Linen Cartography

Between ridges of rumpled cotton terrain
time is hemmed
by 300 count cliff faces
and the stubborn warmth of rest

loitering in soft whispers of ducted air
the feather-spun desert assures me
there is no need
at the other end of the eggshell blue plains
over the distant ripples crafted
by seismic sleep

silver watch-hands cannot scale mountains
now is mine, in this woven womb
this oasis of weight and fibres
my contented crease
between skin, breath
heavy fingers
buried springs and wooden bones

Posted in 59: GONDWANALAND | Tagged

The Vanishing

They hung me upside down
by the tail, molecules starched—
those Irish trackers, old-timers.
I was tribal, a trophy locked
with rigor mortis.

They forced my abysmal jaw,
my cough worthy of attention.
I would make no apology for stray
dogs who seized their pregnant ewes,
if I could speak.

Dingos took blame for the cull.
I’ve seen the You Tube videos
of Benjamin calibrating hunger
to a charcoaled thirl, eyes barred,
his hectored shadow.

How in God’s name they shot a pack
of us, huddled with hungry cubs.
Sold a batch to Europe as domestics.
Kept me— as mascot, emblem,
field study, postage stamp,

zoology enigma
(stuffed on a taxidermist’s plinth.)
When the last in captivity died
without too much fuss—
they dumped him in a paddock.

Have I slept for a week already?
A finger puppet in snow, a Visitorian?
The post identity theory and cli-fi symposium
may never make amends. Before Twitter
or the allegory goes viral

I’ll escape into ferneries, veils of Time
from the experts, bureaucrats, Lake
St Clair’s crags, from grotto to Sphinx,
jerking all the levers—till they
vanish from my world.

Posted in PROTEACEAE | Tagged

Compositions

Some days are white
staring deep
into surfaces where
tides push shores,
sand climbs mountains.

The new border
is sometimes
vague though
flamboyant and ever
mercantile.

There’s boredom
in the banlieue,
middle management
cadres deal
in non-core activities.

It’s all mise-en-scene,
twisting towards
but not quite
a lyrical death
now lacking continental lustre.

Perhaps ciphers, emblems,
or fashion’s delirium.
Or figures
in decomposition along
walls and ocean shelves.

Posted in 59: GONDWANALAND | Tagged

Sunlight and Finches

Slipping through frosted
wombat runs,

like an animal,
I recoil where the dead deer lay.

As naked as Bellow’s mares.

Her flanks and rump to be had.

She is a photo taken by headlights,
a Shoah archive,

‘Results of search for victims whose family name (including synonyms) is Kalisch: 806’.

She lay like Kafka’s sisters,
fence wire alive with sunlight and finches.

As unbearable,
but always possible,

as ‘SS-Unterscharfuehrer Kalisch,
served in Galicia, more…’

The ghostly, chamois-skinned woman
who served in my childhood’s delicatessen.

Her creased forearm’s tattoo,
its brutal, blue European 7.

Her neat, white parcels
of horrific imports.

(My father played the trumpet in a brass band, wore an
ex-Airman’s uniform, missed the last train on Anzac Days,
walked home like a ghost through dawning, distant suburbs.)

Posted in 59: GONDWANALAND | Tagged

Ode to PolesApart – Tracking

So-long the old sweet dreams of night breath now trapped in chest-locked-tight all corset-robed and body-probed she swallows back the dread … taste bitter-burning-fear and haunting the terror in her gut forewarning memories on her body etched on fear the terror fed, and on slaved-foot she fled. Foreboding bush all charred-dark-deep magnetic moon on valleys steep strange shadows trick-torment and menace light … crouched in fear her hands clutch throat to silence screams that gag her choke all body-soaked and worn she braves the night. Hunters haunting creeping near they mouth her name so she can hear her blood it throbs-pumps-pounds explodes her heart … she digs the earth and lies down deep but they smell sweet-fear and hear her weep and night-winds whip her scent to gift the dark. Invisible and silent tears from states-of-nothing she appears then to shadows black-damp-cold she returns … she panics darts from tree to tree can’t think can’t hear can’t cry can’t see but for the memory of her sister’s touch she mourns. To her ancestors she prays she cries to free her mind which terrifies to her heavy-heart be gentle and her shame obliterate … she dreams her journey toward a place not brutal bruised or disgraced but sorrow etched so deep such memories make; this postcolonial haunting in her wake.


