A Line from John Ashbery

American Libraries are now
offering on a monthly basis
all the features & amenities
you said you wanted—Sunday

High Tea; a practical manual
of screen playwriting; hair in
all colors, lengths, & structures.
A physician will be on hand

to explain why Italian food is
comfort food & responds quickly
to anti-inflammatory drugs such
as ibuprofen. Truly we are afloat,

even if it’s the result of a total dis-
assembly of the old ways, & may
need thousands of donated dress
shirts to keep labor costs down.

Posted in 68: NO THEME IV | Tagged

(mis)remembering Marnie

Scene:
a painted port, red sky, shrill, hysterical,
a twisted universe on a sloping street and at the end –
in the distance – skewed perspective and crudely painted ships,
their imaging a child’s. I remember it as odd, dislocated,
and more, it appeared suddenly, out of nowhere, shocking
and surreal. Everything else believable as movies go, conventional:
blonde-haired heroine, Marnie, shorty-coats and horse riding
and blue suits and rooms of books and cocktails at the country club,
but oddly, in the midst of it, James Bond pulls up in a sports car
on that strange, painted street. What was that about? (Was he James
Bond then?). Red I think, the car, or steel blue, again, a sudden insertion –
inexplicable – onto a noxious dream set. Was Bond the shrink?
Someone was, and he worked ponderously, to unravel the cause
of it all. (Maybe Leo G. Carroll?). But anyway, he, James Bond,
drove a smart convertible and pulled up in a street of cobbles
and ropes and pulleys and cries of seagulls, the salty noise of the docks,
a cliché of form – the point I suppose – the contrast, a world
of the hysterical past, the locked past, but entrance to the present,
and to the future, for Marnie, now dishevelled, still blonde, stricken.
But bounding up the stairs and thumping on a locked door,
Bond found her mother, another damaged creature, remembering,
then telling of sex; Marnie on a sailor’s knee, perhaps many sailors,
and very strange weather, like a horse on its head.

Posted in 68: NO THEME IV | Tagged

Signs

(i)
On the old blue trampoline
beneath the apricot tree
the breeze is a blade
scraping my cheeks,
the dew-damp air
bites like snow
and glass falls through leaves
onto my eyelids.

(ii)
On the hospital bed
Dad reads from Strawberry Shortcake.
I relax against him,
twisting the plastic bracelet
circling my wrist.
His shapeless voice
vibrates through our sides.

(iii)
I pull the box from beneath
the antique dresser,
lift its lid, release
a delicious aura.
I gather sheaves of shiny letters
in my small hands,
shuffle and lay them out.
‘Mum! Can I do my words?’

Posted in 68: NO THEME IV | Tagged

F in the Mirror

wonderful figment of cotton & boots
I think of you when the shape shifts
it could be a woman or a dog
next to the man on the grass
for an unreasonable duration
it is a doubled creature, girlhound
made of shadows and branches
shoulders hair or haunches
is this my duckrabbit moment or a
punchline for a joke I haven’t told
while warm creek gusts misdate me

Ludwig puts on new conceptual glasses
for terrain where everything
might be a dog
the rocks, the pebbles sit like propositions
which a history of western thought
flows over, just touches
what does seeing the figure
now this way // now that
consist in

Posted in 68: NO THEME IV | Tagged

Travel

Either nothing happens or the landscape happens.
Passports record experience
though not what has been learned from it.
A conductor examines your ticket with opprobrium.
That must have been something, not nothing.
A busker extracts strange coins
of limited value, limited, that is, in understanding,
surely he prefers applause.
A memory could well be a dream.
In another language a woman tells you her
husband has died. Here are his shoes. Try them on.
Your knees hold up.
There will be pigeons.
Someone famous was born in this bed.
A dead body lies in a casket, uncorrupted,
look, children, at his golden hands.
Every meal will challenge your predispositions.
You make wild comparisons;
the light, for instance, the sky.
Those toilets, you’ll never forget them.
The look on a beggar’s face,
not so different from home.
The landscape has already happened.
Throw money.

