Memento Maury

I wish I could forget that craggy mug
In any given doctor’s waiting room
Provided like free samples of a drug
To numb our fears of sickness and the tomb

With strangers’ chosen pains, affairs and beefs.
Who should be sorry, or who’s coming out?
A test dissolves a family’s beliefs—
The father’s name now known beyond all doubt.

The host consoles, cajoles and referees
Until hour’s end, and that, friends, is the show.
Tomorrow’s guests and their dark comedies
Will come from ranks as limitless as woe.

His talents thus employed, what have we missed?
One hears he used to be a journalist.

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ASMR & Geekophilia

-with words from ASMRtist ALB in Whisperland

Whisper to me about Pokémon cards.
“Piplup, Mew.” Coo & murmur, “Noctowl,”
through my speakers at night. Crackle
the wrapper of a booster pack between
your fingertips. I want to hear its tenor-
ous opening tear, your millennium pink
fingernails tapping on a secret rare foil
of Charizard, as you say, “I’m a very
sensory person.”
Slide each card slowly
off the stack; I feel your caress on my arm,
your breath in my ear, whispering, “Look
at this one. Oh, my gosh.”
My gosh,
my gosh. When you say, “Pokémon
are a part of our life,”
a tingling down
my body. I climb into your susurrations.
“Smolive. Slowpoke, so cute. The pink
background, the sparkles.”
My head is full
of down and batting. “Cacturne, Flittle,
I’m over the moon! Snorlax, Drifloon…”

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Days of Heaven

Two weeks ago, I watched “Days of Heaven”
at Suns Cinema. There were some real locusts,
some just peanut shells. The film was made from shards
of three years, so it looked like memory –
the memory of weddings, the memory of fire.

The drink I held was melting and melting,
until it was bathwater.
I don’t know if that film was about love,
which I’ve felt as bodies smearing in the wheat,
and our souls staring out between the fingers.
Maybe the locusts were close enough.
Alien-blue seraphs, the engines in hunger.

It was only after the movie ended, that I felt
a chewing in my lungs, the grazed reminder,
that I was holding my breath again – that I was
holding my breath again,
the locust in my chest – which was exactly
how it felt to be with you, so long ago.

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The Non-Bogus Paradox of Keanu Reeves & Most Serious Choice (A, Most Excellent, Cento)

You ever have that feeling where you’re not sure if you’re awake or still dreaming?
When you wake up, wipe the slugs off your face. Be ready for a new day.

It’s when you start doing things for free, that you start to grow wings.
If we’re gonna waste the dude, we oughta get paid for it. I mean, that’s the American way,
right?

Heaven and hell are right here, behind every wall, every window, the world behind the world.
It wasn’t just a puppy.

If you can make a woman laugh, you’re seeing the most beautiful thing on God’s Earth.
God’s a kid with an ant farm, lady. He’s not planning anything.

Lying in bed with my lover, riding my bike, happy times with my friends, conversation.
I want room service! I want the club sandwich, I want the cold Mexican beer, I want a
$10,000-a-night hooker!

It’s always wonderful to get to know women, with the mystery and the joy and the depth.
Pain heals. Chicks dig scars. Glory lasts forever.

What does a scanner see? Into the head? Down into the heart? Does it see into me? Into us?
clearly or darkly?
All we are is dust in the wind, dude.

Be excellent to each other!—Shoot the hostage!—
Whoa!—Remember: crazy not stupid.

I wish I could say something classy and inspirational, like
“I once saw him kill three men in a bar with a pencil. With a f***ing pencil!”

My name can’t be that tough to pronounce!
Choice, the problem is choice.1

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INFLUENCER MANSION

winter was there but you wouldn’t know it, outside fully leaf off but the girls still doffing bikinis in every post & the steroids still seem to be diligently regimented, the infinity pool still steams so invitingly, one might wonder how spending time in the gym always ends up so effortlessly lending itself to energy drink endorsements, how some folks seem to casually encounter howitzers on a near-daily basis, how / life is more about setup, you know, and i wanted to like set it up so i could get laid without like having a bunch of conversations and dates and whatnot so when i’d have these pool parties i’d have like 30 of my friends and then like two to three hundred girls

the meet and greets, the whiter than white teeth, winter like a facsimile of a smile, sometimes they don’t want you to know how empty the party life can be, yet every post is forced positivity and more parties and welcome to my party, i used to be in love with how short the days seemed / and i basically wrote about where i was at at that moment and it was kind of like a realization of like i needed to get help this is where i was at and yeah it came out really simple just super easy…it’s basically like a setup to the prequel to all the songs i made while i was in my addiction

even though you can’t see to the other side of the kitchen, even though most days are played out on the chaise lounge doomscrolling straight into oblivion, even though it turns out the person i married that openly compared themselves to god wasn’t everything i thought they’d be / it’s like the little things is what i don’t have, i have all the big things, i have the extravagant everything you could possibly imagine and noone will ever do it like that i know that you know what i mean and i’m grateful for those experiences but

it’s a very odd experience to take an animal’s life, the first time i did it, it was psychedelic, it was a transformative experience / and then i started referring to everything, regardless of its veracity, as a truth bomb, the flower arrangements being just another way to forget you live in a prison and you know to be honest

