no land promise [4]

this place has gone months without rain, worms don’t hatch in time for the bird beaks of a drought, eggs get dispersed from their nests beneath leaves too parched, that’s right, that gardener, twenty years rhythm of turning on sprinklers, guarding grass sprouts, shimming broken roof tiles, patching cracked walls, collecting trash after every party’s last footsteps, and still seemingly waiting on the crows who for whatever reason up and left the garden some few years back maybe to return, that’s right, the crows still flooding black clamors every early morning, or doesn’t it seem, but the crows a few years back were different, he told, that’s right, still able to speak he was, or doesn’t it seem, just once in a blue moon hearing some word scraps, the barren land, the dessicated grass, press an ear to the ground just occasionally hearing the humming of insects, so it was the call of the crows that brought you here eh, crows of the past or crows of the now both could do right, just need black flooding clamors every early morning, just need black storms to flutter through the window bars, just need to gather dropped feathers, to make a work of art isn’t it, the crow feathers still plentiful, or doesn’t it seem, the barren land, the dessicated grass, seasons without rain, eggs lie dry beneath the leaves, insects don’t hatch, the band of visiting birds crave the taste of fresh pupae, only the gardner is still here, twenty years rhythm, hired from some yonder to come break down the wall, then invited to stay and collect the leftover stones, relics for distant visitors according to his archaeological expertise, then he didn’t know to go back to his some distant yonder for what, then he was invited to stay longer to construct a garden, from then on striking up friendships with the crows taking shelter in the ancient tree there, every early morning flooding a clamour of black, with black storms also fluttering through the window bars, until one morning the storm quieted and he was forever silent, or doesn’t it seem, once in a blue moon releasing a few scrap words, visitors like migratory birds, who knows where who is from and the reason for coming here, who doesn’t once become a visitor, who isn’t from some distant yonder, who doesn’t linger some place, who isn’t leaving some place, who isn’t always unable to arrive some place, who doesn’t have a reason to not return once more to some place, the crows who for whatever reason up and left the garden, that’s right, don’t worry, the wall’s done breaking down, this city has capacity to tolerate the lives from far-flung distances without root without origin, one must still keep living even when no tree invites you to sit, even when the earth is barren, the grass is dessicated, the band of visiting birds gradually leave the nest, even when not one yonder invites anyone there to come to a different yonder, even when all regions are no longer different regions, a gardener ever since eh, he’s only preoccupied with expecting the old crows who up and left the garden, to maybe return, although the crows still flooding black clamoring every early morning, just that matter alone, that garden, those early mornings, those black colors, those storms fluttering through the window bars, the rest he seems to have completely forgotten, the relics, the pieces of fallen wall, the chunks of stone dropped from some planet his hand picked up, bundled, placed in a display cabinet, or doesn’t it seem, perhaps the only way left is to forget each piece of wall, each chunk of stone, or doesn’t it seem, perhaps the only way left is to expect the pieces of wall to self-destruct and self-obliviate, the lives from far-flung distances without root without origin come then go, don’t ever approach and ask each other where you’re from and why you came here, why still here, why not still here, when you’ll be going, returning, going where, returning where, whoever still picks up the dropped crow feathers buried in the earth like that gardener, surely an art piece of his life, looking after the early morning that sprouts old crows, dripping black storms that flutter through the window bars, and then the lost rain that will be reborn in this place


không đất hẹn [4]

