Plenish

On the top of the mountain the cacti stopped for a rest. Exhausted. From there they could see the ocean. These cacti were making their way from the desert to the coast, trampling one clean line through the sand. They were thirsty, on a pilgrimage, looking for transcendence. Wanting to find that there was more to life than the desert haze.

They were all part of the same family. Each a little different, but sharing the same unlikely obsession. With tracking and mapping their way around. Dressing and readdressing each other and themselves. Seeking new growth. The largest hoping along first in line, and each one smaller than its former. But when they see the ocean, woah, it is greater, vaster, bluer than they dreamed. The stories of birds and insects had been true. They work out a downwards path, and then race towards the shoreline.

They reach a fringe of homesteads along the mountain’s base. A dog runs at them. There’s no way they can escape. Not fast enough. It catches the third largest. Puts his jaw around. Can’t eat it up, can’t chew it, and recoils and coughs the cactus out. But it can’t cough up the spines stuck in its mouth. It runs off whimpering. But the third largest cactus is already torn apart, mangled up. They stop there, sleep there, for many days. The others bring water, and tender care, but it does no good. The cactus withers up. Can’t replenish. The others travel on to the coast.

By now it has been months since they left the desert. They are homesick for the dust and the scorch. They’re looking for transcendence in all the wrong places. The water is whirling and sickly salty. The waves crash loud. This ocean is not what they had hoped.

They crawl around, find themselves collapsed against a fence. They soak up in a storm water drain. And they choose a new home for themselves one cloudless night. Crawl around the house, creep in through a window. There’s a woman asleep. They discover. Alone in a large bed, curling up under blankets, but they aren’t covering all of her. There is hair spilling around her neck, and her torso bare, stomach flopping over the line of her underwear.

The smallest cactus crawls over to her. It can feel the warmth coming from her. The woman doesn’t stir at all. The cactus coils itself up, and crawls between her lips. Up onto the roof of her mouth. The space where the warmth collects. And inside there it’s warm like the desert, wet like the ocean.

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Altogether Elsewhere

(Auden’s hundred)

Your first words that I read were “Look, stranger,”
which really stuck.
You hymned environmental danger
and illness welling up from bottled anger
in the out-of-luck.

Stranger than any of us was your
thanatology:
mental mapping was a chart of war
but lust for the diagonal metaphor
fed your geology.

Ominous uniforms and the sexy furs
you parsed as threat
like acid rain in silted aquifers
the Romans left. From gaunt commissioners
an each-way bet

gave your calciferous frontier the chance
either of Left or Right.
You didn’t much approve of France
for their symbolist poetic dance
was a downright

draught of colorless Coca-Cola,
not for grown-ups,
a canker in the thinker’s molar.
You could have liked Savonarola,
but in his cups.

You’d have known the date of each bubonic
outbreak, or heresy;
you knew that most blokes were moronic
and your blow-job poem was merely platonic –
well, ostensibly.

Ambiguous Europe has its weather still.
Expert in exile,
you turned the twilight into chlorophyll
soodling along beside the sacred rill
mile after lucky mile.

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Hung r

strugglue pamphletamine
Don’t be dull. You took off with the edge
of your senses, you trashed them
and now I can’t affect you deep enough
to teach you how it feels to love me.
original skin a holding position

My attention gets more intense, till each detail
resonates in the rich high chamber.
Immaculately conceived modern language
inside the head the birds

There’s safety in numbness. She has his limits.
hole punch mouth so bluntd
In a digitised world, nothing develops.
supermarket safari monstrosity
You make war sound fun.

It’s spring, and I’m filled with a drunk’s optimism.
The nothing is living now under our bed.
We give it sweet names but it still terrifies me.
Anything left on the floor disappears

please learn fast so you don’t hurt
yourself any more on me.
My streetheart in an ungraded moment
I can’t work you
out. I’m a coded gem.

This is how it feels to be in language,
feeling. Sight comes out of our eyes
and falls over things.
let it out run
you are going to have
to be or not do
You really get to choose

Untangle
your limbs from the great machine
and dream your way towards me
all white light and work.

There’s no stopping
and no resisting
and no stopping resisting it.


Geryon remixes this poem for The Lifted Brow portion of this issue.

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404 Not Found

I read your tl;dr —
a poker face within
a one line

lol

hiding tfw a
lack of fucks to give —
not sure if choosing
the best and dankest

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cat.mp3
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Concerndoge inb4: you
bait a trigger
troll a rant on tumblr —
le me gusta of Derpina
reblogged once
liked tagged deleted
once

after rustling jimmies
and (╯°□°)╯︵ ┻━┻

orz

I can’t help you
when I ask if you’re k

afk

iirc three hours later
>links me reaction gifs
>logs onto WoW gw2
minecraft
and you’re

ಠ_ಠ

mundanely crunching sand
blocks to smelt to glass
blocks to craft to
windowpanes to
shatter —

I can’t even


Jackson Eaton remixes this poem for The Lifted Brow portion of this issue.

