When you say you wish you had my colour

Because it would let you carry off hot pink
the way the black models do, the way I do,
I meet your light face with confusion
I feel rivers rise under my cheeks
in this wide and sunburnt country
what colour should dark people blush?

Back in Madras with a cousin six shades paler
and aunts saying Well she can carry off
any colour because she’s fair.
maybe you should wear pastels?

So, I take old blues and beiges to the tailor
lavenders dulled by dust, old roses
stained with British chai
So, I bring nothing bright with me to these
salt-rimmed shores with my visa
no saris of jewelled seas, no kurtas with
sapphire mists tacked on


on Chapel street, the drunk girls call out
Poppadums, Poppadums!



I don’t know why I pause before I tell you
that the man who plays the didgeridoo
on Bourke street called me sister.
They think you’re one of them lot!
you say and mimic my head-shake
your eyes roll like earth marbles.


Later, my desi friends bristle too,
all fellow savarnas thinking:
It’s one thing for white people
to see only our colour and race

(not our high and pitiless birth)
but for “them” to think we are the same!

Back in Madras, this is cast as story:
Well my grandfather was so dark
they once mistook him for a ____!

made to sit outside the high-caste house
coffee left for him not in steel tumblers
but glass with its sides cut sharp


like a prism – dividing light
even rainbows could not fall on our streets
without showing proof of lineage.



Here in hot Christmases, you daub zinc
on your face like grandfather’s caste marks
just as easy to wash off
Strange camouflage, I thought, because
it just makes you whiter in this brown land;
litmus that shows you don’t belong.
You don’t need the sunscreen, mate you said
Surely you get enough sunshine over there?
But no, it singes us too, some of us,
coffees too hot, poppies too tall and ruddy,

Opal-heart countries so white they could be mirror


I walk towards the glare and it casts back my shadow
– my brothers tar their faces to jive on Saturday TV
– my compatriots call people monkeys on the field


what’s done to us was done by us



My brown skin, sure, dark enough for pink
but flecked with inherited prejudice
melanoma from both our suns.

Posted in 100: BROWNFACE | Tagged

One of Us (after Christchurch)

And what does it say about us,
That we turn
And turn
And turn
Turn a funeral into a festival, a spectacle,
Because mourning feels too heavy, dark spots
On our already dark skins.

We cast off headscarves in fear, force ourselves
To watch as others claim them,
A misplaced notion of
Solidarity.

Do not show how this hurts.
We are the ‘good ones’,
Who always forgive
Our murderers and our saviours,
Sometimes both the same.

Do not let them see any moment
Of weakness, of anger, of emotion. Instead,
We school our sorrow and our rage
Into something more…
Acceptable, palatable,
Something that would make them say
“See, these are the good ones.”

“They are one of us.
They are us.”

The names of the dead are lost, whispers
In the chatter around politicianscelebrityactivists,
Vying to outdo one another
In this new exercise of publicity.

Is this what it means, to be “one of us”?

To have our pain leave our lips and float away,
Unheard, instantly lost and forgotten,
Forgotten, like the reason
People have gathered in the streets:
Supporting you in this difficult time
Thoughts and prayers for your community
Aren’t you glad you are here, where it’s safe?

They are here
Not to bear witness, but to be witnessed,
To take up even more space
So we,
And our grief,
And our rage,
May not be seen or heard
Unless we fit the bill,
Unless our bodies and our stories
Are displaced, replaced,
By this single one:

This is not us
This is not us
This is not us

But it is.

Posted in 100: BROWNFACE | Tagged

Brown skin

My mixed body is a battleground.
17 years of bloodshed, the source slyly
laying in my epidermis. (My melanin an atom bomb)
I imagine the successful egg and sperm did not
Join, merge or unite- but
Shoot, destruct, colonise, subjugate
A coloured baby born in war:
Wreaking havoc, leaving carnage
By outward appearance.
My parents wear blue helmets, assuaging
Tension between grand-parents.
I marauder through their homes,
A vestige of the 2003 massacre when I
Was born a bit browner than they expected.
Unsalvageable, yet I am sequestered to the shade,
Bequeathed strong sunscreen like a reluctant peace treaty
Victory is pyrrhic when I intentionally tan
Youthful sedition manifesting in lackadaisical hours
Under the relentless terroristic sun. But
appeasement is over, peaceful co-existence with mind and body
-no more- as I crave the bounty of Brown skin.
I understand my privilege: the ability to
Wear my lineal heritage and be seen
For better or for worse, this is my gain:
Ancestral connection won each glimpse in the mirror
Brown skin is my shining armour.

