GUNCOTTON



Introduction to Rachael Briggs’s Common Sexual Fantasies, Ruined

Cover design by Zoë Sadokierski The polka originated in nineteenth-century Bohemia. A dance for two, it is reputedly simple to learn. Three steps and a hop, in fast duple time, with various steps – Turning Basic, Pursuit and Waltz Galop …

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Philip Salom Launches Judith Crispin

What’s immediately significant about Judith Crispin’s poems is how strange they are. They bring into focus a world which is vital, lit, emotionally open and compassionate, but one which is also other-worldly, subject to laws and visions and visitations which are not those of conventional dailiness. This world of The Myrrh Bearers is animistic, shadowy, elegiac, and is certainly not routine and logical. Despite many who believe otherwise, our world isn’t routine and logical either. If it were so, would we bother getting up in the morning?

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Submission to Cordite 56.1: EKPHRASTIC

Poetry for Cordite 56.1: EKPHRASTIC is guest-edited by Paul Hetherington and Cassandra Atherton. NOTE: due to the nature of what we’re seeking, we’re going to be accepting submissions to this special issue for a considerable amount of time; submissions close …

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Submission to Cordite 54: NO THEME V Open!

Poetry for Cordite 54: NO THEME V is guest-edited by Fiona Wright and Omar Sakr. This issue will be a glorious miscellany – no theme, no rules, no agenda, (no pants?) – a beautiful ambiguity. We want all of the …

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2015 Val Vallis Winners

Winner: ‘Precedent‘ by Andrew Last That rare thing: a non-ponderous sonnet sequence full of surprising imagery, humour and light touches. The poet is obviously at home with the form, the way they vary stanzas and run meaning from one sonnet …

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Feverfew

My son the frog-prince of fitzroy gardens is running a temp, the poor mite has been tossing and turning all day with forehead on fire, eyes bulged more than usual but mind fuddled less than. Please, he says, please c’n …

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Haibun: History

1 And what of the cessations the early heart never saw? Saying nothing of the quick brown typist nor with curly hair if possible. It does not so become him these days, that constant glow, the moments here of silence …

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Precedent

One who would cry over daytime television has been found in my living room. There is a distance between the two anchors to maximise drag. If it’s not a blender and it’s not a juicer then what is it? Depending …

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Lucy Van in as Short Reviews Editor

I am pleased to announce that Lucy Van has joined the Cordite Poetry Review masthead as Short Reviews Editor. She will assume duties near the end of 2015, starting with all new short reviews commissioned at that time. Lucy Van …

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Marion May Campbell Launches Tracy Ryan’s Hoard

Tracy Ryan, whose new and eighth full-length poetry collection we’re celebrating, Hoard is also a four-time novelist (Vamp, Jazz Tango, Sweet, Claustrophobia), a memoirist and translator. Her work has been acclaimed in multiple commendations and short-listings and has received the …

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Robert Wood in as Commissioning Editor

I am pleased to announce that Robert Wood has joined the Cordite Poetry Review masthead as a Commissioning Editor. Shortly, we’ll start a series of critical essays from Australian and international writers, about one a month. This is in addition …

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Submission to Cordite 53: THE END Open!

Poetry for Cordite 53: THE END is guest-edited by Pam Brown. Read Corey Wakeling’s interview of Pam from 2012. Let me start at the very end, the dead end, the living end, at wit’s end, the end of the line. …

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