nơi này mưa đã mất nhiều tháng ròng, sâu không nở kịp mỏ chim mùa hạn, trứng rã ổ dưới mặt lá khô bong, ừ, người coi vườn đấy, hai mươi năm đều nhịp mở những cột mưa tự động, canh cỏ mọc, chêm ngói vỡ, bồi tường nứt, gom rác sau bước chân cuối rời đi mỗi tiệc tùng, và vẻ như vẫn trông chừng bầy quạ không dưng bỏ cây vườn chừng dăm năm trước biết đâu về lại, ừ, quạ vẫn túa màu đen náo động mỗi sớm, hoặc tưởng thế chăng, nhưng bầy quạ dăm năm trước khác kia, ông bảo thế, ừ, ông vẫn nói mà, hoặc tưởng thế chăng, họa hoằn mới nghe dăm từ vụn, đất cỗi, cỏ cằn, ép tai vào đất thảng mới nghe trùng rỉ, thế ra vì tiếng quạ mà tới đây ư, quạ xưa hay quạ nay cũng được à, chỉ cần màu đen túa ra náo động mỗi sớm, chỉ cần những cơn bão đen vờn song cửa, chỉ cần lượm lông rụng, cho một tác phẩm à, lông quạ vẫn đầy, hoặc tưởng thế chăng, đất cỗi, cỏ cằn, mưa đã mất mấy mùa, trứng nằm hạn dưới mặt lá, trùng không nở, lũ chim khách trú nuối vị nhộng tươi, chỉ vẫn người coi vườn đấy thôi, hai mươi năm đều nhịp, ông từ phương nào được thuê đến đây phá tường, rồi người ta mời ông ở lại gom vụn đá, tàn chỉ cho khách xa theo đúng chuyên môn khảo cổ của ông, rồi ông cũng chẳng biết về lại phương xa nào kia thì làm gì, rồi ông được mời ở lại thêm nữa dựng vườn, rồi từ bấy đánh bạn với bầy quạ trú nơi cổ thụ đằng kia, sớm nào cũng túa ra náo động màu đen, cũng những cơn bão đen vờn song cửa, cho đến khi một sớm ra bão lặng và ông im mãi, hoặc tưởng thế chăng, họa hoằn mới phát ra dăm từ vụn, khách như chim tạm trú, ai biết ai từ đâu và sao lại đến đây, ai không một lần làm khách, ai không tự viễn phương, ai không đang lưu lại một chốn nào, ai không đang rời khỏi một chốn nào, ai không từng đến được một nơi nào, ai không có lý do để không trở lại thêm nữa một chốn nào, bầy quạ không dưng bỏ cây vườn, ừ, đừng lo, tường đã phá xong, thành phố này đủ sức dung những đời muôn trùng không gốc không nguồn, người ta vẫn phải sống tiếp thôi cả khi chẳng một gốc cây nào mời ngồi lại, cả khi đất cỗi, cỏ cằn, lũ chim khách trú lần lần rời tổ, cả khi không phương nào còn mời mọc ai kia đến một phương khác nữa, cả khi mọi miền đều không còn là miền khác nữa, người làm vườn từ bấy đến nay à, ông chỉ bận lòng trông chừng bầy quạ cũ không dưng bỏ cây vườn, biết đâu về lại, dẫu quạ vẫn túa màu đen náo động mỗi sớm, riêng chuyện ấy thôi, khu vườn ấy, những sớm mai ấy, những màu đen ấy, những cơn bão vờn song cửa ấy, còn lại ông chừng như đã quên tất thảy, những tàn chỉ, những mảng tường rụng, những mẩu đá rơi từ hành tinh nào tay ông đã gom, đã bọc, đã đặt nằm tủ trưng bày, hoặc tưởng thế chăng, có thể chỉ còn cách quên từng mảng tường, từng mẩu đá, hoặc tưởng thế chăng, có thể chỉ còn cách mong những mảng tường tự hủy và tự lãng, những đời muôn trùng không gốc không nguồn đến rồi đi, đừng bao giờ lại gần và hỏi nhau từ đâu và sao lại đến đây, sao ở lại, sao không ở lại, bao giờ lại đi, lại về, lại đi đâu, lại về đâu, còn ai lượm lông quạ rụng chôn dưới đất như người làm vườn kia, hẳn là tác phẩm để đời của ông, trông chừng một sớm mọc lên bầy quạ cũ, túa ra những cơn bão đen vờn song cửa, và mưa mất đi rồi sẽ sinh lại nơi này

Posted in 109: NO THEME 12 | Tagged ,

Recital

When she played the accordion
it seemed the audience might be there
just to see a young girl force herself to breathe
hands apparently squeezing her ribs and letting go
Under the flexible body the musical
geography of bone and within it
a pale drafty idea of stability
She picked up the black book of explanations
of music and breathing they came to understand
She opened to the page that asks for no dancing
no coughing or applause and placing her fingers
against the buttons and unlocking the ribs she began
from afar to skillfully demonstrate the air

Posted in 109: NO THEME 12 | Tagged

MOON FALLEN

the sun sets in the east
the moon falls off its axis
a megastructure
maybe with fields inside;
tomatoes,
carrots,
corn.
it’s nice to have a
neighbour
a reflection
so far from us
i don’t know how to get there
so far from us
if i could just reach them then i’d
tell them about the sun
maybe they can help
would they speak the same language?
tolong,
bantu aku.
they would hear me then.

the sun sets in the east
throat crust stuffed stomach cheese
fat heart bakes at 180 degrees
a good neighbour share treats
makan, makan!
they’d taste em’ then
surely it’s enough
suka?
we can’t reach them
why
you’re right above
neighbour, please.
my sun sets in the east
i’ve no corn or carrots
the fields are dry
my tides roll away
come back!
tolong,
bantu sekali ini.

what invisible string!
i want it to be nice to have a
neighbour.
shoot the moon goodnight

so let my sun rest in peace

Posted in 109: NO THEME 12 | Tagged

Birthday Poem

Everyone said twenty
was too many chillies
for one
recipe.

I insisted,
fondle them now
through the polyester tote:
dangerous and shiny
a jumble of soft, wonky bullets.