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Sophia Sestina

the Athena school, despite clearly sounding Greek
is a scientology seminary for kids in Newtown
near the Carlisle Castle, just off King
street, nestled in between antiques and pretentious
home wares boutiques; I wonder do they teach translation
or anything about the venerated Sophia

goddess of gnostics and new-agers Sophia,
pure virgin spirit wedded to divine king
nametag for wisdom in the ancient Greek
if leaning on the classics is pretentious,
Sofia also directed Lost in Translation
dislocation is a readymade trope in Newtown

I once quivered beneath the dome of Hagia Sophia
her gambrels were both humble and pretentious
like the terraces toward the south end of Newtown;
there’s a kebab joint that screens Turkish MTV on King
street called Istanbul, that’s Constantinople in Greek
some things aren’t made for translation

gentrification is blooming in Newtown
witness the unfaithful translation
of warehouses into Alpha & Beta, pretentious
apartments hoping to scrape gravitas from the Greek;
abstract nouns abound in the block names of Sofia
where I rote learnt the deeds of a Bulgarian king

Plato was holding out for his own philosopher king
who loved wisdom and hated being pretentious
Rudolf Steiner too was a big fan of Sophia
my friend went to his schools and needed a translation
when he left – the whole world was speaking Greek
so he dropped out and slinked to bohemian Newtown

let’s fly now to snow-capped Sofia
with our meagre earnings we can live like kings
I’ll help you with the Cyrillic translation
and you can be my crutch for the Greek
our fucking will be bat-crazy and pretentious
unbound by the straitjacket of Newtown

I’m working on a new translation for Sophia
one the Greeks will probably deem pretentious
Newtown thinks it’s full of philosopher kings

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Animals and Children

When we divorced I turned infant and my mother waited on me hand and foot. She cooked my meals and made my appointments, at night we slept in the same bed. About my husband––what a soft cock, she said, and nothing more. She was washing the bloodstains from my underwear and stitching all the holes in my clothes with a dramatic red thread, but we did not hold each other, and in bed when her skin would accidentally touch mine her legs would jolt back to her side of the bed. There was no warmth there. One night I felt the bear claw return to my heart and squeeze with as much force as it had when I was with my husband.
          Please, I whispered to my mother.
          Quit it, she said.

It happened like this––one night my father appeared opposite me as I sat in the bubble bath my mother had run. He was old with sunburnt skin, silver hair and green eyes. We stared at each other for a while before I adjusted the bubbles so that they covered my breasts. He asked me what I’d expected and I told him I thought he’d look different, more fatherly. No, no, he said, I mean in your marriage. When he asked if we’d had any pets, any children, I told him I was certain I was allergic.

It was after this that I went to see a skin doctor about a mole on my back. All you have to do is show up, my mother told me. The doctor suggested I dress in a cotton sack with all my underwear off. He was an older man, a little thick around the middle, his black hair receding and a small fat nose. He wore round glasses that were an embarrassing shade of orange. When he returned to the room and found me lying on the paper made bed he clicked his tongue. He asked me to stand in the middle of the room and I stood with my arms outstretched and the afternoon sun coming in from the window and warming my body while he went over every inch of my skin with a magnifying glass, only real slow. He inspected my arms first and then my neck and my breasts. He got down on his knees and went up and down and over my legs, never touching my skin, not once.

He was gliding that magnifying glass all over my body in smooth, precise movements. He was muttering to himself as he went along, something reassuring, something like––yes, good, yes, very good.

And then he did this––he lay on his stomach on the dirty floor, his head arching upwards, and told me to stand on the tips of my toes while he inspected the bottoms of my feet. Still not touching my skin. Not once.

Later, when my psychologist asked me about the significance of this, about how I felt, I told her that all I knew for certain was that I did not want him to stop––I was wishing it would go on for hours.

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Headland

You slept on a bench and woke to trace a con-
trail to dim rooms where you and I are inseparable.
And yet you are alone, staring at wall-
paper fairytales, hearing rumours on the lawn,

tennis, tinkling cutlery and niceties at the change
of ends. A fly lands on the glass slipper in the gloved
hand of the kneeling prince. That the child was me,
and I, he, is a fraud pulled off with charlatan ease.

You’ve been driving and disassociating, and look
at you now, Rumpelstiltskin, twisting fists in blood-
shot eyes, tracing a pair of carved initials separated
by an upside-down heart. Cupid’s arse.

Caminzind, Barry Lyndon et al. — hurt early and
irrevocably by the crush that sews the chameleon’s clothes
now reduced to loincloth, pith helmet and layers
of foundation that make you up for the umpteenth take.

You haven’t changed a bit: a nice lie in the bunker.
A face translated at multiple removes, translucent
turtles all the way down. I contain a crowd that misread
the big beards of its’ Bildungsroman.

