Some Things I Hate About Online Dating

I hate it when I show up for a date with somebody and don’t recognize them because their
profile had what I thought was a photo of a very tiny man with a regular sized fish, but it
was actually a photo of a regular-sized man with a great white shark.
I hate it when my date leaves early because she finds out I’m the person her dentist complains
about while he’s using his pick to remove her cavities.
I hate it when people misunderstand my pick-up lines so profoundly that they get angry and
resort to leaving bad reviews for me on Rate My Professor at made-up universities that
are not inaccurate, but target my deepest insecurities, and also they give me zero chili
peppers.
I hate it when I give a fake phone number to a woman on Tinder who ends up being a lawyer
who doesn’t sue me, but keeps threatening to in increasingly obscure and frightening
ways.
I hate it when I show up with roses, not realizing that my date is highly allergic to roses, or that
there is a spider hiding inside the biggest one, so that when I put them near her face,
insisting she smell them, not realizing I’m about to trigger anaphylaxis, a spider jumps
out and lands on her forehead.
I hate it when I ask my date to come with me for a romantic picnic in the cemetery, only to find
out upon arrival that there was a funeral scheduled in the exact location I had chosen for
my picnic blanket, and we’re forced to give eulogies for some rando’s promiscuous great
uncle.
I hate it when my date gets arrested for tax fraud right in the middle of the Hazel Dell Jack-In
The-Box.
I hate it when I try to impress somebody by reciting the entire book of Genesis, but they one-up
me by acting out Revelations with elaborate props and shadow-puppets.
I hate it when the person I’m talking to asks me to sext but they only communicate with cryptic
emoji symbolism so I miss my opportunity.
I hate it when my date throws a drink in my face because I don’t have a penny to put in one of
those souvenir penny-crushing machines and they think I’m just being cheap.
I hate it when I choke on my asparagus at a restaurant and the waiter has to give me the
Heimlich maneuver because my date is so embarrassed they try to escape through the
bathroom window, but their pants get stuck and an employee has to come get them
while I recover from nearly dying because of the undercooked young shoots of a
perennial flowering plant.
I hate it when I think I’m talking to a hot guy but he turns out to be an AI network designed to
test the gullibility of humans on dating apps, and when the researcher reveals this to
me, they also say I’m not really as pretty as I think I am.
I hate it when I take somebody on a behind-the-scenes tour of SeaWorld and they get mauled
by the orca whale.

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bimbo summit

bimbo summit i know what you did last summer that’s hot pleaaaaseee we don’t even smoke sugar crash coca cola blackberry xoxo gossip girl original vs reboot showdown the met gala runway slideshow looking camp right in the eye gucci louis fendi prada givenchy fashion baby tiffany ‘new york’ pollard best moments compilation vine compilation asmr sound compilation lady gaga oh hi barbie oh hi ken its britney bitch y2k inspired baby tee low waisted mini uggs this is what makes us girls did you know there is a tunnel under ocean blvd like how does she even come up with those album titles chocolate heroin tumblr feed set to endless scrolling fyp binging check out some of today’s most watched reels on the instagram explore page algorithm are you coming over to watch rhobh later i’ve had enough of you you beast, beast??? backrolls! let me ask you a very fair question sashay away kim there’s people that are dying david’s dead are you team edward or team jacob bella where the hell you been loca this is the skin of a killer we invented post it notes im sorry i can’t don’t hate me baguette bag j’adore dior fashion darling i was rooting for you, we were all rooting for you, how dare you! bottle blonde bleach and tone should i bleach my eyebrows i was josh safdie’s muse when he wrote uncut jaaams bon maman bon vivant bonnie and clyde bumble bff mode daily mix horoscope explore feed for you page costar what time were you born ohhhhhh that all makes sense you should never trust a scorpio which breakfast food are you what’s your attachment style myers-briggs personality type quiz you were in my dream last night and when i googled what it meant i was like im literally so dead
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convenience

embalmed jackfruit, sprightly poster tots,
dregs of the dregs of tea culture, prinked neon
transformed sugar and pineapple plastered. she
sighs at the card surcharge sign but

stretches her limb to the ceiling’s droop so
my data, my pass for solvency, drifts high into
space’s apex, catches corner’s intenser verb from
cell phone tower … blip’s amen and the authenticating

waves roll through us. sad heir to climax! armfuls of
punishing refinements and the crystals of
salt. i grow liquid and am solved

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This is my swamp

A deflated astronaut’s lung
hangs pegged to a Hill’s Hoist
in every other Brisbane backyard,
sapped dry of the Fruity Lexia
that makes you sexier.
This is my swamp
jokes the Brisbanite too loudly
to his confused, clammy neighbour
as they sweat their asses off
through 85% humidity days.
Swap the mud-thick Myers Scottish
with a lilting Day-Knight twang
to the tune of Look at moiiii or
It’s nice. It’s different. It’s unusual and boom!
You’ve got a successful social interaction.
I believe Shrek would feel right
at home here, All-Starring somewhere
in the long, winding backwaters
of our suburban clusterfuck.
This is my swamp, tries our Brisbanite
again to his retreating neighbour,
puzzled by the reference that doesn’t quite land
for his generation. If only translated to:
It’s not the heat that gets ya. It’s the humidity
then maybe they could be friends.
Surely if The Castle was set in Brisbane,
Darryl Kerrigan would take a deep breath
and hit us with, How’s the humidity?
Brissie Shrek would marry Tracey
and practice kickboxing with her in the backyard
under the wheezing astronaut’s lung.
He’d look like a more animated Eric Bana
hulking with sweat and septic
green as the Streets Beach lagoon
we love best at a safe distance.

