The house leans

The house leans against the icy southwesterlies,
Dreaming itself as one of those pioneer ships threading
Between gnarled cliffs near Glenample & barbed islands,
Running in uncharted waters before five green fathoms
Under a Moon too shy to show even her petticoats:
Something's loose, a panel on the west gable, a roof tile,
Something the second mate should have seen to.
With a pensioner's wheeze and sigh the gas heater fires,
The pillow adjusts itself to my head – the water's cool
As I begin to recite the line, but it slips away:
Night sloshes up and down an empty corridor,
A wonton knot forms in my left leg at midnight,
Something nameless digs deeper into the earth
Shadowed by the crossed arches of joists and bearers,
It sounds like an unwanted guest in the bathroom.
Light leaks under the bedroom door, a cat insists itself
So we shift and make room for this surrogate child
Turning & burrowing under blankets, as if to eat our warmth.
Across the road, a car door slams, someone yells.
Asphalt clicks underfoot as she heads into the fog,
And our river, always the river, slithers out to sea.
Then it's your turn to wake and relate the latest visitation,
How your guardian angel has reappeared, or more likely,
Elvis embraced you by the shoulders and crooned.
We read a dream-dictionary, you cast the runes,
But the walls remain silent, there's no ghost let loose.
Then the line returns, so our hero can step out
Into a grey-eyed dawn, listen to magpies caroling,
Watch the first skein of pelicans move along the valley –
As the house heaves to, loosely rattling anchor-chains.

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Race Horse

In a large semi-detached timber dwelling doubling as a restaurant, a patron has
ordered something no longer on the menu. Verb. To hit someone with a horse.
To run into someone with an old race horse with a royal title in its name e.g.
prince queen. An old track horse put out to pasture and watched sentimentally
by a stooped man with a yellow beard. Hit meaning pushed up against without
serious intent, but not a brush … less an accident or bang! The slash of white on
the horse's head meeting with the middle of the chest. A good daub. The way
people without hands learn to paint with their feet. Painting a horse with a slash
of white chalk on its head. Riding a horse into a canvas to let the simple stable-
man know which horses are 'out' and which are 'in' as far as the pasture goes.
Old grass. You spat from your mouth and decided you couldn't live in the
country or wondered whether an old race horse had pissed on this part of the
paddock (the taste left in the mouth after you've eaten with a brand new spoon
but forgotten to wash the cutlery). A sink full of cutlery. Dangerous as a frothy
sink full of new knives. Cleaning dirty windows with an old sock.

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stalking utopia

braking by the wide verandah a pall
of dust behind the ute dogs slouching
towards the driver waiting to be borne
aloft loaded on the tray no-one walks

to the shadow of the pub stalking utopia
a string quartet isaac stern on first
staring into the dado jackie on cello
brushing at flies with her beau (call him dan)

waiting in the parlour utopia this is
despite the dusty space that swallows sound
(a plucked string sends the pullets clucking
and scratching in the dirt laying eggs

for the king browns to swallow and the
taipans) inside the ladies lounges
the pianist (call him dan) displays his charm
muscular crescendo spent diminuendo

as the schubert swells in utopia and fades
if only the rain flooding down
the diamentina or the train
up from the big smoke perfection here

is all too dry (if musical) and lonely
despite the van its loaded dogs
disappearing up the road towards
the diggers' weekly shaft the golden

sunset as the quartet saws the evening
into dusk into dust settling
on strings and sounding board tomorrow
we paint the stump black pure black

back of utopia the camel lies down
with the dingo the potbellied children
(their thinness stalks) agog with the music
wanting nothing

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‘thin sky’

thin sky, by Peter O'Mara

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‘understand’

understand, by Peter O'Mara

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II

each day I am bird glad.

hassling the sky
as it flies
straight
and believing my
enemies colour
blind.

I am whistling and hooting
the air into
moulded proper shapes

(even now.)

one startled day
I will inhabit
that kind place
as secure and comfort
able as a frenzied can
opy of
soft
falling
songs
in delicate passage.

each invisible day,
(then,)
I will be sure
of my flight,
endless ly
twitter about some may be
destinations.

each
new
bird
day,

my community of
hollow bones
will finally, gladly,
suffice.

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Breath

I come from the dead zone with clap trap jaw and clankin gait
and bulletswhistle is my song
halloooo coooweeeeee goes burnin down thegreengullylacedwithferns
curlin coyly hideaway and low-dippin' currawong calls

my locomotive breath announces me, my breath in the darlin morn
and my heart jumpin with the joy of jump-up to that
carnivorous constabulary dead-set keen to eat us all alive

damn if I'll not slip from the steam of their winter broth and when they aim
– and only then – then in my wrath I'll rain damnation down
upon their tick-pocked heads

callin all you lustrous coots and laddies hidden in the bloody bracken come
or lead-riddled, swimmin out the ether, bound for heaven or hell which entertainment
we can wait indefinitely for to see
for all scabby-knee kids never given a brumby's chance
astride my last I'm a moveable fort
a hero with breath forged in a fearful fire
June's bite an ice of iron

stop your coughin don't dream I will leave you

wrote I needed no lead or powder
wrote words would be louder

I lied

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Fire

To be dragged from the bush
choking and wheezing cloudy
like a first pulled lager
eyes washed but never enough
to cool the gum's ash
and the grim curling peal it came from.
To see a black-faced clown where sun

light was torn from storage.
All those ages a'groanin in
forests scythed to six-foot hollow sticks
white ant eaten didgeridoos.