I have decided
chillies are where
I will find beauty today.

Beauty is what we’re born
for

(Toni Morrison in my headphone)

it’s not even
a privilege or a quest.

Still,
my quest begins
anticipating these chillies

scouring this house’s throats
after I’ve blended them with ginger
cherry tomatoes, shallots
and fried the lot down
to a thickness
all to bake
four fish in tomorrow
which I’ll eat with twenty friends, one
for each chilli.

My quest continues
with the cashier who says wow
that’s a lot
of chillies.

To which I say I’m making sambal
but she’s practicing Italian
with the customer next to me,

no longer interested
in my chillies.

I go questing while

agreeing with Toni,
because I need it,
because repetition makes time
seem something other
than decrepit
self-storage.
I’ve done this
twenty eight times now: nothing
if not repetition.
Shouldn’t I
know better
than to grump at slow pedestrians
swerving
into the path I attempt
the overtake in,
or weather reports
dispatching me to buy
chillies in pants
and a long sleeve on a day
demanding shorts?

This overheating itch and sweat
ovalling darkly
on my back is so familiar
as to be unremarkable —
my quest passes
over it,

lands instead on chillies browning
over medium heat now the lime
juice, sugar
and oil have been added.

It’s easy to want more of this—
elaborate preparations,
friends fawning while digging in—
though really I want more
of everything,
more! more! more!
More of my sweaty
shirt agitating me on today
of all days. The picture of life

a birthday brings: hoops
passed smoothly through
at uniform intervals.
And between each hoop, a stretch, each so
familiar as to be
unremarkable.

At some point the hoops, the stretches
finish up.
For now, beauty
quested and unquested:
chillies frying, sweat,
irritable in the hot street.

Though isn’t it biblical
—too much so
—finding salvation in the minor
or shitty as though god
happens
all the time, as though
it’s a tuning problem, as though there aint
no difference
between a seance and a school
assembly?
Which I believe there isn’t
and do also
believe there is.
Nothing needs elevating
or everything does.

Beauty comes at me neatly, I miss it

all the time squashing inconveniences
into something I’ve decided
is its shape,
(see my sweaty shirt, my
chilli bag)
and that birthday image
while we’re at it
it’s wrong, doesn’t matter

if it weren’t a hoop but an archway, a flap:
we don’t ever pass thru
a thing,
this forked and massive world
drops on us like a branch.
Even my decision to go questing is a kind
of inexplicable crash,
as is this year I’m just now spinning
into.
I’m sorry
I got the pictures wrong,
I’m sorry I went looking
for what I’d miss in the search, I’m sorry
I filled the house with spicy smoke
and used the pan
that doesn’t handle acids well.

It is an absorbent
pan, seasoned
with everything that’s ever been cooked,
ever will be,
in it.
I hope it’s not ruined.
Whatever we eat from it
has a hint now of chillies, though
less so each time.
At some point
I suppose
we won’t taste them
at all.

Posted in 109: NO THEME 12 | Tagged

My Soul is a Love Conservation Area

“My Soul Turns into a Love Reserve” (2015, by the late Poet Ho Anh Tuan)


~~~~~~~~~
“Back to Cat Ba with you
Where the ancients of Cat Co beach held a bathing festival on the full moon night
I stepped on the footsteps of the ancient Vietnamese
I am pure in the midst of pure National Park
We are also a “biosphere conservation area”.
Thousand-year spring conservation area
My soul turns into a love reserve »
~~~~~~~~~
Back to Cat Ba with you
There is a cloud over the primeval times
Turn the golden sand into the mountain chest
There is “coral field” Van Boi
We anchor the boat in the middle of the bay with the sun
***
Back to Cat Ba with you
Meet Sapa Spring
Wandering the misty valley of Tran Chau, Khe Sau, Gia Luan
The sound of the horn and the sound of the waves echoing
Reminiscent of the sound of a H’mong boy’s trumpet
***
Back to Cat Ba with you
Meet the summer of Dalat
Hien Hao valley is full of pine trees
Release love verse to the plateau
***
Back to Cat Ba with you
Meet autumn in Nha Trang
I hear my heart wake up in the wasteland
The gulgula drops its golden voice
Releasing in the sunset afternoon the singing swiftlets
Coming to High Heel Islet missing Husband Islet dearly
Your fallen clog fossilises my heart
***
Back to Cat Ba with you
Where the ancients of Cat Co beach held a bathing festival on the full moon night
I stepped on the footsteps of the ancient Vietnamese
I am pure in the midst of pure National Park
We are also a “biosphere conservation area”.
Thousand-year spring conservation area
Our souls turn into a love reserve”.