Posted in 100: BROWNFACE | Tagged

an afternoon on Minjerribah

for Ariana

daydreaming in togs, day-napping
on blow-up mattresses in winter sun—

we could barely hear ourselves over the battering ram
of birdsong. an island pigeon

flew low over our bodies as we
tried to spot the willy wagtail camouflaged

in canopy. we lay top-tailed, all
gooseflesh and belly-laughs.

if this sand could, it would
speak in sighs.

Posted in 100: BROWNFACE | Tagged

BLM

Is this a revolution?
Have we finally found a solution?
We can’t erase the past
Hiding behind masks
Injustices rejection discrimination
World wide condemnation
Your Judgement bashing venomous words
You Left us bleeding on the kerb
I am black I am proud
Ssshhh I am being loud
We are exhausted we are hurt
Now our voices will be heard
Can you see what I have been through?
Systemic violence perpetuated by you
You will never fully understand
I do accept the extension of your hand
Stand with me walk with me
Only you can help create peace

Posted in 100: BROWNFACE | Tagged

My Brownness and Me

My mother is from the interiors of Sumari.
Forgive me, I am brown
and I speak Garhwali – a dialect
from the hills. I once sat on a
hurricane of love and travelled
far, as far as Haworth, to be flanked
by the Brontes; long dead.

Cobbled on streets, touched the moors
having left Heathcliff in Srinagar
I walked towards the Humber bridge
and settled my feet in Scarborough,
where my favourite Anne Bronte was buried,
after an illness, which then, had no cure.

My Brownness I shared with my
mates from Thessaloniki.
How beautiful are these women from
the Mediterranean, said my Welsh boyfriend.
I pinched his cheeks and swallowed my curses
with a lyrical smile. This much of decency
I clung to, but it weighed me down.

Years full of spit and shame, scabs and screams.
Hey bog! How brown! Ugly frown!
Where’s your town?
I let them be.
This space that I called my own
I held in my squatter’s palm.

Posted in 100: BROWNFACE | Tagged

What are you?

Who cares about identity!?
Are we here for a fun time?
The run time for this movie is
Three hours and twenty-eight minutes:
A long time even if we’re on time if we
Unwind and confide
Remind one another
The high tides and the low tides
And the show times and the sun dried
Tomatoes get better with some thyme.
All we have are one-liners and stop
Watch timers.

I am a bit red from the sun I am
A bit unwell and undone and
Unhinged, on the run from
My crisis, what crisis? Really, there was naan.
I was the one who mixed and mixed
From pure bread to pun. Intentionally,
Or unintended maybe, they asked, where
Are you from? I said down under, I was from
The south of Australia. Centre, the central
Steppes of Asia I said under there, you know,
Under the cloth there is a sloth who
May be too lazy for fun. From lazy eye
To lazy eye we questioned conundrums. We
Sat in circles and created referendums,
Sought markers from PCR runs and
Shook fists at PRC guns, hid behind
Great wonders and drank red serums,
Hoping for an answer to our mind’s deliriums.

But who cares about identity?
Are we here for a fun time?
I’m here to place an arm around her, I’m
Here to go on a verdant adventure
With people to whom food is the greatest pleasure
With people who throw the greatest treasure
Into the pits of the fire, face still hot with desire
Isn’t that fun?

In the orchard of apple groves
She waits for her lover by an apricot tree
I think she drove herself to madness deliberately
A transcendental madness, lovingly
Wondering where on earth they could be
Together, together with no identities.
They spoke until the end of time, until
The sun burned a hole through the sunnier climes
And we stopped watching the clock to dig deeper into
This soliloquy. Who cares about identity..?
I just came here for a fun time and
Honestly I’m feeling so attacked right now.

I say, perhaps I’m wired this way, always
Tired this way, always inspired yet
Dismayed to see what transpires in
Me.

