Following the Game

lime cordial summers
the telly murmured three day tests
in the only room with a fan
we would end up there, collapsed
in cut-off jeans
stupefied
with the white lethargy of school holidays
we lay looselimbed and aching with the wait
Colombo's sunshine looked like chrome
the players moved sluggish
in the tropical heat
roused themselves again
and again to run
sweat
trickled down our adolescent cleavage
as we watched, sucking icecubes
the fan's face a mechanical, slow motion negation
the ball clocked gently
so much molten time
that rhythmic, momentary taste
of moving air
we wanted the burning vinyl of benchseats
boys who smelled of petrol
a cool change, quickening pulses
wanted a roar. wickets flying, limbs
taut with anticipation
total fire ban, day after day
the hot concrete
stretched like a glaring empty pitch to the Hill's Hoist
those storm clouds massed
waiting for release
the supporters' slow clap
building, poised:
thunder
a drum roll
elsewhere

Posted in 12: TEST MATCH | Tagged

toen | tone

look at
how still you are
with
afternoon standing
inside your legs

A#

are you fishing
or playing golf

does your toddler
remember when you were
a teenager

E#

in the distance
trucks drive past
full of cows

G#

your hand in your hair
staring
in the shores
of a storm

F#

water
over thoughts
land in
nothingness

C#

what gift
does the nothingness
offer

look at how still you are

Posted in 12: TEST MATCH | Tagged

Richard King Reviews Papertiger #02

Papertiger #02
Paul Hardacre & Brett Dionysius (eds)
Papertiger Media (2002)

A poetry journal on CDROM is apt to raise some absorbing questions about the nature and status of poetry, and in this respect the second issue of papertiger: new world poetry doesn't disappoint.

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Posted in BOOK REVIEWS | Tagged , , ,

Adam Ford Reviews Dog Lovers’ Poems

Dog Lovers’ Poems, Jeff Kennett (ed)
‘Information Australia’, 2000

This collection features over a hundred pages of poetic platitudes about dogs and their loyalty, their friendship, the cute things and the cheeky things they get up to. The anthology was compiled by ex-Premier of Victoria Jeff Kennett, who put out a call for submissions while he was working at Melbourne talkback radio station 3AW.

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Posted in BOOK REVIEWS | Tagged , , ,

Q&A with Simon Katich

Somewhere amongst Simon Katich's pads and boxes there's a long poem that the top NSW bat and vice-captain wrote on the 2001 Ashes Tour of England. But the poem's contents, like the ancient mariner's albatross, remain a mystery.

“It can't be repeated – Some of the stuff is probably best kept to what the boys heard – But I think Steve Waugh reproduced a little bit in one of his tour diaries.”

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Posted in GUNCOTTON | Tagged , , ,

David Prater Interviews Nick Whittock

Melbourne poet and raconteur Nick Whittock recently took time out from writing his inimitable cricket poems in order to face 12 questions sent down the wires by friend and fellow cricket tragic, Sam Kidman.

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Posted in INTERVIEWS | Tagged ,

Christine Davey: Old Men Forget

Flashback to December, 1984. The cricket is in majestic swing. It's the time of year when pop songs are blown off the dial by commentary disputes involving field placings, team selections and bowling changes. It's that early-summer-zone, when the sound of leather on willow is synonymous with all that is beautiful on a beautiful day. It's 1984 and we're at the M.C.G. The all-conquering West Indies are playing Australia in a Test match. For those who don't like cricket, here's a tip; we've come to the signpost in the universe when we know for certain that Henry V was referring to us:

From this day to the ending of the world,

But we in it shall be remembered.

We few, we happy few, we band of brothers …

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Posted in FEATURES | Tagged ,

Paul Mitchell: The War On Cricket

A picture of a set of cricket stumps painted on a wall (by Michael Farrell)It's now becoming obvious why the Bush administration for most of 2002 delayed military action against Iraq. The President's cricket-loving friend, John Howard, convinced him to hold off so that the Australian cricket team could provide a crucial military blue-print, crushing an undermanned and injured opposition.