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Headlining

Always having to look like a pop star is exhausting
Here, people shake our hands in the street
Vulnerable boys are drawn in
But I hate my ageing body
Why do I look at myself with disgust?
How do you grow up in an anti-ageing world?
Before Survivor, I trained like an elite athlete
Nothing prepared me for what happened next
I saw the trees from Bluey everywhere

I’ve had a hard time between shows
For my new role I ate fried chicken, french fries, donuts
Fame gives you the worst main character syndrome

I pledged I’d go to mass for 30 days to understand what I was feeling
I’m a really emotional person
Ten minutes in and we were both crying
Then I found my dream job, thanks to a nasty fall into wild garlic
I didn’t need persuading
This is my chance!
I was a Harrods store detective for a day
Behind the scenes at a drag competition –
Eighty-nine perfect minutes

An eye infection brings domestic life into sharp focus
My son is refusing to eat his dinner, he litters indoors
I own multiple vacuum cleaners
But do I need a $3300 self-driving stroller to be a good parent?
You can’t blame the young for being moody
My next steps are critical
This pasta has some really big energy

Now the chatGPT bot is causing panic
So I took my dog to obedience school
But it was me who got trained –
Befriending a wild animal will make you a better human
Don’t just do poodles, sitting ducks, lesser-spotted balloon animals
We should all try to be this sexy cockatoo
Turning into a wolf was fantastic


The above cento employs, sometimes with minor alterations, headlines and subheadings
from
Guardian Australia, www.theguardian.com/au

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walking bernadette mayer

at dee’s we read dickinson
then do a sound meditation
then read her again
it puts me in my place
i needa brush my teeth
i bought greek biscuits and
kombucha in a wine bottle
labelled backyard bubblegum
sian brings geelong pinot
on the tram home my teeth hurt
dee’s friend has a well decorated
apartment hi res images he
prints at officeworks in expensive
frames— he works nights
i have work in the morning
i need to shower and rest
but i’m restless like a biscuit
dipped in chocolate then in nuts
for the taste i’m banking on the night
as usual to exist
a man on the tram says this
is us, right?
i like to kiss your face
i like to ride in the night
under harsh fluorescents
i’m in a bay window in the front carriage
heat is publishing five of my
poems from brooklyn new york
to seddon melbourne— bernadette
mayer is from brooklyn
which i didn’t think of when i
was there or the other day
when she died—
i have not enough toothpaste
bought a tube at cheaper buy miles
flavour lemon myrtle
watched shawshank redemption
with melody— the prisoners found
freedom in music
passing naughtons one more
stop then walk to haines st
where i am still lucky enough
to be living
you calm me down but it’s
complicated— i’m a little
fiendish i want so badly
to be brushing my teeth and in bed
alone to think i love my phone
to type in as a treat channelling
bernadette as best i can midwinter
mid spring mid menagerie
i swig the wine in the safe neighbourhood
the school smells like flowers
do you like poetry well you like
me— suddenly ‘you’ i’m addressing,
is it? i told ‘them’ i’m
addressing ‘poetry’: o, POETRY
how are YOU going? walking alone
needing vaguely to shit and brush
my teeth shame is wasted time
i love my friends my two
strong legs the size of pictures
wall hanging pictures
i’m in a haze
haranguing myself into the picture
i too am a tree only little
only with fourteen branches
and one apparent centre
a playground passes me by
when i was a boy i wanted to
build playgrounds for a living
so that’s what i do with my life now
and i can hurt people too
and i try now to be good and real
o pavement pavarotti
doing a line of cocaine off nefertiti
o nefertiti i never knew thee
homegrown as i am an armchair
a daybed a snail a sticker on
a computer i channel a bridge
not whitmanian the moon is indifferent
a snooker team from queensland
mocks me it is almost cold i am
almost home the home of my
friends i’m sitting— the plants
are watered the carpets are vacuumed
i need coffee and dish soap i have
toothpaste and protein cookies
this is the future fourteen branches
like fourteen pub crawls are you with me
baby i see you in ohio and so
you see a car is nice to me so
is another car i’m typing writing
right into slumbering traffic
ahh be done with me
when you are done with me

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Poem for Sōng

I have been inconsistent.
My year is stuck 3 emails behind
& I am ‘professionalizing’ (don’t know
don’t care). In 2022

my therapist told me she hated Everything
Everywhere All At Once
& I thought,
‘so what’s the point of getting better??’