i didn’t ask for any of this, tbh some days i pretend i’m sylvester stallone & just run up and down the driveway and i honestly feel cajoled into the 21st century, each season of survivor i honestly think: we’d probably be better off if instagram had never existed but i suppose the tribe has spoken, and honestly does this honesty make me an edgelord, honestly it barely keeps me a brand ambassador, honestly i didn’t even know there were so many different types of vitamins / honestly like seeing sorry seeing how people reacted to this like i don’t even know if i wanna do this anymore like this is messed up stuff people are saying

it might sound cliché but nietszche said the only worthwhile thing about life was dancing, foucault said the madness of people is divine spectacle, truffaut said you can’t have an anti-war movie because all war movies eventually devolve into spectacle, why are french people so obsessed with spectacles, sontag said we’ll do anything to keep ourselves from being moved, shakespeare said idk you guys, our phalanx at the bar yelled why can’t we see something beautiful without also desiring to possess it and in the comments section someone said / so it’s really funny because i thought i did my like face super cute today and now i have to redo my concealer cause you made me cry

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I Google ‘are Pokémon edible?’ and wonder if I’m a bad person

I don’t know where Meowth’s whine starts
and the voices of my brain weasels begin.

Sometimes I’m a Poliwag, an over-sharer:
small intestines like hypotonic corkscrew
on show for all to see.

Whenever I go to a polyamory meetup,
someone has a beer in one hand, Pokémon Go
in the other, and a smart mouth that jokes,
‘Gotta catch ‘em all!’

I wonder if TERFs relate to the female-only
species Chansey – harbouring the fragility
of eggs in their front pockets, reproducing
only through clones of themselves.

The pastel blue-pink-white ears/feelers/fur
of Sylveon is the most #TransRights shit
I’ve seen on my TV in a long time.

I wonder if I’d ever have the guts
to eat a Farfetch’d – pluck and cook
its rare flesh, garnish with the leek
it used fruitlessly
as weapon against me.

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In case I say no to someone at the reveal of Love is Blind

I want everyone to know, it’s not you, as much as that picture of young Stalin
(Google it) after our high school history book showed us only the cemented
face of old Stalin. Sean Connery tanned & shirtless as 007 in the 70’s, not
The Rock, so many shades of grey. The squeal of 1000 ladies, as Tom Jones opens
his mopheaded mouth.

I’ve been in a frenzy, image searching philosophers, since
I realized I’d never seen Jean-Paul Sartre—who, I must say looks
exactly what one would dream up of the gourd of existentialism.
How comforting this was, like when I discovered the singer of Ought
(I didn’t Google his name) looks exactly like that. Not special, just right as
expected.

When I saw Win Butler (the singer from Arcade Fire) durging on
online videos, it was our funeral because there’s something earthquaking
when a voice doesn’t fit inside the body it’s been allotted. Could you
imagine Marx without a tangled beard, and not to shake something but
Tame Impala is one guy. Imagine him seated alone in a studio
surrounded by instruments, contraptions, wires, whys

Posted in 110: POP | Tagged

Gosford

skins of an eel found in gutter
reminds me of butter smells
on a bowl of rice getting us
through until payday
then it’s strawberry milks on us
a bruised man is ripping bongs at the bus stop
cockroaches in lakehaven subway made the
newspaper
mum dropped the lasagne and my brother
cried in the shower
pelican itch will get you if you can’t swim
snag the motels cereal boxes
watching you cry after court
when it was hot on the bus leather seats
smelt like rotten petrol
avoid eye contact with the neighbours
throwing jim beam cans at each other
avoid the alleyways and dress for invisibility
blue bottles like the storms, storms will be
a reason for running
soggy gravy chips at the RSL, drawing on
keno cards and picking your lucky numbers
the community bus took everyone home,
my eyes searched for yours to meet.
street by street the plovers still squawked
jam on dry weetbix reminds me of
hearing you happy
finding golden keys in the loudness of a
quiet purse
every so often, violence resetting the
bus timetable the bottlebrushes the
shape of them under dry reverie and
thinking I was allergic when what I was
skimmed the sea, pulling in paddles
I was born in Gosford and when did I
develop super eyesight
we gave when we had something to give
strange men came in and out of the house
and I developed super hearing
the plovers grew swords

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No Cinematic Act Could Counterfeit

Confession flooded out that summer, the season of typhoons recorded in news, in memory, in that sweat-soaked scent and taste of your body, in my tongue. My mother and aunty snapped and slapped me though neither remember to this date which I doubt. But what can doubt signify except pain and guilt and if you are like this I will abandon you I will never love you you will be better off dead? In year two I borrowed your sci-fi book with an intention of never returning it back to you unless you return me love. In year three you kissed me once and never again. In whichever year I cannot remember I learned and memorised this line of that poem from that collection called 诗经 or Book of Songs/Poems and it goes [执子之手,与子偕老] which would lose all its puncture and punch when translated into English though here it is and there you go: holding thy hand, growing old with thee. What’s missing here is Sigmund Freud, by which I mean James Strachey the translator, by which I mean MOURNING AND MELANCHOLIA.

Tonight I am filthy I am filled with nicotine. Tonight which is just like any other night you are not with me and I don’t want you here either. But tonight it is the same night that I relentlessly clean my room, brush my hair, listen to 张国荣/Leslie Cheung singing 月亮代表我的心/The Moon Represents My Heart, and mourn for a cinematic excellency that captures the density of loss and pain and guilt in evocative 80s dim colour and pensive melody.

