See ya later

I wanted to write that song for you, the one that already exists, you know, the one that goes ‘oh, la la, lalala, la laa, la laa, la, lalala, la lala, a la, la, la’, and buy its forever rights as an NFT in your name, store the cold wallet in a small wooden chest with a decorative and rusting key and encode the coordinates to the roots of a particularly gnarly tree on a treasure map inkjet printed on velum, with perfectly imperfect burned edges, which I’d keep in a very ‘cool, chill way’ tucked between the puff pastry and ice trays in the freezer

which, surely, would say something about how, surely, time has diminished us

and then pack some ripped stockings, fly spray, USB sticks, toothpaste, noodles and a hat in a Countdown bag

to move again

In my mother’s house again
In my mother’s womb again. I can’t quite move without
hitting the walls

Peeling paint from my, nails.

you see every single movement, even when I am still, practising my ‘frozen’ face

But, no, no, no, no, hold up just a min

*

One thing that I do find weird, is that in your notebook, you’d written the name of the celebrant who would conduct your funeral four days before you got your diagnosis. Which, come on, is a little freaky.

I cannot stomach sentiment about death or hospitals or bodily functions — and especially not of the names of specific drugs or scientific medical diagnoses, or linoleum, or fluorescent lights, or a crisp autumn morning, or a nostalgic food group, or a lost puppy, or rain, or mist, or a ‘better place’ or cum, or anything visceral.

*

Grandad went over time in his speech, and it made me nervous. And then Uncle started off his speech with ‘Her illness was BRUTAL’, and I had to stifle some laughs, push them back down disguised as tiny whimpers, and not make eye contact with anyone, because all the drama and the build-up needed deflating, and more so the drama not inflating.

I imagined him either flinging himself on the casket, somehow dislodging the lid, knocking over a candle and starting a fire, or else dropping his share of the load when we carried you out. Not much faith in the living, I mused to myself (in an aside — ‘haha’)

At the cup of tea afterwards, the four-year-old wanted to know why the dead person wasn’t there waiting for us at the party, on her special day, and six months later asked if we could go back to that cafe with all the flowers and the little sandwiches

The roof rafters were exposed, very Grad-Designs-Barn-Reno chic (which seemed fitting and lofty) and so high up; a golden helium balloon — a letter or number —, the kind made delectable by mommy influencers, had floated up and lodged itself between them, tail hanging like a tampon, or a tacky, trapped angel (I thought to myself).

*

Back at the house, Cousin fainted, and Uncle, drunk, leaning in too tobacco-breath close, complimented my outfit.

Posted in 105: NO THEME 11 | Tagged

i’ll <3 u when ur gone

Posted in 105: NO THEME 11 | Tagged

please leave me a hairdryer

please tell your husband too,
you should come back and stay.
maybe take a pottery course

please tell your husband to
refrain from psychoanalysing
his unconsenting guests

please leave me a good review –
the last woman didn’t, said
she couldn’t believe I had no hairdryer

please leave me a hairdryer
it’s seven degrees outside and
I just crawled out of the ocean

it was a great pleasure to
host Lauren and her friend, they
were both very nice people

Lauren and her ‘friend’
had a lovely, sinful stay in
your hyper-Christian home

Lauren y sus amigos estuvieron
muy simpaticos y dejaron
el apartamento en perfecto estado

Lauren no hablas español
muchas gracias amigo et tu
mañana mas café en hermosa cuidad

Lauren was one of my best guests!
she was such a kind person and
we texted a lot during her stay

Lauren sent you texts in error
of wildflowers and travel tales
meant for Lauren’s dad

Nice & tidy!
You just might regret!
She used my place very cleanly
Left the place in a terrified condition
I highly recommend her as guest to all hosts =))
It is recommended that you stay well clear
Friendly, respectful, and very quiet
Overbearing, lives on site
Great guest 🙂
Posted in 105: NO THEME 11 | Tagged

Hard of Understanding

This thick ear is a humble interface;
a desktop setting for within,
a triumph
of engineering and aesthetic quirk
that captures sound like a fisherman’s net:
indiscriminate and blind as their jakes.
Your slipp’ry bream-words spill across membrane;
r’leased with salt-water spray from terse blue lips
filtered and,
guarded and,
with grey timbre.
I don’t understand.
But my ear lets you in despite myself.
I’ternal screams without voice, a twisting carp
gasping for water in a world made from air,
and so I nod and say anything, everything,
just so the sound stops.
And our eyes then meet.
I mirror your smile, a quieter tide comes in.
No more noise,
I am as content as the ‘Davy dark’
but without its depth, its cerulean blue,
its ability to join you in communion.

