- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Introduction to Zenobia Frost’s After the Demolition
- Phillip Hall Reviews Robert Harris’s The Gang of One: Selected Poems
- Adam Ford Reviews Rae White’s Milk Teeth and Anders Villani’s Aril Wire
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
We invite submissions for Cordite 38 on the theme of ‘Sydney’. Given that Cordite was founded in Sydney in 1997, we think that now is a good time to revisit our roots, and what better way to do that than …
It is overly simplistic to state digital poems come entirely from building/discovering interfaces. Any artist’s creative practice is a merging/melding mix of fluid events and inspirations. But within many digital poems there is one commonality, the emphasis on interface.
Ashes in the Air by Ali Alizadeh University of Queensland Press, 2011 Ali Alizadeh’s latest collection, Ashes in the Air, blows across the fault lines of our manifold present. These are poems of strong rhetorical force. With remarkable alertness to …
Upon hearing of our Children of Malley II edition of Cordite, one of our readers sent us in an unexpected surprise. Lurking in the wings was a Malley encounter we never expected: we found that the hoax lives on.
For both Kinsella and Phillips poetics is work: it is a continual and never-ending process, a symbiotic process from which a voice of activism may spring. It is the aim of this voice to put the land and its strength and survival at the heart of the contemporary landscape poetry.
Ex Machina (BookThug, 2009) is a long poem written as a series of poetic and philosophical statements. Each page contains a titular number, and each line of the poem refers the reader to another page through a footnote. The book thus resembles the Choose-Your-Own-Adventure books of yesteryear, only instead of developing a progressive narrative, the system recurs and loops endlessly. If one attempts to read the book as directed, not only will one never reach a terminal position, but certain pages that exist outside of the system will remain forever unread.
This is Part 1 of Cordite's Zombie Haikunaut Renga project.
Please read the instructions before commenting on this post!
Single-parented most of the time, it’s a wonder the ash trees come out of the forest, look around, heavy scene, where I think it impossible to get lost or make enough sense to pretend how a child has to abort …
Run! Run! Run run run run! For a safe climate! take the trolley! & that box of something! tony abbott youre so cute i could skin you alive with a hammer. Nothing can hold it together. The skin of true …
And you were that paradox, but finally wednesday arrived. it was time for the coffee festival youd organised. Who said ‘waiting is unpleasurable?’ Not Nietzsche! And doesn’t coffee solve all paradoxes? (Except those concocted by Kafka.) I scratch my head …