Cat Ba National Park, 2015

Posted in 109: NO THEME 12 | Tagged

open questions

The librarian speaks about librarians’
work at the conference table
he lists the ways they know
how to steer
and graze
an archive.

we learn
how to navigate a building with many doors
and get books from Bunnings-sized
storage facilities stacked in regional Victoria.

At the dining table reading,
again, hearing the tap in my kitchen
and the tap
in the other toilet drip.

The plumber came, and he fixed the tap in the laundry and the bathroom
but he said the others were shot.

They need to be replaced
he’d call the agent
who’d call the landlord
also called the rental provider
who doesn’t have a mobile phone
and is mostly uncontactable.

So, I can still hear the drip of the shot
tap into a small porridge pan in the sink.

I turn right to
slow the drip
and then left
because the plumber warned
not
too
tight

Around the neck
of the head of security
(big, bald and bearded)
hangs a lanyard with a pin attached to it.
The pin is that rainbow amalgam
of pride and trans flags, and
I note its presence
as incongruous and perfect.

He begins his speech
leaning back in his chair
at the conference table,
blue shirt with the top buttons
unbuttoned to loosen
a breath that breathes out
all the time in the world,
distinguishing between beep beep
and whoop whoop
signifiers of alert
and then alarm.

He says make sure to let security know
if you lose your pass
And the control room is always manned
And 2 guards and then
8 guards and patrols all night
and we can walk you to the tram if it’s late.

My lanyard is blue with no pin
it says ‘welcome’
in languages of the city

When it stops dripping it makes me nervous, repetitive domestic noise get on my nerves
until it’s gone and then its absence makes you nervous.

The crescendo will come
when the head of security indulges in a description
of what to do in case of

It’s never happened but it could

the detail will be luscious and rich

It’s unlikely but I have to tell you

because you never know who is coming through a public entrance.

An image comes to mind of a little library cradled
in the rough hands of the head of security

The guards with pendants around their necks
at the public entrances
can make a decision rapidly
they can pull
their tech necklaces
and all the doors behind them lock,
so,

In the unlikely event

I look at the tap and think
about the perfect tension
for preventing droplets
forming because nothing
is more boring than the
DEI module I have to
(must) do for work
The tipping point…Richard from KPMG says that social licence…I look at the tap to check for
a drip

Never in all the years I’ve been at the library

His fingers stroke the small dome lightly, like it’s a
kitten separated from its mother too young.

Can’t run? Barricade the door, turn off the lights and close the blinds, pretend not to be there, be
quiet, hide in the corner, wait, if you need to move, he says, stick to the walls and take cover, don’t
make yourself a target, not a big target like a big guy like him, he says, slink, if you have to move, but
don’t move, stay, hide, and never run with glee toward the police, because they might shoot you, he says
they don’t mean it, they are on a mission, he doesn’t say this last bit but this is the gist.

Another gist
the police are benevolent
just like him
the head of security

I didn’t know my blood type
so I tried to give
plasma
because that’s what the website said to do
if you don’t know

I like to follow instructions,
do the right thing.

After a long wait and a long interview, the technician hooked me up to the machine, asked me to
shuffle over to the side of the seat, further, yep further, he inserted the needle in a vein in my
right arm, it wasn’t in the centre, which they prefer because it’s more stable, anyway, the blood
refused to flow. I did the exercises as instructed via diagram, but the machine said my blood was
too sluggish, someone senior came to look because now my hand was tingling and she tried
adjusting the needle which she thought was against the wall of the vein, but it bruised, and she
said sorry we are going to have to end the donation

But I hadn’t donated anything

She got me to hold my finger
on a pile of gauze before
she wrapped my arm in a bandage
and said sorry again and the original technician gave me cream for the bruise
and further instruction

the bullet points on the small card in
the plastic sleeve read

  • report any suspicious behaviour or incidents
  • beware of tailgaters

the text message
thanked me and
apologised for
the bruise

Do the public engagement people
naturally resonate at a high frequency?

The head of security is a bass note
a large drop hitting the full saucepan
I can see he’s worked hard on this hum

I look back at the pin
on the lanyard
that rests on his chest
bobbing
as he chuckles
and we shuffle in chairs
around the table

Swaddling the little library, his palms
like an oyster shell made of flesh

I don’t mean to cause alarm

But!
He is the head of security! And this is the world!
And he has an important job to do!

I’d drunk the recommended number
of cups from the dripping tap

a drip rides on the tail
of the previous drip

Outside the library
three flags fly
backwards they read

SHRINE

SERVICE LGBTQ+ OF STORIES
PRIDE WITH
DEFENDING

Question 3 of 12
in the test section
on open questions

(note: answers are not recorded for this section)

Why do you wear the rainbow lanyard at work?