Posted in 105: NO THEME 11 | Tagged

trinny and susannah

i am an oyster catcher running down the beach
i know my colours, as trinny and susannah might say
jet black and the most vibrant orange
the most stylish bird on the beach

entertaining the fools on a walk who are
suddenly
remembering how much joy nature brings them
like, duh
have you not seen how i run?
is that not joyous enough for you?

if you can’t realise that
or my position as This Beach’s Top Fashionista
then i’m afraid i can’t help you
and you’re shit outta luck

Posted in 105: NO THEME 11 | Tagged

Arrival!

—After Rom Spaceknight #1, December 1979

It’s classic meet-cute. He’s a seven-foot cyborg on
a quest to rid the galaxy of an ancient evil.
She’s a small-town girl on her way home from work.

She swerves to miss him. He wrenches her back onto
the freeway. Stands there statuesque in
silver wetsuit and thigh boots, engine-block chest and

boxy head, blank apart from two red headlamp eyes.
He shines a light on her and flies away.
Later that night, in front of the Bijou, The Creature

from Space on the marquee, he turns two guys to piles
of ash like chalk outlines. Everyone runs
but her. He flies her to the outskirts of town, tells her

about the war in space. How he signed up for the cyborg
army. How her high-school buddies are
shapeshifting sleeper agents hiding in plain sight.

The National Guard cuts in. He chucks around some tanks
and jeeps. Ignores the bouncing bullets and
the flicking of flames against his armour. Turns the Sherrif

and the local barber to ash, then flies away again, leaving
the survivors to tell the tale of his arrival. It’s
Roger Corman meets Ernst Lubitsch. It’s a hell of a first date.

This poem was first published in Strange Horizons on 31 January 2022.

Posted in 105: NO THEME 11 | Tagged

I have heard the butcher’s words & learned to care

here’s a cow-shaped
possibility
way of no thickness

of blade
thru

grit pink hollows
to strike in big
hollows

& never touch ligament

zip zoop

hey I could
do this you
say but don’t

so would they have made
that I say
& have

they? beyond
meat &
blood
poured out
for cooling
unsuitable
for food, & care?

we won’t

Posted in 105: NO THEME 11 | Tagged

Tongue In Our Mouths

This is not my tongue,
or my mother’s, or of my land.
Law, however, says it is. A tongue

shoved into our mouths,
a clear violence
of our body, of a people heavily oral,
a clear violence
disguised as benevolence,
as liberatory pleasure. A tongue

from across the Pacific
that forced its way into
our mouths for nearly half a century⁠—
half a century too long that it
still licks our lips some 75 years
after its supposed withdrawal. A tongue

whose buds still dictate
our palate,
whose muscles still slur
our speech,
whose clacks still whip
our laws,
whose sputum still smudges
our identity. A tongue

that I wish for us to cut
with our unsheathed own,
so that we may finally
taste and speak.

Posted in 105: NO THEME 11 | Tagged

Raw Lemons

my adoptive father ate lemons raw, skin and all
he was the only person i ever met to do this
he had no argument with bitter, sugarless fruit
and the bitter lemon had no argument with him
i never saw him eat any other fruit but the lemon
he sucked and scrunched at the lemon like a deflating ball
with a mouth of toothless gums, top and bottom
watching this exquisite act made me squirm
and my own mouth filled with sour reaction
i heard the sour fruit complain like a small wild bird
juice dripping from his toothless mouth as if it had no end

Posted in 105: NO THEME 11 | Tagged

Centocarography, San Francisco: dirty dancing








































Bob Kaufman, ‘Walking Parker Home’; Lawrence Ferlinghetti, ‘Retired Ballerinas, Central Park West’; Kenneth Rexroth,
‘Education’; Jack Kerouac, ‘Bowery Blues’; Ambrose Bierce ‘Diagnosis’

Posted in 105: NO THEME 11 | Tagged

Fidget Spinster

For Amelia Newman

Can you hear me? Wait—you’re on mute!
Uh huh! Okay, I’ve got you now! It’s me!