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What Was Left

A towel and bathing cap remained, and a tattered copy of a novel: The Red Room. They belonged to 13-year-old Lena, his Swiss pen pal, who stayed for five weeks during a ferocious summer. Nearly every day his parents took them all to the beach—his sisters, friends, the next-door-neighbour’s kids—where they ate canned beans on balmy evenings. An uncle took them to a riverfront resort. They played table tennis and quoits, swam in a long blue pool. Twelve years old, he felt shy, while his sisters kept company with their dolls. Lena made friends with older boys. Twice his uncle brought her back to the resort—but negligently, as if enjoying her truancy. On the last night someone saw her in a dinghy near the falls. Rescued, half-undressed, she left the next day. His mother would not speak to his uncle. The novel lay for months in the spare bedroom like a remonstration.


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Stampede, the Many Small Big Men of History

“It’s Time, It’s Time” retranslated

and the smell of her
obese slander and propaganda.
A republic
of disappointment. We may never
escape our consumption, a tractor beam of destiny.

The optimist says he bulls-eyes womp rats
in a T-16.

The new year ends old and
Braque with translation software

declares: It is time for the prime minister of public announcement.
Our tree goes up
while the Tibetans rehearse
in exile.

What things did they see beyond the Empire?

There is the murmur of the trick and the smell of her.

“On the path, you can send a bill. You’re friends.”
It never occurred to him
that things would end this way.

He had bought hats
for every occasion

save this not-quite-chaos quietly inching towards catastrophe.

Contrary to anything his renovated lungs tell him,
he feels no comfort
for abandoning cigarettes.

And the poem ends with a funk as incongruous
as a single wife surviving a Mongol slaughter.

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Advice from Every Woman’s Book of Love & Marriage & Family Life

Originally published in the 1930’s by The Amalgamated Press Ltd, London
(original publication date unknown).

In the East, it is ruptured by the midwife’s fingers as soon as the baby girl is born, but in the Western hemisphere the unbroken hymen is felt to be such a definite sign of chastity that the idea of an artificial rupture is rarely considered.

If you think, “I like him awfully but I hate being kissed,” think twice about continuing the courtship.

Can you run in double harness successfully?

No longer need you marry in an ignorance which was once miscalled innocence.

So ends the fairytale beloved.

Economy is necessary, but, generally speaking the honeymoon should not be sacrificed.

How does it come about that even in countries where the youth of both sexes are allowed to mix freely with each other and select, according to their own hearts, their life partners, there should be so much sexual frustration, so much married unhappiness, so many cases of infidelity to marriage vows?

The wife who wishes to get the best out of married life must prepare her mind for the sex act by banishing any fears and any holding back of her true nature.

But it must be remembered that these glands only function when the wife’s desire has been sufficiently aroused.

A man, as a rule, regards the sex act, more naturally. As his satisfaction is more easily attained, he must teach himself to be patient.

He must act as teacher and initiator; in the carrying out of such roles lies his special mental preparation for sexual union.

We would suggest to the bridegroom that the idea of consummating the marriage on the wedding night should be given up.

Such a course in most cases leads to disappointments.

Delay the sex act until both have been refreshed by sleep.

The wise bridegroom may not take the final step for several days.

At first it might seem that such a situation involved much self-denial and restraint, but it is not really so.

How are they going to reconcile what is apparently more or less of an animal instinct with the view that in the sex relationship lies one of the most valuable and uplifting experiences of their mutual life?

The ova are released into the abdominal cavity and gradually, through the waving motion of the fringed ends of the rubes, they are swept into the womb.

The nature of the sacrament.

Experience has proved that thousands of married couples never get past the experimental stage.

The sex instincts of many wives are never awakened, yet they still have big families. But some doctors say that the children in these families have not quite the same vitality.

Retard the moment of his own satisfaction until she, too, has reached the climax of her pleasurable sensations, the “orgasm” it is called.

The great point to remember is that the act should on all occasions be spontaneous.

A husband who has never been repelled or made to feel himself a creature of brute impulses, will be safe from other women.

Is there anything in the world that could make a girl more happy?

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Angles and Marks

You make your mark like this, by scraping
the poetry of the future clean
of angels’ body parts, or proving
humiliation is flammable,
by mounting hypnotic spectacles
of confidence or holding the head
of state rock-steady in your cross-hairs.
This is how you make it, by offering
something to echo and erosion.

Candidly the hand that shook the can
writes I like short short$ and having writ
texts to see what’s going down under
the sign of the sneakers full of rain.
Not a lot. A concrete-pumping boom
swings into place. A footsore psycho-
geographer stops to consider
mysticism as a Trojan Horse
to revive the city’s dead angles.

Headquarters of the public secret
constellation of places and things
my sister has shaped: a chicken gleans,
a cup of tea goes cool reflecting
crow-flight and cloud-shear. Holding open
an unflinching eye, she lets the drop
fall while sketching on a mental bloc
towards what might come after the end
of a long slow curve of dry stone wall.

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Bedtime Story/Reveille

Snow can’t have fallen.
There was a chessboard on a scintillating
bluff
of stairwell
flesh—what-all he
up endued, or down, with pivots,
concretised. It smelt of old spit-
air let from a carnival mallet.

5 a.m. He’s in a bed, not at home.
Some dark smokes and peals.
Tell a story, says a boy’s voice. The boy is white-blonde, with an obdurate coldness
of finger. And tuck me
—sheet shrink-filming rib-
cage—so I can’t squirm at all.

