3 Lost Men

on guerrero the lost man & lite reign
oil ling. the cob bil stones & i wan ted 2 no
did he think how shock king 2 dy
a lone inn the woods as opp. posed 2 watt, inn a chair
in front of the tv or inn a bed. he sd it was
no problem; he had a good life. but
a lost man was lost & then he was found
& then he went 2 denver & then he came bak hear.
i have scene him byeing post er bored

& going 2 the gym. the woman was be hind the gate.
her husband had dyd recent lee.

he was the 1 inn the wheel chair. i sore him of ten

be tween the bar & photo copying shop.
her eyes where like the cob bil stones

wth yellow can dil lite the lost man
had all ready told me how the husband did it.
i un dir. stood. this lamp lite re mind ed. me of u
of coarse, 45 degrees. i hoped 4 a differ rent

mess sage as on guerrero, how shock king
2 dy a lone inn the woods i sd
but a lost man sd it was real lee know problem.


* Guerrero: ‘warrior’ in Spanish, also a street in Puerto Vallarta.

Posted in 54: TRANSPACIFIC | Tagged

Evasions

1.

Ocean opens
For every creature unveiled
It’s opposite in the absence

Erasure become object
Teeming measures of salt
Rock-bound

*

In the context of calling out
Thought’s misstep from mouth

Sincerity
Watching its fluency

Simple gestures adopted by branches
The decision to be moved

*

No longer pebble atop pebble

Mineral word solidified into muscle

A thickness greeting
Its own uncovered resemblance

*

Or at the condensed will of everything
One moment a contained gusting
Another, touch between two passing forces

Aligned intention
The duration of wind that begins

Back to those branches again

*

It goes on
Setting as time demands

The implied tree
Fated, gutted

Sea turned land
Where stride subtractions
Of what is known to live




2.

Dimmed propulsion
Recognitions of recurrence

If only to signal parallelism
A sea alongside a road, the road
Presented as its own habit of force

Tacit occupancy

*

Tracing duplicate paths
Accidental summit
Seen passing the opposite way

Downcast
Where crags or budding brush
Became the body’s stance

Forceful verdict
Grassy extent

*

To distribute a certainty:
Sod migrations
And the nerve-wrapped sky

Presence intersects
Decisions made on the ground
Slight turnings and fits of choice

Under elemental flight
Scansion of the blows
Wings cast

Posted in 54: TRANSPACIFIC | Tagged

Interlude

It was school vacation, my daughter skiing with her father,
my husband in board meetings,
mynah birds drumming on the window panes, autumn gifts,
my first ex. in a condo in Kuantan,
(true friendships don’t crowd us, they are not a phrasebook.)

But it was just the grief I felt in his apartment, a stopover,
sufficient to release claustrophobic
stanzas, one by one, a sorrow, unclenching into silence.
Shopping at East Coast Mall, the lap pool,
gymnasium, the trees peeling outside. I could call it respite—

forgiveness. I was at odds with bureaucracy, the clinics
who treat psychiatrics like offenders,
gagging them with psychotropic drugs, they surfaced,
gas-filled whales buoyed into my office
while Indonesian boats sank their cargo, politicians waged.

I could write more—hours spent with innocent refugees
tried by narrow halls, waiting for visas,
medical assessments or suicide. I could detail the security
frauds, bribery, Typhoid, children turned
in the hands of frustrated men like outdated dictionaries.

Or I could mention the Rohingya Burmese father of four
closing the door, in haste, unlocking
suitcases to scribble down their UNHCR-ID on the back
of some food coupon, the sound of a hose
filling buckets of water for the day’s quota, his exquisite wife.

Perhaps, I should confess how prohibited I felt, ferrying
back to a 5* hotel in evening’s pollution,
encrusted lights of traffic. I had no appetite for dinners,
swimming laps, late, without purpose.
Hibiscus swishes calmed my traitorous lungs— how I forgot
everything I knew.

Posted in 54: TRANSPACIFIC | Tagged

For Elise

After sundown garbage-trucks in Taiwan
sing electronic Für Elise
as they collect town waste –
(where else so talented?)

in different keys moving
closer now further away to
the grim outskirts

heard from the 13th floor (the building moans
in sea-breezes) oneiric
Casiotone a polyphony
underwater & out of tune.

This century already more haunted
than the last

not least by Ludwig
raging deafly from the grave.