                                           No cinematic act could counterfeit
                                           the hands we hold tight tonight
                                           in the dim Hong Kong street-
                                           light.

But nostalgia is poison so I actively decide to live and mourn for this moment. I walk out. I look up. There is the moon. The moon, hanging, crescent, represents my heart. And I live this moment:

my right hand reaches for
you in the dark;
                                           absence = more present, in which there is
no remedy no melody but pain. And it is good. It is very good.

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Thirteen ways of watching Dr Phil with you

I.     Today on Dr Phil, we are identical twins. You have a fetish for clowns, and I have a phobia of clowns. We live together for some reason in a city where clowns are readily available.

II.     Today on Dr Phil, a mother of six has abandoned the Mormon Church for a life of partying. The stream buffers; you are taking off your socks.

III.     Today on Dr Phil, you are a sound technician, and I am a goth who won’t apologise for my hardcore lifestyle. My mother makes an appearance holding a rosary and I burst into tears. As you gently unhook my mic pack, my corpse paint leaves a mark on your collar.

IV.     Today on Dr Phil, your fixation on animal rights activism is negatively impacting your relationship with your family. I am sitting in the audience with PETA on speed dial, ready to throw red paint on anyone who laughs at the wrong moment.

V.     Today on Dr Phil, a man who lives full-time as a dog is unfazed by Dr Phil’s reproaches. He wears a fur suit and smiles indulgently as footage rolls of him eating out of a bowl on the ground. Phil is spinning up all his missed opportunities for a big wife and nice career out of the ether at greater and greater velocity but the dog man wants none of it. When his mum dies, he will inherit her house and continue living there, he says, so he doesn’t need much to live on. The camera cuts to Dr Phil’s wife Robin shaking her head in disgust. When the episode goes to air, our cheers of solidarity are dubbed over with canned laughter.

VI.     Today on Dr Phil, Dr Phil is broaching the topic of pronouns. We watch Ramsay’s Kitchen Nightmares instead.

VII.     Today on Dr Phil, the episode never goes to air. Due to industrial action, the AV staff have walked out in solidarity with the maintenance crew. You and I remain in the green room, drinking room temperature water as we wait for our cue. I pat “the friendly one” of your eighteen chihuahuas. After nine hours waiting we hug goodbye. In the cab ride home, I tell the driver about your chihuahuas. A few blocks away a lighting tech is telling their girlfriend about your chihuahuas too.

VIII.     Today on Dr Phil, we are striking in solidarity with the maintenance crew. We are asking Peteski Productions to come to the bargaining table on permanent contracts with health benefits. You say you feel sorry for the guests who never “got their moment.” I say, “I think one of them was just a weirdo with a chihuahua.”

IX.     Today on Dr Phil, my strapline reads “Jini Maxwell, 31, thinks she was born in the wrong body.” It is 2004. Dr Phil is not open to a discussion about more inclusive language.

X.     Today on Dr Phil, we join via livestream from our home in Second Life, where we are married and have lived together for many years. In the physical world, you work evenings at the ANU Centre for Social Research while finishing a grad cert in occupational therapy. I am sixty years old and work in administration for the Bismarck City Commission in Bismarck, North Dakota. Dr Phil turns to the audience in mock amazement as he questions the reality of our union. We have never met in person. You describe our love as a meeting of the minds.

XI.     Today on Dr Phil, this serial catfish is unrepentant. There is a softness to the catfish’s face that is giving less “boy” and more “boymode.” Phil tries to lay down the law but she just rolls her eyes and shrugs: “isn’t this just like, life in the digital era?” That night, you send me a selfie from a pub bathroom with a caption that reads, “isn’t this just like, life in the digital era?”

XII.     Today on Dr Phil, Dr Phil is apoplectic. His foundation runs from the crown of his head down his temple. You are blushing down to your collarbones, but when you look up and say that a better world is possible, your voice doesn’t shake. He tears off his shirt and screams, wrenching and guttural, into the cued recording of laughter from a long-dead audience. Then he folds into your arms like a baby, whispering his first ever words from the heart.

XIII.     Philip Calvin McGraw, born September 1 1950, is a television personality and author. He is best known for hosting the talk show Dr Phil.

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Some Things I Hate About Online Dating