Yep, it’s Velma’s knobby knees,
the Grinch’s gay mothers,
Elmo’s favourite ice cream flavour—pistachio—
and that music that plays when Fiona turns from Princess to Princess Ogre.

Would you want some carrots from my fanny pack? Probably not, huh?
My social script says not to ask people this, but if you could have anything other than skin encasing your body, what would it be?

Juicy, juicy verbs. Bamboozle. Canoodle. Skedaddle.

REPLY ‘STOP’ TO UNSUBSCRIBE.

Sorry for leaving so abruptly. I’m terrified of UTIs.

Is it possible to be a Sharknado, yet still boring?
It says a lot that the Sims universe doesn’t allow for hatefucking.
I’m not witty enough for cool-girl poetry, but not soft enough for subtlety.

STOP.

Even in those spaces, I’m defined by an imagined proximity to men. Like, call me a dyke, not a fag hag.
We can’t all be the kind of gay that fits comfortably within a Kmart catalogue.

The oh-so subversive existence of cowering indoors eating biscuits. Alone, as usual.

It’s like I only exist within my own head. Indivisible zero… that’s a thing, right? No, don’t answer.
We can only fold in on ourselves so many times, I’ve heard. That’s real math.

You can’t count on sunset that close to the arctic. The heart itself isn’t even heart-shaped.

Sometimes you just have to sit in it, ripe and clinging like… a soiled diaper. What’s my GP gonna do? Tell me to drink water and stop being a bitch? Because I refuse to do either.

I keep crying over Masterchef. I love you like XO sauce. I just can’t respond to your texts.

But which did you wear best?
The loneliness or the sweater vest?

STOP.

My list was unhelpful today:
Party toys that you can flick at people, that leave marks on the wall, that your dad banned from the house.
Putty squished into carpet fibres.
Pizza left out for too long, gummy with cheese tar.
Papier-mâché, half-eaten.
Plain old grief.

All the sticky things.

Like licking your own uvula.
—No, uvula.

Like a well-used dildo, shoved into the drawer when their real friends come over.

Like a waterbed, wet and forgettable.
I guess we keep these childhoods somewhere, isotopic in our bones.

STOP.

Gimme one hour of scream time.

Posted in 105: NO THEME 11 | Tagged

Not a salad

I went home, I came back away, I don’t know what else I can tell you.
All night and all year the heat has undressed me. Not in like,
a beautiful sense. Even my shins, damp with missed summer.
I am feeling it wrong. I don’t know what else I can tell you.
What else is still good. Today I threw some chive seeds into some soil
and tossed the whole thing together. When Sarah found her horse’s body
I couldn’t help her. And it keeps happening. I don’t know what else I can tell you.
Every time I build my bed I lose my sense of self. It is like losing a needle in a stack
of IKEA flatpack slats. Someday we will live in a better place,
the same place but better. I will have learnt to drive a small motor vehicle.
And you know I don’t mind how long until my girlfriend reenters the country.
To bury a horse, you have to dig so many hours, so wide.

Posted in 105: NO THEME 11 | Tagged

recline

openings can be challenging
where to sit everyone who has a chair named after them

opera chair from investment banking requires ergonomics
being chair of an arts org is both pleasure and responsibility

[chair now an object, now belonging to or associated with person]
not everyone can be given the name of a monarch

I enter my name into a chair name generator
it asks me what I currently do in life
(I work in an office/I do not work in an office)
how often I work out will assist in calculating a title
whether I see infrastructure as big or small

there is an art to naming furniture, there is more at stake
than any new born child due to levels of production

seeking visceral connection with consumers
everybody wants a throne, nobody dignifies a toilet