Posted in 68: NO THEME IV | Tagged

Sid Vicious Underlined by the Tiber

He walks in rubbish like the street. Having risen from
The waters like a painter and left his work for the less
Nice people to observe. The sea would be punk but’s

Too major
You
Embrace Apollinaire
Like a
Problem
or Robert Duncan
The Gen X
Conundrum

Still Nancy or Stevie Nicks? Birds
Die in most scenes post-Surrealism
The fashion’s to blue the whole shoe
Skating around in spats made of A

But the water’s grimy
Like Cook, like Botany
Bay; and big gulls
Cry ‘Sid! Why haven’t
You gotten an Italian
Phone number yet?’

Marsupial
Spectres inevitably efface St
Bartholomew’s Square
While old goddesses smoke Diana
Cigarettes, oblivious of the
Possibility of Dame Edna
Cheroots, or Iggy cigarillos
They’re still reading

Pound in the
Polite old way, by
Saying ‘A pleasure’
To the text. Rent
Boys understand

‘G’day’ and ‘okay’ (and’d better). New
Genres of control emerge from the printer, and
The ATM reckons you don’t have enough Euros

Posted in 68: NO THEME IV | Tagged

The Skinny on the Stiff

Mangled: turtle-turned Chevy 59 Impala.
Figure: she spun it haywire onto the hard shoulder.
Gawper: witness unreliable, crazy yakking albino mulatto.
Pathos: half-smoked straight stubbed in her half-chowed burrito.

Radio: still dialled to netherworld gospel, big band boo-hoo.
Radio: request ambulance exigent / pronto a fire cutting crew.

Deduce: a carhopper on rollerskates (her creased sawbuck tips).
Isolate: debris; chalk draw the glass gems gussying the rumble strips.
Reconstruct: pedal to metal, (her impasto lip rouge), fulminating torque.
Corpus: goodbye urban arterial, (her fleur-de-lis hoops), hello city morgue.

Posted in 68: NO THEME IV | Tagged

After Auden

Control of such questions (or the cloaking of control)
would, you saw, be key to these disputed zones.
You, a trained philosopher, had fallen for the ruse
Of a bogus position, seduced by the usual appearances.

Near Blackheath was a fine site for a doorstop
With waiting cameras, had you been able to
Rouse their candidate. They’d ignored your wires.
The overpasses were unbuilt and disapproval climbing.

The campaign music seemed gratuitous now to one
For weeks ensconced in the party van. Woken by a
Water bottle to the head, you’d often enough
Reproached the morning for an incumbent
Hollowed out already. He would tank, no doubt,
While praying for another legal technicality.


After W. H. Auden’s ‘Control of the passes was, he saw, the key’.

Posted in 68: NO THEME IV | Tagged

Becalmed

He never feared the storm
Or loss of life at sea
But oh, the boredom hours
With blank horizon
Time between the battles
Polishing the brass.

Posted in 68: NO THEME IV | Tagged

The Ten Thousand Things

Slopes with their sparse green bushes and the black
asphalt of the freeway funnel me southward
so that I slide into a space between:
I’m on the road, in transit, transitory,
an atom moving with the other atoms.
Enclosure and exposure. Air is big
above me, clouds are moored up there
like great flat-bottomed barges. The smooth road
rises and falls, curves round, and then
on the horizon there’s that line of hills
inscribed against the pallor of the sky.
I’m not a Chinese sage on Thatch-Hut Mountain
but in my hidden heart I’m bowing now
before these things, before this passing world.

Posted in 68: NO THEME IV | Tagged

Before the Sun Thinks Anyone’s Looking

when I stare at the sun I see large shadows sneaking up behind me
the pavement becomes a hover board
the red lights an intersection filling spider web
the green light is farther than I can swim.
every morning I check the GPS, reading letters instead of numbers,
sometimes cyrillic, an erupting snowflake barcode

if one hands a smart phone & the other’s a satellite dish
how do I respond to everything informing me?
at this speed I just register outlines and let the colors fill themselves in
as long as I can see my feet I wont be too late

opening the door I smell dissipating patience
two flies imitating a three stringed viola
a wall studded with LEDs, dozens ripe enough to eat

as long as there’s oxygen there’ll be coffee
you can pay with clothes, dna or electricity
five cars starting at once form a chord I swoon
so many sandaled feet with flowers between the toes
so many encrypted accents I forget I’m alone & let the questions loose