I hate it when I show up for a date with somebody and don’t recognize them because their
profile had what I thought was a photo of a very tiny man with a regular sized fish, but it
was actually a photo of a regular-sized man with a great white shark.
I hate it when my date leaves early because she finds out I’m the person her dentist complains
about while he’s using his pick to remove her cavities.
I hate it when people misunderstand my pick-up lines so profoundly that they get angry and
resort to leaving bad reviews for me on Rate My Professor at made-up universities that
are not inaccurate, but target my deepest insecurities, and also they give me zero chili
peppers.
I hate it when I give a fake phone number to a woman on Tinder who ends up being a lawyer
who doesn’t sue me, but keeps threatening to in increasingly obscure and frightening
ways.
I hate it when I show up with roses, not realizing that my date is highly allergic to roses, or that
there is a spider hiding inside the biggest one, so that when I put them near her face,
insisting she smell them, not realizing I’m about to trigger anaphylaxis, a spider jumps
out and lands on her forehead.
I hate it when I ask my date to come with me for a romantic picnic in the cemetery, only to find
out upon arrival that there was a funeral scheduled in the exact location I had chosen for
my picnic blanket, and we’re forced to give eulogies for some rando’s promiscuous great
uncle.
I hate it when my date gets arrested for tax fraud right in the middle of the Hazel Dell Jack-In
The-Box.
I hate it when I try to impress somebody by reciting the entire book of Genesis, but they one-up
me by acting out Revelations with elaborate props and shadow-puppets.
I hate it when the person I’m talking to asks me to sext but they only communicate with cryptic
emoji symbolism so I miss my opportunity.
I hate it when my date throws a drink in my face because I don’t have a penny to put in one of
those souvenir penny-crushing machines and they think I’m just being cheap.
I hate it when I choke on my asparagus at a restaurant and the waiter has to give me the
Heimlich maneuver because my date is so embarrassed they try to escape through the
bathroom window, but their pants get stuck and an employee has to come get them
while I recover from nearly dying because of the undercooked young shoots of a
perennial flowering plant.
I hate it when I think I’m talking to a hot guy but he turns out to be an AI network designed to
test the gullibility of humans on dating apps, and when the researcher reveals this to
me, they also say I’m not really as pretty as I think I am.
I hate it when I take somebody on a behind-the-scenes tour of SeaWorld and they get mauled
by the orca whale.

Posted in 110: POP | Tagged

bimbo summit

bimbo summit i know what you did last summer that’s hot pleaaaaseee we don’t even smoke sugar crash coca cola blackberry xoxo gossip girl original vs reboot showdown the met gala runway slideshow looking camp right in the eye gucci louis fendi prada givenchy fashion baby tiffany ‘new york’ pollard best moments compilation vine compilation asmr sound compilation lady gaga oh hi barbie oh hi ken its britney bitch y2k inspired baby tee low waisted mini uggs this is what makes us girls did you know there is a tunnel under ocean blvd like how does she even come up with those album titles chocolate heroin tumblr feed set to endless scrolling fyp binging check out some of today’s most watched reels on the instagram explore page algorithm are you coming over to watch rhobh later i’ve had enough of you you beast, beast??? backrolls! let me ask you a very fair question sashay away kim there’s people that are dying david’s dead are you team edward or team jacob bella where the hell you been loca this is the skin of a killer we invented post it notes im sorry i can’t don’t hate me baguette bag j’adore dior fashion darling i was rooting for you, we were all rooting for you, how dare you! bottle blonde bleach and tone should i bleach my eyebrows i was josh safdie’s muse when he wrote uncut jaaams bon maman bon vivant bonnie and clyde bumble bff mode daily mix horoscope explore feed for you page costar what time were you born ohhhhhh that all makes sense you should never trust a scorpio which breakfast food are you what’s your attachment style myers-briggs personality type quiz you were in my dream last night and when i googled what it meant i was like im literally so dead
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convenience

embalmed jackfruit, sprightly poster tots,
dregs of the dregs of tea culture, prinked neon
transformed sugar and pineapple plastered. she
sighs at the card surcharge sign but

stretches her limb to the ceiling’s droop so
my data, my pass for solvency, drifts high into
space’s apex, catches corner’s intenser verb from
cell phone tower … blip’s amen and the authenticating

waves roll through us. sad heir to climax! armfuls of
punishing refinements and the crystals of
salt. i grow liquid and am solved

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This is my swamp

A deflated astronaut’s lung
hangs pegged to a Hill’s Hoist
in every other Brisbane backyard,
sapped dry of the Fruity Lexia
that makes you sexier.
This is my swamp
jokes the Brisbanite too loudly
to his confused, clammy neighbour
as they sweat their asses off
through 85% humidity days.
Swap the mud-thick Myers Scottish
with a lilting Day-Knight twang
to the tune of Look at moiiii or
It’s nice. It’s different. It’s unusual and boom!
You’ve got a successful social interaction.
I believe Shrek would feel right
at home here, All-Starring somewhere
in the long, winding backwaters
of our suburban clusterfuck.
This is my swamp, tries our Brisbanite
again to his retreating neighbour,
puzzled by the reference that doesn’t quite land
for his generation. If only translated to:
It’s not the heat that gets ya. It’s the humidity
then maybe they could be friends.
Surely if The Castle was set in Brisbane,
Darryl Kerrigan would take a deep breath
and hit us with, How’s the humidity?
Brissie Shrek would marry Tracey
and practice kickboxing with her in the backyard
under the wheezing astronaut’s lung.
He’d look like a more animated Eric Bana
hulking with sweat and septic
green as the Streets Beach lagoon
we love best at a safe distance.