Posted in 100: BROWNFACE | Tagged

Fluid

why you big brown bearded boy wear a dress
they press me, and dispossess me
soliciting clarifying address on this repressed mess of largesse
it’s in their blood to suppress you see
make me undress and acquiesce you see
my blessed intersectional existence seems not my own you see
like many of your own, my kin, our ancestry a sin
interrogated, assaulted, destroyed, and then censored in history
those who are like me cannot thrive, deprived, and buried alive in discourteous antiquity
emboldened men, full of gobbledygook, spreading lies, stealing land, starting wars
i just know you crook Captain-Cook looking fuckers will Endeavour to make me all yours
gotta profess that many public queries are quite cruel, some benign, some curious
the fact to depress is that most are quite furious
why you big brown bearded boy wear a dress
you’re not allowed to express
gotta confess, these reservations bring me real stress and distress
despite my visage, scraps of privilege, me too have been pillaged, body trauma, sacrilege
they think we’ve made progress in excess, claiming minor success
that is but a half-truth, scribbled down in many a book
unless we come out and assess
as one tribe, admit they mistook and forsook, and they took and retook
nevertheless, i digress, i speak of one grisly peak, not unique for this freak
informing this bleak poem, and all that i seek
one particular repugnant street specimen tried his best to transgress and oppress
some studderin scum of a white brutha from anotha motha
just like all the otha that strived to smotha my greater than thou
my great greatest grandmotha
as much as you tried, she lives on in me
and you are left empty by yours, a husk of dead air
now hollerin trashy white noise, fat fist raised high to scare
cheered on by his bad boys, beat, butcher, burn this trash queer
why you big brown bearded boy wear a dress
in that split-second i split, racing thoughts coalesce
see to me, i decree, this body flying carefree
in the midst of all the hate that you give
or the death you might bring
i will be spillin on your lap my black tea
the politest reply to your enquiry
my friend not a friend, but i portend that you’ll mend one day
the message i’ll send before my end, is that i’ll do it my way
you see
my gender is fluid; it is akin to water
it slips through my fingers and takes many forms
it is a destructive force of nature, is a wonder to behold.

Posted in 100: BROWNFACE | Tagged

Valimai

Sometimes I wear huge sweaters like my Amama (grandma)
The mix of itchy wool and polyester wraps around me
Her presence engulfs me as I sit on our rickety front porch
Sipping her famous masala chai, I reminisce
The flavors of the sweet cardamom and zesty ginger take me back to a place I’ve only been
in my head

In this place, I try to imagine what her life would have been
What battle scars she has been forced to carry

Why is strength always portrayed in destruction?
The weight of the sun must be heavy
But yet, every day, twice a day, God is able to carry its weight
Does that not take strength? Does that not take munificence?
I have learned strength is not only what you did but why you tried
This is why silence has become my new mother tongue

There is strength is silence
There is strength in vulnerability
I fight fear when my hair is being braided and oiled in the laps of women
Women who have fought fear to survive
Fear I won’t ever have to experience because of their strength

I think of my Amama, cooking in the tiresome kitchen
Melted ghee making golden sizzling lakes
Her callused hands working a million miles a minute
What made her who she is?
Who forced her to grow up?
Was is the fact she had to walk hours in the blistering sun to get a single bucket of water for
her family?
Or maybe it was the fact she taught to hate her rich brown skin because of colonizing British
beauty that caged her mind and spirit

Behind her hard exterior there is mountains of pain
Pain she could never show
Pain she feels because the proclamation of being a woman was stolen from her

When she tells me these stories, I hear the throbbing dejection echo from her voice
But I admire her for it
Not only because she went through it, but because she lived to tell it
She is my only definition of valimai

Posted in 100: BROWNFACE | Tagged

The Face of Evil

Someone painted the face of evil
with the exposed brain
(or what looks like the exposed brain)
of a Predator, thinly camouflaged with hair,
dyed blond, swept back and patted down
like the pompadour roof of a tongkonan,
where Torajas keep the dead before their burial.
Someone said the face has eyes almost blue
like the Night King, however,
with puffy under-eye bags, veined and greyish,
it looks more like a four-eyed monster.
The nose of a pig would suit it better
than the nose of a WASP.
But worst of all is the mouth, always twisting,
in scorn, in derision, in rage, in hate,
spewing out a lava flow of lies:
‘War is Peace
Freedom is Slavery
Ignorance is Strength,’
climate change is a Chinese hoax,
nuclear arms are lucrative deals,
windmills cause cancer,
unsavoury truths are fake news,
and on and on…

The face of evil is not
‘a cancer on … democracy’;
it is not
‘a cancer on the presidency’;
such a face is the beginning
of the end of us all.