A response to r e a’s work PolesApart – Tracking, 2011 – single-channel video [7mins] reworked from the original PolesApart series, 2009. This new work in progress was created for the Stop(the)Gap/Mind(the)gap: International Indigenous art in motion, 2011, exhibition where r e a’s work was projected onto Heart’s Mill in Port Adelaide.

Posted in PROTEACEAE | Tagged

Harts Mill Projections

Hot February-dark
summer’s still
Old Harts Mill
potent site
- then along comes r e a

Harts Mill        remnant 19th century flourmill        five stories strong on the banks        Port River       I am small at the wharf’s edge       here      across the water       Kaurna campsites     Glanville    birthplace and home to Lartelare      keeper of the black swans      Lartelare     from this site with the sun firmly set I face west toward a big sky     in shadows I sit      watch      exhale over dark water      my eyes fixed on the Newport Quays Consortium $2 billion redevelopment     all lit-up in neon satisfaction       high-rise high-density domesticity      waterside housing for the rich     a glittering neo-colonial backdrop reflecting on this black-night’s river       this river…

…this river flooded with story carries memory on undercurrents that pull and twist in surprising directions        captures moments       drags them down        settles with sediment      layers of residual voices       visions       objects       stirred and compacted thick        mix       rich silted mud-like-blood        pulsing with dreams       past-lives      pulsing      eroding an inevitable ephemeral change       stories roar       whisper      respond to the force of time      they transform upon tides       rise and fall with the moon         consolidate and rupture to shift    then drift        currents circulate into new moments       seep into past-present-future memories      imprint      fine-silt your skin       a subtle translucent familiar       drops of essence       spills of blood      a trace       lingering on an infinity of restless souls…    

…black-swan ripples hold my gaze       the river swells      currents tempt       I dive in drink it all        dissolve        time luring deep-deeper toward shards of light       slice and glide       a soft sliding fade where sun cannot reach       where the surface no longer glistens     the quietest-dark but never still      these currents churn through inlets-outlets-islands      murmur under over and all around        I sink deeper       my skin chills on memories       a decade of protest      hand-holding-harmony      flag-flying-peace       torrent-rage     I can hear the Lartelare-Glanville Land Action Group standing strong-with-song       on this land       and my mouth floods with the voice of a thousand screams      there is no fresh-water river here      generations of bloodshed and tears drive the tides        I open up to taste it all       sweet-solidarity      salty-sorrow      the struggle’s bitter-end     we stood strong with Lartelare’s granddaughter         beloved elder Aunty wise-friend      stood strong with descendants and ancestors against this New Port Quays Consortium development       rippling      reflecting      new neon-light stories under a dark moon        with heavy-hearts shimmering      lapping      floating back to me     but here      on this land known as Yerta Bulti     we are still awake in the land of sleep      we are still afloat     on the land of grief…

…the land of grief      here      at this site        this hot February night      I remember       I miss my beloved elder-Aunty-wise friend      I float on my imaginings to her      together we watch ‘campfires lit up all the way to Outer Harbor… just like fairyland’     no high-rise-neon-light-dreams here       only Lefevre-Peninsula-Love on a quiet drift of memories     here      in this melancholic-moment I am transfixed in a haunting of projections      Harts Mill transformed      a screening of poetic-visioning       I am captured by r e a’s work     convinced I am held in that moment so they can appear        right here      my Nanna and Great-Grandmother      they rise from the sediment to drift through black water from another lifetime ago      they rise from the sediment       prick the fine hairs on my skin      brush breathe whisper against my cheek     they rise from the sediment       their hearts pound in my throat        they tell me things     like how they ran      and they ran       they ran     away and toward each other      to exhale into each other      away     in search for home.


