12/4/12

from ZEROFOURZEROFIVEZEROSIXTWENTYTWELVE


dawn chorus at six

grey

light fading to grey-blue

tea

&/or coffee

pending credit card details & Rent-A-Wreck, the key to

a silver Hyundai Accent sedan, license plate 4PJA659, this time,

& a half tank of gas

a trip over the Painted Hills (calling for more regular) to Roughley Manor (no you
couldn’t

make it up 165 miles due

east of LA on I-60 East

Twentynine Palms

Dick Dale its most famous resident, Wikipedia sez

‘Misirlou’ (with the Del Tones) 1963

& the biggest U.S. military base in the World training for desert operations

‘I-RACK’ Operation Desert Storm

the ‘Third World Man’ ‘he’s been mobilized since dawn’

his lawn sprinkler reveille at zero five thirty

US Marine Corps cheek by jowl with ‘leezur’

Posted in 56: NO THEME II | Tagged

CV

let’s play Survivor psychology
I sculpt eyelids for your snakes
hang your stress from mother’s best tree
bring you back clean as Vietnamese salad

I sculpt eyelids for your snakes
the opiate baby is now thirteen
bring you back clean as Vietnamese salad
elliptical stories of bruises on bread

the opiate baby is now thirteen
I didn’t hit him mum cries in her spoon
elliptical stories of bruises on bread
chunking his chair at a system’s red face

I didn’t hit him mum cries in her spoon
girl buries dad in a pile of gold glitter
chunking his chair at a system’s red face
whoever can hurdle the most shit wins

girl buries dad in a pile of gold glitter
hang your stress from mother’s best tree
whoever can hurdle the most shit wins
let’s play Survivor psychology

Posted in 56: NO THEME II | Tagged

The Channel-billed Cuckoo

In competition with the music
belting from the party next door
the channel-billed cuckoo falls,
uncharacteristically, silent. Its red eyes glint
from the tree tops like holly berries.
The channel-billed cuckoo is the enemy of sleep.
A brood parasite, normally it transmits
its single electronic note like an erratic pulse
on a cardiac monitor, the last signal from a polar
submarine, growing in urgency, or else it plays
one obsessive, amplified key all night.
That is to say – all night. What must
the other sleep-deprived birds think?
Maybe it needs to get out of the nest more,
or rather out of someone else’s nest,
like an unwelcome interloper
who will not leave, no matter
how late it gets; who drinks all the beer
dances too wildly, who night
after night asks to crash on the couch
and snores.

Posted in 56: NO THEME II | Tagged

Wasted Heaven

nautical, thrust grey at twilight
on a rapid basis

not of the tree
that could be re-used

pessimistically already
& complete with entry-exit permit

numbered summer comes
a canned order

squeezed onto prepositions
your liver cancels

near the earphones
in a trapped universe

why not presume
that others are alike

only poorer,
the kidneys of a sandwiched

stare into instructional words

Posted in 56: NO THEME II | Tagged

Final Eighties Exposé

At an auction of Jacqueline Fahey’s art,
all your old teachers in their
batik headbands drink Henkell Trocken
and swing parrot earrings from
pulled lobes.

Every face is almost the one
you want to see and
every conversation about a
daughter that isn’t quite you –

she’s an awfully clever scholar

she’s beautiful at science

and her algebra is simply
magnifique.

On the floor a river of pee-wees,
clinkers and galaxies roll in a
stream toward a small hole in the corner
of the room

and children scrabble about on
their knees dragging collaged
party hats behind them like
parachutes.

From downstairs there is
a rhythmic thump
thump
thump

where a Morrissey concert
that you’re dying to get to has
already begun but

the auction hasn’t started yet
and you’re fretting because you
need to get away and because

you need that painting, the
one where your mother,
finished teaching for the day,
sits at a table

her diamond rings hazed in
Pall Mall smoke

and the wispy brown
quarter-moon of a
child’s head can be
seen to rest against
her knees.