A rustic gapes at the lunatic
moment of sparks and flashes
and euphemistic sirens and
bladder-like trucks that rise from the sea.
Wet spits and crackles like fat. To
stand bleeding, muscular toned, sweated,

boiled up, nose ingurgitated with burnt wood,
spluttering after air like a lung less fish
because beasts fell twisted because
bodies flowed into smoke into airs and all
that seemed safe is now but story.

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Mining the Idyllic

Coming off night shift I trudge a dusty path to transportable simulated comforts. With body clock out of sync and lungs dehydrated, I try to justify this fly-in/ fly-out location infested with hard hats and steel-toed boots. Toxic the camp cat tosses beer carton scraps into the air as though playing with bark on a forest floor. To grime-rimmed eyes sucked to sleeping quarters she is the only light-hearted thing in sight. Early morning heat slobbers across the bruised terrain, mine shafts overlay native grass, slag dumps fed by zinc ponds procreate. In the distance a train line searches for unbroken belts, spurs and tuff. I am too tired to notice the changing forms in a desolate mirage – the ghosts of dead miners looking for somewhere to haunt free from skimp dust, a place to swirl fallen leaves with ethereal breath. Old codger who cleans the lavatories leans on his mop, lights a cigarette, tries to hold me with yarns about the impossible –

          bullock

          timber

          shingled huts.

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B’rel’n

You were a young boy yearning in parallel universes: grocery stores, parks, schools & their transplanted lawns filled with three cornered jacks & bindies. You carried paintbrushes in your pockets, wore overalls sticky with brown lacquer. Shavings from pencil ends. Lathes, chisels.

You were a sundowner staring out through the peppercorn leaves. The city cajoled you with a burning cigarette butt. An imaginary bridge crossed the dried-up river. Underneath a twisted gum you watched as the sunlight hammered down. You saw the flood marks on the bank, at its roots.

There was a moment, a conjoining flash of earthly eel, of all evils. No fish, only carp in the canals whose flesh crumbled like chalk or clods. The sun leered from the riverbank, where the rushes were stacked like mohawks. You were like a fruit fly inspector, or a lockmaster.

Ripples of a duck's wake divided & then dissipated like smoke from a thousand campfires at dark, lit by the ones you called 'the lost'. You watched dusky pink galahs eating black stones and drank lime cordial laced with charcoal dirt. My hands were on your chest, dragging those stories from you.

You were never satisfied with something from a bag & clutched at a kewpie. Your bedsprings were narrow gauge railways. You heaved lines like hook & bait into the muddy waters of youth, never to resurface. Swings of knotted ropes, diving for crays purple & river-green.

Clay-stained alpine cabins, vast wagon turning spaces. You were corralled by regulations: river levels or yardsticks, shotgun places. Memory paid for by donations of moonlight gazing straight back at you. The young boy who once said boo in green grass shipped from another century.

Tall stories and roadside mailboxes composed of stars. Above the chicken wire compound the sky's empty promise. Death hanging like a crow or an omen from your best friend's bottom lip. Green armbands. Yes, black rain. Snakes flattened by the plow in the field.

Like a bruised storm, on the run from mourning in hay bales. Decorating a bowl with marbles in the ground. Several weeks after the incident, you found & kept hiding quartz. It was rumoured to be more valuable than meh. You were the green tree & I was red mud.

The days drew scarecrow circles beneath your eyes. Plums smeared on, wheat dumps painted accidentally. Clinging to your flared sailor's trousers, just as McCubbin would have liked it, entering the room. Near some clearing beyond B, spacelike. You were the reeds.

You had no emergencies left to announce except the foggy crispness of early morning, or mallee roots slowly welding together in a woodshed. You ignored autumnal ghost trains blasting cockatoo feathers. You went where old butchers go to dream & to die. You fell asleep on front porches.

A fantastic star broke the surface of things hidden by fences & rain gauges. Only the temporary darkness of gigantic fires, your ears the ana branches. Somewhere in there girls whistled with raspberry lips, Saturday afternoon sirens on standby ready, with liniment or quick screams, road kisses.

A dead uncle in the white sheet, no longer Fenian. A soothing cream for eczema during harvest seasons. Boys asleep at mass, in stirrups. From the desert-streaked paddocks to the anonymous graffitied wheat belts. Dreamscapes elegantly flat & full of bones beneath a sickle moon.

Did the milky way's abandon, pale as a child's footprint in the red sands, resemble the earth inside your head? Around the bend, in a sickening crunchiness of gravel & glass, another town appeared, its population of swinging saloons. You laughed at sentimental bluster & colonial boosterism.

You harboured imaginary quarrels, punching miniature bullies square in their flat faces. Their scrawny sticks for legs. Leaders were born from the blurred stockades of foreign militarism. Avenues of reflection. Loud tremors from the moonscapes of the plain.

Blasted by winter's icy streams filling with broken teeth, wire barbs and chipped porcelain. Did you wipe that blood off the banjo? Did you pull down the stained southern cross tilted like a twentieth century telegraph pole? All I had to do was take you home. You must close your eyes.

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