A Blue Mountains hermit
gazing at clear
still creek water counts
the pulse in his sallow jowls—one, three,
four, two, dawn fog, pulse, each a gecko
darting. Creek-
smell the urine of one with thirst.
He sees that his clothes are rags now and draped over a nest
of spurred bones. Kookaburra lands on the whipper snipper cord
rack of the vision eating him.

Yarraville warehouse—studio
where in kinder times they shot
cars, also farming machinery. All-white,
LED, without squaring, diaphanous
tunnel to the ancients, star portal.
He paid the cover at a side entrance. Ate four googs.
Went out front some to breathe.
Snow can’t have fallen.

Meanwhile other isolates
surfing coastal plains, Southern-
Cross-eyed in trim deserts,
ferreting honey ants from basin
alluvium, in hisses
through grassland winds, steamrolled
pennies of pink
salt and plateau blood
—they are all eaten.
To some gnomic ends they feed themselves.
Your brain, the boy’s fire.

By white whizz-bang hushed
West Gate siren mast oil squat vistas
4 a.m.-bay-tinted
eyelets
of cab glass black what-all
boy up whispered down down the Melbourne
side whispered man’s voice snow
can’t have fallen can’t have fallen tell me
driver is it very
anything where you’re from

Good sleep collects
in the bone. Salt
pent from creek water
drunk wishes rushes snowy. And Great Sandy
camels, they bear what little
remains of the devoured
over a Europe of red dunes
south—to rhododendron gardens.
There is a mass interment in the gardens. An obelisk
shrine erected. Into this bed we tuck our wild folk and their kin.
You who went without: sleep.

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Old Lielacs

vintage soul beats and mixt apes
and in be tween the toes

un settled ridges where we tumbled
in liquored torpor

the shaft of sun lite from the window by
the kitchen door

mixt in with the cigarete smoke
the smel of old lielacs from
the corner store

wild nights swimming throuogh wild grass
blunt hands and prehensile lips

the names we summoned each
other with

the frost that never came even
with the wintry winde


Kate Geck remixes this poem for The Lifted Brow portion of this issue.

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Broth

to tongue or not to tongue
			                    reed    stone    heart    word   mushrooms   explode in mouth the world					     
			                    in this bowl of broth
			                    my mother has sung 
			                    songs her mother sung in
			                    the making of another poor
			                    and thin in the time 
of war 	remember	     the words we spoke 
			                    to vanquish the hungering always 
			                    remembrance of sweet a piece  a peach
		            peace					                                        the nights cold ponds
				                              all faith fled 
		            notes 
				                    pot mouth belly empty clangs hunger 
				                    urgent as sirens
				                    curfew curlew clamour heart bold
	in the star-stare shiver a bristle of brisk stems salt-water edged
			         gills  gulls  fret  air  she  bends				
				                    an egg palmed      
            			 shell  cap  fractures  voice  rupture

		all lost in a night where the tongue 
			      silenced
			      tastes no more 

					                    remember
					                    stone 
					                    soup
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THE END

I can love you face to face but not on the internet. Inductive reasoning about what it means to be human. Fevered in a dead-end street. Poems jam the inbox. Of course the world is full of ambient awfulness. Sad state physics. In an uprising you must imagine no past and no future. This effort is ongoing and imperfect. Puddles reflecting trees. Little weeds poke up out of mud. What about a t-shirt that says I Remember the Information Superhighway. Puddles reflecting construction signage. How devoted are you to your performance. Dropping into character on the train. Defenders call this mob mentality. I guess I’m more interested in freedom of assembly. The people I know versus the people I know. Oil all over the coastline. How working on your reading skills might mean working on your feelings. Long catastrophe of the enlightenment. A body’s limit is where it touches something not itself. Knowing as a speculative project. Drunk on camera sound. Going over the river again and again. Containers falling off ships in high seas. As if a person could be a diffuse film of consciousness spread over everything. At the edge of Brooklyn where they keep warehouses and birdsong. You go down easy like a baby. Phone call from an airport bar. You started to give off the Scent of Mortality. This seat is reserved. How to tally the times you vanish into a lit screen. Let’s not get all sci-fi about this. History continuous or swerving. I can’t keep a secret. I can’t plan ahead.


The line ‘In an uprising you must imagine no past and no future’ is a paraphrase of a point in Anthony Reed’s Freedom Time: The Poetics and Politics of Black Experimental Writing; the line ‘The effort is ongoing and imperfect’ is a paraphrase of something said by Jennifer Tamayo at the Enough is Enough meeting at the Poetry Project on November 6, 2014.