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Posted in FEATURES | Tagged , , ,

Pe

i wanna be robbie williams
i so almost am i wa
nna fold in dimensions hit
herto unheard of i wanna
be a cephalopoid superb c
reature with a thick thick sp
ine a bone that interrupts ca
uses blockages to launch
sheer speed substitute it for
flexibility and calls for com
munication michael bevan
has the ability to transmit
his body across old trafford
without being seen chinese
warrior i would like to fly in t
he face of finitude barely
scraping at the rooftops
expansive view of a
fragment of a second and
feel the tension in my
spikes that clark must
feel es tut mir leid s
                steve w
on a pilgrimage to gandara
with his bat tucked behind
his ear it makes me sad he
has to be superman and its
no longer ideal i want to le
arn to bowl legspin and fold the air

Posted in 11: COPYLEFT | Tagged

Hayden & Langer: Open Slat(h)er

the air is pretty
a bitten tune
scathed by the savant
with his big nails
a willow blade flashing
like an idiot the thing
has slowed now to
cremation pace single
handedly he wins the ashes
pashes the badge
we are not yet ready for his
silence castles are erected love blossoms 7
hours celebrating in the players rooms
long after the beer has washed the blood from
our teeth and the air
from the victory song

Posted in 11: COPYLEFT | Tagged

Note to the Editor

This poem is from a much briefer series
on the life of the man who invented dirigibles
whose name is French, or Hungarian
I think. Dietrich Katona?

Please capitalize all the second and eighth letters
in this section. Note that
I am using a special font here – Strontium Victorian –
and you must make certain to keep the size at 7.2
and also capitalize all the names of fish,
except if freshwater.

You might be specially interested
in the following 1,368 rondelles
of which I am including a generous selection

The sequence on the invention of dice has been suppressed pending an investigation.

***

All the place names in the Confession Poems should be deleted,
to be replaced with Xs and long dashes.

Please fact check my biography.

Wyoming is spelled “Wyoming”.

“Hypo-allergenic” has a dash.

You might be intrigued to note that I am the winner of the following international poetry competitions and prizes:

1. THE WALDO VINCENT MEMORIAL HAIKU CONTEST;
2. MS. EUNICE HALIBURTON CHAPBOOK PRIZE FOR BEST FOURTH CHAPBOOK;
3. THE UNIVERSITY OF TANZANIAS INTERNATIONAL SONNET CONTEST;
4. UNESCO PRIZE FOR BEST VEGETABLE POEM;
5. JAKES AUTOBODY BIANNUAL FIRST BOOK AWARD;
6. DR. AND MRS. RADNOTIS ONE AND ONLY TOP POEM CHOICE;
7. DATGEISTS BEST, 1970.

The following poems have appeared
in NO POSSIBLE WAY; NEW AND FAIRLY RECENT LINES;
GODSQUAWK; ERGOMATIC; SUNSHINE STATE MARGINALIA;
CORPUS GUSSY; THE TROUBADOUR LIVES!; SKELETAL AFFLATUS;
BONGO CONGO MONGO; DELIRIUM TREMENDOUS; DATGEIST;
MR. FRIENDLY; MY NAME IS PETE AND I AM BI; ONLY TWICE;
LAST PETROL STATION FOR A HUNDRED MILES; ZOOMER.

(titles capitalized because I think it looks good).

You are welcome to choose any of the poems
but I would strongly suggest you choose the following:
i am not in favor of capital punishment; burning dolls, watering cans;
elegy for a dead amnesiac; seven ways of adjusting a corset;
the years following 1798, especially 1816, 1909 and 1972;
gadzooks! Why I Smoke Such Good Cigars and NO WOMEN CAN DO
THE DANCE LIKE A MAN ENTRANCED (please note the caps).

My name should be spelled in full, including all titles.
My photo is not included, but is available upon request
from the Department of Justice.

Thank you for your interest in my work, which
means a lot to me and my seven brothers,
who live near you, and are karate experts.
Dont be shy to tell me what you think.
Praise Jesus!

And thank you once again. This is the only anthology
I have been asked to submit to.
Submit is such a funny word, isnt it?

I hope the poems on the death of tubercular infants
do not offend you. My sisters had this disease
and it is based on actual experience “recollected
in solitude” but you know how it goes.
Okay, I may have made some of it up.
But the pus on the collar is actually true.
I saw that.