That’s a joke. It really did upset me, though.
Michelle Yeoh meets angel miss america
in their event horizon & nobody
says anything. Horror.

In 2019 I typed out 2 years’ worth of violent texts,
cast Ming Yang as me & my straight white doppelgänger
(he is cute) as the bad boy ex from Taiwan.
We named the play Jiangshi & no one under-
stood (or cared) enough to call it off 😮 😮

& sure Angels in… was better, but it was also
different. They say art’s not therapy but good
ethics is an art, & oops —

In 2016 the state theatre co staged part 1 & then forgot the more.
A museum in there. I’ve held my sneezes ever since.
So: back to non-existence.

When I meet Michelle Yeoh I’m going to tell her
that I ate a bag of wild berry Skittles every 3am
for weeks until the outdoor cinema I cried inside (or out).
Anything of me bears no relation, & yet —

is not this:

A) The bleeding void?
B) The martyred feathers of a continent??
C) The final chance for me to hop???

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Eddie Speaks

after Venom, the Movie (2018)

I sometimes wonder if I made you up – imaginary
friend who will say yes to all that should be no.

I sometimes wonder if you sprung from my worst –
the secret Id gnawing at the roots of the Ego.

In the tritest kind of movie, the audience discovers
that it was all a dream, a hallucinatory vision,

but this is an action movie, where injury has no
consequence, where impulse is a licence to kill.

You worm through the benevolent consensus
of my mind, staging your coups, setting up puppets.

Maybe you are the oldest fear learned at birth,
though I have never been truly hungry in my life,

nor ever hollowed by starvation, though you
move me like manic exhilaration after diagnosis.

If you are the voice of God, you are the insistence
of ecstatic possession, there is no room for worship.

If you are the small voice of my conscience, you are
Jiminy Cricket on Crack, vast megaphone of desire.

You thread in me, you thrive in me, I retreat.
I sometimes wonder if you made me up.

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i ain’t reading all that / i’m happy for you tho / or sorry that happened

“She owed us so many poems” – Keaton Patti’s AI-bot-inspired obituary
Constructed one sentence per day


