I walk in this World

I walk in This World.
Polythene bags wrapped about tree-stumps
along the flooded creek are wreaths
upon a poet's magnificent conceit
that this stream was Melbourne's Indus.
I put words into John Anderson's mouth:
“As I walk in this world ferals offer me
Lebanese flat-bread sandwiches.
They invite me to their cave.
I tell them to be careful around the Aboriginal
paintings & carvings. They're really
very nice especially when I agree
to dance with them to celebrate the full moon.
They say they're not Pagans.”

I walk in This World.
I look into the flooded creek.
I lose my balance momentarily
and hang onto the ledge.
From the station to the bridge
the footsteps of a woman I passed at the subway
echo at my heels.
I put words into her mouth:
“As I walk in this world a man staggers
on the bridge ahead of me
then hobbles even more slowly home.
I wonder if it's all a ruse?
But if he thinks he can jump me
he's made a big mistake.
I'm never without my capsicum spray.
I hope he knows how to pray.”

I walk in This World.
No one else around.
The alsatian from the first house at the top of the road
barks angrily once and then greets me.
I put words into her mouth:
“I thought you were another one.
The one whose death's already done.
But one who follows you doesn't know sun from moon
nor how to absorb moonlight like sunshine
as sometimes I see you doing
inside this eyefull that's hidden
behind the bars our master's raised
to protect us from the street's mindless shrug.”

I walk in This World
neither master nor minion
like a Johnny Onion Man wheeling his bike
around the suburb's streets
happier with the cold & rain since I understood
this is my one & only life.

The words in my mouth
are the truths breath winnows from devouring air.
They would sound like an unaccompanied fife
in the end-of-the-millennium's gale
or the tinniest notes of a penny-whistle
scattered like breadcrumbs for the squabbling pigeons
at midday on a crowded square.

I walk in This World
some might say carelessly
caring more & more about less & less.
Ceaselessly.

Posted in 25: COMMON WEALTH | Tagged

Hard Rubbish

The four star fridge is on its side, surprised
To find sunlight on its shelves, ice tray dry
And its arctic green inside slowly warmed.
Hopes once hung with suits in wardrobes
are out with posters of the stars we all forgot.
My faith in styrofoam has proved a phase.
The bag of plastic forks from God knows where
Is tossed beside the bones of bicycles and prams.
A kitchen sink receives a washed-up suitcase.
In this paradise the armchair lies down with the milk crate.

A stack of games, a pile of books, a Georgian garden set
“enough to keep an opshop buoyant”
and someone's mother's ashes in a box.
A magpie lark sings in the dawn on a bath tub rim.
With the weathered logic of a dream
the idea of ownership is mocked out on the street.
What to give away, throw away, or keep?

My father gives me clippings, photos, coins,
my mother gives me one last landscape painting.
I watch them take up daily walking
as if they know the journey's long and slow
and no belongings can be taken.
I want to start again by ending.
I throw out everything and bring it back
piece by piece for fear of having nothing.
The wind and rain are curious today.
A couch accommodates a toy piano.
Are you free if you can say it's so?

Or must we wait with cluttered hearts
until we lie unburdened in the puzzled earth,
a gift returned in time if not in worth?

Posted in 25: COMMON WEALTH | Tagged

doling out a corporate yuppie clusterfuck misery

a boss who does not detail
any of the 15 jobs
she absolutely needs in her hands
delivered yesterday

a boss who neither listens
nor answers
when you question

most of the time
in her own world,
a world she finds 10 million times
more interesting than yours.

she sees you like a fly,
a termite,
an insect,

she would not hesitate
to squash you for an instant
but never never never
would she publicly admit

to her all this is normal
and perfectly okay
to dump on employees –

a person who has no sensitivity,
who hides behind the calculated
mask of bourgeois pleasantries,
who thinks and acts ruthlessly,

doling out
a corporate yuppie clusterfuck
     misery.

Posted in 25: COMMON WEALTH | Tagged

destructions dialed in americanski corporat inc

this new shylock,
richard sneasel, corpulent financial weasel.
looking cleancut, power tied,
robotic american frizzle fried.

smacking from today's endemic illusory ambitions
materialistic slobs kowtow to bosses, show contrition.
truths are nonexistant all distorted, thrown in sink,
destructions dialed in americanski corporat inc.

sniggly-wiggly sycophants,
wankers bankers khaki pants.
punchdrunk fast track ladder climbing fink,
destructions dialed in americanski corporat inc.

boardroom pimps, econo-skanks,
finely-tailored mountebanks.
manipulators, social climbers,
nattering nabob nickel-and-dimers,
everydays lingering bureaucratic stink,
destructions dialed in americanski corporat inc.