A response to r e a’s work PolesApart – Tracking, 2011 – single-channel video [7mins] reworked from the original PolesApart series, 2009. This new work in progress was created for the Stop(the)Gap/Mind(the)gap: International Indigenous art in motion, 2011, exhibition where r e a’s work was projected onto Heart’s Mill in Port Adelaide.

Posted in PROTEACEAE | Tagged

At Knowth

we are all just passing through
this place of tabernacles and tombs
scripted in a language we
can no longer read

do the concentric circles carvings
freeze the breath of your sentimental heart?
are the zigzag lines accounts of storms
when lightning led the way?

oh the different stars and planets in your sky
are the living compass on which we all rely
mankind can journey in simple form
or pave poetic paths

how did your people learn my art?
did your people adorn their skin
did they share Songlines from my country
on their return to you?

let us sing a song for the Nungas
a song for the Gaeliges brave
at Knowth I stand in reverence
my art carved by your hand

Posted in PROTEACEAE | Tagged

At Giants Causeway Northern Ireland

Lets falsify the census to topple the popular
And drift enmasse to Burrup Peninsula
With pride to protect the petroglyphs

whatta we got to stay home for?
eating snags on toast ‘cos we got no chops
fish and chips on Fridays

The distance the same travelled for dialysis
Will the Flying Doctor take us there?

c’mon grab ya blankets
got no mortgage as a handcuff
ain’t got no key to a wardrobe

Our Land remains purer than diabetes blood
We must protect the sacred rock writing
With every drop of blood we can spill

Stand in the shadow of a valley not yet dead
As buses dispel an endless stream
The ambience ruined by tourism

Ah! Disguise the proverbs of carved rock truth
That means more, so much more than a photo shoot

Posted in PROTEACEAE | Tagged

Magpie

Magpie

Posted in PROTEACEAE | Tagged

Remnants

(Gippsland Red Gum Plains1)


I. Yeerung Bush Reserve
A grey downy bird hops down the yertchuk to look at me as I climb through the wire fence on the boundary of the badlands into Yeerung Reserve. She hops up and down the tree as if tapping on my heart, lightly. A female golden whistler. I’m here, she says, despite the eroded gulch of Fiddlers Creek as it re-enters dry farmland. Yertchuk and red gums shelter the shady interior of the tiny reserve. I could walk from one side to the other through patches of kangaroo grass and wallaby grass in ten minutes if I moved swiftly but I don’t. The chain-of-ponds creek slows down in the reserve allowing creatures to sit and rest, to hide out from the heat, or to stay if they are able to live in small places. A peregrine falcon lifts off from the bank of a shadowy water hole, its strong yellow legs hanging straight down as it crosses the pool and rises through overhanging branches back out into the dissolving sun.


II. Stratford 113 Bush Reserve
Definition of remnant2? Grassy woodland: 250 metres deep and 150metres wide. The conservation officer had been enthusiastic: quality plains grassland divided in three for ecological fire management. I stop on the roadside verge looking into the small patch. Am I in the same place? On either side, sheep paddocks. In the southwest corner an old wooden gate falls half open. Under the regrowth red gums there’s a single clustered everlasting plant with dry flower heads and nearby a clump of noxious St John’s wort .The long grasses are tinged by an orange glow from the 85,000 Ha Aberfeldy bushfire.


III. Briagalong Cemetery
A newly gravelled car park been pushed in to the grassland. Plastic flowers pile up in the dense long grass. A sign at the front gate announces that the grassland is rare and threatened. Lines of blue and white agapanthus demarcate the graveyard boundary. A deep wheel rut cuts the earth at an angle, towards graves of a lesser faith underneath a blackwood tree, bisecting the hardened memory of rain.