A. Open
B. Closed

Posted in 109: NO THEME 12 | Tagged

Later History of the Alphabeticals

Herodes’ son couldn’t learn his alphabet
so the easiest thing was to buy
twenty-four boys his age and rename
each one after a letter. Their story
ends there, as children bought to form
an alphabet chart. Maybe some saved money,
bought their freedom. Zeta became
a wealthy freedman in the imperial bureaucracy.
Or they held reunions, called themselves
the Alphabeticals, lost touch with some
(no trace of Upsilon for years) then aged
and died off: Epsilon too young,
and finally only Mu to remember.

Posted in 109: NO THEME 12 | Tagged

In the Suburbs

We live in the suburbs of a concrete paradise,
and this is not a country evening, but an abandoned animal
with eyes all over its gray and brown body.
It blinks, trying to see me better through the knotted, matted hair.
Here, after 9 p.m. the moon is boarded up with yellow planks,
and there is a heavy padlock on the gate to the Milky Way.
A bat gives a squeak: a clock-faced owl
has grabbed the poor one in its claws.
Tiny windows are blind with dirt,
and look like black and white icons with octopuses in them.
Tall weeds grow on the roof, and the porch is
a wooden playpen, two thirds of which are rotten through.
A dog’s barking sinks like a screw bolt in a bottle of
kerosene and purple magic.
Melancholy is like a piece of a polished rail that hangs from a star:
you bang and bang your head against it, but quietly,
without much swishing and swooshing. It’s so good,
it’s so good to live and die
to just live and die quietly,
without actually living or dying,
among the crippled and disappearing wildlife.
Look, here’s a coin, but of what epoch? The dirty tail is unreadable.
What epoch? What empire?
A human life is not much more valuable than a matchbox or a packet of salt.
Burn and cry, slowly, until morning, year after year,
under the shoe-polish-colored sky.
The childhood of the animal has passed here, and here is where it was forgotten.
It was chained to a ship, but both the chain and the ship have turned into dust.
Here is the place where you take off the wig of civilization
from your bald pink brain
and don a nimbus of burs, of sunflowers and sparrows,
and then the animal wakes up. It’s almost blind, it screws up its eyes,
but it recognized you,
and wags the tails of a tractor rut.
It’s dawn with the smell of hay, and motherland, and manure…

Posted in 109: NO THEME 12 | Tagged

Exhibition

The restitutionist premise, that whatever was made in a country must return to an original
geographical site, would empty both the British Museum and the other great museums of the world.

— The British Museum, Department of Greek and Roman Antiquities




References



Museum accession number 1987,0314.1. China & South Asia Collection, The British Museum, online.

“Parthenon: Why the British Museum Cannot and Does Not Want to Lend Its Sculptures of the
Parthenon.”, online , Dr. Robert Anderson, 2003.

Posted in 109: NO THEME 12 | Tagged

Epiphyte

where bangalow palms and prickly tree ferns began
i remembered you. from the tarmac
to your small yellow car i missed half your words
relearning your strange accent, distracted
by this foreign world we were yet again traversing
of white sand, clear skies and diving pools.
he drove us along roads that wound like racing tracks
drifting from side to side lost and dizzied, you stuck
to my side, then my brother’s, like the same moving being.

a gentle wheeze of nicotine and lavender-rose
escaped the front door and i soon found
the things we had forgotten. floral duvets and photo albums,
two wall clocks set at different times.
the table fans whirring in unison, clapping the blinds
against the windowsill as if to say welcome home.
we took over the couch, four bodies collapsed and moulded in.
you muted the television and told us stories
of violent wars and cobblestoned streets, the ache
in your side when you thought about darwen tower
and the journey across desert and sea.
your cup overflowed with wine
as you shuffled playing cards with newly refilled fingernails,
the red tap-tap on the plastic backs
like a timer counting you down.

after lights out, we lay awake to noises we didn’t know.
our bodies showered in sticky sweat, breathing
the hum of cicadas and the faint smell of sugarcane leaking in
through the fly-screen window. we imagined
human-sized grasshoppers and bunyips in the creek.
you knew, and opened the door before midnight.
leading us outside you pointed to the swell
of cane toads lining the road. we stepped
between them carefully like a delicate game of lava
my brother pretending to be one, his cheeks
expanding and retracting in the humid moonlight.

in the morning you were tired, he took us to the beach.
my brother and i whispered about whether we should call
him grandad as he marched us up the sand dunes and told us
about the ocean and the next landform it would meet.
we found a pufferfish, dead and bloated
just back from the shoreline by a bed of seaweed and foam.
he held us back like it was a crime scene
we looked up at him then, eyes of wonder and intent,
his slightly brimming with salt water. he bent down
in that way old people do when they have stories to tell
and said, ‘let’s go find a big stick.’

you joined us in the rainforest where birdsong felt swollen
with rain. flicking a leech off my leg, you told me
i must taste extra sweet. in a quiet clearing,
you showed us a tree that had been taken over
by ferns. brilliant green roots clasped
onto the furrows of the bark, a tangle of antlers and scars.
it was the most magical thing i had ever seen
where thousands of mosquitos danced in the water
gathered at the bottom of each green nest.
and i wondered how the tree felt about being taken over
by something so foreign. you coughed deeply
when you laughed at our wonder
and held us tight like your two little trees
you, the epiphyte.