IKEA has the process down to a science
all have Scandinavian origins

beds have Norwegian place names; seating have Swedish ones
in my next life I will return as a Stavanger queen ensemble
I will be a port to strangers dreams
a berth for bodies, ferrying the traffic of pleasure boats
paying tribute to cruise administration

no mentions of chairs were made in the bible
(the more you rely on a backrest, the more you tend to slump)

companies fund chairs as part of good corporate citizenship
(Jesus was not a good corporate citizen, he liked to stand up)

billionaire is padded soft beige eco-leather with vintage walnut structure
(just one in 10 ASX 200 chairmen is a woman)

I sit in this lounge chair and watch the first season of shows
I sit on this swivel chair and preside over search engines
(look up things with a back and four legs that can’t walk)
dream of a chair to carry the day weight of dreaming
I up look up dream chair online and become two inches of foam

a well-endowed chair requires chutzpah
catbird seat is the best place to chew the ear off a president

as Ellen DeGeneres says Leaning forward in your chair
when someone is trying to squeeze behind you isn’t enough

we will break down before the office chair, these bare ends
not built to comprehend how many of us there really are

microplastics have been found lodged deep
in the tissue of living people for the first time.
there is increasing concern about hazards within us.
we have each swallowed the equivalent of one hundred stackable chairs,
our lungs are an auditorium of unsustainable applause.

Posted in 105: NO THEME 11 | Tagged

Yamaji Kin Songline

I am kin to the Bimarra creation line
Snaking across country into bloodlines
Creator of Yamaji life and culture
Sustaining very old ancestor our old country

Nganajungu Bimarra is our medicine

I am kin to the old people now sand grains
My barefoot lifting their spirits into my being
Their quiet soft voices floating like invisible
Feathers in the Midwest wind into our hearts

Nganajungu Gami- Aba brings us medicine

I am kin to the bushfoods on my kitchen table
Gifted from family tree hunters on country
Collected by family gatherers from seasonal foods
Sustaining our spirit in town colonised spaces

Nganajungu warany -guga is our bush medicine

I am kin to the colonial archives violence
Family stories of removal , genocide and
Social experiments of eugenics and inhumane
Treatments of a First peoples on own country

Nganajungu yungatha needs our medicine

I am kin to family tree descendants of our
Many Ancestors guiding each generation forward
Coming back from ancient waterholes to babies
Family song lines sung in many different ways

Nganajungu Bimarra
Nganajungu Gami-Aba
Nganajungu Warany -guga
Nganajungu yungatha
Brings me culture and medicine
Grows our Yamaji Kin Songline

Posted in 105: NO THEME 11 | Tagged

Brown Rivers

I observe the brown rivers in your fingers as you highlight your favourite lines in my poetry

I observe your head, it’s a little bit tilted, as you take pictures of the rusty bones
of Long Biên Bridge
no luck finding our names

I observe your snores when everything’s dark and they are like soap bubbles:
small, spherical, and see-through

I observe the warmer, concave part on your back when we have sex
it’s salty
and my broad face can fit in there

I observe things that can stay when your parents are visiting
since they are yours-passing
(mainly they are books and books and more books
all with guilt-free covers)

and my clothes, all under your bed
walled-in by the folding table

(one time you called in horror:
“Shoes, you forgot your shoes.”

Stupid shoes.
Know your place, stupid shoes.
)

I observe the remains of the days
(it’s three days after another
of my birthday and soon
you have to go:
nobody wants to be here in 2019
time, with no sign of a second coming, slipped by)

I observe how I start calling you “Kazuo Ishiguro” in my head
my little Japanese boy
my gentle Chindo man

I observe you in our favourite bookstore, post-restroom, and it’s as if
I already need the telescope
to just have the idea. of witnessing you

Posted in 105: NO THEME 11 | Tagged

EB

Elizabeth Bishop I want to be evocative. Dawn arrives like a dropped egg. Slumped over a desk, mouths small. Heaviness in our matching breasts. Kidding, yours are smaller, Elizabeth. I hate you for that.

Before killing the blue whale, orcas swim inside the mouth to eat the huge tongue. Muscle frayed, fresh meat torn to smoke. The scale of such flavour I can-not grasp. I’d guess shiny metal, ox, a thousand blended fish.