Posted in 110: POP | Tagged

Headlining

Always having to look like a pop star is exhausting
Here, people shake our hands in the street
Vulnerable boys are drawn in
But I hate my ageing body
Why do I look at myself with disgust?
How do you grow up in an anti-ageing world?
Before Survivor, I trained like an elite athlete
Nothing prepared me for what happened next
I saw the trees from Bluey everywhere

I’ve had a hard time between shows
For my new role I ate fried chicken, french fries, donuts
Fame gives you the worst main character syndrome

I pledged I’d go to mass for 30 days to understand what I was feeling
I’m a really emotional person
Ten minutes in and we were both crying
Then I found my dream job, thanks to a nasty fall into wild garlic
I didn’t need persuading
This is my chance!
I was a Harrods store detective for a day
Behind the scenes at a drag competition –
Eighty-nine perfect minutes

An eye infection brings domestic life into sharp focus
My son is refusing to eat his dinner, he litters indoors
I own multiple vacuum cleaners
But do I need a $3300 self-driving stroller to be a good parent?
You can’t blame the young for being moody
My next steps are critical
This pasta has some really big energy

Now the chatGPT bot is causing panic
So I took my dog to obedience school
But it was me who got trained –
Befriending a wild animal will make you a better human
Don’t just do poodles, sitting ducks, lesser-spotted balloon animals
We should all try to be this sexy cockatoo
Turning into a wolf was fantastic


The above cento employs, sometimes with minor alterations, headlines and subheadings
from
Guardian Australia, www.theguardian.com/au

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walking bernadette mayer

at dee’s we read dickinson
then do a sound meditation
then read her again
it puts me in my place
i needa brush my teeth
i bought greek biscuits and
kombucha in a wine bottle
labelled backyard bubblegum
sian brings geelong pinot
on the tram home my teeth hurt
dee’s friend has a well decorated
apartment hi res images he
prints at officeworks in expensive
frames— he works nights
i have work in the morning
i need to shower and rest
but i’m restless like a biscuit
dipped in chocolate then in nuts
for the taste i’m banking on the night
as usual to exist
a man on the tram says this
is us, right?
i like to kiss your face
i like to ride in the night
under harsh fluorescents
i’m in a bay window in the front carriage
heat is publishing five of my
poems from brooklyn new york
to seddon melbourne— bernadette
mayer is from brooklyn
which i didn’t think of when i
was there or the other day
when she died—
i have not enough toothpaste
bought a tube at cheaper buy miles
flavour lemon myrtle
watched shawshank redemption
with melody— the prisoners found
freedom in music
passing naughtons one more
stop then walk to haines st
where i am still lucky enough
to be living
you calm me down but it’s
complicated— i’m a little
fiendish i want so badly
to be brushing my teeth and in bed
alone to think i love my phone
to type in as a treat channelling
bernadette as best i can midwinter
mid spring mid menagerie
i swig the wine in the safe neighbourhood
the school smells like flowers
do you like poetry well you like
me— suddenly ‘you’ i’m addressing,
is it? i told ‘them’ i’m
addressing ‘poetry’: o, POETRY
how are YOU going? walking alone
needing vaguely to shit and brush
my teeth shame is wasted time
i love my friends my two
strong legs the size of pictures
wall hanging pictures
i’m in a haze
haranguing myself into the picture
i too am a tree only little
only with fourteen branches
and one apparent centre
a playground passes me by
when i was a boy i wanted to
build playgrounds for a living
so that’s what i do with my life now
and i can hurt people too
and i try now to be good and real
o pavement pavarotti
doing a line of cocaine off nefertiti
o nefertiti i never knew thee
homegrown as i am an armchair
a daybed a snail a sticker on
a computer i channel a bridge
not whitmanian the moon is indifferent
a snooker team from queensland
mocks me it is almost cold i am
almost home the home of my
friends i’m sitting— the plants
are watered the carpets are vacuumed
i need coffee and dish soap i have
toothpaste and protein cookies
this is the future fourteen branches
like fourteen pub crawls are you with me
baby i see you in ohio and so
you see a car is nice to me so
is another car i’m typing writing
right into slumbering traffic
ahh be done with me
when you are done with me

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Poem for Sōng

I have been inconsistent.
My year is stuck 3 emails behind
& I am ‘professionalizing’ (don’t know
don’t care). In 2022

my therapist told me she hated Everything
Everywhere All At Once
& I thought,
‘so what’s the point of getting better??’

That’s a joke. It really did upset me, though.
Michelle Yeoh meets angel miss america
in their event horizon & nobody
says anything. Horror.

In 2019 I typed out 2 years’ worth of violent texts,
cast Ming Yang as me & my straight white doppelgänger
(he is cute) as the bad boy ex from Taiwan.
We named the play Jiangshi & no one under-
stood (or cared) enough to call it off 😮 😮

& sure Angels in… was better, but it was also
different. They say art’s not therapy but good
ethics is an art, & oops —

In 2016 the state theatre co staged part 1 & then forgot the more.
A museum in there. I’ve held my sneezes ever since.
So: back to non-existence.

When I meet Michelle Yeoh I’m going to tell her
that I ate a bag of wild berry Skittles every 3am
for weeks until the outdoor cinema I cried inside (or out).
Anything of me bears no relation, & yet —

is not this:

A) The bleeding void?
B) The martyred feathers of a continent??
C) The final chance for me to hop???

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Eddie Speaks

after Venom, the Movie (2018)

I sometimes wonder if I made you up – imaginary
friend who will say yes to all that should be no.

I sometimes wonder if you sprung from my worst –
the secret Id gnawing at the roots of the Ego.

In the tritest kind of movie, the audience discovers
that it was all a dream, a hallucinatory vision,

but this is an action movie, where injury has no
consequence, where impulse is a licence to kill.