Posted in 100: BROWNFACE | Tagged

Nearly Brown

small child/grown woman
mother/father
white/brown.

a girl was born
not white/not brown.
nearly white/nearly brown.

in the winter her skin was white
like the snow/like her mother.

in the summer her skin was brown
like a nut/like her father.

children asked her where she was from.
australia/sri lanka.

dichotomies the world made for her
melted at birth/vanished through growth.

nearly white/nearly brown
but she was always human.

Posted in 100: BROWNFACE | Tagged

For Backstreet Boys Selling Their Kites

“Warning: Black boys are in danger of becoming extinct” — trey anthony

black, tossed to a scattering brown.
how does this even tuck in?
chaffs they kite into stars,
brittle as a badge chewing a whole brand— me & my teenage boys,
known for all of our queer bodies.

we shove to flight,
& die with white greetings.
knifing phrases, like “negro bears no ego, so what’cha gon do bingo!”

we sponge it into our loin:
glyphs that trace their letters to our ribs.
black can’t mat his skin for holes to breathe,
the imams would kill him on their kneels.

prayer kills faster than grief,
makes you a preying thing:
like loss barreling through your skin,
poisoning your boyhood.

black foamed like white heavens,
mealing from shack to shack,
bright & faded,
like an elder skein.
how does this even tuck in without a song?
chants, to prune our skin & seduce it colors.
& teach it not to die,
& not to be equally yoked with white believers.

& not to believe that the sky do not believe in our craft;
how it wave says I’m one amongst dust till I groom my skin.
like how does this tuck in with all blacks,
when we fold our hands to fake flaps?

why should it be us selling our own kites to main boys, living in principal streets?
the slum should love our records,
if all that’s here is fleeting.

I parent my body into adopting a boy skinny as me,
barely shaved, with an accent for grief:
a language blacks knew before they knew their skin.

Posted in 100: BROWNFACE | Tagged

Hyphenated

Cognitive dissonance is an Asian woman
who has to carry her grandmother’s special Phở
in her lukewarm blood to impress at dinner parties,
be after schooled in strings and numbers:
a hothouse orchid with no outside breeze

She has to be an ingenue unwise to the ways of men
who largely want her for her smallness
the wriggling cheongsam the flutter fingers
then stillness: bamboo waist and water lily serene
lickable caramel against their burly chests

Everyone loves a happy migrant story:
leaky prawn trawler to valedictorian
a seam of jade trapped in ancestral dust
to be extracted and rubbed to sheen
she is blazing a trail to prove her worth.

Posted in 100: BROWNFACE | Tagged

Daughter

Now that we are
Two brown women
In this country that still asks
Where we’re really from

There are so many things
I wish I’d told you

Your great grandmother shelled peas in a steel bowl
Your great grandfather sat on park benches with invisible signs
Your great aunties made magic in the kitchens of my childhood
Your great uncles carried imperialism in their bow-legged bodies

Now that we are
Two brown women
In this country that still
Can’t pronounce our names

There are so many things
I wish I’d told you

Mustard seeds only pop in very hot oil
Summer rain makes me cry
Round chapatis are hard to make
I still smell death in marigolds

Posted in 100: BROWNFACE | Tagged

Triptych – Past Present Future

Produced by Dr BigF MC.

Posted in 100: BROWNFACE | Tagged

Pantoum for My Parents

My mother listened to my poem,
and it filled her with shame.
My father asked me to explain it.
I was both sorry and afraid,

and it filled me with shame.
My poem is about racism—and how
I was sorry to see it, and afraid.

She says nothing, and watches me.

My poem was about racism. How
else can we speak of our pain?
She says nothing, just watches me.
They have learned to be silent.

They don’t speak their pain.
My father cannot explain it.
They learned they must stay silent.
My mother is listening to my poem.