If you died I’d eat your tongue. I’d expect you to do the same. (Love doesn’t need metaphors, it needs nutrition!) The sea has its own logic: when a baby lobster is ready to leave the nursery, she straightens her claws. Better to be already in flight.

The problem with excess is I overthink it. Elizabeth you died first, so that tongue should have been for me.

I’ve been working on myself, can’t you tell? Back and forth across the ages, pages. We don’t want desire, do we? We want time. (Impossible!!!)

My God, Elizabeth, you wrote so much about nature! How? Forget about the tongue and just watch the water?

Agreed: bodies of the sea are impeccable. But I don’t pretend to have anything in common with nature. Everything alive is only an anecdote, ready for future use.


The baby lobster propels into the horizon: one large sheet of overhead light.


Posted in 105: NO THEME 11 | Tagged

HALF A CONVERSATION AFTER THE DIALTONE

I learnt about potential and parallels on Twitter today –
This is the kind of thing I think I might whisper to you in the event of another
sleepover turned
perennial summer.
In the parallel universe, time doesn’t necessarily
run
any differently than it does now.
(I mean, it’s not like
there’s a world with another me, you,
us after a long stretch of an afternoon /
ducking through sprinklers crinkling our noses at the boar water hitting our shins collapsing
reviving ourselves only to execute high level operations,
pouring warm flat Sunkist into plastic
cups passed down the side of a bunk bed in the half
dark,
our laughter soaking through both mattresses –
No small talk between siblings just
this.)
I can’t quite explain it so well, but I remember
something about meteors
exiting
the sky. Imagine a whole universe where meteors
gather themselves at the throat
leaning against the doorframe departure gates and
go
quietly.
Not a ‘what if’ universe,

(Like what if I waved my arms hard enough that I gathered the wind in the crooks of my
elbows and became a bird or something half winged
and I was up there, with you,
in the clouds and you looked out your window and you saw me and the ruckus was so great
that the whole plane landed, and I landed and we went home and we laughed about it all,
together.)
(I mean it’s not like there’s a world with another youmeus.)
(I mean that, that’s something unimaginable, isn’t it?)
(I think you’d laugh here. I often imagine you the other half of all my rambling – Do you do
the same? Are you also flossing over that summer? Each crack of a new can a half cough,
half snicker during prayer? Is it so unimaginable that you’re thinking of me too?)

just meteors
reverse blinking out of the sky, ceasing to be. I mean
can you imagine? What it would look like? All that
light, all that smouldering
without fuss?

I think to tell you this months later as I pat gently at a drying shadow
desperately clinging to a single bed.

And the east coast isn’t that far from here but it’s far enough,
sweet boy
and you are just
a boy
in this poem.
If there exists a distance far enough between us
that I can no longer hold you through this phone,
then know that I am so far beyond it I’m already right back next to you.
Know that I’ll weather the dissonance time and time again –
Know that i’m trying.
If there is a universe in which I am no longer your little sister,
I hope it collapses into itself.
I hope it burns.
I hope we wish from our platform of sibling cosmic nothingness to find our way back to each other –
Sweet boy,
I’m on my way, I promise.
So help me God, I will open these borders with my bare hands)

Posted in 105: NO THEME 11 | Tagged

The psychic told me I was going to have a good year

On Instagram my friend announced she’s pregnant and has just bought a house. Meanwhile, I have to write an email apologising for posting a video of my university lecturer with a CGI pig …
I thought it was cute but she said she felt degraded when she saw the pig on her head …


This is too hard, I didn’t ask to be born … But maybe I did? I think maybe I did … I’ve been told that the soul is very aware how challenging and painful earth will be and they still choose to live as a human for a while in order to gain wisdom and experience …


The accounts guy at work said he paid for an operation for this girl’s dog, not because he felt sorry for the girl or the dog but because the dog was so ugly with disease and he couldn’t stand looking at it. He went over to the girl’s house to fuck her but he was too distracted by the dog’s eyes. It was so disgusting, I said to her what’s wrong with your dog’s eyes, the operation was $2000 and we only dated for a month after that, but it was worth it.