IV. Briagalong Forest Reserve
In Angus McMillan’s ‘top paddock’ all the red gums are the same age: regrown from sleeper cutter days. The absence of large tree hollows makes the forest almost uninhabitable. The forest block is divided in two – allow 35 minutes for a walk around the north block and 40 minutes for a walk around the south block – each section may also be traversed diagonally. There was a Braiakaulung campsite in the gully in the northern block. The Scots did away with that. Someone has built a stick ‘mia mia’ below the clay bank of a dam. Late afternoon sunlight falls on the floor of the shelter. I crouch down to look at the pattern of leaves. Throughout the forest the sameness of trees is disturbing.


V. Boundary Rd
I pull up on the track to look north across the plains beyond Emu Creek. A thousand sheep run down the slope towards me, swarming over the dam wall. Encircling the brown water they stand on their reflections. La Niña left East Gippsland six months ago.


VI. Tom’s Creek Reserve
I cut across the flat to the eroded cliffs and follow the ruined creek upstream. On a big bend the trampled sandbar is scattered with dry cow pats. African lovegrass has invaded the narrow strip of land between the reserve fence and the edge of the gulch. I try to avoid brushing the insidious fine seed heads. A few low trees planted by the Red Gum Plains Recovery Project have survived the rabbits. I look down into a still pool. A white intermediate egret stalks the reeds. At the junction of Tom’s Creek and Emu Creek dark green trees of heaven have spread to the edge of the bank above a cumbungi waterhole. Further west over the curve of bare paddocks, two white headstones from colonial times catch the afternoon light. The sign at Emu Creek ford acknowledges Good Neighbours.


V. Meerlieu – Lindenow South Rd
From December 2010 to August 2012 it rained. Waterholes, lagoons and creeks re-appeared across the Gippsland Plains. Like the gradual revelation of an image from the dark water of a photographer’s tank. Old routes and campsites along streamlines could be seen. Isolated ancient red gums stood at the edge of waterholes again. Crakes and rails crossed the road to wetlands. The sky was re-inhabited by birds. Thousands of ibis flew in formations over the Lindenow flats. Flocks of seed eating finches moved through the grasses and brightly coloured rosellas searched roadside trees for nesting hollows. Then it stopped raining.


VI. Bengworden Church Hill Reserve
Three young kangaroos search for grass on the burnt out hill, an isolated patch of woodland beside Deighton Creek, surrounded by over-grazed farmland. The ‘ecological’ burn undertaken by DSE at the behest of residents along Swindell’s Track occupying a Braiakaulung campsite. From the large sand ‘blow’ it was an easy walk south across the plains to Backwater Morass and Lake Wellington.


VI. Blond Bay Wildlife Reserve
Hog deer hunting season hasn’t yet begun. Four-wheel drive tracks cut deep into the steep dunes. Romawi Run taken up for black wattle bark and burnt continually until moving sands shifted inland in the late 1950’s. At the northern end of the reserve a few red gums wait together under the wide slope of cleared land running all the way down to Lake Victoria. At Waddy Point, waves lap mussel shells, beer cans and a discarded nappy under old saw banksias.


VII. Meerlieu 115 Bush Reserve
Last of the locals: big old red gums lean over the unused road leading into the bush reserve. I dance north over the old dunes through strappy lomandra, bracken and white stringybarks catching the Pleistocene wind as it blows down into a dune swale and up over the next sandhill: no red gums. Stands of grey-blue mealy stringybarks float in blue pools above the bracken. On the northern boundary, three red gums look out over cleared land moving with kangaroos. At dusk the unspoken knowledge is the thump of a swamp wallaby hit by a car in the gully as it crosses the road to the only adjacent bush.


VIII. Stratford Highway Park
So rare to see an un-trampled waterhole on the plains! Grassy woodland comes down to the shore. An island of white waterlilies floats in the lagoon dammed in the 19th century to refill steam locomotives: ‘the usefulness of the useless3.’ A black fronted dotterel drops in for a visit. Throughout the old railway reserve young red gums are re-claiming the gravel pit.


IX. Billabong Flora and Fauna Reserve
In sand dune country the dry billabong has shrunk inside a circumference of encroaching burgan. The track in is overgrown and steel posts mark the rapid progress of burgan towards the prostrate strawberry leaves of endangered dwarf kerrawang trailing branches in spring bearing pink hairy star-shaped flowers by the edge of the lagoon where ‘cattle once wallowed like water buffalo’ colonies of rabbits now graze.


