a parking lot (the tolls, the knell, the parting day).
At dusk, the pier turns into a poem,
stretching to touch lights on the bay.
Two old boozers fandango to the tram.
No fashion maven would hang out here. Write on.

Posted in 108: DEDICATION | Tagged

And the Moonlight Overthrew You

In a bordello in Burgundy, I finally find god.
Mary Magdalene, would you believe, painted
by some dead French painter in some
dead French dialect. Forgiveness won’t cut
it tonight so I pray for happiness instead—
that sweet-licked fruit which makes rivers
part and delivers me from the evil I so
desperately seek. I saw an old, faded poster
of Bardot in an unhip Parisienne street.
Wept for over an hour, soul knelt in front
of it, palms folded like an expectant child,
lips pursed in some ancient prayer. Now you
can draw blood or you can draw wine,
truth is, in the thick of things, they both
taste pretty much the same. I taste song
in the air, just as well, songs of desire
and faith and learning to spell departure
in a few different ways. In the portrait, Mary
feels alive—bereft of sanctity, sans Jesus,
freed from the weight of a gnawing memoir.
The song prospers again, filling my throat
with the truth that no loneliness is the same
as my loneliness. Kiss me with wine.
Repeat desire as an incantation. Affirm
faith at the altar of a haunting gouache.
You mouth your prayers and step into
the starriness of a Van Gogh night.

The title is from ‘Hallelujah’, written by Leonard Cohen

Posted in 108: DEDICATION | Tagged

Insomnia

I don’t believe in ghosts
or soulmates
But I believe in empty houses
my mother’s
empty house—

The wind bumps at the glass
but can’t get in
and I am suddenly so near
to things that flicker and go
out
Leaf shadows lie flat between me and the trees
A tap drips
I am nudged towards memory
I believe in this

I believe in the small world
on the dark side of the stone steps
The moss
with its own landscape
its own microscopic
monoliths
its pillowy green
turning itself up like a freshly made bed
to be sunk by my fingers to the knuckle
as if created just for
this
I believe in wet red leaves
red taillights
rain
The sun sinks into woodsmoke
and I am raked with longing
A brief headrush
A sorrow

I can feel it sometimes
in the places where childhood swims closely
to the earth’s rind
For a breath
we are parallel
For a breath
I am brimming
I am a tree awash with shivers
A leaf
flicking its soft white belly to the sky
I am water
I am mercury and opal
I am a reflection of clouds
thin as a shiver
and ripples go over—

I believe in winter
black winter branches
black buds of rain
Sometimes stars gather like thistles
Sometimes there is only one
I believe in this too

I believe in six am fog
padding like a heartbeat tree to tree on bigcat paws
turning the bracken to stone
Sometimes I believe in the things that hurt me
Sometimes I believe in ghost towns and choirs
Sometimes ivy
Sometimes fathers
the dark ache
the bitter chocolate
the haunting—

I believe in this
pine forests
gum forests
Christmas and fireworks
sunsoaked grass and folding chairs—
Something tidal
surges at my feet
is this mine?
is this memory?

Am I somehow
passing close
to something that used to be
home?
here—
here is my heart
soft and dark as a fallen plum

How can I long for something I don’t recognise
that happens upon me suddenly with such
fierceness?
How can it take my breath like this?
How does it leave me so
forsaken?

Streambends, trailbends—
this membrane
does nothing

—misery
lust
joy
goosebumps pulled up by the roots—

I am bloodied
I am alive

I believe in the lost things
What they say
how they come to me
tentatively
like grass
all at once
like grief

I believe in someday coming home

This soft hurt
This hope

Posted in 108: DEDICATION | Tagged

Grocery Store

A grocery store clerk asks if I’m ready to check out
No, I say. A song I think I know
twinkles overhead
& I ask the clerk if he knows it but he just shrugs.
I say c’mon, you’ve gotta know this song, but he doesn’t.
I imagine he winks at me,
gently takes the plastic basket from my hand,
& slips the tank-top strap off my shoulder.
Don’t start, I would say
I just need a donut. I take my basket to the bakery.
The case is full of stale bear claws
& I stuff fistfuls into my mouth while the plexiglass door
swings shut, rustling the paper in the case.
I leave the pastries
& go to the deli to stare at bowls
of colourful salads that taste like mayo
& green no.3 food dye. But in my mind,
they are good. I order a 1⁄4 pound of some jello-o thing
& head to self-checkout because I can’t
bear to make eyes at that clerk again. The green salad
shimmers like some alive thing in the plastic container,
like maybe I did see it move in the bowl earlier.
From the parking lot, the stars are barely visible
& I remember they’re mostly dead.
I wander around
& nobody notices
so I pick up a warm beer off the curb
& drink.
That same song comes on from the speakers attached
to the light poles. Goddammit, this song. Does anybody know
this song? Does anybody know it?