Posted in 56: NO THEME II | Tagged

The Ocean Is Prolix

and talks with its mouth full
of tapered ships deltas the bon voyage tube worms
It calls out in trains and crumpled paper
with its water engines it stores its voice in shells
Hypnotic as fire as it brings out wistfulness
and questions for the glassy shrimp
and sex-changing fishes Stilettos of thoughts
are honed on its splintered water lights
Corals beckon from cloud parishes
barnacles sea-squirts saltwater hearts
The more I look down from the dock I subdivide
to chapters of wonder gists contingencies
whole gamuts of liquid supposes what-if’s
dizzy ladders of sequiturs and floating egg jellies
tides between my thoughts and the breathing water
I evert with the sea cuke my shell goes soft
When I leave my body stays in a plankton dream
I drag off a home of ideas like a hermit crab
my head leaving a plow mark

Posted in 56: NO THEME II | Tagged

Scenic Overlook

Stop Go On the road
into town
out of town, sits

Horseshoe Horseshoe Bend, King Bend
Bend Navajo Sandstone against
Overlook de-silted green

and Colorado stripped back
from red-brown mudflow
A mile over more slickrock and sand

pools in late morning skin-
piercing sun Car park
to cliff-edge, an ultra-violet voyage

and then a sighting of the wild river
before she vanishes again
Holidayers gambol, hover at the edge

of accelerating waters A pair
with parasols wander the ledge
pointing to B-grade sci-fi slime green depths

and shelf-borne sage-green sedge
The flock surround the astonishing
meander, pay no mind

to the moment eons from now

erosion when the flow will laser

through meander wall

and the oxbow lake will stand
will dry, a diminishing organ cut off
from the trunk, sliding

inexorably into sun-beaten earth
sun-soaked air
as the river straightens her course

yokes the landscape to speed

Posted in 56: NO THEME II | Tagged

Another Madonna

Master of Italian marble shapes
you in white,
framed in blue royalty.
Jesus held in one arm your
hand points to your womb, your
engagement with God,
some say Joseph.
Gold halos, you and your son,
he makes the sign, the Trinity,
two fingers point up, one down.
You and Jesus are stained,
but you stand immaculata,
the sculpture maculata,
unpolished white,
darkened folds in your dress.
Your neck tarnished, shoulders
almost black. What happened to the
angelic face?
Dirty creases from candles
and incessant prayers
touches and kisses
clay stains smear you both,
footprints on your faces, and
Jesus knees look bruised.
Your virginal body thrown to the pigs.
Your eyes and his,
shattered.

Posted in 56: NO THEME II | Tagged

Shooting “Correspondence” Gallery

for Toby Fitch

Scrape hard for the ruins, duke,
I am at Heide thinking of birth
and you, you are at the NSW
thinking of Bacon and me.
Think hamburgers of slag metal
and contortion scrapped.
Agreed, cloister as bedroom,
as squat indefinition.
This is not the last we speak of Isao,
blistering light, the long-necked
poppies, calmatives, moral
cuckoldry, comeuppance-ville.
The orifices of the work were vistas
in the rambles, he vaunts, tied
weightless to the tallest tangerine,
buds not fruit like hung by nativity,
not kumquat, the genii to first
love affair’s drive in Lesmurdie,
homestead instead, pageant of weeping,
vacant workshop.
Hard-done-by severance nearby
still night, for you and me, we say, yes,
hard to come by such quality silence.
Flung spigot to the well flue,
well-deep cited to my surprise
is hardly treading.
And the waters of Yarra reflux,
which could’ve been aspic, after all.
You want money? What will Cashies
give for Edward Gordon Craig’s
screens? To stave off the present
drafted, instead – since summer’s
lovely hue cheapens the north-facing –
a gelding correspondence. They circle
Moonee Ponds racecourse bullet-shy,
cowboy and charlatan-dogged.

The Bacon I hope sealed that moratorium
where salvia booms, tendentious
cowed mass any place if drugged for the win,
hence the 10,000 falls easily. Winsome
salvia gave this Clifton Hill ramble
something to look forward to, when I give up
my taxi, that is, as lasso it makes a great
burden. Whence brew
no blues rushing, and at speed ugly, no doubt,
but the flesh accumulated, like that
Marinetti turn – if only he’d bartered
better with the spirit world – miraculous,
for flesh to tear all fleshly.

Enter attack of the beast, a consolation
as much as influential, since if favour for the machine
by Tiffany’s on Collins reproduces M. H.
shredding his unpurposive trachea,
I should like to ask M. H., who knows
Schopenhauer, how M.H. remains the denomination
common in a fruit fly transition?
Petitionary memo, yes, I decide otherwise, leaving it
to a reader to enjoy the more interesting task,
regarding denominators, of working out of which
M.H. here is speaking. Two or more.

Cloister as bedroom is best lit, and sharpest view
of the weeping pageant – doppelgangers too in the glare
of triffids. The lasso marks around this neck, the smoke trail.
There is no clean way to shirk devoted correspondents.