X. Billabong West Reserve TFN
Plume grass, wallaby grass and black she-oaks: the land is so much happier here under the spacious red gums. What remains alludes to the unseen: tree shadows, white fluff of cockatoo feathers suspended in long grass, and the ghost of a vast red gum forest.


XI. Maffra Cemetery
Where: the ‘unmown grass between two tombstones’4? Neatly partitioned into quadrates belonging to their church, the dead take precedence over the living. The rare grassland that had survived 170 years of European settlement in a narrow strip beyond the protected native vegetation signs has been slashed down to dirt and the earth scraped smooth as a granite tomb.


XII. Bush Family Reserve, Meerlieu, TFN
We Spring into Nature expecting to find the old forest: instead a sandy track winds through 80 year- old re-generating red gums. We cast about for a few huge stumps among the thousands of slender trees. Further off in the bush a group of people are gathered around the conservation officer listening to a talk on thinning trials being conducted by Trust for Nature in an attempt to re-create the original grassy woodland. Bracken from a history of hot burns covers the reserve. Burgan, signal of the land’s ill-treatment, is massing in an adjoining block. Along a sand ridge, milkmaids and bulbine lilies flower inside small fenced plots beyond the reach of wallabies. Beginning from so little5, is the determination for elation honourable or naive?


XIII. Friars Reserve, TFN
The heart of the block has been ripped out: white stringybarks logged and saw banksias burnt: broken limbs and black nobbly cones against the sky. I follow kangaroo tracks through thick burgan into the glare of the late afternoon sun. To the south and west in the distance a boundary fringe of trees. Over the sandy rise an isolated grove of tall peppermints and apple box creates a refuge not to be disregarded for the raucous flight home by eight gentle gang gangs.


XIV. Perry River
From Boney Point –
Name born of violence –
Down the green Avon
To Lake Wellington we paddle

A hog deer huntress
Comes down to the Perry
To threaten us away from her land
And Americans hunting from hides

In another world my friend asks:
What would we be poaching?
Paddling to look for a fern forest
In the last of the freshwater swamps

Out by Boney Point –
How unsafe the land has become:
Poor, poor Perry
And the land we have undone.


Notes:

Burgan (Kunzea ericoides) is a native species which grows rampantly following fire and soil disturbance caused by clearing or over-grazing by stock.

Trust for Nature (TFN) was established in Victoria in 1972 as a not-for-profit organisation to protect native flora and fauna on private land through conservation covenants. The Trust has also purchased and protected properties through its Revolving Fund, as well as owning and managing properties.


Posted in PROTEACEAE | Tagged

Rock Bottom

after Rimbaud

The first dawn of June
was a dark aquarium belligerent
submarines hurled themselves
at my chest. The National Security
Agency had trumpeted my grave
and branded my ass with an ardency
we couldn’t run off in the fields.
Fur turned silver with grief below a
canopy of purple gums I played
games on my dated console, staring in
at the misters staring out, a large
bear with crystal eyes. Later at the
bottom of day I found malady,
grey bird clinging to the wheel of
a Holden, wings dragging out
like eventide shadows I get so
bristly down under.
Posted in 59: GONDWANALAND | Tagged