Posted in 108: DEDICATION | Tagged

gariwerd

after evening rain
cliffs sharp-edged on serpent sky
but through dusk the lights at Brambuk
flicker welcome
this is not my country

Jadawadjali elders honoured
then now and to come
quote Calcagus
Djab Wurrung elders honoured
then now and to come
quote Tacitus
but can this desert be redeemed

this is not my country yet
it is not two hundred years
and two thousand years since Rome
but twenty thousand for the Djab Wurrung
the settlers at Glen Isla
swallow burning flood and rainbow
tell of caves in Gariwerd

treasure,
wealth and weapons hidden
Jadawadjali treachery
Chinese men
tracking to Ballarat for gold
ambushed
but they do not tell the deaths
of Djab Wurrung Jadawadjali
this is not my country yet

once on the Black Range slope
I met Bunjil himself, the eagle
livid, set in stone
and shivered
this will be our country
when doubled the rainbows flow

Posted in 108: DEDICATION | Tagged

Water under the Bridge (after Lucy Ellmann)

… how I don’t want this to be a memory thing . rather a you-had-to-be-there kind of thing . to feel the Pemberton breeze blowing through the dusk bush, to taste that sumptuous brown trout you just caught . trout, tout, face-about, snout, roast pig . and how I shouldn’t say that in these vegan times, roast pig I mean . and how that trout thing was when my child was just born, that was back then, and how, today, I was at my childhood friend’s funeral and listened to his grown children’s eulogies . how he was only two years older than me and how his wife of forty two years died two years ago and their kid’s kids will not know grandparents . paring, faring, staring into the gathered crowd of mourners . talking about the things we first-gen Australian-Austrians did as kids and how that really was a remembering thing . and how we all seemed to have lost track of each other over the years . and how sad it is to think that was over how-many years ago I had last seen them only to watch now as they slide the coffin into that weird ante-room where they will ‘take care of you’, like in Evelyn Waugh’s The Loved One . but how not so novel it all is out here, outside the purifying fires of the crematorium . and us kids, the things we got up to and how, brown cow, dig that plough, it’s all water under the bridge now
Posted in 108: DEDICATION | Tagged

Whatever wet the nylon field

of crisp new underwear made the night
inevitably dense. Whatever I sipped
from your mouth swirled into a fluorescent
world of waiting. I stayed indoors on the off chance

I was waiting for an idea. My hands stayed inside
my pockets. Everything was chasing
warmth. The world was on the cusp of losing
its nervousness until my eyes imagined

your body lounging on a beach chair
reading a novel and blood filled me
like fresh guilt. To my astounded friends
who asked me what the fuck

I was doing, I said I was going
with the flow. I wanted to be carried
by the world outside my door. I wanted
to carry my world inside it. It came as no surprise then

when the world crystallized into versions
of you, brisk and sturdy, full
of the unremarkable everyday—
small desperations and impulsive smirks.

When you waved your lit palm, I felt
like a child learning to read gestures, felt akin to those
who chose to feel, my chest besting its honesty
every passing moment of ravishing.

The jewel of each of my nipples rippled
their individual ambition. Whose eyes
delighted in this sinuous asymmetry?
It seemed there was a third pair

responsible for the blurring in the room.
The seer with a deeply pedestrian glare?
No, it was you smiling a terribly long smile
to sustain my waiting. At the door,

I thought waited some God who had
the perfect teeth, the niftiest brows,
the slenderest neck, in whose fear every night
I struggled to keep at bay the roaring

internet on my phone. Some days a mug
of beer kept my bladder busy, some days it lay
untouched. Most dusks I adored the air
the door let in. Some dinners it brought you along.