Posted in 25: COMMON WEALTH | Tagged

The Wedgetails

Order falconiformes, family accipitidae

Trees are wheeling in my dream.
Diminish to a dot down here on green,
my own face looks back up at me,
as smaller ground-hugging birds erupt –
warning shrieks from silver crowns –
choughs and currawongs harass great shapes
soaring to a higher clip above Muyan, silver wattle.
Three dots melt over Yarra Valley dazzle-pools
where a water ribbon threads low hills
with billabongs prinked with biel, the river red gum.
They climb to firestick lands,
three on their feather fingers glide
like panketye, the boomerang –
the leaf-crowns seethe on northerlys,
spring grass seas stream, the new life darts.

In high summer's dreaming light,
three eagles circle whitewashed trees.
All day without a single wing-beat,
three are balanced on the air,
silent shadows first,
their wings curve to the earth's far sides,
on whisperings, on slip-rimmed stealth.
A life-long devoted pair, with juvenile in tow
still eking tutelage:
the awkward chick will earn luxuriance,
rich cape and chestnut nape,
its bushy gaiters frothing over claws.

Aerobatic displays at breeding time,
the male stoops to check
abruptly when his mate flips on her back –
they link enamoured claws in free-fall corkscrew loops.
Then ragged mat of sticks.
A first hatchling tears
the second chick apart,
til every feather's gone:
bolts its brother's bone, beak and shell down.

Wings hinged low,
the talons lift warm softness up,
wedge-tail splayed to brake and balance.
The back-turned toes are hooked,
front-facing claws outstretched
smack
at a hundred clicks
impale a rabbit's life.
Raptor means clasp:
dead gravity of break-neck weight
stiffens in an ice vice.

The female floating fully stretched,
dives on fold-back wings:
head slung down on turret neck,
cere yellow-streaked,
the black beak hooked.
From the slipstream-whittled torso's soft torpedo,
eyes huge for body size face forward:
binoculars, eight times keener than a swallow's,
read fine prints from two miles high.

Look! Aquila audax, the bold bird.
Quil fortuitous, writes death sentences
on pasture parched to summer parchment,
plummets down through its own shadow
in jet-black mid-day ink.

Three skirmish up through sunbursts,
are crescent moons at sundown –
on nights of white-pricked blackness
are stars thrown up between the poles
of the kunewallin, the Southern Cross,
stringless kites still tilting to the sky.

Posted in 25: COMMON WEALTH | Tagged

eyelash; eyelash

car starting stopping
starting

arraign

eyelash; eyelash;

array assigned
collection

curb

cabaret flooded
vibrant

eyelash; eyelash;

Posted in 25: COMMON WEALTH | Tagged

Trafficking

The bringing in of taro, breadfruit, mangoes and
and a tropical sun and a chunk of

Nuku'alofa or Apia or Tuvalu, the
bringing in of anaesthetised parrots, chameleons and

a lump of frozen southern air,
some packets of soft white stuff –

strange feelings of triumphantly trying to outsmart
the dogs, the electronic manipulations of bags,

cases, personal packs. It's a game. I ask,
what's in it for me when you hop in the taxi to

go home – if you get to hop in the taxi to go home. I'm
in the middle of a concourse of summer

traffic. Not a shot's been fired today to
send everyone screaming, not a traveller's

blown himself up in the name of brotherhood. A
girl passes carrying a pink orchid. She

sniffs the orchid. It turns red, then powdery. The point is,
do I stay glued to a multi-

eyed screen of images – the 6 o'clock news is old already –
Mao Tse-tung is dead. Apartheid has gone. An

American flag has been left on the moon. The second coming
has been missed and living on mountains has

become fashionable for those who can afford it. Space travel's
now all about location, location, location. I'm

beginning to wonder, if you're going to arrive, if
you're all you say you are.

Computers catch colds and pandemics are
becoming more genocidal. Fundamentalists are still

experimenting with the body parts of apostates and
donors don't declare themselves as they should. On this

melting highway the traffic's doing a crawl. The taxis
are writing in the tar. I've been to the airport and back,

been to the office, been home and back to the airport to look for you
and you've probably brought me nothing for all my efforts.