Posted in 56: NO THEME II | Tagged

Hinkypunk

Ignus Fatuus (Fools’ fire)

It’s you, Elizabeth, got left behind.
Black clouds mass on the hill above. Here’s how
it goes: head full of shadows, tired, spaced out;
pipe smoke, wet collie, hob-nail clack in hall.
This time, pain-blitzed, churchyard in mind, your toy
half-grave, blue bobbing candle flames float past
the gaping parlour door. Signposts, head height,
omens of fate, my baneful toxic plight,
your death lament, this jack o’lantern fugue
of grief, remorse and dread lures me towards
the darkness where your doll-size coffin lies.
Your perfect angel eyes are marrow-less,
like when they snapped us both, in hospital,
you folded on my breast, voiceless, gene-cracked.

Posted in 56: NO THEME II | Tagged

Marriage Review: Mine, 1993

Offers aromas of winter layered with toasted hair and cold finger tips, sweet herbal trails and a questioning core, dry palate, melody of green tea, foggy persistence, nicotine. Altogether a somewhat weedy flavour, hint of microfleece, a woolly darkness and lingering, perhaps endless, finish.

Pair with several children, three wrapped in adolescence, the savoury word choices of a 12 year old girl, the salty wit of a highly talkative nine year old boy and the heady scent of independence, open doors and the less than flattering appraisal of young adults.

Move over, Bordeaux,
melon spears, soft cheese and fig crostini.

Posted in 56: NO THEME II | Tagged

Another Chardin in Need of Cleaning

Forearmed is foredefeated,
a spragged illusion that had me forever
check the silver-leafed backing.
What seemed like a vermillion mirror of sea,
the work of rash gods competing over
nose-powder and light. Salient image
as tonnage of froth, the superficial pleasure
of being someone else for the day.
What wasn’t there cannot disappear,
so why regret that awkward kiss
over the smoker’s box
when you decided to sit and clean the turnips.
One employs colours in the afternoon glare
but my feelings remain diffuse.
Each memory from the same genre,
duly sentimental,
yet indistinguishable in the over-populated world.
Does it matter who can gauge the lapping dark
for you were everything once
returning to dead layer, a general of still life
hanging on the end of the dauphine’s stays.

Posted in 56: NO THEME II | Tagged

Gestalt with Seagulls

Late at night, in the rain
I drove to the end of the quay,
past the frosted lights of the refinery,
its single outlet flame
streaming in the wind like a pennant.
Between the hulking dark of the shipbuilders
and a car-park jungle of dillweed
was a wide curved verge, seamless with the road.
It was there that I found them:
the seagulls – the secret
of where they go at night.
Like snowfall on the road,
a tight-hooked rug of white fleece nubs:
no road, no verge, only birds.

I drove at them. The carpet rose, as if shaken out
by a mighty hand, peeled up and off the ground
and dispersed, shredded, in the rain,
in the instant of discovery
already swept away,
just as the impulse that had woken me,
angry, from a dream of my mother, and sent me
to the car, to drive the docks at night
was already gone.

I parked at the edge of the quay,
at the crest of a bluestone wall
holding back the leaping bay.
The light of the city lay in sheets
on the face of the rain. And then,
above the rude
maracas of water on the roof
came the delicate thud and shuffle
of countless seagulls settling on the car.

Posted in 56: NO THEME II | Tagged

The Ritual of the Cup

Eventide. Three small pills and a cup
Of water are all that hold a mind
Grown unruly, and yet knowing
My soul sinks inevitably down
Into what my wife would call a one.
The dark cloud will come to stay
For a season. It will stay
Despite the ritual of pills and a cup
And the system my wife has, from one
Which is too low, to five where my mind
Soars into the red before the next down.
I may have a month of balance, knowing
This is all the normalcy we have – knowing
I cannot ask my wife to stay
Forever, with a husband so up and down.
Our joke is that the picture on the cup
Is Daffy Duck, and this is one
Piece of truth, for Daffy has his five and one
Episodes as well. Still, there is no knowing
If the balance of my mood and mind
Will improve, or simply stay
A lurching ritual of the cup
And pills, and the endless up and down
Scored by my wife’s numbers -marked down
For me to manage. I fear the one
The most, when the pills and the cup
Seem no use. Two is the harbinger, knowing
That the clear times seem to stay
Less and less. Five arrives galloping on a mind
Bent on excess and zeal, never mind
The unbearable grandeur, worse than the down
That is sure to come. I seem to stay
In constant flux, or as one
Blown on a wind, always knowing
I am tied to numbers, three pills and a cup.

I long for a mind that for one time
Is nailed down and knowing
It can stay independent of any cup.