Posted in 68: NO THEME IV | Tagged

Domestic Fauna

1: Wryneck

Name: Wryneck.
Description: The head is small but with
a long beak, somewhere between
an ibis and a toucan. The body is
a coiled spring, feet long
and avian.
Movement: A jaunty, fairground
rhythm with a little hop like
someone preparing an awkward kick.
Diet/favourite offerings: Smooth
twigs twisted slightly at one
end. Marriages, especially first
ones. Childhoods, especially
first ones. Sounds/cries:
Difficult to describe, but suggestive
of the word ‘disconsolate’.

2: Visits from wild animals

There are crocs outside in great numbers.
Now and then we shoot some
to keep a decent distance. The sensation
is like cracking a prawn or crayfish
with your thumbs.
There’s a lion
half-tamed who pauses as you open
the door for him. He sniffs something
below the reach of human nostrils
and comes back in, lies
down for a chin scratch.
Hot baths can’t equal
the rough pleasure of his tongue.

3: Visits from extinct animals

And once a thylacine came. Something wolfish
in its long head, its fur thick
and rough. Something hyena-like
in its knowing eyes. It knew
it was extinct because of us
(one pale human looking
much like another) so we worried
when the kids wanted to stroke
its long jaw, mimic its drunken
walk. It was like meeting someone
whose suffering you’d heard about,
someone excluded come out
of the past. It could almost have been
a person disguised or a sleazy god
in an old myth, hidden in a skin.
It had the look of someone condemned
who knows he’s innocent and has something on you.

4: Sphere

Another household creature, quieter
being, the sphere, whose movement
is a circumambient flowing,
who seems to feed on nothing, or quietly
on itself, diminishing imperceptibly.
It’s mostly hollow centre,
an emptiness to revolve around.
Not some crude male imagining
of the female as lack, but something
before gender, that will outlive
all animals, everything weak enough
to need to move. It is utterly prior
and patient, runs kaleidoscopic
shapes across its skin. It’s
billions of years before the wryneck.

Posted in 68: NO THEME IV | Tagged

The Flood

She said
it was true,
the boat
would find the flood,
the entrance of the house
and the dolls.

The tracks should be broken
but their lights on
staring at her new dress
in lucent white – blue contrast,
performing the dance.

She said
it was fine
to tell the truth
to see the words
to climb the stairs.

That afternoon
particularly acted
on the behalf
of dust.

Posted in 68: NO THEME IV | Tagged

Imaginary Cinema

Lonely as a ghost scouring time, I visit our western hunting grounds where ramshackle railway mansions pose as rooming houses peopled by green grocers’ apostrophes and rubber plants.

Your 19th century visage buckles and swims under mind-glass. Two asterisks, your eyes, footnote night and day, blasting mine clean of thought. Who’s that strange pearly creature? you ask, damp hair parted like a Rabbinical scholar studying the textual sea floor. The light is Indian summer. Where you stop and I begin it’s no longer possible to navigate. It hurts to look at knees, forearms, the unexceptional, the utilitarian, you. The cuckoo rings in the city’s fever dream.

I shot it all, did I say? Archiving, a friend calls it. Another, the turning book. Busy with your own recordings, you mixed me eleven mix tapes. I still play them but not as much.

Posted in 68: NO THEME IV | Tagged

The Film Student’s Shoes

Under the sole of each size 12 shoe is a large egg-shaped hole. The lost layers grade inwards to a clean pared edge. Cross-legged, his proof of purchase on Sydney’s streets, footpaths, lanes and alleys shows itself. His polished uppers mislead; his heels are barely worn. He walks his odyssey as the crow flies. As in Chartres, there are no pilgrims without shoemakers. No festivals without students.

These Portuguese, pragmatically buffed boots I wear were bought almost two years ago, though I live in a softer place. They are in the style of Magritte’s cleft chestnut.

I ask about each cameo. One shoe is lined with a black leather coin purse, I guess with the zip removed, the other with a piece of cardboard from a pizza box. I ask if anything is written on it – no. He also recommends cardboard from microwave meals.