I think the name may be Dieter Kazner.
Ill get back to you on that.

By the way, did you have a chance to check my poetry
web site: www.allfatgirlsconstantly.com?
It is not a sex site, dont worry. He he.

I am very interested in the photographs of your wife
on you site. Is she really that size?

Thank you again and send me a reply in six to seven hours
so I can tell the people I live with all about it.
I hope I wont have to put my disappointment hat
on today.

Yours, cheers, all the best, thank you, felicitations, signing off for now, have a good week-end, and much appreciated,

Des Katboy
 
PS This is a nom de plume. My real name is different. It is Desmond Kattman Jr., but what do you think of Katboy? It makes me think of cats. It gets lots of “lovely ladies” interested at open mics.

Posted in 11: COPYLEFT | Tagged

Alcohol, Tobacco and Firearms

All a man needs, all a man ever really gets,
is one chance: the one good clean shot
at the royal cunt between the eyes, the spot

that can take a mind off getting in your way
and make an opponent an afterthought
on the road to sweet acquisition, power

you don't even think of stopping. Minutes
from the border between Big Government
and The Get Away, the car handles well,

the box of shells jumping about like corn
popping on the bucket seat. Reaching over,
I feel my choice weapon, a Derringer.

I could go into details, but you're a faggot
and wouldnt appreciate the design's sincerity.
The history behind this piece of craftsmanship,

one of America's true glories, reads like a Who's
Who of what's extinct, from Buffalo to LA.
By the time you read this, I'll either be shit

for worms, or getting a BJ from a Mex skank,
fingering her pucker, sucking on a Corona,
fully enjoying my ill-gotten bank anti-deposit.

Escape has that nice divergence to it, pure
as poetry: you either do or you don't, are Major
or Minor, or a flower that bloomed unthanked,

odds I'll throw for any day. Risk is the trade,
where all the best deals are actually made. Consider,
I could still be a security guard right this instant,

jut as surely as you sit there and eyeball words,
like any armchair lifer who never plays big time.
Fuck information highways and virtual reality,

all that CNN-Time hype that lulls us to desks.
I am not virtual or informative to anyone
right now, here at this gateway where life is good.

I'm happening, honey, like a rape or flood,
with my own inner mythology. I rise and take on
the fluidity and force of a wild god, what goes

with me goes, and what remains is golden gravy
for the little guy who got gigantic with big plans.
Wild Turkey beads my lips like spunk juice,

Marlboro's cancer agents rush down my throat,
as I snake Virginia smoke from movie-star nostrils.
Catch me before I cool: a celebrity in the forming,

like something a satellite might see lights billions
from here, a nebula bursting like a crab from a shell:
Edward Huntly Dade's the name, to be exact. Never

forget, just because I grew up in a trailer, doesn't mean
I think ketchup is a food group; I'm smart, is all.
I can see them up ahead, the vehicles tight like wagons

circled against a Navaho wave, the daylight of their beams
red in the dust and sun, igniting the tips of their carbines.
I'm in range. Not much left to say or do, but just the same,

it gut-catches, the national anthem before the World Series.
I'm not alarmed. I've got three great things going for me,
each one my Daddy's bequest: alcohol, tobacco and firearms.

Posted in 11: COPYLEFT | Tagged

AJ Weberman & the Trashcan

in 1971
on MacDougal Street
New York
a 25 year old
          unkempt with wispy hair
shouted out the front
of Bob Dylan's house:

FREE BOB DYLAN!

members of a group called DLF
          (Dylan Liberation Front)
were upset that Bob
was too apathetic & rich.
they were amazed
that he had furniture
electric lamps & a bed
for sleep. (not just to write protest
songs on).

according to a friend of Dylan
AJ Weberman was
the kind of person
“if you saw on a subway you would
change seats”
he went through Dylan's rubbish & was
known to be the first garbologist
in pop history.

Dylan chased him &
punched him in the face &
          said
“what can you tell about me
from leftovers?”

i want AJ Weberman to come
& study my bins
he'd find soy cartons, too much pasta & a quotation

from the lips of Christopher Walken on TV
“i got a fever & the only prescription is
cowbells.
more cowbells.”
weird but trashy.