Posted in 100: BROWNFACE | Tagged

Banished

Except for my bootlaces
that gaze at me captive to
one other; except for my hair,
which once fell to my waist,
is cut above my ears now;
except for the knot between my eye-
brows which cannot be untangled;
except that home is silent and sombre
and you are not here
to take the bag of fatigue
from my scapula, or ask
if you can pour me tea or coffee—
everything is tranquil and tolerant.
Only, without you, the world vetoes me.
The cup explodes
In my hands and tea floods
the window, and my insomnia
meditates on melancholia.
No one injects tramadol
into this torment. Perhaps
since we escape from home
the kettle has revolted, has turned political,
and burned the knife’s fingers so the lesions it
incises are vapourised and banished,
and separation fills the holes
they leave in our flesh.

Posted in 100: BROWNFACE | Tagged

Sunday Picnic

brown bodies turn black on a spit
skin turning crisp
still alive

laughter from pink mouths
as the eyeballs pop and turn to liquid

pieces cut and dissected for souvenirs
posed pictures taken like they shot good game

white children take in the spectacle
as their mothers lay out their
picnic baskets lined with gingham

and pale little feet covered in soot
play hopscotch till dusk

Posted in 100: BROWNFACE | Tagged

White Lies

The bovine smile upon my brown-skinned face
Covers fear and anger’s boiling broth

You greet me as you blow upon your broth
You don’t desire a genuine response

For many years I’ve sought the genuine response
Of actions matching full intent of eyes

But deeds themselves discern intent of eyes
And feed the senses poisoned nectar

Thirstily, we drink of poisoned nectar
Savoring the blooms that slowly perish

At different speeds, we all slowly perish
A thorn of truth pierces joyful anthems

Sing lustily your joyful anthems
Before last breaths depart my brown-skinned face

Posted in 100: BROWNFACE | Tagged

Automatic for the People

Shoppers, take this time to please your companions.
Right, left, right—obviously they take your attention
via clockwork sales talk. A drop of discoloration
is being processed when you talk to them—
lover, robber, gender, industrially colour blind—
magical are their actions to repeat the blooms
of <magnolia on marginalia>, high-price of intentions
under duress. If all good shoppers are careful enough
to be attracted to the whiteness of the lights, or to something
strange like Mambrino’s Golden Helmet, I would like
to think that life in a crowded place is clueless
about the appeal of mass nouns to the art
of small things like undeclared birthdays
and acupuncture points. Inside the fitting room,
there’s a hunk of love, all spruced-up with a groovy
sense of purpose; this I’m referring to all types
of
clothing as professionals, feeling the way
we feel right now, are available on site to serve you,
always. But what is fake measurement if everything
at this moment can only be claimed with payment,
starting from the alteration fee, tape receipt, invoice,
the repaired item with accompanying stub—
to your free time to talk to strangers, that is building
a relationship brick by brick? Bonuses, oh you see
dripping their milk nutrients to the floor
the inert clerk would love to suck clean
with his mouth-knitted shoes. All for customer
service and store convenience, for Professor Paper
Machine’s shiny happy people honouring the dance Sufism
of sutra lights, a teetotaling fallacy of tropes
for crab paste to not junk the scent of earth,
shoplifters of hearts hardwired into the machinery
of healing, of entrances and exits space-altered
by their ethnicity as the spell of philosophical
flowers embraces a technē that’s automatic for
the people
under the shade of the Plasticine trees.