Ingenuity, creativity and make-do cannot be learnt though I would prefer the incorporation of a word. I did notice that the release/disappearance of his institutionalised/despondent magician was achieved wordlessly and in one rising shot.

I see him the following day, it is raining, the makeshift has shifted and his socks have similar cameos. The soles of his feet experience the osmosis of puddled bitumen, concrete and the cinema’s stepped swathe of garish carpet.

I offer him a pair of shoes I have bought for him. He disdains, will not accept their square-toed, corporate conformity. He prefers a point. I had thought it a pointed square. He does not budge. I give him two coin purses and quip, in case of emergency. One holds enough to buy a pair of shoes, or line one instep. The other is merely shoe leather.

I return the superfluous shoes without question, or the offer of enlightenment, with proof of purchase. There is no interest in why; only the exchange of filmy blue lucre.

Posted in 68: NO THEME IV | Tagged

At Evening, Canberra

a whistle

look up to see that apricot wash
and out on the balcony
of this block named Manhattan,
two currawongs expose white butts
at empty apartments which face
Mt Ainslie in an arc

one lands on the terrace next door
to examine a lime green Buddha

the only other audience
in this amphitheatre of absence

Posted in 68: NO THEME IV | Tagged

Poem

i plunged my fist into your chest and discovered the heart i licked my discovery my knowledge in the cell, in the nighttime, as the moon covers its eye with the shadow, i discover the will in the cell which is the will in me, i began as a shellfish and step by step became a monster of knowledge, tore the mask from the weakened citizen, denaturalised the kidney beans, as they fall from your fallopian tubes, the bells ringing, i dropped the fabric over the surface of the body and ceased to be a citizen, my qualities became obscured by the dark cloth i had no values, i was a machine for the god, he licked me on the face and told me to uncover myself he stripped the leaves from my flesh he licked the vaseline from my sex, my cache-sex, in the darkness, i relieved myself, i was of shame for the other, the western string, the history of a shoelace, i looked toward the other lands and saw them twist their strings, it folded into them, i discovered the silence that precedes them, that sustains them. i became raw in the sunlight, i rosied up to the god, for only through the medium could i perceive his ephemera and feeling it could i discovered the solitude.

displaying my whole surface, everybody could see that exposer and cacher were the same verbs but with alternate intensities of light. i discovered the hand within the glove. i discovered the land. i ran the finger over the rock and left my cells on its grisly skin, i painted myself onto it i discovered art. i pwned it. i discovered the bodies under the coat, a coat made entirely of arms, what god has commissioned this, what tailor has known such a creepy might. i discovered the bones beneath the skin, ran the tips of my own skin-slung bones over their content, i told you you were a symbol, i fit you to a concept, hitched a star to a waxen figure, twisted the forms. i discovered the eagle preying above us revered it. i never feared god because i saw his shaven face. I found the leader in the sunlight, he presented his rugged chest to us, his capped scalp. we ran the sandpaper over his breast. we made of the blood and hair a paste, ,and began to paint the landscape. i discovered the bed under the doona, discovered the tongue in the minority grouping, they were pressing back against the freezer. i slid the bottlebrush down my throat felt its nettles rush, noted my pores prickling to the stamm. in the introduced unherb, i made a finding, introduced myself to the responsible gods, placed myself before the others.

the pink men of knowledge, sweating in the closed rooms, resisted and in resisting, continued to be true. i swallowed the turd and breathed into their air-hole. I raised the plastic sword to your plastic neck and made the thickened plastic blood sulk out. i discovered the plague in the handkerchief. i discovered the stain beneath the mug, the fleck behind the cushion. i covered my skin and the excreta removed itself. i lay the banksia on the battlefield in order of their size, their hue, the length and width of their tendrils, the resistance of their leaves, the flexibility of their stems. i catalogued all of these properties, then shuffled them under the undergrowth. i found the blood in my soup and took it back, even though it was my blood and someone else’s soup. likewise i documented this case and it took on a quality. in the name of equality i saw myself forced to destroy the others. in the name of fraternity i felt myself tempted to kill the sisters. i discovered the complexity of emotion. it was we who discovered the lip under the moustache. we discovered the yoke, bolted it to our necks and showed it to the boss. he said teamwork and we hi-fived. we discovered the subject being subjected. we discovered the leaves of grass. we discovered the peninsula and broke its neck. we began to swim, our surfaces were shining and covered, we were naturalised.