 

Posted in 25: COMMON WEALTH | Tagged

At the site of the future I light a fire …

warm my hands, scratch at my shadow leaning against a dry
crumpled stone. I'm
squatting,

staring at a sun spiked by the summits of Maungapohatu. In the bushes
birds sit, mesmerised by these flames.
Yesterday

you said you'd come back. You walked across the baked earth,
said you would be back – turned in the afternoon glare and
said it

and I believed it. In me you've become a
flicker of a thousand images, an ultramarine mirage
forming and reforming,

untouchable in spite of myself. In me I've this shape of a white-
painted figure coming in from the horizon of a desert. I'm
not alone. There's

another figure sticklike and identical and another and
another. It's not you who moves in single file, painted white and naked.
Not you. Not you. These men

hide nothing but their faces – eyes hooded and deep set –
I sense I know them, sense the liquefying fulfilment of their intrusion. They
warm their hands

by the fire too – one chants softly to himself – one prays to his stones,
another sings under his breath, while another
performs the miracle

of them being here with me. This is the living site of the future, this
cold before the sun clamps onto a lifting cloud – these hands
spread before the

desert fire of my making, this feeding of new shadows, my
overwhelming focus on the deaths of moths dashing into the flames,
my thoughts of you

still vivid but changing to a traveller gone off to a distant land. You said you'd
come back but I don't believe it'll happen any more. One day these men will
disappear too.

Posted in 25: COMMON WEALTH | Tagged

the cement of our nation

this nation's unswerving commitment
to racial equality
an absolute determination
to ensure that all sections
of the australian community
are fully integrated with
the mainstream of our national life
on these bedrock principles
culturally diverse community
overriding and unifying commitment to australia
deserve to be treated with tolerance and repsect
deserve to be/treated with/tolerance and respect
the best australian ideals of tolerance and
decency as well as the best australian tradition
of realism and balance
our common values that bind
us together as one people – respect for the freedom and
dignity of the individual
respect for the freedom/and dignity/of the individual
a commitment to the rule of law
the equality of men and women and a spirit
of egalitarianism that embraces tolerance
fair play and compassion
for those in need
egalitarianism/tolerance/fair play/compassion
for those in need
pride in what are commonly regarded as the values
traditions and accomplishments of old australia
the values/ traditions/ and accomplishments/ of old
australia
all stand/repeat after me: I so-and-so do solemnly swear

Posted in 25: COMMON WEALTH | Tagged

Maggie: An Apology

Through all

          the little stories

heard

as emulsive-minded children

          on rickety and wrinkled knees,

we soaked them in

          but never developed,

stayed unlit, stayed negative;

and Maggie,

ghosting darkly

          on the edge of my inheritance.

The vibrating shadowness through

hazy days

          and hardwood;

The mute gazes of dairy cows.

An iron roof

          ticking in night's tightest grip,

blacking out the stars.

Its disapproving voice

          a ground back constant,

The consonant bird calls,

the thin newsprint

          that papered the walls.

Hazy days

          and deepslept nights,

          ringbarked hardwood.

Cowhides tanning

                    on the clothesline,

wraith-like.

Maggie,

          slippery through the dappled light

          as she

          whitewashed walls

in the roofless property chapel.

Hazy days

          and a housekept homestead,

and their

heat-fraught,

gin-and-tonic days.

          The highcollared women

          bickering more bitterly

                    for their hardwood silence

the minuteness of their territory,

          the crumbs of a housekeeping budget,

swept like saltbread fragments from a bar.

Cicada song

          like a tuneless madness

buzzing ineffectual

          and restlessness

and migranes.

That tethered energy

          and flyblown efficiency

                    turned to

corroding each other

                    a frustrated daughter

                    running away

                              along the rusty trainlines

so many years

          and mended stockings later.

                    Thrumming through it all,

Maggie watches, barely seen.

Her hazy gaze

          hardening into cataracts and rheumatism,

and ghosting darkly

on the edge of our inheritance.