Cooking a big pot of corn on the cob at midnight. Dissociation, take the wheel. Ok i’m full from eating a lot of corn now … time for bed …


I can’t believe I was in a relationship with someone who made me go on the ghost train alone when we went to the fair. The doctor complimented my dress before she put her finger in my ass. Tomorrow morning, I’ll be sharing 5 lessons I’ve learned so far from getting hit by a car with everyone on my mailing list.

Posted in 105: NO THEME 11 | Tagged

Crossings

Rangihoua


Climb the pa and walk its ridgeback wet kikuyu
grass. At the top, spy the land from bays to
islands, dips to coves, as hills dissolve to sea.
Climb down to Rangihoua and rest under
Marsden’s cross. There, the sea—waist deep,
neck deep—the tide pulls out to the bay and
back to his-story.


He crossed the beach to reach the Māori world;
the foreshore, a strip of land between him and
those souls. The furrowed earth, ruled as the
pitsawn walls of his house, but the sea
encroached, lapping. His ruled life: the Māori
world, a series of waves. An English stone on
which the tide crashed. I swim in that sea.




Turning away
from the beach,
I follow a path to the head;
back between the hills, my eyes
will almost miss
his mark: a stone finger
pointing cloudward,
up, up, to the
smoothed sky.
Posted in 105: NO THEME 11 | Tagged

Sticking My Face in the Blender Poem

When the water in the vase of my flowers is become thick and rancid
I will be drinking that I put whole eggs in the microwave for 7 8 9
minutes scrape the egg burst onto a bowl of rice. Nothing is too rich
for my blood I am unlearning how to be every year the sum total
of experiences in my life is less. I am watching my neighbours close
their curtains inch by inch I am experiencing psychic pain to a lesser
extent than my peers. I am pulling brain matter out through my nose
and flinging it off the balcony in the wind the wind is picking it
up and slapping the body-warm matter onto one poor soul walking
in the alley beneath my apartment I am getting naked in my windows
and smearing Vaseline all over my body I am eating roasted onions
day after day until my apartment smells like boiling pitch while
the onions are travelling through me morphing. I am using squeezed
out sausage casings as a ribbon in my hairs I am buying myself
irises for Valentine’s Day and cooking them down into a poison paste
smearing it on my thighs until they pussing and ulcering shed and my
new, shiny clean and pink legs grow in underneath.

Posted in 105: NO THEME 11 | Tagged

Still Life

The blueberries were wild, they were
Sharp and anonymous
Strewn creatively upon a platter near
The carcasses of duck
Destruction comes from seeds
That’s common knowledge
When Word welcomes me back
The random layers glued together
Just beyond the legend’s math
All the glandular changes
And many things under the aegis thing:
petty trinities
colours of the poisonous sumac
many summery zones
All the general statements
Shorelines and costumes
Sandwiches, turrets
How long will we do this?

Posted in 105: NO THEME 11 | Tagged

I have gone to extraordinary lengths

in the pursuit of—. [Whatever that means for
you]. Like with most things, I have gone further
than really necessary—a trait picked up in child-
hood carried through many executions. Am I happy
with that? Hey, no one expects an answer. I still
follow shadows lit from an angle I’ll never see.
This is grace—this hollow corridor—all the lights
are off a candle beats nervously I am alive. Not
everyone gets to say that. Lilies once took over
our whole garden, white scent of death was every-
where I miss too many friends. Now I kiss the
quiet hard morning with no one up, the jasmine
lingering outside the window, the plaster ceiling
rose in the long hall. I kiss everything on its hands
turn them over, kiss its wrists. I have gone to
extraordinary lengths for nothing and for this.