Posted in 109: NO THEME 12 | Tagged

Meditation at Max’s

for the Poet from Siasi, Dr. Anthony L. Tan

All new thinking does not involve chickens.
Which really is a big surprise, since chickens are
our favorite sacrificial lambs―their blood takes care
of the spirits that needed to be appeased.
Over a chicken dinner my mind wandered
into the fowl-filled afternoons in Camaman-an.
As expected from a time-traveling mind
which is truly arbitrary, I stand before the Estarte paintings
at Museo de Oro. In one of the paintings,
the Spanish missionaries have just arrived
on the banks of our river. They came
not to eat our chickens, of course (I’m pretty sure
they did eventually) but for something else.
In the other painting, you would not see chickens
but for some reason my mind entered the backyard
and saw the chieftain’s staff chasing chickens.
I came to conclude that special occasions such as, say,
Salangsang’s baptism into Christianity,
a chicken must die. I mean, as in right now, here,
inside The House That Fried Chicken Built,
in my godson’s baptism, chickens die yet again.
The long history of chicken sacrifice makes me wonder
how chicken souls are doing in the afterlife.
Are they fenced in still? Inside some coops, classified
according to their circumstances of death
(the way humans classify their dead—as saints, heroes)?
Or as reward, do they finally roam free
in an endless field littered with heaven-worms,
like true free-range chickens?

Posted in 109: NO THEME 12 | Tagged

A Short Time in the Yard

‘But the tyranny of low expectations smothered them’ – Stan Grant



The boys ruck below a yellow footy, going at marker’s-up
in front of Mt Baw Baw, a heron’s head that surveys the college in its blue shadow.
The moment’s hero jogs into the goal-square and floats back the ball to them, eye to eye, with the mountain.

Muzak. Lunch over.
A white flock of cockatoos spreads over their school,
First dimpled like a net puffing in the sea-tide, it fans under the sky
as they go to their lockers
under the white flag of your will.

Posted in 109: NO THEME 12 | Tagged

On Days I Ask Mom to Clean Out My Ears

her thigh a pillow / props my temple & neck / my toes tuck / into farthest crevice / my soles rub / the arch of each sunken other / Mom pulls a bobby pin wide / my body a board game she takes out on occasion / it’s as if she’s playing Operation / cautious not to shock / as she tweezers into the opening / of my thinking listening place / diligent not to dig too far in / Mom scoops from me / scoops from me / shows me the specimen of my making / it’s my honey in the light / then she pats—all done / my closest shoulder erupts against her getting up / I wheedle my pretty please / keep going the feeling / she relents / settles back in her seat / she gives me the feeling I ask for / casting again for my amber wax / a warm rush / the sound of a hug / where the wet, red center of my being sits on a lone stool / a tiny version of me in me/ this me closes her eyes/ her head tilts and listens from within / to Mom’s muffled hush hush / as she strokes a hum rushes to my inner ear / she sweeps away our crashing / she sweeps me away from me / she quells the other feeling / she sweeps in a way that sings / she sings a wordless lullaby / to fill & swell / she fills & swells / the empty panic room / made from all her manic absences
Posted in 109: NO THEME 12 | Tagged

Lament

I dream I’m a crow,
flying over a field of corn.
But the sound of a rooster
wakens me like a horn.
The morning sun rises
through a fog like tar.
Elm trees regard me
with despair.
Today my vision is bleary.
I drink coffee,
and gaze at a nasty day.
What good to remember
our life together?
You’re gone. Wherever
you are,
you’re far away,
and you’ll stay there forever,

Posted in 109: NO THEME 12 | Tagged

I Find the Cosmic Tree

Through the tunnelling of worms
Rain sweats its fermented gold

Tipsiness kicks in
I am here, next to the Cosmic Tree

On the street, I pick up a bunch of
Geraldton wax, three words in my mind

Recuring: disruptive, child-like, weird
Am I what I thought I would end up

Being? The Cosmic Tree, elongated, has ariel roots
They uplift me to the opposite of cosmos

Where dream becomes reality and time twists
I am back to my pre-primary body at my current age

Riding a giant pelican, or swimming
In the form of a jelly fish, or casting a spell on a willow tree

And always getting lost in the maze of tiles
Being touched by unwanted hands

— the sound of a belt on my flesh, shrieking
— and the sound of rubber slippers, approaching