Posted in 56: NO THEME II | Tagged

L/A

The City of Angels wields

hair stylist slash model
bartender slash agent

a flaming sword that cuts between

dishwasher slash iron-willed chef
busker slash America’s idol

what you are

barista slash screen writer
toy department manager slash director

what you dream to be

grocery clerk slash producer
receptionist slash talk show host

and convinces you

porn star slash actor
paparazzi slash celebrity

they’re seared into one.

Posted in 56: NO THEME II | Tagged

NOUVELLE VAGUE (put a string on it)

hanging my happiness on a boiled egg,
i stretch my trunk skyward, and ask you
the difference between a glass ceiling and a skylight.

from here, i can see all of the foodstuffs raining, the king
prawns, all the regalia, actually. britannia is editing
the wikipedia entry about shipping lanes… i called you my spice
island and you turned to jelly. (finite desk)

i am hungry thru the
(y)ears; gran-fed, i hacked my arm up and hocked the remains
for a new beagle.

let me come down and tell you how
i don’t think of you over here, or how this continence
makes the heart grow more absent. ———you know I never even
know what time it was? how nervous, no?
but I was watching the window always. [well,
who could tell, you had covered the house with those
realist portraits of our surrounding landscape, and mounted them
in window frames.] i would boil the cornflakes until they were
just done, and then scatter them around the plant bases//

//that was when we started filming. i liked to pretend to press
the record button, and think of how embarrassed i would be
to see the shelves: i could bear no relation: i was such a bore:
the wood started to deteriorate: that was when the ceiling came
down, and i was all pomp-and-ceremonei: with my belt on for
reasons of fashion: modalising, i said: modulating, changing
fora faster than you could tie a knot.

Posted in 56: NO THEME II | Tagged

The Little Inn

at the old writing desk
I sit and write for hours
letters to old friends
applications for various projects
trial reports on war criminals

it is understandable why she trusted him
he took her suitcase and ran
but he looked honest standing by the train

a photograph of this theft
can be found at the bottom of the centre drawer
under a stack of paper
at least I think it’s his picture
Grandma never talked a lot about her past

Wislawa Szymborska mentions this incident
in her poem The Railroad Station
she writes ‘a suitcase disappeared / not mine’
but maybe it was my grandmother’s

the photograph is blurry
but you can make out the features well enough
no smile to be seen
like a documentary photo or official document
or maybe it’s not him at all

Posted in 56: NO THEME II | Tagged

Jem Finch Gets It

Aunt Alexandra came as early as she could.
Sat staring out the kitchen window over collards
until she roused her teaspoon, swore I swear
under sweetened breath, said nothing
was the same since A. went and made his self
a Spark Note, slinking like a Radley into answers.com.
Yet it is reassuring to think that Jem Finch cried
quietly over a morphine addict, as if in a draft he’d gone
and washed her feet, lifting her shaking shankbone
into his own lap. Jem Finch gets it, that’s for damn sure.

Of course, we can see that in the revised as yet
unwritten rewrite of the Great American Novel
the character of Jem Finch gets it in the neck.
The main street of Maycomb crawls
with the pups of mad Tim Johnson
and Uncle Jack’s right fist is all banged up
and sure as shit Jem Finch has to get it, because God,
having no cause to stay the never before raised hand of A.
can’t be everywhere, staying all those other hands.

Aunt Alexandra came to make arrangements.
Cal pressed and laid out his clothes. The wisdom
we might have doled out in the banter between
child and grown-up is exhausted. That already spoken
is now contained and reduced to molasses;
that which we would speak, that we need to say,
is leaving us. Like geese the words lift in a migrating V,
trailing the likeness of a dirge over felled trees.
The hopes we had for the solace of gentle irony,
of softened perspective, have been dashed,
replaced by craftless hashtags. Can you even place A.
in this scenario? Some skins can’t be, won’t be,
refuse point blank the climbing into.

Posted in 56: NO THEME II | Tagged

AUSFTA

borne witness to the names
of the 60,000 Republic dead

stickyfooted at the monolith
equal parts David, Goliath

before windsurfing
down the runway of democracy

the Capitol (mistaken for the White House)
triumphantly crowning the National Mall