Posted in 105: NO THEME 11 | Tagged

wake up ingrid bergman

when ingrid bergman gets to the table she walks around it seven times
there’s lots of empty chairs at the dinner
but everybody is looking at her
in the mirror a man is wearing a blue coat and he looks like a rabbit
ingrid bergman asks him the time she
asks him if he is somebody but he only carries a gun
and he only pretends to kill yorick

ingrid bergman is afraid of yorick
his head shows up in the bed all the time
when ingrid is not looking
he has a big wide open mouth with big crooked teeth
and his hair is very dirty
the witches pick him up in their hands when
yorick gets tired they put him to sleep with drugs
they dress him in girl’s clothes

ingrid bergman orders fish for dinner she gets some pork cut up for the dog
she goes up the stairs and has to close the window
because there’s some rain coming in
ingrid bergman blows out the candles
she hears the guests for dinner
ingrid bergman doesn’t like wearing any shoes

ingrid bergman lives in a blue house and it blends in with the night sky
the house is very round
ingrid knows that the man in blue wants to get her a horse
so ingrid bergman wears a nice jacket she
sits in front of some gumtrees while the sun is going down she
tells the man in the green coat about how she lost the child
ingrid bergman has a clip in her hair like my mum

when the witches are in the kitchen ingrid bergman goes in to see them
she sees them all turn into rats
then she sees them peeling herbs
ingrid bergman has to confront them but
she’s wearing a showercap and she isn’t ready

ingrid bergman looks back at the ocean
she looks through the castles and sees some old painting
she sees some old walls crumbling down
ingrid bergman walks through the wall she hears some italian music playing
ingrid bergman used to have nice big curls but now she only has a cap
she hears a baby crying and she keeps hearing it

ingrid bergman says she has to go
she goes out on a boat she goes to catch some benito
ingrid should not be disturbed while she is painting something
a ferret mangling a rabbit
ingrid bergman has a bright light which makes the tuna come
when the men sing and the water floats up ingrid bergman is looking
she’s asking for the fish to come with a torch
but she doesn’t realize how big they are and she gets splashed on her face
the spikey fins and lances means that there is blood

ingrid bergman wakes up to fishes swimming in the river
the kids are looking for octopus and they find one with lots of suckers
they are swimming in between the rocks
they are on a big island
everyone comes in with their boats because of the wind
ingrid bergman sees a volcano she sees light and dust tumbling down
she walks in her jacket on some land and a woman in black takes her hand
some seaweed is growing out of the dirt and it’s growing out of the rocks
there’s a man in a hat who talks to ingrid
but she doesn’t want to listen to him

is ingrid bergman awake when the volcano starts erupting
and everyone has to run to get onto their little boat?
ingrid bergman is in a cave
she should eat some fish and have a rest
but ingrid has to climb up around the volcano
ingrid is a giant amidst tiny trees
she can’t find out the way so she slips on some rocks
ingrid bergman looks and sees some smoke
she looks back and she sees yorick.

Posted in 105: NO THEME 11 | Tagged

Essay on being both the prey and their predators

I open the window and let the cool enter. Wind becomes a pool of locusts. I would stand there, would let my face swell by its cold, then call for my own name twice.

Nothing answers.

Every time summer arrives, it goes. It goes like a broken bulb. The locusts are alive. The locusts are lurking in the season. All around the sounds of their scissoring. The faucet is broken, I think. The room listens to its dripping.

Outside the night ambers down, I realise I want to go home.

Vein-blue. Flashes of trains carve themselves against quiet, I listen and rest my head on the table, arms laid under. That faint light of myself, the body deflects like a blade. I want to go and rub my face against the metal-rusted sky. Midnight howling of the neighbour’s dogs.

Look at them, my mother said one time about those pit bulls, chopping her two-weeks-old refrigerated onions, I sometimes feel like they’re pretending to do this dog-screeching thing but perhaps, no—I guess what I mean is—can you pretend to be who you’re supposed to be—and then, funny enough—you’re not? I guess no, yeah? I mean—

I think that, for most of the times, I post things online for attention. The ‘cultured extracts’ from Wong Kar-wai’s to Godard’s, and then Tarkovsky’s, are how I’m building a cultural self.

Pretentiously.

I mean, to even say the word ‘selflessness’, you are murdering language. There is a literary thing for it, after all.

God, the anti-image is such an itch—I want to build my body so it brims to the edge. So it loses itself.

anyway, dinner is nearly ready. I sat myself down, the table became a flatland. My heart throbbed itself into a caged bird.

Posted in 105: NO THEME 11 | Tagged