Posted in 25: COMMON WEALTH | Tagged

Spring News

An elephant seal came to lie along
banked kelp, its eyes wet with the sea's gleam
and all the brighter for being set in that
grey body – one long, lounging muscle
stroked by the tide. This side, a stretch of sand
hemmed in by tape, with a sign: Please keep out,
seal resting
. A liminal paradise.
Next day it had left for other pastures

and there was news of a dolphin found stabbed to death
on a bay beach, each gash a silent mouth:
an unthinkable death that someone – blood-streaked
mind powering the knife – managed to think.
One of the dancers, the guiding spirits, stopped.
When will we ever understand ourselves?

Posted in 25: COMMON WEALTH | Tagged

Cormorants at Solstice

Shades of the goose, the penguin? But that conduit
of snow-striped black, the lithe fluidity
on shore, are yours. Twin peaks, gothic against
humdrum waves, loom as feathers dry.
Body shapes – comic, ingenious or
statuesque – suggest an alphabet
of pictograms, odd pieces of furniture.

What would I need to lose, embrace, to be
so innocent of time; at rest in the fullness,
the adequacy, of what I know? A bevy
of swans and moorhens shares the river's nest.
A brilliant, rounded mind, the moon hones its truth.
Below the horizon, whales in convoy,
knowing what they know, are travelling north.

Posted in 25: COMMON WEALTH | Tagged

3 poems

CHOICE #614

Torn
Between
The modern
And her
Attention
He'll choose
Red
Every
Time
 
 
PHYSICS #057

Fifty miles
North of
Here
I
Don't
Exist
 
 

FUCK #529

A coin
Whose
Love is
Cold and
Flat
Yet
Tender
Enough
For
Debts

Posted in 25: COMMON WEALTH | Tagged

Sickie (10.2.06)

so you lied but only to the machine
now praise it the advent of voice-mail

as a certain reflex tucks the prefatory remarks
of a distance call up its sleeve and plays

back the sample – now somewhere else
you're absent        you can almost breathe

but then there's the ergonomic chair
(resembling emptily

this latest voluntary redundancy)
there

the well-wishers
a dutiful few

upstairs set to extort
the ghost-writers

of each winning C.V. janette
could be volunteer to the stage neatly
restructured turned before the audience

as the booth adjacent says
aren't we all a more random
potentially less

human cabinetry? best not be seen
play it safe write about it as if

someone's got to keep the culture running

Posted in 25: COMMON WEALTH | Tagged

Emptiness Full of Itself

Terra not so firma quaking
Earth reopened bottomless sinkhole aftershocks
Natural depression hollow subway passages
Ants streaming through clogged arteries

Thirsty lake swallowing full moon
Big Dipper slipping beneath surface
Silence drowning nascent flappable gills
Deafening quiet bottomless disappearing act

Posted in 25: COMMON WEALTH | Tagged

Fury, a portrait

(for MF and all the others)

She is the woman no one wants to see
The fingered daughter with rage boiling in her

Body flinging pain at all the letters
She taps across the computer screen

From left to right. Her skin sweats fury
When she grits her teeth to deliver her heart

Full of blood and undiluted anguish.
She is her words. She is her longing to be heard

Notwithstanding the hushing sounds of
Sisters who want to silence her

Profound gift for touching the truth. They
Like her as the shadow in the family home

The mote distilled when its door shuts her out.
Unlike them she is articulate.

And while she aims straight at their dissembling,
The magpies in the blue air watch her.

Posted in 25: COMMON WEALTH | Tagged

Party Platform

A new land will be
suspended from low cloud at sea
built from an aggregation of boat plumes,
sundogs and moon halos, jagged noon edges
lost string, single socks, the creases
in origami paper, incorrectly marked
senate ballot papers, reflections
in kettles, pot lids, bicycle mirrors
the smell of extinguished matches and
butcher shops.
There will be plenty of everything
you don't need and it will be cheap.
To get there you need do nothing but
open a plain brown envelope addressed
to The Householder that will
appear any day now under your
terrorist warning official issue fridge
magnet. People will not
have mouths and it will always be
twenty past two or three o'clock
in the morning and everyone has insomnia.
The system of government will be
based on an open packet of morning
coffee biscuits
which two overweight men
will pound to bits with a hammer
while they sing the theme song
from Oklahoma.
OK? Good. We're done.