Milk and Honey

What would have been
the poem for you

has become an
over-riding sense

of the day – taking it
for granted, as one does,

with its drives, its houses,
its office – all the

non-specifics by which
looking back, a

huge sun-lit series
of changing moods

like grooved flat space
becomes a bare plain,

a wide riverless upland
under a lowering sky

which might be precipitation
threatened or passing over

or a storm building its
folding and unfolding

cabbage-leaves flung into
measureless altitude

in some dream
mountains. Cabbage, that is,

and acanthus. And
the mountains? Are they

mountains? Yes, the ones there….
The ones which ripple up

confused with cloudbands,
bulging across the skyline

like wadding or
insulation bats coming

loose in a roof. The
mountains are

both barrier and
points of escape, whether

going into them or over them,
offering their sublimes of

amethyst depth (sunset)
and exhilarating breath-

inhaling sunrise
salutations of

viewpoints (views where
we linger as if first light

will never shift, as if the
aquarium of specimens

will never empty, the ground
never be fully

exposed); or they’re
the promise of a

country farther on, which
must be better, more

riverine, calm beyond
words or exclamation –

a “sea-change” valley
where black swans float

like silhouettes on
permanent silver water

overhung by paperbarks
whose boughs are

mirrored in shallow
translucences while

across the fence ginger-
toned cattle trundle

through deep grass, plantain,
burdock and reed clumps,

leaving overhead
a few inland pelicans

to anchor their
beaks and gullets

way across in the blue. Having
crossed the mountains,

there it is – beyond thought
and desire. That said,

this is a day brimmed
with both those things –

impulses, wordless concepts –
too many thoughts to think

and aching desire and not just
mountains, frustrations,

plangent memory: all the
elements of the everyday

mind. I know no
moment free of them

once I have left
rare meditational calm

which is a brief, settled
state (how to stay there?)

even though, when in it,
I can hardly get up

to open or close a window
or switch on a fan and

it renders boiling an
egg an impossibility.

2

Your poem is no egg.
Perhaps, though, it is

a smidgen or diminishing
imperceptible degree

closer to one than
any act of language

which somehow must
carry unbearably complex

feelings, intangible
depths of response and

an agreed way to think
and behave —

all out of order with
the intrinsic simplicity

(yes, I’m talking about
love again – really, yes – )

which shines through
every moment of

reflection on loss or joy.
Perhaps, rather, on their

memory where it would
be good to get the connector

between them: there would be
no drift, there would be

certainty in the system
and an adequate balance

of information: night-fall,
bird-twitter ceasing, the

rise of cicadas and frogs
like a border or fringe

holding an instant darker
world together, neither sad

nor ecstatic. Did the egg
hatch just now? did

ancientness and its im-
measurable swathe of time

allow the instant to drift
apart like the continents

are said to have done,
trapping each of us

in a few molecules swept
nowhere in surf, glitter, dust?

Good to be at one with them,
to bless them and be blessed.

3

I work all day and in
the night – at last it’s come,

cooler, not too heavy, almost
free of worry – I stay up to

add some words about the
stillnesss of a down-hanging

branch of flowering
lemon-scented gum –

it dangles over the
back verandah

beckoning gliders and
possums to their mutual

love of mouth and blossom,
nectar and shoot, their

leap, screech, squeal –
a pure ease with vacancy

out there beyond the
tree’s glimmering net.

Across the gorge a shooting-
star goes down behind

the mostly patchy range whose
fires were months ago:

the star glitters a second,
two seconds, being debris

or satellite or some meteoric
flotsam, through leaves

and powdery flowers
outlined looming in the dark.

Alone, the poem’s climbed that
rock-strewn, twig-charred slope

finding its well-watered land. It’s
for the future. It feels.

Posted in PROTEACEAE | Tagged

At Glendalough Ireland

What is this obsession to tourist the dead?
I can’t understand if it is to prove
A history of belonging
Or a pride of invasion.

The rapunzel tours have failed
To pierce the blue velvet of sky
The graveyard is trampled by spectators
Only the river reminisces a monastic past.

So many languages are spoken here
The languages have arrived by bus
But there is no cohesion
The tourist culture as dead as the graves.

How I long for my people
The laughter shared in familiar
The smell of the campfire
Our eternal life.

Do not bury me and weight my soul with stone
Burn my body on the campfire
Scatter my ashes along the river
An unmarked grave for peace.