You worm through the benevolent consensus
of my mind, staging your coups, setting up puppets.

Maybe you are the oldest fear learned at birth,
though I have never been truly hungry in my life,

nor ever hollowed by starvation, though you
move me like manic exhilaration after diagnosis.

If you are the voice of God, you are the insistence
of ecstatic possession, there is no room for worship.

If you are the small voice of my conscience, you are
Jiminy Cricket on Crack, vast megaphone of desire.

You thread in me, you thrive in me, I retreat.
I sometimes wonder if you made me up.

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i ain’t reading all that / i’m happy for you tho / or sorry that happened

“She owed us so many poems” – Keaton Patti’s AI-bot-inspired obituary
Constructed one sentence per day


What if I don’t have any poems left in me? Don’t talk to me until I’ve had my cosmic comeuppance. It doesn’t matter what happened to me in private; people will only ever remember that I was publicly insane. I used to love honey and fear drugs. Now I’m all drugs and bees, no sweetness. Perhaps I’m only human if you believe in me hard enough, if I’m sensible and sympathetic and ever so good. Enchanted by another snail, I weave desire paths through my own muck. Would I still make an iconic lollipop lady? Something something something fugue. In the emergency department, we are a series of questions without an appropriate checkbox. The waiting room full of false rainbows and unknown variables. My coming out story is the ballad of Earring Magic Ken. I don’t want to perform wellness, but I don’t want to perform sickness either. In your dreams, my mouth is Velcro, spilling scratchy secrets. In mine, my fears crumble to salt and I eat them on French fries. You untie my shoes for me when I’m too tired to put myself to bed. I don’t notice until the next morning, when I’m moulding my feet back into shape. In the (psycho)tropics, nine out of ten GPs are frothing to shame my body for how it responds to antipsychotics. I recover from the eating disorder, and they breathe a sigh a relief that I am fodder for their fatphobia once more. I am diagnosed as a character from Chicken Run. I am both the nerd and the ditz in Chicken Run. I am the utopic lesbian aspirations of Chicken Run. The world is full of scheming plasticine rats, just like Chicken Run. I’m in love with the shape of Chicken Run. What does it mean when you get the Tuesday Suicides every day? I masturbate: is that a little suicide? I make a nest from my own hair because I don’t trust anyone else’s. I am a private menace, disturbing my own peace. All I want is to dilly dally. Too much dilly, not enough dally. Or vice versa. A dilly dally dilemma. I wish I could stifle the sound of my chaos into the tune of The L Word theme song. A different song plays. It’s the music from reality TV dating shows that indicates a contestant is an utter clown. I don’t want to kill a fly for buzzing. I don’t want to destroy something simply because it’s annoying. January melts and mumbles. Sorry for setting off your uncanny valley detector. My dad tells me of when his family home burned down around him, but he refused to leave until someone made him a ketchup sandwich. It’s this, more than the shape of our elbows, that convinces me of genetics. I’m one minor inconvenience away from becoming a cartoon supervillain. I name my absent children after the noises in the attic, and all words lose their meaning. They call it semantic satiation. I fill in the blanks with lorem ipsum. Under this roof, we go off impulse. I’m addicted to competition shows where the judges cry a lot. I watch Insta videos of some guy eating porridge while covered in rodents. Frisson itches. You go away for a week, and I forget to nurture the parts of myself that make me a person. I let a spider claim the kitchen. The dog claims the bedroom, the cat claims my skin. I’ve never once felt refreshed in my life. Standing around like a person emoji, I fixate on hyperdontia. Hyperdontia wish your girlfriend had teeth like me. I want to be angry so badly, a pre-emptively clenched fist. My fursona is the dust monster from Round the Twist. It’s easier to live in corners. Each cluster of breath tastes like a mistake, a sunflower smoke. Are these pareidolic faces mad at me? I am Zac Efron’s pond reflection in the ‘Bet On It’ number in High School Musical 2 – a shittily edited facsimile of a star. All lesbians are jellicles, but craving oat milk instead of rebirth. At a social function, I tell someone’s grandpa that I’m a tooth-eating dentist to conceal my identity as a tooth-wearing poet. Is it so wrong to write? Less of a river, more of a sludge-covered rock jammed in its craw. My assailant is now someone’s husband; I’m wed only to my willpower. He’s the apple of her eye, but he squirms at my core, a toxic gut full of worms, soured. I’m the bridegroom of sweet revenge, cold revenge, of revenge for the ragamuffin, rascal, rapscallion, rat bastard. There’s a bunion bioluminescent on the cusp of my life. I’m ripping out the tags and cosplaying in your old clothes. In queer company, and only here, I’m suddenly feminine. I was always the boy in the playground, the honorary husband, frog, or piece of furniture, if I was ever permitted to play at all. I’m a disaster of a girl, but I refuse to be anything else. Mrs. Jingles died today. I spent my first day of school playing hide-and-seek, with no one coming to find me. I don’t own an accurately functioning clock, not even the Shrek one. Time skips. I step out of this poem for a few days. I’m more flexible than people think, contorting into yoga poses in the liminal space, packing myself up like a saggy old mattress, drenched in campfire beans. There’s an apricity to my burnout on a crisp morning, curling my singed edges. If life were an urban legend, I’d be a mere gerbil and the world would be Richard Gere’s butt. All my targeted ads describe themselves as ‘buttersoft’, and I develop a Pavlovian response to my non-dairy margarine alternative spread. I doomscroll too hard, entering a dimension where my least favourite person lip-synchs my least favourite song (and they’re not even a drag queen). At dawn, I walk past all the rich houses in a neighbouring suburb, their silence like a status symbol. I pick my wedgie as I pass the fanciest mansion. I am the Garfield of this very moment. Every alien abduction story is weirdly horny; I just want extra-terrestrial kinship. I rejuvenate my line readings, soap-scummed and palms pruning. We load up on discount vegetables, but you’re the only one who envisions what they can become. Alone, I puff up spores. I’m that person buying the trendy flavours of classic products – Oreos, crisps. Is it my fault there’s Vegemite everything? The world’s greatest poem is whatever is going through my dog’s mind when she nibbles on my fingernail. I can’t compete with that, but why are we always competing? Maybe this is enough, whatever it is. Scream-happy in a Spotlight store, I stifle conspiracy theories about their ugly, bland fabrics. I morph into a nightmare femme on the floor of a Bunnings, bleeding glitter glue. I saw a turtle today, but there were already two people with nose rings taking pictures of it, and I didn’t want to make it three of us. A villain, or cat from Cats the Musical, says ‘I am’. A hero, or a poet, says ‘I want’. But I am what I want, and I want to be a poetic cat. The teddy bear on the side of the road destroys me with a siren song. Each day is an heirloom fruit. I never learnt to play chess. I fill my time with rodent funerals, spacing out beneath an uninvited daytime moon. I lived with someone for four years without ever knowing the scrawl of her handwriting. I want to plant enough trees to offset my existence. This sounds like shit when Siri reads it. Does it sound any better in my voice? In your head? Why must I always wait to be emboldened, struck by lightning, before I can say a word? Poetry is so fucking embarrassing.