What if I don’t have any poems left in me? Don’t talk to me until I’ve had my cosmic comeuppance. It doesn’t matter what happened to me in private; people will only ever remember that I was publicly insane. I used to love honey and fear drugs. Now I’m all drugs and bees, no sweetness. Perhaps I’m only human if you believe in me hard enough, if I’m sensible and sympathetic and ever so good. Enchanted by another snail, I weave desire paths through my own muck. Would I still make an iconic lollipop lady? Something something something fugue. In the emergency department, we are a series of questions without an appropriate checkbox. The waiting room full of false rainbows and unknown variables. My coming out story is the ballad of Earring Magic Ken. I don’t want to perform wellness, but I don’t want to perform sickness either. In your dreams, my mouth is Velcro, spilling scratchy secrets. In mine, my fears crumble to salt and I eat them on French fries. You untie my shoes for me when I’m too tired to put myself to bed. I don’t notice until the next morning, when I’m moulding my feet back into shape. In the (psycho)tropics, nine out of ten GPs are frothing to shame my body for how it responds to antipsychotics. I recover from the eating disorder, and they breathe a sigh a relief that I am fodder for their fatphobia once more. I am diagnosed as a character from Chicken Run. I am both the nerd and the ditz in Chicken Run. I am the utopic lesbian aspirations of Chicken Run. The world is full of scheming plasticine rats, just like Chicken Run. I’m in love with the shape of Chicken Run. What does it mean when you get the Tuesday Suicides every day? I masturbate: is that a little suicide? I make a nest from my own hair because I don’t trust anyone else’s. I am a private menace, disturbing my own peace. All I want is to dilly dally. Too much dilly, not enough dally. Or vice versa. A dilly dally dilemma. I wish I could stifle the sound of my chaos into the tune of The L Word theme song. A different song plays. It’s the music from reality TV dating shows that indicates a contestant is an utter clown. I don’t want to kill a fly for buzzing. I don’t want to destroy something simply because it’s annoying. January melts and mumbles. Sorry for setting off your uncanny valley detector. My dad tells me of when his family home burned down around him, but he refused to leave until someone made him a ketchup sandwich. It’s this, more than the shape of our elbows, that convinces me of genetics. I’m one minor inconvenience away from becoming a cartoon supervillain. I name my absent children after the noises in the attic, and all words lose their meaning. They call it semantic satiation. I fill in the blanks with lorem ipsum. Under this roof, we go off impulse. I’m addicted to competition shows where the judges cry a lot. I watch Insta videos of some guy eating porridge while covered in rodents. Frisson itches. You go away for a week, and I forget to nurture the parts of myself that make me a person. I let a spider claim the kitchen. The dog claims the bedroom, the cat claims my skin. I’ve never once felt refreshed in my life. Standing around like a person emoji, I fixate on hyperdontia. Hyperdontia wish your girlfriend had teeth like me. I want to be angry so badly, a pre-emptively clenched fist. My fursona is the dust monster from Round the Twist. It’s easier to live in corners. Each cluster of breath tastes like a mistake, a sunflower smoke. Are these pareidolic faces mad at me? I am Zac Efron’s pond reflection in the ‘Bet On It’ number in High School Musical 2 – a shittily edited facsimile of a star. All lesbians are jellicles, but craving oat milk instead of rebirth. At a social function, I tell someone’s grandpa that I’m a tooth-eating dentist to conceal my identity as a tooth-wearing poet. Is it so wrong to write? Less of a river, more of a sludge-covered rock jammed in its craw. My assailant is now someone’s husband; I’m wed only to my willpower. He’s the apple of her eye, but he squirms at my core, a toxic gut full of worms, soured. I’m the bridegroom of sweet revenge, cold revenge, of revenge for the ragamuffin, rascal, rapscallion, rat bastard. There’s a bunion bioluminescent on the cusp of my life. I’m ripping out the tags and cosplaying in your old clothes. In queer company, and only here, I’m suddenly feminine. I was always the boy in the playground, the honorary husband, frog, or piece of furniture, if I was ever permitted to play at all. I’m a disaster of a girl, but I refuse to be anything else. Mrs. Jingles died today. I spent my first day of school playing hide-and-seek, with no one coming to find me. I don’t own an accurately functioning clock, not even the Shrek one. Time skips. I step out of this poem for a few days. I’m more flexible than people think, contorting into yoga poses in the liminal space, packing myself up like a saggy old mattress, drenched in campfire beans. There’s an apricity to my burnout on a crisp morning, curling my singed edges. If life were an urban legend, I’d be a mere gerbil and the world would be Richard Gere’s butt. All my targeted ads describe themselves as ‘buttersoft’, and I develop a Pavlovian response to my non-dairy margarine alternative spread. I doomscroll too hard, entering a dimension where my least favourite person lip-synchs my least favourite song (and they’re not even a drag queen). At dawn, I walk past all the rich houses in a neighbouring suburb, their silence like a status symbol. I pick my wedgie as I pass the fanciest mansion. I am the Garfield of this very moment. Every alien abduction story is weirdly horny; I just want extra-terrestrial kinship. I rejuvenate my line readings, soap-scummed and palms pruning. We load up on discount vegetables, but you’re the only one who envisions what they can become. Alone, I puff up spores. I’m that person buying the trendy flavours of classic products – Oreos, crisps. Is it my fault there’s Vegemite everything? The world’s greatest poem is whatever is going through my dog’s mind when she nibbles on my fingernail. I can’t compete with that, but why are we always competing? Maybe this is enough, whatever it is. Scream-happy in a Spotlight store, I stifle conspiracy theories about their ugly, bland fabrics. I morph into a nightmare femme on the floor of a Bunnings, bleeding glitter glue. I saw a turtle today, but there were already two people with nose rings taking pictures of it, and I didn’t want to make it three of us. A villain, or cat from Cats the Musical, says ‘I am’. A hero, or a poet, says ‘I want’. But I am what I want, and I want to be a poetic cat. The teddy bear on the side of the road destroys me with a siren song. Each day is an heirloom fruit. I never learnt to play chess. I fill my time with rodent funerals, spacing out beneath an uninvited daytime moon. I lived with someone for four years without ever knowing the scrawl of her handwriting. I want to plant enough trees to offset my existence. This sounds like shit when Siri reads it. Does it sound any better in my voice? In your head? Why must I always wait to be emboldened, struck by lightning, before I can say a word? Poetry is so fucking embarrassing.




Note: No AI was used in the creation of this poem.

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As Eleanor, Before Pandemonium

The worst part of it is remembering. That you once fell
into a lake while looking for my iguana. Another time, we split

the earth open. Once, I forgot who I was and unraveled
my mind all over Janet’s living room, tore all the wallpaper

off her code. But you kissed it together again.
Heaven is a one-way street with no stoplights and hell

is other people. A stack of unread magazines. A thought
experiment with no answers. You saw the time

knife, predicted the surgery. We’ve been through this
800 times. Sometimes, we were just friends. But if we found

each other in every reboot, why am I afraid now,
the one time I’ve graduated from lab rat to scientist?

You couldn’t lie to save a life, but I promise
I’m worth it. I’m a legit snack. I’m a forking

delight. Look at what you’ve made me, sunbaked
Arizona trashbag: a good person. You’ve cured me hard.

I’ve laughed and feared so much, it’s fixed
my coulrophobia. Here’s my agony in the garden

lawn: I didn’t ask to be the key to salvation.
I’d rather break into heaven than waltz right through

without you. I’d elope to purgatory, with all its lukewarm
beers and live covers. So please let this king’s cup

pass me by. I want to have my moral yogurt
and eat it too. I want to watch this movie with you forever.