My father’s body reeks of alcohol
His mother is hit by a car the moment she has

Her psychotic epiphany
But I am seeing her on a tram to Coburg

And yet I am sitting in my mother’s BMW
Vowing to leave her and never come back

I am five, I am ten, I am twenty
I am in China, I am in Australia

“Never forget your roots!”, my mother says
But she doesn’t know that trees migrate, too

Thud

The Cosmic Tree is done with me
I am back on the street

Still sitting, no longer feeling tipsy
But feeling utterly feral, utterly lonely

Posted in 109: NO THEME 12 | Tagged

Letter to Ba From Ancestral Tomb in Jiangxi Province

Just as I have confessed to you time after time,
I am not grieving for granite & soil.
Three characters, no epitaph. A century
of mothers & fathers slung across your shoulders &
I am not grieving, because given enough time,
are not all ghosts wished into darkness?
Should their spirits not scatter, set out for dawn?
I can ask you to tell me about strength,
have you nose through the scrapbooks & archives
to wring stories out of scribbles. Right now,
though, it is not enough for me to pull the weeds &
bow again & again at the ground. I have done all I can—
found myself in the mirror, imagined our faces
repeating themselves like a question. For so long
I have trudged & stumbled, dragging my feet
after you. In Jiangxi, the moss grows
from one year into the next—I imagine
it stammers, failing to find warmth from stone,
the shapes of which eventually fall into vanishing point.

Posted in 109: NO THEME 12 | Tagged

a trip on day soil

the sun’s shoulder is a
graveyard
laughing in tiny bits
of rain. a train, forgetting itself, clatters
and a loud river pays no attention.
i wouldn’t have
walked but there was
no other
way
to smother the barks of startled fields
or
fling the blanket from the wheelchair’s
legs. the salad for lunch was
a
radio full
of static: shingles punched
into
confetti. i remembered an old tarp
in
the garage sagging as if it
had
myasthenia gravis
but useful as a double shot. and
newton,
sweating under shade
in
wig and frills, forgets to eat;
forgets his
gullet is a blunder-
buss
refusing
gravity;
forgets what a pocketful of snakes
will do to anyone’s
weather.

it was as if
the simplicity of wanting gravel
to
resonate
until it crumbled
was like begging soil to turn on its
own.
and hatred sprinkled
on corn muffins
and elevators,
men wearing
ten-gallon hats a
century and a half
ago, gila monsters picking
their teeth with forks. so i

lay down and
pull the desert along,
drop
the cattle skulls.
a pocketful of
silverware
would only scorch
a mountainside
with clouds hopping away,
laughing as children.

Posted in 109: NO THEME 12 | Tagged

MAD LIBS: insert animal names here, instead

and mom, I said —
the (dolphin) at the public pool
stole my first kiss, the grey wet
snout like a gun on my face,
chattering and whistling
in my ear

and mom, I said —
the (hippopotamus) in the library
wanted me to stay, his mouth
gaping, the teeth chipped and strange
and that long flailing tongue
hanging out like a noose

and mom, I said —
the (zebra) on the escalator
in the shopping mall stood striped
and silent behind me,
his bizarre hair bristly and sharp
on my skin

and mom, I said,
I was in primary school when
the teacher brought us to the zoo
and made us learn their names.

Posted in 109: NO THEME 12 | Tagged

Accretion Farming

New Year waves make landfall along the coast
And among the oohs and aahs
From onlookers, it becomes apparent
How many things are made by beating.

Those smooth rocks the kids all
Slip down like slides, are only possible
Because the sea beat the edges
Off them. They were once sharp

Enough to cut glass but
Thousands of years of violence
Will take that from you, no worries there.
Even the cliffs we all perch on

And the mountains high overhead
Wouldn’t be here without some
Malevolence, some angry force that once
Struck the borders of the country

Until they were shaped more appropriately.
It stunned a lot of people at first, to learn
That the world was made the same way;
That great objects beat together

In space, produced all of us.
Perhaps it’s not such a surprise then that
We take to it with such ease. As natural
As sea water down a flat stone.

Posted in 109: NO THEME 12 | Tagged

Stick Woman

In the park next to our block,
on a floor of dry twigs and leaves—
Grace and I, on low striped deckchairs,
a flask of water and some dates between us.
The little ones run rings around the trees.

We are drawing Port Jackson figs, you see.
My daughter says it’s harder than you think
to capture trees, to get them down.
Their bodies don’t have endings, she says—
they’re wrapped around themselves.

That’s the trouble with too few dimensions.
I tell her you can trick the eye: draw the gaps and shadows,
and the tree reveals itself. The artist too—
my fig has buttress roots like dragon’s haunches,
its branches curved and lush as daikon.

The little ones creep up behind us.
We can feel their hot breath.
They steal the dates, gulp the ice water.
My son makes stirrups of his small hands,
helps his sister get a leg-up to the lowest bough.

