Selkie

You take me to see the seals
spinning sleek and fast
like windchimes.

Tell me the myth of the selkie,
the women who pour out of the sea
like molten lava.

Dragging their skins behind them,
staying on shore only long enough
to leave a mark
that the surf will wash away.

My mother the ocean,
the rock, the hurricane.

The flame hair a beacon,
a lighthouse sighing –
‘do not forget me’.

Our bodies are weapons
that have been used against us.

But find your way back to the sea,
and you can learn to own
your own moorings.

Posted in 83: MATHEMATICS | Tagged

Unclaimed Land (after Pooja Nansi)

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Reclaimed Land

There’s a man walking through my poem, 
and suddenly, he is surrounded by brown women’s 
bodies that make no space for him. Their breasts are as full 
as their hearts, the dark hairs on their stomach thrive 
and grow in the presence of his discomfort. 
You cannot blame a poet for what the people in her poem 
do and these voices are haunted by the things 
they have never said. They have been feeding
fear for years rather than their own need for
language and now they cannot stop
speaking and truths will not stop 
thundering. Why don’t you try to feel something with us? 
They screech at him rolling their hips to a music he 
cannot keep up with. No, there is no way I can write 
enough about these brown women that walk through his city 
which can never grow big enough to satisfy. And I won’t lie it is 
delightful to see how much they petrify, how comically 
he tries to pacify. You see you cannot blame a poet 
for what the people in her poem do, and these women, 
they are chanting a fevered realisation, they are going to 
eat him alive.

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demodex

whenever you are alone and in the dark spiders fuck on your face
on the lesser horizons of eyesight the giants loom to half a millimeter
whenever you are alone and scared consider
the demodex who born with six legs wakes up having

genestatised overnight another pair consider
living his divot existence digging out
at sunset to wade oases of nose-oil and breed
consider mrs vermicula who makes her nests inside your pores

from webs of your dead skin and packs twenty odd ova
per follicle consider the lack of anus
and the faecal fireworks that celebrate the end of night
and existence whenever in the dark a breeze touches your cheek

know child that it’s just i god watching wormy spiders fuck
across your face and nudging my atoms together like eggs

Posted in 83: MATHEMATICS | Tagged

Redux

What if I said the earth had been
flattened back in to history? Galileo is
forgotten and no one accedes to the horizon.

The line is not circular. The face is not
as you remember. What if I said the insect
had fallen from its sting, taken from the buzz

of irritation and grounded by merely
waving a hand. This is not what I intended.
I meant it to have some Buddhist reprieve as

the ant that is side-stepped or the bee
congratulated. What if I said “The moon is
flattened overhead” if you reached for its rough

surface you might graze the sky of its
singularity? The ancient stones pile around
me in witness. The temples return, column and

atrium to receive the lasting sacrifice.
What if I said it will all devolve to a final
Pandemonium? Then and now concurrent and

the inclusion of every name ever spoken
revived in a single word. The word was the
beginning, before the horizon was drawn on,

before rain made its mark on the sand.
With the word came the dividing, where
the infinite broke from the finite, where the first

ache of language arced from the first
tongue. The empirical silence was broken.
The moon rang like a bell in response to the

sound and the flat earth stretched to
be discovered by those who had learned
to shape and offer meaning, to offer it a name.

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I Box the Forms

for Melvin Way

I box the forms, the parade of carbon rings to which hydrogen, nitrogen, and oxygen cling. The organic seems solid but lies, nothing more than protons and electrons vibrating mute attraction. I corral the molecular herd. I hem it in.        Arc and cosine   pick    up megaphones.   They shout over me.   I tape them down, tape the tape, lock them into equations. I demand obedience to principle. Scornfully, they redistribute, associating with whichever one they please.   They refuse binaries, squaring and negating.   I put my hands over my ears. I put my head in a vise. I tighten the clamps until it threatens to split, a melon rind, a cervix crowning.   I pocket each scrap. They writhe beneath my fingers in darkness, escape when I remove my hands. I sew them in. Still they riot. You tell me—where do I go from here?

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