I wish I could be selfish a little longer. But sure, I can play
the messiah. I can be a martyr: For you, I’d take

the trolley. I’d take the supermarket stampede
of a thousand shopping carts. I’d take the imperative.

So don’t worry about me. Hurry into the waiting
room. I’ll be dandy. I’ll paint the neighborhood

white, like a real good lie. Like my first Christmas
without coal. I have an archangel and a compass now.

I’ve been through hell and back. I’ll see you
on the other side. Everything will be fine.

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Man!

THE FIRST TIME shania twain starts playing it’s 11:47 p.m. and you’ve just handed me around a gram of mushrooms to shove in my mouth and i’m chewing them and we’re singing (shouting) going low on perogative and high on fun and there’s bodies everywhere – of course there is – and you’re wearing a sheer red body suit and i’d like to drag you to the bathroom and fuck you in a toilet cubicle that probably has vomit on the floor but you’re not a sex object so i pack that urge away only to take it out again because queer desire is subversive or whatever, right?


THE SECOND TIME shania twain starts playing it’s 2:02 a.m. and it almost escapes my notice but you’re groaning in my ear that the fucking djs didn’t compare song lists and you’re so right for that so i take your hand and part a crowd to the smoker’s area and it takes me three turns to roll a ciggie and you keep laughing saying mushroom brain and i’m not looking i promise! and then you ask me to call you my boyfriend and i stumble past shooting but you’re not a man from the hip and into kissing you, yes of course, uneven breath, lips feeling bruised, yes


THE THIRD TIME shania twain starts playing (there was no third time that night but the power of threes is difficult to ignore so let me make something up, except this actually happened okay) it’s 3:59 a.m. and we’re cuddled on a couch outside a crumbling marrickville mansion and there’s a table next to us with a cowboy hat and a lighter and three 1.25L bottles of sprite and a blue bubble blower wand that you grab and start blowing out iridescent worlds and in every single one of them you show me something different, in every single one of them you are becoming–
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Plain Western Sun

After David Prater


under the plain western sun
we’ll mooch around in low-slung casuals
point to one hidden moon like rich, tenured buddhas
drink coffee like it’s beer then puke on some fish-heads

under the plain western sun
we’ll understand all kisses in the lips of chickens
read no. 5 of 100 only in humbled silence
visit the mini-mart to purchase a shot of rebellion

under the plain western sun
we’ll scrawl rad haiku on budget rice-cakes
hide our darkness in the zone beyond the power-lines
drain our difficult drinks til our glasses are fully half-arsed

under the plain western sun
we’ll rub head-fuzz together and sneeze
possess the day’s rank gutter-hash in a stolen vial
drop the shoulder into rows of empty wheelie-bins

under the plain western sun
we’ll open unclosable brackets of slow-mo yacking
bounce like nurfballs down the hallways of our lives
snigger in our windcheaters like the big game boys we are

under the plain western sun
we’ll out-stare the men with mouths like suitcases
patch our frisky jeans with passé blue bandannas
and we’ll run and run like we were born for fun

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90s tribute remix

Blue Light Discos don’t really have blue lights
nor many hometown cops dressed as cops.
Not here in the brick veneer of winter
in a Masonic Lodge where the hall is choofing
with Lynx Voodoo and Impulse Free Spirit.
On a stage, where no play has played
since the 60s, Poss and Morsey DJ a set
on their tip yard turntables. Cougar-
Mellencamp, Ace of Base and Roxette roll on
and because it’s the country there is always
the Nutbush. Against a sea of teen sebum I walk
to the wall for anything but those moves –
an Egyptian cross-turn pivot and clap
a kick into space. When a hand reaches into mine
it fast becomes strip lighting and stairwell
the yeast breath of Bacardi. Tongues rasp as that ditty
about Highway Number 19 thunders into our echo.
And that song’s unknowable Americanness makes
the cold chill through my coolest Hypercolour shirt –
no sign of heat when ready strangers kiss.


This poem appears in Morley’s recent collection You Do You, out through Upswell Publishing.

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Disco Metronome

The year I grew older than my mother and thought about Theo Parrish mixing Loleatta
Holloway’s song Catch Me (on the Rebound)

Anacrusis
Ugly edits, Theo brings disco’s ravished heart, his white labels smudged with handwriting,
Loleatta’s name on his tongue. Another rhythm spectre, drum ghost. A sound to guide every murky
divinity ever loved to this dance floor, their feet kicking ashes in the air.