Posted in 108: DEDICATION | Tagged

chinaman fish

It’s a pain
Not in the arse
Not in the neck
Not even in the fingers
Searching for the word, e.g. in an online Chinese dictionary
Called youdao, Having the Way
In which the words, Chinaman Fish, is defined as
Miaomang Yu, an uncertain fish
Or distant fish, or if you rely on the expression
Xiwang miaomang, little hope or hopeless
You may arrive at the conclusion that it is
A hopeless fish
All, might I say, are correct
Even in this incorrect age
Trying to be correct in every sense
Of the word
One wonders why it was not called an ‘Australianman fish’
In the first place
Or an ‘Englandman fish’
Or an ‘Americanman fish’
Why, of all the appellations, Chinaman fish
Amazingly, though, there are no definitions for it
In a number of online Chinese dictionaries
Such as n 词酷 or 爱词霸 or 沪江小 d
Or even 海词词典, an ocean of words
None of one’s business
Although one fishes easily from one’s memory
This poisonous specimen from the Queensland seas
Where, one speculates, 150 years or so ago
A Chinaman, unable to bear all the Australian
Harshness and hardness and haplessness
Turned into a fish
Who swam loud enough to wake the living
‘Chinaman Fish, I am
the Chinaman Fish’
Till all the English dictionaries
Capture him
In their wordloads

Posted in 108: DEDICATION | Tagged

Tale of Monastic Life

My Imagination is a Monastery and I am its Monk
—John Keats



Wintering in golden years,
Keats ditched the pen and donned the cloth.
He made good use of his time on this planet,
singing the co-ordinates of the sublime:
grief, truth, beauty; head-heart deep with love.
Torn. Tenacious. No filter! That’s what I like about him.
So, when Wordsworth was dubbed
the doyen of English verse,
he revered J.K. the way Ali regarded Frazier.
And in the twilight (when Fanny
joined the nunnery) ‘Dear Darkling, he wrote,
I’ve had it! I do not care a straw.
I’m going to become a monk.’
And He did!

Posted in 108: DEDICATION | Tagged

Swearing into the void

The function of fuck
is to be said and to be
heard.
To add feeling to words
we use fuck freely.

Fuck ’s function is
to stand out in a sentence, but
not so far out
that it doesn’t fit in.

Functionally, fuck is a curve
but not an asymptote. Fuck
b e n d s around to
me.

Trust and fuck go hand in hand,
but fuckers breed distrust
exponentially.
When you say fuck, do not
say it in italics.

But in your mind
let fuck live italicised
so that your eyes

sparkle, just a little.

Posted in 108: DEDICATION | Tagged

UFO virgin

The evening we saw a white blood cell squirming across a black sky in the south he lost his key. Since the day we met, the only other thing we’d lost together was sleep. Still we’d always wake at the same time. Is the first heavy blink of the morning loud enough to wake the lover beside you?

It was separate from him: the synchronized seeing, losing, waking, losing sleep. It was something extraterrestrial maybe. Like a string tugging sound from knuckles I mean, the action of a piano, or a double rod pendulum creating orbit, joined by a nexus at its core

He’ll ask what our nexus might be, how can it bear the stretching of its limbs either side
stretching all the way across the world
Don’t joints decay from hyper-extension? Today he told me my knees are pretty
Connective lens, is that the joint the knee the middle? collective hallucination? Losing our UFO virginities together. That evening with the—

What is a white blood cell doing in the sky? Traversing gulfs of the troposphere above a park downtown. It’s supposed to be inside a body, scrimmaging infection between bone marrow and lymph tissue. Did we want to pull it down, split it like Alice’s mushroom to swallow, make him live forever. Like PLL a secret is a nexus.

They say if you choose to take the signs, the signs will take you.

Miraculously, we find the key in hours of grass after walking back across a city I’d been to twice
In the south, in almost complete dark our tiny halos of phone light searching hours lengths of grass, a key no larger than 5cm/2 inches. A found key a nexus, a flying blood cell: joint-dreaming

Posted in 108: DEDICATION | Tagged

Detachment

The blonde tourist took her picture
before she walked towards my tuktuk,
pink-cheeked from the heat
and pressed colour.