Posted in 11: COPYLEFT | Tagged

Bankstown

It's the Saturday morning fruit and
vegetable market in Berkeley, California.
There are trestle tables with artichokes,
bok choy, carrots, sugar cane, strawberries,
looking as though they would taste sweet, and a
stall selling organic sauerkraut.
It's not a big market, but there's a
kind of enthusiasm about it. The sight
of all this fruit and all these vegetables
makes me feel the sharpness of the distance
between me and my kitchen.

In my limited experience, when somebody dies
people have something to say about it.
That she was too young or he had a good innings,
or died well, or very hard. That
he was well liked, or she was always difficult
and nobody ever really and where were they anyway.

Bankstown, I like the sound of it. My Mum and Dad
grew up there, I was born there and we lived there for a while.
When my grandfather got sick, his last illness,
I went to see him. I took the train up from
Wollongong to Central, then out to Strathfield. Dad
picked me up from the station and we went to the new Bankstown hospital.

We could only see him one at a time. We walked along corridors
past the chapel, the wards, the waiting rooms.
He'd had a piece of his lung taken out and was
just coming out of the general anaesthetic,
the nurses yelling 'Wake up, Mr Smith,' the way they do it now,
but I couldn’t help whispering and
not wanting to disturb him. 'Wake up, Mr Smith,'
they said. They knew what they were doing
and I didn't have a clue.

Afterwards Dad and I went to Freedom Furniture
and followed the walkways looking at arrangements
of loungerooms and bedrooms
and indoor-outdoor areas.
We bought glasses with detachable handles
that could be used for tea and coffee, as well as cold drinks.

Posted in 11: COPYLEFT | Tagged

SuperX

At the SuperX there are pro riders
in the demonstration events and local kids riding in the races.
When we first arrive there are bobcats all over the place,
they're still building the track.

It's exciting just watching the bobcats making the jumps and
waiting for the pro riders to come out and do their warm up laps.
There aren't any hot dogs left or pies by the time they start.
They ride around and around getting
higher and higher each time they go over a jump.

The pro riders how beautiful they look
up and down like dancers
or birds and
how beautiful they sounds their exhausts like a throat
and they smell good, hot small petrol engines
and the dirt they throw up
until it hangs in the air and then settles on all of us
sitting in the grandstand or on the grass.

When I get home it's a shock how dirty my face is
even though I stood well back from the track because
motor racing is dangerous, even for spectators.

The pro riders do tricks, they aren't there to race.
They take their feet off the footpegs and put them on the handlebars.
They do not fall.

In the breaks between races, two women wearing pink hotpants and
black t-shirts come out and throw merchandise into the crowd.
These women are the SuperX Hotties and they are
talking to one another as they walk around the dirt track
throwing caps, t-shirts and lollies into the crowd.

The local riders in the races crash all the time –
some get up and back onto their bikes and some
we see taken off the track while the paramedics walk over to have a look.
Time passes so slowly when you are waiting for an ambulance.

Posted in 11: COPYLEFT | Tagged

Lithgow

One clump of dark green pine,
in coal country, behind the escarpment;
in a hollow, the other side of town,

along the Great Western, furrows
of coal-bits, drift of steam, state houses,
scattered about like spilled boxes.

One clump of dark green pine,
amongst tailings, by the pit-town that lies
low as a stifled cough, into the hills

black as tumours, into hill-shadow;
further on, Lake Windemere, half appears,
smudged hillocks, earth a dull yellow.

One clump of dark green pine,
nettles at the base, as thick as a door-mat,
coppery glow against the sun's shield

that drops over the Blue Mountains –
mining-town behind, slurried, on this high
dark falling off the rising ramparts.

Posted in 11: COPYLEFT | Tagged

Letter to Milan Kundera

Scent of Parisian Autumn blown in by the wind
A doorstep mottled with white and 'Prioritaire'
Inscribed upon the lid; I imagined him
Opening my message in the country:
An escape from the horrors of the everyday world
And other people; in a garden in sunlight
Sundials peppering the lawn, amber peacocks
Strutting in a cornucopia of light and shadow
And defecating on the roses, the roses which
Stretched in military lines through the garden
And beyond, basking in sunshine, my few words,
Hypocrit, I reader, my brother.