Posted in PROTEACEAE | Tagged

You Could Talk

about how the horse trough must feel
with its green algae and orange rivets
having come in at the tail-end
of several thousand years of horse travel

and most of it in another hemisphere
where but yesterday lancashire cotton
replaced beaverskin. How otiose, how belated
this uncanny child of an earlier phase

of comparatively virile decadence
compared with the impression, like birds
flying by night, of abstract words truly chosen
by themselves; but they are bats, equipped

with a sensory apparatus all their own—
unlike these misnamed marsupials

Posted in 59: GONDWANALAND | Tagged

Latte at the Edge of the Indian

No one trawls in this morning’s surly,
barely purling, grey foot wash;
only the toys of coddled children drag
in sand beneath a breakfast tabletop.

Between you and the gloss of plate glass
telescopic zoom there’s a slipway,
silver to horizon. Way out

drifting, shoals of misty shipping, and your
one fantasy of Africa ahead,
a flamingo skyline and Zanzibar.

You’re almost floating, yet moping
not ten yards over a graceless
cashier’s shoulder, the undeflectible
banality of a car congested street.

Posted in 59: GONDWANALAND | Tagged

Recovered Memory

Spur of slipped
serif
a jolt of brittle
outside, in a rasp,

a kenning of a not-
given-shape, a noise
like grass and trees
unmouthed, long water

ripening,
wind-flutes of bamboo,
some kind of this-ness
lost, a seed of many

silences begets
its pitch
and shift, coughs a glottal

choke of stress
the affricates align
the soft of lauds begins
to pattern in my mind

and I become of scales
which lip
my skin to pearl
and now I know

that I was there—
zoetic in the plangent
dark, a breathing
through a hyoid bone

an unhatched word,
a stuttering in
the throat of mud,
just as fish dried into legs

and Earth was tamed
by naming

Posted in 59: GONDWANALAND | Tagged

Dance

Recall the dance you were just now in the middle of
before turning away. At least remember how each
thing took its place in the air – the skirt

of swinging knives, plungepools of necks,
how the lengths of music, unraveled from the piano,
require one to lean in and listen close, require one

to stamp out measures of it, catch it squirming
underfoot. Soon between the two of you
there’s just the dance, like a striking

window you forget to look through.
And the music, made by movement, taken apart
in the ear and re-pieced, knuckled and trampled,

loses the sounds of itself in repetition
of itself, in segment and multiple. Soon between
the one and one of you there is always

the dance, a gowned force above the squamous floor.
And the music, which possesses no movement,
which is your movement through time remembering

the differences between moments – beat and
off-beat – becomes a nothing in the ballroom
of this and this other somebody’s head. At least

recall that what you have just seen is not
what you see, heard not hear,
there on the island of acoustic and awkward pose,

where the scaled sea has frozen but too thin
to cross, where the dance is a door forever,
is a wall to hold you here forever. Now turn.

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Davistown

after Bill Manhire

My turn with the binoculars.
The Honeyeater flies straight into the sliding-glass-door.

My brother. My yellow t-shirt. His.
My sister’s curly red hair, same as mine.

My somersault into the nasturtiums.
My best friend. Wendy.

My hands squeezing margarine.
My pumpkin left on the plate.

My sniff-of-chlorine swimmers.
My not-right bike. My ugly, comforting bedspread.

My discovery under the house.
My daydream about the wallpaper in the bathroom.

My lunchbox smell. My lost cardigan.
My hot head. My idea. My vomit.

My short walk to school. My milko. My postie.
My favourite tv show. My other favourite tv show.

My voice on the tape recorder. My itchy scab.
Shops. The beach. The Chinese Restaurant. The radio.

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Snake

sideslide mindslew
curious tubular misshapen

still stillutterly
still they always say

curseleap
backupwards onto chair

it also leap levitate loop
hoop neckhigh hoop and hoop

our mouths faces unlatched
screamsilent racehearts wreathing

noose and coil reptilian taupe
bronzestrikes the far wall drops

floorskims spools thin as a line
flat as a tape fleetlyvanish

under stepworn door and down
the boardshift from camewhere

by mischance this is no dream
this snake is not eating its own tail

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The Rainbow Bird

for Anna-May

Her beauty’s a lazy place to start,
it’s so easy. How my gaze sinks in
like a cream pie projectile;
the generous overflow. A springtime
offering: she is hay bales and peaches.
In a previous life, gingham.
My Dorothy.