Filipina, she confirmed.
That was all it took to charge her 300 baht less.

First, I’d have to take her to the silver shop.
She thought it was a fine idea.
(It was compulsory to the deal.)
Three temples should make her happy.

I took her to the holy white marble,
what was once the highest holy point
in Bangkok, then a sacred enclave
where she would get (enough of) peace.

I waited for her in parking spaces
while she surveyed the artefacts of
my religion. They may not deliver her
from clichés of momentary relief.

Nothing memorable can be said
in English, though I wanted to tell her
that Manila was probably
not too different from my city.

I went on being a driver
as she gave and withdrew smiles from
the traffic, an attraction of my daily travels.
Khob khun kha. Kamusta. Sawasdee. Salamat.

I could sense similarities in our tongues,
unnecessary trivia.
But she could mean something else.

Posted in 108: DEDICATION | Tagged

The Moderns

Heroic Anagrams
after Ian Hamilton Finlay


D.H. Lawrence
HEWN CRADLE


Gertrude Stein
RESURGENT TIDE


Sylvia Plath
LAVISHLY APT


Ezra Pound
ZERO AND UP


Robert Lowell
BELL OR TROWEL?

Hart Crane
THE ARC RAN


Wallace Stevens
LEVELS CAST ANEW


T.S. Eliot
LOST TIE


W.H. Auden
DAWN HUE


Basil Bunting
BLABS UNITING


Posted in 108: DEDICATION | Tagged

Blue

for Jordie (after Azzuro)


List-making is a prophylaxis against loss.

— Wayne Koestenbaum



the moon that knew just what I was there for | the heap on the floor
of Yevtushenko’s Waiting | Jean Lee | Joni | the largest of Kandinsky’s
Several Circles | my sleeveless passport | a poorly framed found-family
portrait | the inelastic band no longer holding it together | a lack of oxygen |
my Lake Wobegon tee | hope waiting | The Frugal Repast | no-name towns
on the un-place half of a snow-dome | swinging glass mati | a curse an art
period | Laura Wingfield’s roses | the trim on Sister Victoire’s summer
wimple | wine of a type | crime of a type | a thin line of a type | worry
to which my mind inclines at night | hydrangeas rooted in soil less alkaline |
Moses | the sea part | my mythic mother | the earth from outer space |
Challenger lifting off to smithereens | denim culottes flip-flapping about
the legs of orphanage lay staff | Hail Marys | my fingertip & thumb from
decades on a toxic starter rosary | an origami icosahedron from my ex |
my ex | 2007-10 | aqua profonda | the ur-dot in the Seine in Seurat’s
study for Bathers at Asniéres | all possible beginnings | all probable ends
this poem | your poem | & the Japanese door curtain’s ombré effect | |

Posted in 108: DEDICATION | Tagged

Citrus Grove: Land Back

Ultraviolet rays, in position, dance 92.894 million miles
away. Yet sunlight wavers across multitudes of spatial

planes that permeate your body. And somehow, no matter
how far distance may seem, depending on point-of-view,

warmth presses the nape of your neck or imprints the apple
of your cheek. A vast-void sequined in patterns of purpose

might astonish you. At night, looking up at the sky makes
you wonder why so many ellipses mark sheets laid across

the zenith, but more importantly, what lies yonder. But right
now, you are among a grove of oranges, varying in size and

fragrance—buds greening into existence, pericarps leathery
and rinding terpenes-flavonoids. You’ve meandered through

the rows of oranges countless times, the area’s schematics
ingrained in memory. Your hands powdery and astringent

clayed on by oranges and dust, but another scent cracks
through the façade like a time-warp unpeeling. One you

remember clearly, amidst blooms, crates, and insectoids
droning throughout, another world bleeds beyond threshold

like white light refracted through the eye of a prism. Not
everyone is wary of this fissure, most are oblivious of its

presence, but not the few that are privy to its history. You’re
not the only one that remembers. This tear is evocative of

the wound inflicted on the land. Hooves, hands, mouths
incongruously defamiliarized topography, although they

tried to rip out the roots, a vast network amalgamated,
more than fruit grew from soil manufactured weave a

reminder for trespassers, that you and a legion still remain.

Posted in 108: DEDICATION | Tagged