Posted in 100: BROWNFACE | Tagged

semente – seed

.
She was born in favela da maré
slum of the tide
on the outskirts of rio de janeiro
alongside avenida brasil
.
once a meeting place
of river and ocean
home to the first nations
tupinambás
later to fishermen
dreamers
afro descendants
brazilians
.
houses were built upon the mangrove belly
in a time when thunder was the biggest threat
children would watch the tides dance
through rotten wood floors
as the waters ebbed and flowed
they quickly learned how things come and go
but their civil rights would take far too long
.
for now
all they wished was to go back outside
ball rolling on the wet gravel
bare feet over puddles
collecting mud under their nails
to bite off during thunder
.
i have always wondered
how many goals one has to score
between broken promises to make it in my country?
how many young boys have dreamed of a way out
if they played in the world cup?
who doesn’t love a story of glory?
the ones turning struggle into success -‘just do it!’
.
nothing fair about this game
the boys licking snot from their lips
never had a chance
surviving past thirty as best they can
.
after the waters had been drained
to make way to progress
palaphitas on the brink of collapse
gave way to cement and stone
the mangrove surrendered to the roads
.
storms aren’t a danger anymore
fear lives in the barrel of a gun
the crack it makes when it cuts through air
the way it only paints the pavement red
the emptiness it leaves in a mother’s chest
.
the official story always goes
he had drugs on him
he was carrying a gun
he ran from the police
one more shot here
one more dead there
who was counting them anyway?
one more body left in this alley
one less in a family
who was counting them anyway?
.
children still play soccer
still dream
within the line of reality and war zone
to kick goals for brazil
.
dreams
that taste like gunpowder
like revenge
like becoming a drug dealer
because you had never been given another chance
or being invisible
until you hold someone’s life in your hands
.
they call it war on drugs
while 500 kg of cocaine is found in a politician’s plane
while the police sells guns to drug dealers
and militias are connected to the president
.
every 23 minutes
a young black life is taken in brazil
killing more than the wars in iraq or syria
wars never won
like hers
.
Marielle Franco
.
born and raised in the trenches
watching criminals endorsed by the government
walk her streets like gods
deciding who gets to live
who gets to die
.
eu sou porque nós somos
i am because we are
she used to say
.
she didn’t run from them
she ran to them
hands lifted
not in submission
wrist raised in power
she touched the tower
of the untouched
.
her hands were ours
for an instant
.
the frail moment between
the finger and the trigger
between
the breath
the death
.
do jeito que suas sementes se espalharam
quando a bala atingiu sua coroa

the way
her seeds spread
when the bullet
hit her crown
.
.

In memory of Marielle Franco – a black queer politician executed in Rio de Janeiro
on 14th of March of 2018.
May her seeds flourish and may we find justice for her.
.
.

Posted in 100: BROWNFACE | Tagged

Skin Pain

Do you want it — my
Skin? You can have it.
I peel it off for you.
It’s free. I am voluntary.
I dress you with my skin.
To ensure that it doesn’t fall off,
I sew my skin over yours.
Does it hurt?
I am sorry but it must be.
To inherit this skin,
You must also inherit the pain.

Posted in 100: BROWNFACE | Tagged

… but not like that

Speak out… but, not like that
You have to fit in… but, not like that
You have to do everything how they tell you to
Or, they’ll drop you… just like that

Say your name… but, not like that
Where are you from… but, not like that
I don’t know why you’re getting offended when
I treat you… just like that

Walk down the street… but, not like that
Post online… but, not like that
If you put one foot wrong, it won’t be long
Until they target you… just like that

Tell your story… but, not like that
Do your dance… but, not like that
It’s diversity day and, we’re here to say
That we need you… just like that

Tick the box… but, not like that
Affirmative action… but, not like that
The status quo won’t let you grow
So they’ll keep you… just like that

Do your hair… but, not like that
Wear your clothes… but, not like that
You won’t be seen, on screen or in magazine
Unless you look… just like that

Eat your food… but, not like that
Share your culture… but, not like that
They’ll only cave, when a profits to be made
And then they’ll take it… just like that

Say your sorry… but, not like that
Tell your joke… but, not like that
They couldn’t care less, their systems oppress
Because they built it… just like that

Be yourself… but, not like that
Use your voice… but, not like that
They’ll try and break you but, keep going
Because we need you… just like that

Posted in 100: BROWNFACE | Tagged

Everything Brown Is Everything To Us

I have been in the woods long enough to speak the language of rebirth. every autumn, a doorway of colours, the beauty of death on the body of a fallen leaf— the heroism of baobabs and mahoganies, of seasons holding storms together from ravaging our suburb. a native knows of pristine sands, like the one I built my garden with, or the ones my daughters build their sand castles with. a stranger loves the synonym of trees and shrubs on our skins— we rhyme with our forests in seasons like this— the furs of wild cats, the caramel of our bee honeys— medicinal and sweet, like the drip of the woman after my heart— my daughters relished the motherhood on her areolas as babies, or of the nescafé she creams with her eyes like a full moon, or of the chocolate in my tongue from her tongue, or of my favorite jacket made of fine leather— the musketeer, or of her favorite song by Beyoncé. for a strand of nature that is green was once brown, I bask in patience at the swamp of brown waters when I smell autumns in the dryness of arid lands. I haven’t called this woman brown sugar for no reason.

Posted in 100: BROWNFACE, POETRY | Tagged