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Arthur’s Seat, Edinburgh

During the conference I share a narrow college room with my ex-girlfriend, so we can go on to Germany together next. Since I last saw her she has climbed Ben Nevis, bought a BSA Regal, got an editor’s job in London. The first afternoon we find a stone path behind the college, scramble to the top of Arthur’s Seat and crouch in the mustard grass. Still breathless, I try to apologise for how it ended back in Brisbane. The wind is cold and bullying so she gives me her jacket, white blonde hair flicks her face and glasses. The city can’t stop falling into low sun. That night I go to a poetry reading, a pub, vinegar sharp, in the Old Town. When I get back she is still awake, cocooned in her sleeping bag. “That smarmy professor who chaired your panel burst in here an hour ago, pissed and naked, tried to get on top of me.” I stare at her in shock. “He was snuffling at my breasts and whining about his wife. I threw him on the floor and made him crawl back outside.” We lie side by side, not touching. Just above her head what looks like a moth squats flat against the wall. A while later she adds “He had the smallest dick I’ve ever seen.” A pause – then we laugh until we ache, lying on our backs again in the yellow grass, the jacarandas, the raw room. She is both anger and generosity, like the ambulance siren at 1.00am. When morning comes there is fog and Arthur’s Seat fills the window like some medieval lord who feels entitled.

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Twenty First Century Wail

For Mark Sanders

I saw the minds born during the summer of love destroyed by phantasy, almighty frenzied absurd,

succored on battery-charged eggs six-twenty corn syrup slabs of butter washed down with Tang flourided water and the Streets of San Francisco,

hippy offspring disconnected from bell-bottom wisdom revealed on the discotheque trail near Kathmandu,

the last to gaze at the blanket of sequined heavenly messengers whispering psalms on cool black windless nights contemplating toenails,

to hear rain drops falling on tin roofs filling buckets placed under old ceilings that needed to be new,

to run to the store for milk see pedophiles on the street and come back with white bags filled with candy,

to walk through lazy avenues of one-bathroomed red brick and yellow timber houses following a path of authoritative trees,

to make four-eyed socialists break down pop a vein or split weary spleens as spitballs and juvenile cocks split the anatomy of a frog,

to laugh read and sing hallucinogenic tunes that codified the transcendence of the stars,

to take bicycles across wire fence suburbs over train tracks and angry roads that carried lumber steel washing machines and televisions made by fodder in sweaty factories with sheds reeking of smoke instant coffee and flatulent fava beans,

to ride like horsemen searching for the Apocalypse come home at the end of the day whispering SFA to mother and fodder toiling for gravy and grease,

rusted loveswings charismatic lawns plastic outdoor drunken Socratic soapboxes rum and cola ice buckets bread and butter bum-fuck nowhere tea towels swaying in habitual depression outdoor televisions welded to ten-dollar patios, half-cut gauche aficionados of 50s jalopies with a rail for every point,

to thrillseek on dangerous Saturday nights in underage driving jock-loving through the hoop mag-wheeled ecstasy that died when the fodder arrived with buffoons,

to conform in blue at the top of humanity and sit through dog-eared luminescent tracts of rhetorical glory funky nerdiness from classless polo-necked idealists,

to leave with stubble and testosterone for towers that filled incandescent minds with ivory words and humanitarian manifestos sprung from cages opened by portly governors,

a backslapping cadre of neophyte plagiarists eager to unlock secrets of nihilist capitalism and art and communism and greed,

to sit on long petrified lawns that had heard intrigues of anarchists conformists and thought-provoking Shylocks menacing for war isolationism neo-con freedom capitulation and increased speed limits,

frugal liberalists pontificating on Biafran cornflakes and sentimental musos with dry biscuits and dust for the midday meal,

to drink lukewarm coffee in bohemian cafes with Francophile theorists whose arguments spilled onto the street and dislodged unemployed Luddites,

who ran debts paid back mercenary loans one cent at a time for a hearth that is warm and their own, trembling checking balances every evening,

to rail against each other against esoteric moons Armageddon mace and Moloch’s Ray Bans filtering the sun from sarcastic eyes,

to take certified papers throw wicked hats and cheerfully set out with fortified Odysseus on the road to starfucking serfdom,

to beg in conforming grey as grotesque teeth dripped with vanity and muscular lederhosen holding Cubans and ambrosia,

to present varnished papers in gilt-edged frames with marshmallow credentials for the gothic scrutiny of an uneducated mother superior,

to sweat in beautiful glass cages with carpets and ashtrays never burnished by grease or carcinogens,
to sit at six-by-three mocking laminate with melancholy stationery and irrefutable documents stained with excrement,

to listen to hysterical aphorisms wanting citation and the poisoned authority embraced in towers of Babel and ivory,

to suck pig-ear burgers and plastic milky straws like fiscal phalluses draining Velcro wallets with erogenous familiarity and bearded lips,

to eat fat leftover by obese suits drinking Moselle and Burgundy in Shiraz and Bordeaux late into the afternoon spawning digits and superhighways to promulgate nothingness,

to drive baby boomers to airports ca-chinging doctors and investment bankers that were friends from the street who stole money with jargon and Cheops and actuarial tables spinning like fixed slot machines in sleazy velvet lounges,

to wait for the death of fodder overpriced bricks and Jones terrazzo adding meaning to nothingness adding nothing to meaning but black holes and hypochondria,

to run towards beloved futility and the cognitive dissonance of kudos and imperatives of jungles in East Africa,