Rebound London
Loleatta promising we’re delusions hoping to happen
nights crushed between fingertips ourselves dismantled
burning eyes, scratched voice, I’m listening a slipping grip, in front room dusk

Rebound London
bodies swirling smoke we forget what the ocean implies
haloed in strobe, flashing and in fell darkness
permanence, I remember everything we are every separating vocal, looping

Rebound London
wooden tongue, silk gums snares in our coffin chest
shoes as they blister feet bass line tendons on the floor
hi-hat beneath each footfall entreaties mottled in the air

Rebound London
for ten minutes we bend in time trying to cradle our dead
on this dance floor my mother is still alive
glass eyes stare the edges hold us

Rebound Sydney
we’re packed tight staring at the the back of her hand
on this dance floor, it’s possible an abraded patch
the outer edge will cradle us her left forefinger teasing flakey skin

Rebound Sydney
this is before, but not long strange pallor against her tan
she sings a slipping grip, dark-light how it meant something
hours until another edit we failed to understand

Rebound Sydney
elk’s glass eye stares from the wall until it was too late, the first thing
enamelled, hunched, drug-rubbed she said to me, when she knew, was
white label this is not hereditary

Rebound Sydney
ugly edit, fader she shouldn’t have had to ask
and my mother is still alive sprung board beneath our feet
nothing dies here another Rebound

Rebound London
icy after the century turn nothing disappears
dawn below the horizon ugly edit, fader
a mini-cab from safety vinyl press, white label, another Rebound

Rebound Brussels
Loleatta is singing again, like in the time since she died we have become
a knowing echo people talking with ghosts
nights that listen one-sided conversations walking

Rebound Brussels
burning eyes, scratched voice even now she is attached to a cord
the end and beginning seem the same sitting in the leather chair
who knows where our fingers land beneath the wall phone, afternoon tv playing

Rebound Brussels
all our sleeping bodies I don’t know how I will
need other choices stand in a hospital room and hear
Catch me, catch me apostates counting each Rebound

Rebound Sydney
looping messages through space the groove
the mix never ending the groove
coiled around the vocal and how it is possible

Rebound Sydney
and in these seconds each question has an answer
there is only the diva’s love, nothing greater — do you hear the echo
in all the places we could name in which it lives

Rebound Sydney
with the riding bass let yourself discover
the mix, origin snare, a never-ending shiver
another Rebound a final Rebound

Coda
There’s no food in my fridge. It’s cigarettes at dawn. Do you remember that time in London when I
was fading, with a whole night trapped and stomping in my skull? In the cafe, patchy sun, tea and
water. Rebound, hauntings, empty zip-locks. And the waiter looked at us and no joke said, that’s a
way to live. Mostly all I could hear was the dance floor echoing, she was a whisper. Of course you
don’t remember. No one remembers, not even me. These things only live in the dark now, you
know, all the Rebounds. This aura, after the remains of who we were. We stand, hand out, as we
wait for taxis to appear, pull to the kerb, take us.

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Self-insert Trek: Flashback

0. Self-insert as narrator:

[ i cannot look you
in the eye / tell the story
without telling it ]

i am in flight again: [ ] is a name unspoken:
i am creating a home without boxes: [ ] is an extended phase:
i am rehearsing a memory: [ ] is a re-run
repeating: i am quietly imploding:
cascade of stars. awakening.

[ i am something other
than what i th/ought ]

the irony comes after a premature wedding / everything created is bound by its context /
that is, space and time / so i will forgive myself later / for now, the next iteration:

1. Self-insert as a story:

Star Trek Voyager is an odyssey – an impossible
& endless homecoming. i start to believe
in impossible feats like survival:

in the face of destruction & death
the starship rebuilds itself again.
the crew renews its memory each episode,
no trace of the last trauma

[ i will remember this later,
post- the edge of my known world
when i excise the boy from my poetry ]

2. Self-insert as Chief Engineer:

Lieutenant B’Elanna Torres is a mirror:
angry / lost / confused / conflicted / alone

half-Klingon & half-human, B’Elanna
cleaves & falls into herself, a shattered identity

[ relate / recognise / reflect / become ]

3. Self-insert as space:

grow obsessed with a gravity i can’t escape / a black-hole anomaly / can’t get enough / don’t realise
i’ve fallen in love with a fictional character / all that misplaced longing projected into nightly viewings:

she sees my pent-up longing, all that stifled ache /
i am begging to be seen / i am guilty for wanting it

what it comes to:
fanfiction is a necessary salve
– i falsify into re-tellings:

#StarTrekVoyager #f/f #Torres/Janeway #Kathryn/B’Elanna
#angst #femslash #lesbians #slow burn

in the blue-lit dark i learn / what i had never known of desire.

4. Self-insert as Captain Janeway:

nothing is simple about confronting fear
when flung into a distant quadrant. which is to say
at first
i looked away

from [ memory / mirror / mouth / monster ]
or: the answer i seek

5. Self-insert as alien lifeform:

i sleep next to the boy
not with him.

my alien body
my alien longing.

6. Self-insert as audience:

follow the fanfic to its logical conclusion:
the captain and chief engineer’s lusty affair,
a hook-up in the Jeffries tubes.
learn how to pleasure another woman
in some far-off impossible
future

a fiction twice, three times removed.

[ the strangeness of a future where
interspecies relationships are widely accepted,
but two women never fall in love. ]

7. Self-insert as a starship:

my body a ship dead in the water.
my body a wreckage in the deep –

number seven searching seasons before i return

to myself / ruptured. reborn. rebuilding.