Note: No AI was used in the creation of this poem.

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As Eleanor, Before Pandemonium

The worst part of it is remembering. That you once fell
into a lake while looking for my iguana. Another time, we split

the earth open. Once, I forgot who I was and unraveled
my mind all over Janet’s living room, tore all the wallpaper

off her code. But you kissed it together again.
Heaven is a one-way street with no stoplights and hell

is other people. A stack of unread magazines. A thought
experiment with no answers. You saw the time

knife, predicted the surgery. We’ve been through this
800 times. Sometimes, we were just friends. But if we found

each other in every reboot, why am I afraid now,
the one time I’ve graduated from lab rat to scientist?

You couldn’t lie to save a life, but I promise
I’m worth it. I’m a legit snack. I’m a forking

delight. Look at what you’ve made me, sunbaked
Arizona trashbag: a good person. You’ve cured me hard.

I’ve laughed and feared so much, it’s fixed
my coulrophobia. Here’s my agony in the garden

lawn: I didn’t ask to be the key to salvation.
I’d rather break into heaven than waltz right through

without you. I’d elope to purgatory, with all its lukewarm
beers and live covers. So please let this king’s cup

pass me by. I want to have my moral yogurt
and eat it too. I want to watch this movie with you forever.

I wish I could be selfish a little longer. But sure, I can play
the messiah. I can be a martyr: For you, I’d take

the trolley. I’d take the supermarket stampede
of a thousand shopping carts. I’d take the imperative.

So don’t worry about me. Hurry into the waiting
room. I’ll be dandy. I’ll paint the neighborhood

white, like a real good lie. Like my first Christmas
without coal. I have an archangel and a compass now.

I’ve been through hell and back. I’ll see you
on the other side. Everything will be fine.

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Man!

THE FIRST TIME shania twain starts playing it’s 11:47 p.m. and you’ve just handed me around a gram of mushrooms to shove in my mouth and i’m chewing them and we’re singing (shouting) going low on perogative and high on fun and there’s bodies everywhere – of course there is – and you’re wearing a sheer red body suit and i’d like to drag you to the bathroom and fuck you in a toilet cubicle that probably has vomit on the floor but you’re not a sex object so i pack that urge away only to take it out again because queer desire is subversive or whatever, right?


THE SECOND TIME shania twain starts playing it’s 2:02 a.m. and it almost escapes my notice but you’re groaning in my ear that the fucking djs didn’t compare song lists and you’re so right for that so i take your hand and part a crowd to the smoker’s area and it takes me three turns to roll a ciggie and you keep laughing saying mushroom brain and i’m not looking i promise! and then you ask me to call you my boyfriend and i stumble past shooting but you’re not a man from the hip and into kissing you, yes of course, uneven breath, lips feeling bruised, yes


THE THIRD TIME shania twain starts playing (there was no third time that night but the power of threes is difficult to ignore so let me make something up, except this actually happened okay) it’s 3:59 a.m. and we’re cuddled on a couch outside a crumbling marrickville mansion and there’s a table next to us with a cowboy hat and a lighter and three 1.25L bottles of sprite and a blue bubble blower wand that you grab and start blowing out iridescent worlds and in every single one of them you show me something different, in every single one of them you are becoming–
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Plain Western Sun