to be fucked in the arse by saintly advisors and scream in pecuniary pain,

to take interstate trysts and blow guilty in elevators taxis and beds that smelled of lilac and lemonade,

to put the hapless haphazard sword in a fireman’s wife a military maid a saxophonist’s groupie as they choked on the heat of the steel,

to remove Marks and Sparks brassieres in dim-lit flats near beachside palaces with the fingers and thumbs of a pole-vaulting chess player,

to make love to frigid bitches with enchanted curling wands and hundred-dollar manicures who contrived sighs like the soprano crescendo of an operatic pornstar,

to screen calls from bunny-boiling tight-arses with red pubes green eyes fashionable wineries and vindictive voices that blew the machine and made peanut shells withdraw their German helmets,

to sow seeds on baseball fields car seats and car parks with Japanese cameras and Dutch beckpeckers kicking at flora and pebbles as she climaxed with one leg in the dirt,

to ride across oceans of bodies in fragrant red light parlors with nutty millionaire vagabonds lining up at the door of some candlelit whore whose oily tattooed hands greased a pole an hour for a year, rickety boxsprings squeaking,

to stab at the nothingness with limp implants multiplying DVD sales with the spontaneous frankness of a child,

to celibate running dreaming into pale overexcited cities of agitated bankers with more money than trouble bars with salty-lipped fruity suits to the inch throbbing scotch so close to suburbs Marilyn posters and Che Guevara t-shirts,

to see towers planes memorial seat belts irate box cutters x-ray breasts queues and malicious liquids interrogating sacred texts of sympathetic authority as Midnight Express officers disappointed Turks,

to fear goats sand-traps manchester beards and binaries ejaculating from nucular presidents we were not for or against,

to slump on remote control recliners fitting tangerine skins like leather sheaths with ribbed rubber seedy sensual comfort in the ‘burban bourbon ‘hood,

to palliate chronic fatigue with ignorant sound bytes from hasty ivory colleagues burdened by poor grammar and soporific syntax,

to yield to mendacious credibility starving craving stale valium dressed in soothing stanzas of techno banality,

to squeeze apocryphal humanity up a licentious fat ass dripping with champagne,

to drape dirt over coffins cash red bricks and yellow timber and off-shore factories and warehouses,

to construct welcoming granite porticos install rosewood benches for daiquiris and boutique beer that tasted of honey,

to sit in hot tubs with neurotic neighbors waxing hackney sipping quickly and lusting after slippery skins willing to fuck for a dollar thrill,

to watch as suicide farmers and confessional clerks aimed their passionate bullets at themselves,

to socialize the cocaine pill press hedged suit pyramid ninja junk shadowstat equity bondarama rollercoaster of fiduciary motherfuckers printing the world into a hole,

to embrace naiveté at dinner with Nigerian princes serving unclaimed petro-estate dollars from childless billionaires for dessert,

to buy Rolexes and Gucci ankle socks with titanium-trimmed credit cards and income protection plans for overweight middle-aged sagging scrotums with grey temples varicose veins and heart arrhythmia,

to light fires in houses and stuff kerosene socks under mattresses full of worthless notes from promissory relatives and sleazy uncles with Filipina wives and pot bellies that gurgled and hissed when they walked,

to smile excessively and cordially at deluded lawn mowing neighbors with watering cans and hoes and hos and hoses that dribbled onto the street,

to scream at bilious plasma and surrogate touchscreen friends and fear nothing but interactive HD voids filled by telemarketers with scripts and turbans and the temerity to ask for a name,

to laze on schizophrenic sofas sick ottomans and Persian carpets from Sweden when the sun was still high in the sky,

to run into sun like a child naked born new wiggling fat sunburnt rich in a tropical haven of slaves coconut cocktails and wives with ten kids and a cow, resolute prayers to live there forever,

to fly to paradise and paradise on promises blind to mirrors of wrinkles love handles blotches and cellulite stalactites hanging from armpits arses and thighs dripping with Pina Coladas,

to pay double and triple and get hoodwinked and shystered and post-colonialed off islands with trinkets heat rash and pirated copies of Botox and collagen,

to rear good Samaritans in patrolled palaces with sensible-shoed matrons and well-intentioned pastoral virgins hiding constant erections,

to rent grey nomad caravans surf selfish waves in tourist stops gold souqs and shiny towers made of fossilized coin waiting for Dystopia in Raqqa Tikrit or Homs,

to escrow annuities and elegiac bank accounts with gold from a Chinaman’s calluses and silver and jade from slappers back home with the clap,

to run naked in tank tops and sweaters with zircon embroidery as peasants drink smoke and dance during Ramadan and Lent,

to take Warfarin Xanax Viagra and writhe with indifference at impudent haemorrhoids lactose intolerance hip hop and sat-nav directions,

the last to homage to caskets flowers condolences on sticky ubiquitous tablets anesthetising anxiety like a cocktail of Somma,

hospitals graveyards arrogant tubes wrinkled misogynistic testicles masticated nipples and salivating mouths hungry for a sweet salty fix of nothingness filling the hole, Starbuck hits and Subway professors, imitation of a poet’s last poem, dreams that make noises like bombs and broken glass,

leaving the void darkness pits of nothingness four-feet-deep in shit and boggy unsympathetic soil eroded by time by yesterday’s garbage futility string theory Big Bang lottery,