Sunshine like meteor fire – I’m asleep
in her bed of embers. Leaning down
through waxy bathwater to kiss her
alive. The thunderstorm internalised.

To be coaxed from the obituaries
by a loquacious child. An epileptic
fit of orange curls – the feminine
and the guttural. I’m too kind
to hold you in my fist; I know
the opium of freedom. Afloat
in the same ripple. The birdseed
fall-away of a disintegrating sandbank.
My feet scramble for assurance to find
only the softness of seawater, a soda
stream of effervescence and a thrown
torch groping its way through darkness.

The lorikeet with its head bent
sideways as if to ask:
where is she?

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Black Spots

Landscape lost in scorbutic gloom
– the fatal blackness of the pupil –
Sturt’s body devolves
to swim the ancient ocean
that shadows country.

Completely deprived of the use of my limbs
He writes scurvy as antipodean progress
as well as a pain in the arse
so it’s fortunate – providential even –
salinity’s as visible as its productions
& though the water can’t be drunk
he finds its promise
buoys his swimming out,
(read as in),
an Australian crawl he invents
to find the flood
that floats him, limbless,
home again.

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Propped

in the dia
ry of clean be
ginnings. gift of
ponder? you make
an entry. plas
tic beneath sheet.
listen to that
a line about
clouds. absent but
near? dialect
of cirrus. night
nurse moth. how
light goes sepi
a before rain.
beyond index.
augmented fourth
remembering.
ache’s interval
hovers. the smell
of wet earth. all
your yesterdays.
resolving in
songs of loose pick
ets. heelless. how
the wind stole your
stories. slapping.
into unrhyme
sold them elsewhere.
cuff, swab. then lat
er. memory’s
pylons. much lat
er. fluky veins.
resolving out
how you find your
self. drips. stooped ov
er. neap tide. lap
ping at these same
lines. feeding you.
to scree of now
from a vast un
mapped. inland sea

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Guernica

obviously

“I was born on the day they dropped the bomb
on Nagasaki.”

She says that in the pool room
as though she wanted to avoid a conversation about war.

There is nothing left of his night.
Jarred empathy made objective.

We cannot sift through the debris of what we are yet to do.

“What can we do to create liberty and justice for all?”

They are perennially millennial. Always making
new play dates with Christ’s soccer mom.

— He looked at Picasso and said Did you do this?
“No, you did.”

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Peppermint and Ivy

in process: breathe out
completely don’t tense
don’t squeeze
and here you thought
this very best part
of you was
don’t kick your leg keep
was temperance
keep your cheek to stock
contact
and moderation
become the life you
are taking—let them move you
close one eye
the muzzle lifts—you speak
neither of you know when
this intimacy comes but you
both let
go:
hummingbird or tether
ball it’s not your choice
now Voit you must under
stand that you fly-twist around
the fixed point of the snap
dragons. Your feathers
your feathers are like
the downy fur of the
tomb guardian cat
you spherical beak—your
skin has been known
to break noses invisible
wings a fist two people
toe to toe nectared kiss
and the thrumming throat
girls sing song through
the cloven foot horned man
lifts his snout
points god’s finger
the twirling rope your whole
life is jumprope
let us drink.
To a happy war
corespondant & a hang
glider
after Sean Waer hit me
in the face with the rotary
phone
I will never forget what
children are capable of
Remember Ender’s Game?
There were whole days
contemplating grass
blades
and leaves.Later
the mouth of a bottle turned
upside down lilies
dirt & sweet dript
we found a home in the ribbed
cage in the cross hares dript
on the merry go round
we spin how two bodies
two bodies mergemergeon the merry go round
happy! Happy Chiasma
the peppermint
the peppermint of ivory
and blood peppermint gently
the peppermint of ivory &
blood gently licking usout
of existence the spin
spinning O the spinning
Happygently O Happy.
Gently.
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