Posted in 68: NO THEME IV | Tagged

Sometimes in your later

Sometimes in your later
years it is enough
to read the titles only.
shorthand for the contents
you cannot quite recall.
The sleety ironies
of Philip Larkin, say,
a flatness everybody
knows but he defined,
bending to his bike-clips.

Wallace Stevens, Hartford,
was maestro of the lot;
his titles in themselves
an instant, one-line poem:
‘The Emperor of Ice-Cream’
‘Le Monocle de Mon Oncle’,
Good titles are the flag
that flies without a pole.
They say their piece alone
and straighten in the wind.

Posted in 68: NO THEME IV | Tagged

Reading Chekhov

We called it a Russian summer,
roses on the table, vase
too light in the wind — the blooms’
suitable pinkness, smarting.

She lent me a jacket—
pelty aubergine velour,
with button missing. And hat
of genuine silver fox

—undoubtedly monstrous.
I petted it shyly, tried the jacket,
its gappiness rehearsing
nobility’s bruising

and that sound of axes.
On the table, near the vase,
crystal bowl brought up
its bellyfull of cherries.

Black at the mouth, with cream,
we embarked (with sighing
by far our most
credible affectation).

Sucking Lapsang through teeth,
we pierced the glossy skin,
and swivelling the pits
set wet magenta running

along lines of wrists
to splish in drops to the floor
— seven sets of bloody fingernails
thumbing stains into paper.

The thud of some future,
and isn’t it funny? Everybody leaves.
It ends in luggage, and an old man fretting
for his master’s coat.

Posted in 68: NO THEME IV | Tagged

Barbershop

In the stickiness of the plastic rush
Jeff calls to Steve as the wife tapers
away to Target, Steve looking like an
apple in the stickiness of the plastic
rush rises to curb the wizard, Steve
is related to Mel Gibson by default,
he claims to be the third-cousin of
Mel’s ex-wife, Jeff nods like a rehab
patient whenever Steve begins like
rain around the ears. Unique as a
Saab comes Neil through the door,
he has a severe light & retires into
the magazine gloss, he likes Kanye
West’ philosophy & the sound that
metal makes in the sun. Nathan is
bristling up & ready for trimming,
he nods like a dashboard figurine
Nathan indulges in weather talk &
the minor colours of sunsets, he is
in the chair describing blue to Jeff,
Eddie is waiting for a text with one
foot hooked upon his knee reading
his selfies, Eddie has a fear of ceiling
fans & low quality Broadband areas,
with an inevitable film over his eyes
Eddie rises & Steve mingles outside
with a temporary gleam, Jeff stands
below the radio just for a moment
not to hear.

Posted in 68: NO THEME IV | Tagged

Auguries

aries
desperadoes will welcome a dalliance with a short dark
macchiato someone from your fatigued,
not to mention jittery, past reappears
promote personal relationships by returning
glances & loans you know it’s about more
than a borrowed book & feigned interest
in his pet axolotl bonsai little annabella

taurus
after rain, seek guidance from worms
inhale their fragrance pluck perfumed
sample cards from david jones’ garden.
your partner/lover/boss suffers from an eclipse
of the senses have you used the word gifting?
or said, i gifted them? a significant
someone may have taken offense at the abuse
of a noun repeat, perfume is the perfect present

gemini
on the equinox your suspicions will be confirmed
at noon avoid obsessing about things you can’t change
like shade diagrams recharge your batteries
solar resources surge into a surfeit
by the summer equinox meanwhile what you save
on sunscreen spend on champagne–coloured lingerie

cancer
these short days beware of discounted plunder
& maxed plastic smart crabs head for sunny noosa
to avoid the sales checking windshield wipers,
tyre pressure, oil & water–
or getting someone else to do it for you–
will bring unexpected & consummate mileage