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First and last

I don’t want to watch the new hit series
inspired by the action-adventure-survival-horror
video game franchise about the zombie end
of the world, which everyone is raving about
because even though the gays still die in the end
they have a long and tender relationship
before their tear-jerking conclusion.
I don’t want to watch it, even though as a teen
I was keen on post-apocalyptic fiction
about atom bombs and nuclear winters
and shadows burnt on walls in (what I called)
Hiro-shee-ma, though I knew the threat
was real and terrifying and afterwards
I couldn’t sleep or had radioactive dreams.
Back then I had the confidence or naivete
to identify with the lead, the character
we travelled with and felt for and who might
see terrible things and may suffer and might
behave pathetically and/or heroically but
would somehow see it through to the end.
I am more easily scared now, it feels too close –
not the zombies, just the preposterous frailty of it all
and with more perspective I know in my liver
I could just as easily, in fact, am even more likely
to be a bit-part: perhaps ‘Woman on Street no. 2’,
who is not even the first to be bitten or infected,
or stabbed or eaten, just a nameless sacrifice
to the plot exposition. I don’t want to watch
disaster movies either when my safety so far
feels like dumb luck and I know that bushfires
and floods don’t discriminate. Yesterday I watched
the glorious rococo towers of a thunderstorm
steaming in from the south-west at sunset and
the gum trees waving new growth from this year’s rain
and the green beads of fruit forming on
the tomato plants in the garden and the limbs
of children. Even though the children aren’t mine
and the notion of beauty in the ephemeral is
oh-so-tired, their beauty isn’t. The transience
is a seasoning so piquant I can’t swallow it
and in the dramatic light I remember that you
and I and ‘Woman on Street No.2’ are each
the main character in our own limited series
and sometimes we travel with or feel for each other
and I might see terrible things and I may suffer
and I might behave pathetically and/or heroically
and somehow I will see it through to the end.

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MUNDANE

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Spoonbridge and Cherry at the Opening of a Toilet

It was JB’s birthday, everyone was there but her ex, who I most wanted to see,
half-empty crystal glasses littering the table where confident guests circled
holding the half-full, the slosh of constant conversation, gesticulations,
moles, gold, you said to me I just love tonight, it’s the best night of my life
and I adored the overstatement because I’m always on your side, I said
Mine too though it came off as eager because I’m usually unsophisticated,
wish I was ten years older or younger than I am right now.

HK entered the room, the only one wearing a three-piece suit, and Lady B
was smoking cigarillos from a fancy silver flip-top case, twitching her nose
and scratching her leg – Do the streets feel like conveyor belts?
Do you miss your mother? What was the name of that album with the guy
holding the head of cabbage?
– you reached into the volcano
of meatballs, flicked your wrist at the gherkins, cocked a brow
as Triple Threat scooped nuts from a bowl shaped like a penis and told us
she’d been to the sea, Just look at my tan! but she’s partial to make-up
that lightens her complexion, so yeah, when she walked away
in her red jumpsuit I thought of that giant cherry and spoon sculpture
in the city where my mother grew up; I do miss her, since you asked.

You were scanning, scanning, you’re always scanning, you once told me
you viewed the world as miniature snapshots sewn together with fine thread
then projected as a silent movie, Last night I crawled into bed at seven
o’clock and slept until nine this morning
, I told you I was streaming
a documentary series and you said Oh I know, it can be so hard, the music
grew too loud for me to hear what you said next but when you nodded
toward the shirtless man throwing olives in the air then catching them
one by one in his mouth, I understood completely, half-thoughts
and absinthe shots, you said I’ll start craving milk around noon tomorrow
and I said, surprising you by touching your arm, That’s a marvellous idea for a poem.

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Skuttlebutt visits cousin Sam

language is a body of water
and cousin Sam loves it

like Christmas

every Wednesday he goes surfing
at Maroubra
and all the boys gather

watch him out there
paddling through syntax

one Friday night
i visited him in Paddington

dancing around
a coffee table he sucked viciously
on a grape vape

ACDC was playing
and he just couldn’t believe
how high the voltage was

HOW HIGHS THIS VOLTAGE SKUTTLE

he kept repeating

and skuttle being butt yourself
hummed low woohoo into Victorian windows

the F1 makes similar news
but the tire burn of days
produces nothing but

a petroleum-based indecision

just relax Skuttle have a vape Sam says
not everyone can shit like you do

but it’s not about poo Sam more the smell

really i mean its subjective

and philosophers have been talking about themselves for centuries

That’s why fish fingers in the oven on Sundays Skuttle

though not quite a red-hot chilli
peppers theme song at least

a reverberation of intent

did you mean a descent?