Mark, you took too much ran smoked ran stogied ran drinking laughing at mercy fools and payment plans with superannuated knees,

Black Sabbath Jimmi Hendrix on leg guitars in a bus on a road to some Mid-West county with Pintos and trailers and jailbait,

thought nothing of morning beer and a run in the heat and sun dripping wet beer coming through pores running eight miles to see someone from a bar or a wire cage with the scent of wood and pine tar,

came to nothing from nothing but made memories of words of jokes Walkman screaming sonnets of heavy metal Roxanne hardcore that was your dance your poem your lyrical ecstasy reverberating around rooms you walked through gates you crossed hours you spent laughing like a tyrant,

the crazy banger with thick limbs hairy chin eye-popping muscle left on the floor of a kitchen, heart broken in the heat of a Lismore day when the mercenary sun killed someone who loved it,

who rose from the grave like a king playing metal on a leg with a cry in the morning like a ghost who had found nectar on a wardrobe at dawn,

haunting me calling me echoing down years through corridors of memories onto black lines howling for our hole in the ground.

Posted in 70: UMAMI | Tagged

Old Wounds

It was the day after the day
you nearly strangled
the dog pushing her
into the dirt
my eyes bulged
lips glued tight while
you shouted
keep up.

I don’t think it’s possible for skin
to get any whiter than mine was
kabuki white, though strictly
speaking shades of white are
actually neutral greys: death grey
the absence of colour.

Colour is a private sensation
anyway, like fear.

In the now of what some might call
aftermath a pattern of broken molecules
appears in the gravel below
yesterday’s feet while I fall further
behind atoms vibrating harder in the
centre while the edges of my life spread

into this new space, charged by
discomfort
every day, it’s like a new start
into an old wound.

Posted in 70: UMAMI | Tagged

What I Talk About When I Talk About Helicopters

the moth that beats itself to death against the chandelier dies an unheroic death in the corner of the study. heroic is listening to Jeff Buckley on repeat and not getting in the car to drive. repeating your sentences because your head is all messed up and you don’t recall where you end and the madness begins. you find yourself lying on the back lawn at dinnertime. look at the stars you say. they don’t make them like this in the big smoke. in the big smoke you never saw this many helicopters. the helicopter flew so low the chandelier shuddered. that’s what you tell your girlfriend when she asks. what it is that you are doing as she lovingly prepares a fig and cheese tart. you don’t hear because your ear is pressed to the wood panelling on the side of the house. I’m listening to the house’s heart beat is what you say when your girlfriend calls from an open window. a warm hand on your shoulder is not the same as a finger over a flickering flame. a knife against your wrist is not doing the dishes. your insistence on dead-locked doors will cause alarm after the fifth time. you are not Jeff Buckley. you are not heroic. just depressed. you are the moth that beats itself to death against the chandelier and that’s what you should say next time your girlfriend asks. helicopters belong in the sky not grazing suburban rooftops in broad daylight. no matter how many spy movies you’ve never watched a SWAT team will not spiral down a rope and break down your door. forgive her when she asks Are You Okay? because this is what I talk about when I talk about helicopters.

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Miguel de Unamuno Question to Us: Why that Lilies the Ice Killed?


¿Por qué, Teresa, y para qué nacimos?
¿Por qué y para que fuimos dos?
¿Por qué y para qué es todo nada?
¿Por qué nos hizo Dios?
Miguel de Unamuno

Why, Teresa, and what we were born?

The wind makes this question to the poet on his grave.
Teresa responds with rain and cold breath
She planted a kiss on the skin and in verse of the worm.
I, the poet from south who will read us
(Unamuno may think as his final verse)
My reading will be a red carnation brought from afar.
Like a reading poem in other tongue after 1936
Blood and death that was we were.
Unamuno wrote What we were born?
I don’t know.
Your question is an old nest in rare book
Like a soul flying through time & space.
2015 I am reading … lirios que los hielos matan?
And you died in 1936. (en el nacimiento de la Guerra Civil de España).
Your question resurrected in my lips
As a saliva del gozo
joy saliva, saliva kiss liking my dream
cutting these lilies kill the ice.

That and we were both?

I do not know.
maybe we were a tree planted in the soul of the world.
We went on a cloud driven by a blind sky.
maybe we were a small Huidobro thinking ourselves God love with a star.
We went yesterday (peace war wound)
we went back years (onion in the hands of the prison nursing creature)
we went two (self, other Unamuno)
and your blood Teresa (Love in the Mist)
we were eternal in the unanswered questions.
only death rests on nothing.
The two were nothing in the verses
death, forgetfulness and love that made question.

For that and that is everything and nothing?

