Cut Lunch by Chris Andrews
Ginninderra Press, 2002
Cut Lunch, Chris Andrews' second collection of poems, is a work strong on nostalgia and reflection, which is neatly captured in the title. In this age of foccacia, ciabiatta and pide, a cut lunch is an object from our recent past, a descriptor for plain white bread, single fillings and frugal practicality. Part of the charm of this collection is Andrews' fascination with the poetry inherent in the everyday, what he calls minor poetries, and a cut lunch is an apt symbol of his affection for the poetry of cupboards under the sink. It is also a phrase that summons images of symmetry and, as with much of Andrews' poetry, the visual is gently reinforced by his skilful use of language, in this case, the assonance of the title.

The theme for this, the 11th issue of Cordite and our fifth online, is copyleft. As one contributor recently asked: “What the #$%! is that?”
Paul Mitchell was a guest of the Melbourne Writers Festival in August this year, but only because he paid some cash to get in. While waiting for the opening session to begin, he asked himself the question: “Is Les Murray really the big man of Australian poetry? Or is he just bloody good?”
An e-mail arrived one morning inviting me to be a guest at the Mildura Writers Festival, the weekend of 1-4 August. I'd been recommended as an emerging writer.