After David Prater


under the plain western sun
we’ll mooch around in low-slung casuals
point to one hidden moon like rich, tenured buddhas
drink coffee like it’s beer then puke on some fish-heads

under the plain western sun
we’ll understand all kisses in the lips of chickens
read no. 5 of 100 only in humbled silence
visit the mini-mart to purchase a shot of rebellion

under the plain western sun
we’ll scrawl rad haiku on budget rice-cakes
hide our darkness in the zone beyond the power-lines
drain our difficult drinks til our glasses are fully half-arsed

under the plain western sun
we’ll rub head-fuzz together and sneeze
possess the day’s rank gutter-hash in a stolen vial
drop the shoulder into rows of empty wheelie-bins

under the plain western sun
we’ll open unclosable brackets of slow-mo yacking
bounce like nurfballs down the hallways of our lives
snigger in our windcheaters like the big game boys we are

under the plain western sun
we’ll out-stare the men with mouths like suitcases
patch our frisky jeans with passé blue bandannas
and we’ll run and run like we were born for fun

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90s tribute remix

Blue Light Discos don’t really have blue lights
nor many hometown cops dressed as cops.
Not here in the brick veneer of winter
in a Masonic Lodge where the hall is choofing
with Lynx Voodoo and Impulse Free Spirit.
On a stage, where no play has played
since the 60s, Poss and Morsey DJ a set
on their tip yard turntables. Cougar-
Mellencamp, Ace of Base and Roxette roll on
and because it’s the country there is always
the Nutbush. Against a sea of teen sebum I walk
to the wall for anything but those moves –
an Egyptian cross-turn pivot and clap
a kick into space. When a hand reaches into mine
it fast becomes strip lighting and stairwell
the yeast breath of Bacardi. Tongues rasp as that ditty
about Highway Number 19 thunders into our echo.
And that song’s unknowable Americanness makes
the cold chill through my coolest Hypercolour shirt –
no sign of heat when ready strangers kiss.


This poem appears in Morley’s recent collection You Do You, out through Upswell Publishing.

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Disco Metronome

The year I grew older than my mother and thought about Theo Parrish mixing Loleatta
Holloway’s song Catch Me (on the Rebound)

Anacrusis
Ugly edits, Theo brings disco’s ravished heart, his white labels smudged with handwriting,
Loleatta’s name on his tongue. Another rhythm spectre, drum ghost. A sound to guide every murky
divinity ever loved to this dance floor, their feet kicking ashes in the air.

Rebound London
Loleatta promising we’re delusions hoping to happen
nights crushed between fingertips ourselves dismantled
burning eyes, scratched voice, I’m listening a slipping grip, in front room dusk

Rebound London
bodies swirling smoke we forget what the ocean implies
haloed in strobe, flashing and in fell darkness
permanence, I remember everything we are every separating vocal, looping

Rebound London
wooden tongue, silk gums snares in our coffin chest
shoes as they blister feet bass line tendons on the floor
hi-hat beneath each footfall entreaties mottled in the air

Rebound London
for ten minutes we bend in time trying to cradle our dead
on this dance floor my mother is still alive
glass eyes stare the edges hold us

Rebound Sydney
we’re packed tight staring at the the back of her hand
on this dance floor, it’s possible an abraded patch
the outer edge will cradle us her left forefinger teasing flakey skin

Rebound Sydney
this is before, but not long strange pallor against her tan
she sings a slipping grip, dark-light how it meant something
hours until another edit we failed to understand

Rebound Sydney
elk’s glass eye stares from the wall until it was too late, the first thing
enamelled, hunched, drug-rubbed she said to me, when she knew, was
white label this is not hereditary

Rebound Sydney
ugly edit, fader she shouldn’t have had to ask
and my mother is still alive sprung board beneath our feet
nothing dies here another Rebound

Rebound London
icy after the century turn nothing disappears
dawn below the horizon ugly edit, fader
a mini-cab from safety vinyl press, white label, another Rebound

Rebound Brussels
Loleatta is singing again, like in the time since she died we have become
a knowing echo people talking with ghosts
nights that listen one-sided conversations walking

Rebound Brussels
burning eyes, scratched voice even now she is attached to a cord
the end and beginning seem the same sitting in the leather chair
who knows where our fingers land beneath the wall phone, afternoon tv playing

Rebound Brussels
all our sleeping bodies I don’t know how I will
need other choices stand in a hospital room and hear
Catch me, catch me apostates counting each Rebound

Rebound Sydney
looping messages through space the groove
the mix never ending the groove
coiled around the vocal and how it is possible

Rebound Sydney
and in these seconds each question has an answer
there is only the diva’s love, nothing greater — do you hear the echo
in all the places we could name in which it lives

Rebound Sydney
with the riding bass let yourself discover
the mix, origin snare, a never-ending shiver
another Rebound a final Rebound

Coda
There’s no food in my fridge. It’s cigarettes at dawn. Do you remember that time in London when I
was fading, with a whole night trapped and stomping in my skull? In the cafe, patchy sun, tea and
water. Rebound, hauntings, empty zip-locks. And the waiter looked at us and no joke said, that’s a
way to live. Mostly all I could hear was the dance floor echoing, she was a whisper. Of course you
don’t remember. No one remembers, not even me. These things only live in the dark now, you
know, all the Rebounds. This aura, after the remains of who we were. We stand, hand out, as we
wait for taxis to appear, pull to the kerb, take us.

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