Violins embrace the lament of the melody.
bleeds rhythm in verse all
verse nothing is a line
My reading is all nothing.

violin regret leaving the soul
crying rivers in strings that are caught in the war.
rivers sailing at nothing earth as a seed fruitless.
one violin ask? On / off
A guitar singing without question?
I am life in your hands and I am nothing in your dream.
I am made of love and I’m all into nothingness.
Teresa because you were all to be dust nothing.

Why did God make us?

God replies that dead do not charge me
who killed Miguel de Unamuno?
Teresa or lilies
God answers: love and I have witnesses
my son
& its spirit of poet
since the father was out partying.

Why did God make us?
God responds angrily means:
I did not do anyone
each is one older enough
to know who their parents.
I know poet fall in love and they believe as a small gods
another dog with that bone.
Excuse me, I am God not a poet

Posted in 70: UMAMI | Tagged

The body has become its own refrain

The body has become its own refrain,
a silent roll call ticking off each night,
no more the vagaries of loss and gain.

The family visits, dress-rehearsing pain.
Let go they whisper nothing more to fight.
The body has become its own refrain.

Relinquished – ego’s hold on pride and shame,
the loosened tongue holds court from fancied heights.
No more the vagaries of loss and gain.

Hold the hand, stroke the face, speak sweet the name.
All accusations moot, all wrongs put right.
The body has become its own refrain.

What passed for love once now cannot be feigned,
all hearts aligned, familial threads pulled tight.
No more the vagaries of loss and gain.

Let time select the picture and its frame;
today the shadow dances with the light.
The body has become its own refrain,
no more the vagaries of loss and gain.

Posted in 70: UMAMI | Tagged

Keys to Success

1. Whisky

will take you back to a damp house on an island where your love dropped a rock on his own head and sat, dazed, in the caramel light

2. Dancing

with a lover to Prince at 4am or alone in your room; both are

3. Light

on your skin on the wall, that slip of it before night

4. Glute workouts

don’t worry about the rest, it’s the maximus muscle & it’ll burn up
the nothingness

5. Movie stars in technicolour or black & white

suck on the images like bleeding cuts

6. An animal

hungry, resting its head on your knee

7. Sex

in your skin in a message on a Tube under your tongue at your neck at the curve of the thigh / I could taste you for a day afterwards / at the wrist in a head-scratch in the mirror in the dark

8. Reading

an intake of breath

9. Art

that is you unbound

10. Pain

at the wrist in the pulse in the eyes in the glutes:
squats will keep you at an hourglass, sand tickling your arteries, knee ready for a dog

Posted in 70: UMAMI | Tagged

Poem

Adultery fucks a family up as much as poverty
Because the memories can’t run away from home
That’s a lot of hatred from a mother
Nothing I’d care to discuss right now

Because the memories can’t run away from home
Once a kid learns guilt he’s going to stumble
Nothing I’d care to discuss right now
Never grew any taller, just sadder and angrier

Once a kid learns guilt he’s going to stumble
I quit school to escape the staring eyes
Never grew any taller, just sadder and angrier
I know that nobody ever changed history, but I had to try

I quit school to escape the staring eyes
The sun, the silence, the nothingness
I know that nobody ever changed history, but I had to try
Part of what makes me interesting for science

The sun, the silence, the nothingness
It was like an acid eating into me
Part of what makes me interesting for science
You’re beautiful. What’s the emergency?

It was like an acid eating into me
No sexual act ever commenced, instead I trashed the room
You’re beautiful. What’s the emergency?
Everyone’s got their own version of the truth

No sexual act ever commenced, instead I trashed the room
Just want to see if property feels pain
Everyone’s got their own version of the truth
Maybe some day, but not today

Just want to see if property feels pain
It’s going to end in infinity, and if there is no infinity
Maybe some day, but not today
Can’t stop love from doing its damage

It’s going to end in infinity, and if there is no infinity
That’s a lot of hatred from a mother
Can’t stop love from doing its damage
Adultery fucks a family up as much as poverty

Posted in 70: UMAMI | Tagged

Gambling

1.

You’re not to this world
but will sleep in the depths of dream,
pat news, cast chat,
as tenants grind chemistry’s waved night to a flask
and galaxies ping time back
to tree-thrilled square,
or cross the lake tomorrow

out to sky’s unearthed racks,
the phone a bill, or writhing messages in garnished harangue.
A predicament’s sequence like a suburb cut with freeways
clusters at the music fair –
each tune’s mock funeral to love and love’s loved bitterness
while a van’s Pop Goes The Weasel continuously passes.


2.

Car’s barbarous pitch stomps the dealer’s sporting ensemble
that twinks neck chain against blue-toothed ear
assignation for a drop he goes Tucker’s good ad nauseam
a flail of it, cap and sunnies, butts a gasper
at the church’s two-tone guillotine panes
that shine on mourners queued to kiss
the block-slot limos, and then the school’s pepper trees,
glabrous errors then, have but not want again,
coiled magpie too dappled time out of the question.

Coburg’s blue and red cars wind the roundabouts
the halt neighbour doesn’t anymore slowly walk.
Kittens scatter like broken glass
as if some hi-vis local doesn’t talk
just throws it
Curtained trees ooze him away she says

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