leo
beware of bosses & bossiness—
playing the chemistry scales
is its own accompaniment.
weigh up human factors
lay in garlic & sprigs of rosemary
the lion may lie down with the lamb

virgo
your heart says try circumnavigation
your head says tarry with ways to land
a new job one that pays a new psychic
season rolls around like a randy ginger cat
cool you purrs off the cat, researches positions
at academies of the paranormal

libra
the azaleas and hyundais come and go
no time for a toy boy or a gigilo
young venus creeps into old mars’ pocket
accept nothing less than the real deal
this may be the time to purchase a car

scorpio
easy going november lizard with blue tongue seeks
victa mower for transporting relationship
begin flossing now embrace neptune
possible alignment of salty kisses by christmas

sagittarius
droopy executive socks stunting your love career?
a celestial gridlock provides an opportunity
to hitch your hosiery wagon to romance
drop in at the new south wales art gallery
conversation socks for inarticulate lovers

capricorn
everyone is needy but you needn’t spend another
christmas lounging at home with twinkie
or travelling with your long term companion,
the pacific highway pick up your mobile
punch in the number of that one-armed
bootmaker fall hell for leather under one another

pisces
stuck in a relationship with pre-folded corners?
not sure if you want to be tempted at tempe or
access remote ordering & payment services?
not sure if you are ready for nymph / elf shaped pasta
or if you should stick with comfy rustproof aluminium?
achieve a look you’ll love you have an irresistible offer
don’t indulge in flat-pack ambivalence


italicised words in ‘Pisces’ from Ikea website, 15.11.14

Posted in 68: NO THEME IV | Tagged

They Always Come

When they have taken away
the childish laughter and dog-eared books,
peeled off the last much embrace,
given the girl
her lipsticks, hair rinses and pills

When they have poured back the drinks
as long as empty deserts,
returned the spurs to the one-night stands,
taken off the overcoat,
and riddled her bed with song

They’ll find
a mirror smothered in lips
a vacant room with stale cigar ash,
an unpaid bill for a Turkish masseur,
a woman’s glove by a handsome typewritter

They’ll see
charleston dresses of the mind
with their fringes running like blood,
a list of men’s names
from childhood to eternity,
they’ll dig the very fluff from the floorboards,
examine the stains on the manuscripts

Which drug did she take?
Which pain did she prefer?
What does the lady offer
behind the words, behind the words?
The criteria will be:
so long as she’s dead we may
sabotage and rape

Posted in 68: NO THEME IV | Tagged

On Waking with the Pain

Now in the night I wake to it:
plucking of a cello string,
low hoot of wind in a deep cave,
song of wrongness sounding,
sounding.

The hand is unmarred to look at,
paragon of itself, sweet in sleep
as a small bald mouse
curled in the nest of its mother.
Nothing hurts it. But oh,
it hurts.
Someone is crying for help
in a locked house; I cannot get in.

In the hallway mirror I see
the slumped back, fattish neck, arm
dangled like a butchered fowl.
What fool left me here
in charge of this body?

All the world put away in its box
but us: the body and I. What to do but sit
and wait, in the mesh-curtained streetlight,
by the grey quiet
of the television, the shapes
of the dirty glasses.
Sit! Are we not a good dog? The hand
inert in our lap: look what we’ve fetched. Surely
the master comes back for us
by morning.