She scrapes her knee, curls on my lap a while.
Beads of blood appear on her dark under-skin.
I dab them off, streaks of red sap on a tissue.
She takes my charcoal and loose paper,
draws a stick woman and three stick children.

Later, I’ll pin her drawing to the fridge, next to Grace’s,
and my turgid tree. I’ll rinse the lettuce,
top-and-tail the radishes.
I’m no longer lush. I am a stick, a twig,
kindling for their fire.

Posted in 109: NO THEME 12 | Tagged

Taking Care: White Family

We are predators at heart. Sensing weakness
puts us on edge and seeing it makes us salivate.
We want to strike, to kill. But it comes out like

healthy pushing. When White Not-Grandpa
recovered from his surgery, I’d walk with him
and White Grandma. In his survival-shock depression,

he’d want to quit and tried turning around and going home
every few steps. White Grandma would hold his walker
and use his debt to push him: “I’ll leave here,” she said.

“I’ll turn my back on all we made,” she said. “I’ll have nothing.
You promised I wouldn’t end up like that.” And he’d start moving.
She said the same thing to get him on the walk in the first place

and again to eat dinner, each time, finding new ways to phrase
his fear. In another context, the same move: try going to school
or moving to a new city, or changing careers, and we’ll find why

you want more and say you don’t deserve it. We’ll list your faults
and failures, list ours, heap on enough weight till you break,
like us. Our mouths say it’s support,

but with their eyes always forward and focused
not wide and searching
our blood says you’re prey.

Posted in 109: NO THEME 12 | Tagged

bodily (ab)normalities

my body is plumbed,
a vertical wasteland,
comparable to
a compressed chest,
some grey weight

cloudy and sleepless,
against the gut
which breathes
of its own accord.
a picture of health

three tablets a day,
my mother’s grip around
my midriff,
sweaty sheets
imposing, like rubber

praying don’t move,
sweet body, stay still.

blue light
when the night falls
like swallowing whole

the first cigarette
my father smoked,
the one that set off the addiction.
such healthy bodies,
a pair of lungs so tight

and a pack of prescription pills.
with spots mottling the skin
gathering dust,
I am segmented
carefully.

such healthy bodies
composed of half-forged things

Posted in 109: NO THEME 12 | Tagged

Infertility

men bleed cartilage wrenching bump nose splitting
cupped hand full of teeth and manly curses still photographs
the wet smell of sweat and churned grass
women bleed soft-tissue injuries hidden in A-line dresses
squatting over the toilet bowl blood dripping quickly to the cubicle
breath out and in firm fingers pushing as I blossom fall
two minutes two more minutes ‘til the end of lunch

we have waited two long years for the end of monthly curses
for a belly to quicken breasts to blossom
brown nipples to be on proud display in bandage dresses or oversized
sweatshirts listing south a longing for mangoes
things pungent and dripping juice licked from fingers pushing
yellow flesh one hand above and one below the bump on proud display
in photographs a human cello perfect pitch and tone

the doctor produces a specimen cup with a silent flourish
mouths platitudes solemn pitch and tone points out the cubicle
as I count down the silent minutes worry at my lip
with nervous teeth up up halfway towards the sign: occupied
then opened the forgotten blossom
of true desire red lines through monthly dates a calendar’s siren song
remembered days when we walked through honey haunting cello

the accompaniment to summer picnics in the grass me riding you
breath in and out out and in your shocked tone oh shit and then my name
fumbled hands pulling I look down then up pungent dripping
your blood-red thighs and belly another month wasted impossible
my body’s long silence looking up at the sun my eyes blood and honey
it’s not only men who bleed lovers who blossom and fall
but women like me curses in chorus and song two long years and nothing

Posted in 109: NO THEME 12 | Tagged

Bird

Most of the party respected their hate; anyone could have hunted the bird. The March wind harbors an inappropriate violence. He nodded to the water as he flew, knowing all of the stones and trusting the river’s glacial clarity. The reproduction of silence sounds like gravel when it plays on the police station’s stereo. Russet color on his talons suggests a suicide, the coroner rules. Birds wouldn’t do that, the police are firm, it must have been a murder. The gravel recording starts up again. The coroner turns slowly. He forbodes the pistol disposed in the riverbank, illuminated by sunken, snow-heavy stars. A solution: ether, icy metamorphosis. The vulture had made a serrated-winged pilgrimage to the Northland to pronounce the cold land’s name in his cloudless language. One wing was bound with fire to his rights, the other disappeared in moss. The answers to his overwhelming questions bloomed silently in the unclosing eyes of the fish. His legend smolders all around his imprint in the ice. The law goes home to meat and wine.

Posted in 109: NO THEME 12 | Tagged