Posted in 25: COMMON WEALTH | Tagged

Harold Holt Transmits A Message Home

To the people of Australia
especially those scientists and engineers
who keep things humming
at the big radio telescope near Parkes
I send you greetings
that I pray you will discern
from all the intergalactic advertising
that you wrongly read
as the random background
scratchings of the stars.
To all conspiracy theorists
I offer my apologies
for the disappointment you'll experience
when you learn no midget submarine
came to shore to snatch
your buff Prime Minister
away to join a secret think tank
of valued Australian expatriates
feasting in the dark on cockroaches
in a jungle pit outside Phnom Penh.

Nor (and I anticipate your chagrin)
was I simply taken by a shark
as I bathed that morning
panting out my last draft
of dawn fresh Portsea air
in an agonising gasp.
I was not crunched
between the jaws of death.
They'd only try this tough old flesh
if no one else would come to brunch.
To all alien abductionists
I say: Take heart!
You were none of you so wrong
except that when the strange craft came
and hovered low just out beyond
where the waves break
I swam relentlessly towards
the beam that welcomed my ascension
into that giant egg
I now call home.

But to the resurrectionists
I say: Give up!
I go ahead to make a place for you
said Jesus Christ. I shall return.
Doug MacArthur kept his word.
Christ is expected to deliver
but Holt sends this short message home:
The beer is clear. Wish you were here.
I dropped a line. Take up the slack.
The weather's fine. I'm never coming back!

Posted in 25: COMMON WEALTH | Tagged

family

she knows him by his
patchouli hair
he knows her by her
lavender hanky
they meet in the
citrus kitchen
share their
coffee thoughts

Posted in 25: COMMON WEALTH | Tagged

Common

In the commonwealth of flesh: lover and parent
tramp in warm tracks at the only possible rate,
waving at times to our fellows ahead but arriving
at each moot-point a generation late.

Posted in 25: COMMON WEALTH | Tagged

Between finger and thumb

On such small land
between north head and south bay
any standing is in touch-reach of the sea:
no need to define the limits
of a personal estate.

At sunset eyesight heads east
and east and east until it trips
over the horizon into rising dusk.
An aorta of darkness
pulses towards the southern cross.

All summer
a cold spring wells and whispers
under the hot leaves.
She laces her fingers to bring carefully
a small shared water to their workdried lips.

Leaves shuffle the seasons,
light-angles move across thready bushes
unsteadily timing the hours,
birdstorms incoherently
tumble through scatters of petal.

Sky's voltage cracks down on their hearth
and stuns it into order.
On an island this small
(for the camera he sideshows
between finger and time-flattened thumb)

in a worldscape too large
to play other than dangerous games with
(she nods her two-penn'orth)
they stretch out unclad arms
and juggle each day.

Posted in 25: COMMON WEALTH | Tagged

Rachel Blau DuPlessis and Abstract Morality In Post-Avant Poetry

“Post-avant” poetry is widely considered to be an important branch of the post-modern tree. Yet, a distinction exists between post-avant & “po-mo” in other genres & art-forms. Po-mo visual art, as it exists in video work, installations, paintings & movies, often focuses on bold deconstructive analyses of specific people (sometimes the artist, him or herself; sometimes someone the artist knows, admires, or reviles). Tracy Emin's “Bed” installation, Warhol's portraits, Jeff Koons' mock-porn “Made in Heaven” series (which features Koons in various sexual positions with his porn-star wife “Cicciolina”) are all examples of this.

Continue reading

Posted in ESSAYS, FEATURES | Tagged

Benito Di Fonzo Reviews B. R. Dionysius

BaccCov.jpgBacchanalia by B. R. Dionysius
Interactive Press, 2002

The title poem of Bacchanalia by B. R. Dionysius is a muscular, vivacious and absorbing piece of prose poetry that starts like a fifteen year old's diary entry but morphs darkly into something more akin to a police statement. It is original and exciting. Unfortunately, however, many other poems in this collection do not share these qualities.

Continue reading

Posted in BOOK REVIEWS | Tagged ,

Ali Alizadeh Reviews Mohsen Soltany Zand

dreamweb.jpgAustralian Dream by Mohsen Soltany Zand
(CD) Stickylabel, 2005

There is a spectre haunting Australian poetry – it is the spectre of spoken word. The explosion of spoken word publications (mostly in the form of CDs) and live events (such as poetry soirees, 'slams' and 'open microphones') across Australia's poetry scene over the past decade or so may in due course determine the future of Australian poetry.

Continue reading

Posted in BOOK REVIEWS | Tagged , , , ,