Posted in 11: COPYLEFT | Tagged

Bottled Water

I like the tank tops.
And I don't mind the blue hats.
But why no trousers?
As if any of us
has something new to show.

Any one of us
might be pumped from a bath
or pulled down from a shower:
who would ever know?

Yet here we stand
for the Grand Door Opening,
the mighty hand that reaches in
takes one, yet leaves another.
As if there was some
difference between us.
Some truth to judgement.

Posted in 11: COPYLEFT | Tagged

Equatorial

I

Not really equatorial – in fact
not at all, but distinctly northern,
and seeming twice as close
as the city I call home, houses
weatherboard and colourful as beach
houses carved in the mountain,
sunset soon after 4
(being on the wrong side)
the smell faintly tropical-
the overhang a more sickly green.

(And the cat vomiting snake,
though this isn't really latitudinal,
simply a result of undergrowth.)


III

Road are like veins. That's
what they say, right? Like veins
that crisscross, that lead to and away
from the heart. Or maybe like stitches
instead. The roads are like threads
finely stitched into patchwork,
slightly frayed where different thicknesses
pull. The contours of roads
are like clues: tattoos on the body.
I piece them together-villages
strung in a row. Like a quilt
that unfolds (light fabrics only-
the heat leaves no need for
fireside quilts) it all lies
before me: the roads are like
seams too fine to unpick. Surely

someone went blind for this city.

Posted in 11: COPYLEFT | Tagged

The Stuka Movement

Furious birds, functionally ugly, the Stukas
wind down out of the sky. As they descend

their sirens are rising, pre-set to concert pitch,
a deliberate, death decibal A. Lean and

bent-winged eagles, they fall on an audience
of refugees streaming off the road. The sirens

have been designed to accompany the dropping
bombs, a visual symphony to grace what

looks like, from above, sudden classical flowers
blooming in a moving, human garden.

Posted in 11: COPYLEFT | Tagged

Métro-Boulot-Dodo

I am tired, and in a Métro car
accelerating 15 minutes of walking distance

So that when I brake from the seat
I read on the recoil:

Châtelet
Hôtel de Ville

and then listen
for the generator and coughs
Like listening for your parents through a summer's night
the stations are empty
but for the brakes' burn and every wooden light

I sleep
fingering that holed mosquito net.

 

 

Even in a tunnel you'll leap at a snap
Caring afterwards
whether you threw water on the barbeque
the doors' locks clacked
or if the remaining calf in the gully paddock is
wandering

to forget
How you saw the edits
and then slept through your stop.

Posted in 11: COPYLEFT | Tagged

The Shower-curtain You

the dream of the river shark
with two fins guess it's one each
for soup & killing & this bleak fracture
of morning in a dish can't survive
unless tv spliced / the green LCD
of the clock-radio-phone like a
baby caught in flashbulb headlights
or photograph of a cracked head &
the ads up here are weird / best to
avoid or point to the nearest saint
even if painted & name him/her
now living in a bag & calling you
Bob Marley outside the casket in this
no-way Trenchtown of blackbirder
sprinklers & streets lined with card
tables & poofs hiding each other's
arse cracks / the queue to get flogged
in the unwaxed predatory man-shadow of
Castle Hill & these eggs remind me / make
our first morning in Agra all Dr. Suess in UP
you know? – green eggs & ham? – & I feel
as empty & sick except alone & surrounded
by Australiana bullshit & maybe it's this
morning & the desolation that has filled me
but I'm thinking so fucken what? about everything
in particular the richness & adventure of our
native land & the famous range of sweetmeats
that are wholeheartedly enjoyed by everyone & the
neo-American smile of Clancy & his ten-gallon
hat & self-supporting trousers with 'Tauttex' like
Bradman or bullfights / tits in your face & the Anzacs
hit Cairo hell-bent for tea-towels & dripping from
room service your voice becomes distant an electrical
hum & skin worn as sodium / a strange ominous streetlight
& the exaggerated movements of the poet exude
an anxious yet winsome charm / the odd atmosphere.
pick a day from the mojo calendar or night will find
me listening to Frusciante in the garage in the darkness
singing 'hey, the way go forward & the way go back' &
poncho/toothpick close-ups minus the spurs again the walk
towards Spring Street is quiet the air conditioner outside
the corner shop drips with insistence & heavy like rain
in Brunei where visitors stare from elliptical portholes in sheets
of condensation / as windows or Christmas lights / a city of
candles beside a highway & the smell of wet paper
perhaps currency? the sock-puppet/marionette children &
their coconut sweets pink bicycle mailbox on my tongue at
low tide & the shower-curtain you in the hotel like we said at the stairs
between drinks & organics / the smell of leaf litter / your neck