compare our bush tucker capital:
Parly’s idle spire

a eucalyptus bouquet calloused
like shearers’ hands

grass confettied with gum leaves
reprobate lawns

a malignant erasure
cloistered in the boughs

the banks of Burley Griffin
dandruffed with sleet

O’Hara’s Hamlet writing
to the Harbourmaster

his arrivals always trip wired
with plans for departure

Posted in 56: NO THEME II | Tagged

I’ve Started Waking Up Earlier

One summer I spent every night
awake and wandering. Watched the cartoon
channel that flowed all hours—decades-old
shows draining black seconds. Saw
“One Froggy Evening” for the first time,
the Broadway-singing frog’s phonograph songs
tearing down a world as fast as Acme Construction.
I held my thin, black sleeve
to the lamp. The light shone straight and strong
through every fibre,
emblazoned an asteroid cloud of cotton dust
in my clothes.
The mornings, now, are like smoke,
even though I’m cleaner and more alert.
I eat breakfast now. I might be nostalgic
if I knew what it meant, but the word won’t form
in high numbered hours.
No shade of regret floats like bacteria in this
crisp air, though there is regret.
I solved the mystery of the dark thump
at my door each night near 5 AM.
Sometimes I read the paper.

Posted in 56: NO THEME II | Tagged

Tear Here

There are monsters on the early tram and I am one of them. I’ve been shivering down Brunswick street leaving a trail of hairpins in my wake. I am a child when I ring you like I never quite learned to apologise for myself. Despite all that practice. That night he unlocked me and we tilted together around corners. Bullies bully themselves, he’d said. The photo you sent: a row of crows on the wire behind your sister’s house, each etches a black hole in the hot white, fourteen voids, a perforation, tear here. The only beauty is that I fear crows, that I too rest on wires, stuck on the sensation of almost always falling. I don’t know why you think of me. I don’t know why life bends beneath my weight. The phone and you are in my hand slipping. To carve a place takes years. To marvel at the rules of biology, that starving things consume themselves. Let me get home as day breaks and wonder about the person I am, let me be a drifter, a wrecker, a tangled mass of morals.

Posted in 56: NO THEME II | Tagged

small wondrous emails

roman numeral congratulations     your latest called bodoni     groovier than helvetica or palatino     i can’t wait for a peek at the cover     could you mention my role in the conception     contributors has a z     that prize gossip     i’ll give it 2 u f2f     i wanted to buy wine but all they offered in campsie was an expensive digital swipe     i’ve changed your password for security reasons     you’ve been getting more traffic     do you want me to send some publicity & stress     it’s free & it’s in america     you need to be acknowledged in full technicolour on the front as well as the jpeg     looking forward to the tea lady artwork     when do i get to read the flashy prose poems before work     forward this
Posted in 56: NO THEME II | Tagged

on paper, this was not New

but most of the whining,
marine or democratic,
carried some crazy morale
and issued endless havoc and
enough food for scurvy to
sailors. bone and gristle at
table bay. the fleet spared no
one each week, made most
tyranny stupid, guarded with
reverential care. 18 turkeys,
35 ducks, 35 geese and 209
chicken baked on a shovel.
these creatures bought
livestock for themselves, thus
the social demarcation of salt
meat. scanty, monotonous
ranks could not symbolize
full emancipation, and kept
poaching the hens. to anyone
who informed the prince of
Wales, an officer fattened
while dingoes strayed into
the scrub, their last port of
call was a pen, worth a
breeding man’s life. thus our
allowance is animal. gorgon
offered five cows and four
convicts, slightly less than
half the naval standard, to
practise on the thief, wrote
james campbell in a bad light,
gloom cast about the future.
Posted in 56: NO THEME II | Tagged

Some Kind of Simulacrum

‘There’s a man with a bomb
somewhere on the train.’ Even
swallows of the city sent from
their flight with all the
commuters of late-afternoon
locked-down & out
from these vestigial hours.

No-one joins the dots iPhones notwithstanding a
technical they say malfunction only
immobilized at the red-lights so close to
the stopping-point of this long long way
home.
No-one warned it could end like this
a maddie running loose crank-spanner
in the works chased down through the
tunnel of tin-houses by a SWAT team
of 8 running semi-automatic weapons
their marksmen sweating along behind.

Same as the movies it is the guns who star.
There oughtto be lights & camera hi-fi
surround we are
mere extras to the main gig
tomato-sauce on our faces war-paint for
unwaged foot-soldiers.
Afterwards the cops take all our details
as if intending surprise gifts sent to our front doors.
Not saying not risking the identity of the Great
Conspirator who takes it all away. Dead
or alive now in the phantom world?
Sirens without smoke birds
taken to smog-rings high above the melée
ambulance bomb-squad paramedic
more jobless than their prime-time stand-ins would be.

Another day in another place
body-parts thrown aleatoric
across the tracks.
Food for a thousand cameras;
the hunger eyes behind them.

Posted in 56: NO THEME II | Tagged