oh i don’t know
but we’re surfing remember

and if it’s not the pokies
then it’s the Big Banana
printed on a tea towel
slipping from

a Coffs Harbour veranda

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Techno Fantasia

P-P-P-P-P-POP!
I heart wuv you sherbet wizz-fizz yoyo, clickclack bay-city POP!
I heart wuv you slinky jelly sparkle superballs POP!
wuv you wuv you wuv you wuv you wuv you wuv you wuv you wuv you
P-P-P peppy preppy pink-musk lollypop photo-op
turquoise pool, glossy paper stock
it’s pearly, sticky cherry quiver lip, blonde-tipped dolly flipped
plastic fluid boob-tube roller disco Oh-Oh!
amnesiotic amniotic rainbow blowup flamingo au-go-go Oh-Oh-Oh!
B-B-B bubbly chubbily purply glo-glo POP!
need feed feed need need feed feed need – Oh-Oh! Don’t let the bubble burst!
it’s lite bright breezy pine-lime, lolly-banana, slushie chewy juicyfruit
sugar-frosted mint crunch crunch fat-free beautiful people
beautiful fat-free people-people
lolly-scented laughter pouring tipped-back
open-mouth
shiny teeth, razzle-dazzle horsey rainbow unicorn teeth
it’s Fun! Fun! Fun! Fun!
Have Fun! Have Fun!
it’s big blousy bubbles ballooning free
up-up-up, the sky-blue sky, higher higher
bursting into sunbeams POP!
OH-OH-OH! the glory of it!
OH-OH-OH! the miracle of it!
it’s people-people dancing spinning twirling bouncing bubbling
M-M-M mirror-mirror perfect people-people sparkle
mirror mirror mirror mirror mirror mirror mirror mirror mirror mirror
dazzling my eyes, worming my ears, crowding my mind, seeding my dreams
it’s POP! everywhere and forever
I believe! I believe! I believe!

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Choose Your Own Poem

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Newcastle revis(it)ed

Tenure –

lifting the domestic

work-rate

for the new shared flat

on the beach.

AM:

stacking dishes

vacuuming

like watching

rage film-clips or

Shane MacGowan

singing about 80s

Newcastle.

Minimalism in a

pocketbook says

write where you

are.


Empire Park.

Boys at

the tennis wall.

Lean

cut bodies

of family wagons.


Houses like

[] [] [] or windows

onto stately voids

which is how a hill

becomes The

Hill.


RAAF jets

low across the coast.

A wave launches spits

corrosive rain on manu-

factured rust as oceans

appear in words or what’s

missing of a metal

plate.


Topography’s a

matter for the heart.

Salience that waves

in colony. Back end

of the Sygna: unseen

from the lighthouse.

Coastal collapse and

road closure. The late

Royal (as Location

goes).


Equium Social:

are we mingling

or “mutually re-

pelling atoms”


Visiting poets

with paper-bagged

big bottles

in the gallery

(where spills

are no acci-

dents).


Memory you can tell

me’s like fifteen with

an unspeakable fear

of the ocean and host

of excuses. Sixteen –

Mum’s your rock and

ghost-writer. Chancing

the Bellevue for the

only atm on Hunter

Street.


Cast back to

some indelible

night from waaay

earlier: False memory

cause I couldn’t

find it

on the

net.

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Apophenia

Desire was once an uninterrupted afternoon —
tongues lurid from corner-shop sherbet
as we’d run to the lake. We had nothing
in common but the name of our street
and the fleeting adulthood of unsupervised water.

Somewhere between Flowers in the Attic
and One Direction, you started
looking different to me, started

going to the lake on your own
to fish while I oh so Ophelia rehearsed
how I’d drown, making only the most tragic shapes
amongst KFC shipwrecks.

Afternoons weren’t interrupted enough. Instead,
spent willing my phone
to notify me of anything.
In the active bar on Messenger,
a green orb hovered above
your name like the light over
the dock of Tom and Daisy.
Tell me, Gatsby, would you believe
me if I said Rorschach
blotted that bay for you?

Twelve years later,
neither of us live there.
I return and wonder
how in that water, you could see a hand
and I: a mouth.

I know you’ve been back,
fishing rods strapped heterosexually
to the roof of your car,
but your line never caught
the image of me
beneath it.

When someone drowns,
if they cannot cough up the water,
they try to swallow it instead.

I only ever pretended,
but I know how that water would’ve tasted —
like that green orb
or catching a cold in summer:
a salty reminder
that just because it’s sunny,
it doesn’t mean the day warms
for you

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If Pro-Wrestling is Fake Then Explain How Daiquiri the Dog Beat Psycho Mike

(After THE STARS OF THE FAST & FURIOUS FRANCHISE HAVE A CLAUSE IN
THEIR CONTRACT THAT SAYS THEY CAN NEVER LOSE A FIGHT by Sasha
Debevec-McKenney)



Dwayne Johnson’s contract says
the ring must be filled with green
M and M’s. Remember when Death-
match used to be tinder
for undertakers? We’ll retire
after the Prime Minister’s brother
drops another pipebomb. Netflix
asking if we are still watching.
On the couch Meritocracy sits beside me,
leans over and sticks their
tongue in my ______. Pretty
sure that wasn’t in my contract.
I double-check my antigen
rapid test
and the ending changes.
Trish Stratus just turned heel.
Yes. We are still watching.

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