Posted in 11: COPYLEFT | Tagged

Dorothy Porter’s "PMT" – 2001: 3 mixes

piercing my turning piercing
pieno
pride my the pride my the pride
primitive more the primitive more the primi
nothing like a moon no
      like      moon no
gnat
it stares through it stares through

            stares
het het het het
like a mesmeri

la radio __ un
gos;sip; rubbish gos;sip rubbish, gossip
und gebrannte zucker und gebrannte
je macher
denken

mein lang
public met tattered
aber der mondschien aber
spla
life zinger king free war linger
icy corker hear dont bats
en arriere en arriere en

kaputt curzio malaparte

the postmodernist always rings twice gilbert adair
wising up the marks timothy s murphy
film at wits end stan brakhage

2

the moon is out this morning
full;

et le jaune et
de vieux denture de vieux denture
nada sejemante un luna na
adentro un delica
it stares
  shears
the mist the traffic
          half
like a mesmerising

     ri

het i road i dora si
gossip rubbish
     rub
et cara

pretty mean the pre
parecer a eso
princi

verse elect
tub het mono loom thing
splashes on my … dri
like
like
& i (count my (jer (
cards

the serial poem and the holy grail jack spicer

1587 a year of no significance ray huang

3

are dnno n
presents might to presents might to presents
ioc are wehhnb ioc are wehhnb ioc are wehhnb i
pray
rien pareils un lune

in a fastidious tang
gone its less
__ mirada fija por
het tims het if craft yen mind screw near red
htye i desdeltstou prthfhito htye

il __ __ e bosso di __ il __ __ e bos
unsstv lmfftsr unsstv lmfftsr unsstv lmf
anal camel car dram arm a

i chew on it i
  on
in knight o tuba thing kin u boat inking bath
my
my
over elect table south debt meal lobe select
pero __ luz de la luna pero
slap shes spy lashes ring
like freezing water like

    free
o cunt in key ad
bards cars bad cads war

Posted in 11: COPYLEFT | Tagged

blue hills 1, laurie duggan: broken hills

1

no drag phase
mal__colm frasers feet

epais fo
eelshaped reser(voir & ? visi
alors blanc nuage alors blanc nuage
nothing next 4hun
no hun
cricked pat apt a dick crept carpet dick

warm bread roll)
albicocca conser
noir cafe noir cafe noir cafe noir ca
avoid weird
ha
in thimble shaped container in)

dinoennen as lt
verschwin
blue mountains blue mountains
blanchir et
drehen in stumm __

then it clears
cheers

sep
hep

journeying nikos kazantzakis
 
 
2

dra…gon
__

set for

anguilleforme reservoir et
when hewn tithe
no right on
conti
he

chaud pain
abricot confiture en fueille de
clack off bee lack of beef bc flak
eviter surnaturel lai
en deforme boite en deforme boite en deforme boite

hos.tes
disappear in
wind
blue plates blue plates
whitens &
turns
turns in:to dumb) olitski.

hen tit

sep
sup

strawberries edwin morgan

 
 
3

dragone forma nube su il nazio
__ __ __ ca
blueeyed blond astronaut blueeyed blond as

anguilleforme reservoir et visible niegecasquette
then white cloud
then white
no night on slime limes 040
conk tin nous rick rip tad trick ticket

btrp fretc rihh bt
blue pomegranate blue pomegranate
negro cafe negro cafe negro cafe ne
blue
patrolling blue patrolling blue

patro
disappear into bom
ein sehr gross marke __ male
whitens & whitens & whitens
why
tour dans

allora il chiaro

september 198
ber

Posted in 11: COPYLEFT | Tagged ,