Posted in 68: NO THEME IV | Tagged

George and the Holy Holiday

George Jeffreys woke up in a sand lagoon
on a Wollongong beach on his back. He had
just relaxed enough to close his eyes, when
a group of holidaymakers grew concerned
above him, debating if he’d died. George
reached warily for a towel and crawled
up onto some rocks to watch his sometime
lover Clare, who sat on a grey shelf.
The foaming lace at her small feet was
the colour of her hair and ghostly skin,
the foaming sea lace like the edge of blood
after a knife goes in.
Clare’s small hands were clasped on
her knees in grey depression, rocking slow
inside the rock’s grey depression. She was
preoccupied with a boarding kennel
in Adelaide that had let the animals die –
by howling dozens, dogs and cats –
in a bushfire, apparently refusing
to evacuate early enough or accept
help in evacuation. She had heard that one
proprietor supposedly heroically on site
was really in America on vacation. George
wanted to warn her that such concern
for animals would completely break her heart, but
knew since she’d killed her siblings in
her childhood that, anyway, her heart
was already completely broken. Instead,
he stumbled over towards her, put his arm
bravely around her shoulders. She was
too polite to show her tension, allowed
again the intrusions of affection. He said,
‘It’s the Holy Holiday again. On the same
principle that Sitwell said that torture
could elicit anything from victims, except
that they hadn’t enjoyed their holidays, people
will do anything if they think that they deserve
a vacation.’ She nodded, “Some owners
of the pets are defending the kennel, because
they left their animals there and don’t
want to admit they took a risk with them.
People do think a holiday is sacred, will
sacrifice anything for it, angrily. Are
you enjoying ours?’ ‘I went to sleep for a second,’
he said, ‘but they thought I was dead. Would
you like to go home?’ He felt such pity
from unpossession that he rephrased the question,
‘Would you like me to take you home?’, but
she continued on the grey subject: ‘Every time
some child dies on a school trip, some
of the other parents defend the school, even
sometimes its parents themselves. Any
institution seems more powerful than
human love or loss.’ George said, ‘But it’s just
what you said: the guilt of careless
delegation. And blurring of ego with
any perpetrator. The remaining children
in Cairns declaring loyalty to Mother.’ ‘Is
your ego’, then she asked him,’still that
badly blurred with mine?’ ‘It never was,’
he answered, ‘or you’d never have accepted.
So if we’re still on holiday, would you like
me to ask Sophie and the baby to come here?’
Sophie was Clare’s friend from Paris, who had
been saved by Clare from a fire and a husband.
The baby was a few years old now, but
would always be The Baby, because
of her infinite mutuality. ‘Yes,of course, but
we’ll all just talk about sieges.’ ‘It seems
a good use for a holiday’, said George.

*

Florence on holiday from kindergarten
took everything as seriously as ever, but
had the serious person’s propensity
to shriek with serious joy. George
and her mother Sophie sat on the rocks
– that particularly Wollongong mixture of iron,
sand, anthracite and granite, which Clare
said reminded her of George – while
Florence and Clare ‘wave-danced’, which
meant them holding hands,jumping back
at each roll of a wave, chasing the next
one out while shouting with excited
surprise interspersed with risky
pas de deux worthy of the early
Nureyev and Fonteyn. George watched
and applauded – a function he enjoyed –
thinking the scene had even more beauty
than a lucent Bergman beach, and almost none
of the ominous undercurrents. Sophie
said, ‘So many deaths in Paris and the siege
here, also. I was thinking of you: your quote
from Bevan that the Labour Party has too
much reverence: that you must think the Muslims
have too much reverence, too?’ ‘Reverence,’
agreed George, ‘is a violent emotion. And what
confuses things about Muhammad is that
he was iconoclastic and didn’t want any
portrait of him to be worshipped, but
he also wanted people who disliked him
or his God to be executed.’ Sophie considered,
‘Yes, I suppose if it wasn’t for the latter, one
could say the Charlie Hebdo cartoons would be okay
with him. George affirmed, ‘Yes, because
they aren’t a form of worship.’ Clare was right,
he thought, that Sophie’s face was like
that of Paris Hilton and, he realised
looked therefore like an icon in the Orthodox
Church: the nose slightly curved down, the seemingly
one-dimensional smoothness confident, its depth
suggested by its surface, like a lake. ‘Yes,
like Luther, any prophet might well be afraid
of the power of icons’, said George, ‘as much
as by the power of cartoons, which always seem
too energetic to be sinister.’ Neither Clare
nor the baby looked the slightest bit iconic
as they turned to the rock watchers, faces
as animate as unconditioned kittens. George
knew it had taken Clare three decades
to reach that unconditioning in which
the system one rejects does not dictate
the form of one’s rejection: without this,
that form too often, as she had
told him, was ‘likely to be death.’ All
holidays presuppose too brutal labour, thought
George, and those two faces were too free
consistently to play these mere exceptions,
these holidays for deathly carelessness. Slowly,
and still protesting lack of grace, then he
and Sophie joined them, dancing with the sea.

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