Toucheng, Taiwan 2011

Posted in 54: TRANSPACIFIC | Tagged

Radar

I eat my learning all up; except maths. I mash it into my potatoes,
paste it under the table. I am eight. I hold all the cards.
I will sit there all night. I will never climb down.
Dad lets me go to bed.
He is forty-five, and working too hard.
He is arguing with the teacher. He is only about five.
He has been at it for hours, howling.
You are Uncle Charlie. You are the oldest and you can’t stand it.
You grab him and take off. You say, Wherever Garth was,
there was trouble.
I am four. Dad says he might have to belt me
if I don’t stop. I say, Your pants will fall down.
I have all the answers.
I do what I like.
The weather flashes. Frost crusted on the branches.
You are my Uncle Charlie, with a hard blue stare.
Hello, you say, with your joke: Where’s my stock-whip?
I hide in the chook shed.
You are my brother. You are the boy; just as well you like shooting.
If I am sixteen, you must be twelve. If I have Dad’s twelve-bore,
you have your own four-ten. We’re down the reserve
for scenic birds. Dad teaches us how to give them a lead—
like, at least a foot if they’re going flat out.
We are gorgeous with glee, we sneak so quiet.
I am six. I am standing gingerly behind our first pony.
Get right in close, he says. Bastards can’t kick you so hard
if they can’t get a swing at you.
I am sixteen. You are seventeen.
You are the best rider and you are my sister.
You have to put up with me all the time.
I can’t have everything my own way,
my mother says. I am bewildered.
You are my grandmother.
You live by yourself in the big house.
Mum must be thirty-three, if Dad is forty-seven.
She is always in the middle. I am the middle child,
I carry messages on behalf to my father.
He is a very private man.
He is the Lone Ranger.
He has a silver mare, she can turn on a sixpence;
he rides the range in shocking weather. I go too.
I am afflicted with loyalty all my life.
On Black Friday he lets me ride her,
she gets caught in wires. Whoa! I yell, Whoa!
She kicks and kicks till she flays off all her skin.
Wood in my throat, some imaginary hand on the small of my back
and push, there I go through the woolshed door.
Oh my God, you say, Oh my God.
She doesn’t die, no, she keeps her silver scars.
The patch on your back can never be touched.
You are Gug, you are Edward, my uncle.
For Courage.
I am seven. I stare at your trousers.
If I never see the sea again, you say, that’ll be too bloody soon for me.
If you get another bloody horse book out from library
Dad says, I’ll throw it in the fire. I am eleven. He smokes
and reads Jeeves or Somerset Maugham.
I am twenty-five. You were sixty-two. People say, it’s far too young.
You are my cousin Barbara, you say, He was such a good man.
Red hearts in the trees. Light glaring in.
You are my brother. Winters, you are sick; the rain deliberately falls.
Dad brings you a train set. Electric tension, he struggles with instructions.
Flashes and smoke.
You’re eight and I’m twelve. He sees the Jehovahs on the drive.
Fuck, he says, Go and tell them we’re Catholics.
God swishing in the bushes.
You are Barbara, you are only little, and he won’t answer.
He grins. He is thirty-three.
Grandma said I had to give something up for Lent.
I couldn’t give up smoking and I couldn’t give up swearing
so I bloody-well gave up talking.
She’s never forgotten it.
You arrive late, you’re over eighty
and I don’t know you. You are a townie.
If you’re going to eat it, Grandad says, you learn to kill it.
Throat cutting.
We girls aren’t allowed in the killing shed. Not till it’s gutted
and hung and the head in the creek.
We are to ride away.
Ride right down the road when they dynamite the trees.
We don’t go far, we get a good view; it hangs in the air
like the ashtray and sand we blew up in the house
with a Mighty Cannon.
Dad’s revolver wrapped in a towel
in the second drawer down. We are not allowed.
Gug has a revolver and a Luger he took from a soldier.
We use it to shoot birds in the orchard and he doesn’t come too.
The trees are white with nerves.
Uncle Charlie is eighty-seven. Who’s that girl? He says, I know her,
touching the photo of his sister, Gwen.
Rain slick on the windows, vaseline lights winking from the far land.
You are Gwen. You are eighty-one, and you sigh,
All those beautiful letters he wrote
They just faded away.
I kept them long after the only word you could read was Garth.
Smoke drifting down from the distant sky.
Dad used to run off all the time. Take off across the paddocks.
You always thought Granny was a big woman, but by hell she could run.
Mossy. Watching.
Go, dog, go.

Posted in 54: TRANSPACIFIC | Tagged

A Phenomenology Walking from Kasu to Mur, Rai Coast, PNG

and moinie created everything
with it so that life’s blood
was made ‘water’ so to travel
through everything and bond it

– ‘water’ Jim Everett – puralia meenamatta


treading thought
surfeiting
is it not maybe just the
relative staying power
of our metaphors:
our water’s
estranged
pointing out his mother’s land
a dispute simmering
sometime down the scarp
I know water only as water, and blood as water only
the paper on Aboriginal traditional conservation
said ‘waterscapes’
you thought: choked, friable outposts
i.e the same constancy as blood real blood
cutting my feet up on the track
I mean
my mother also conferred disjunction
on her family –
it is a land dispute, too

Posted in 54: TRANSPACIFIC | Tagged

Winds of Change

from the series Amphoteric Poems


                          

Posted in 54: TRANSPACIFIC | Tagged

The Lungfishes Birthday, Steinhart Aquarium, San Francisco

Two wise blue-eyed cigars
arrived this day in nineteen-nineteen
with little grins on faces

and now like languorous jet-
liners they retrace the entire
world, from branch to
waving vallisneria—

iridescent Australia—
in ninety-one years they have
not touched the glass, but
their mouths where the
cigar was snipped search
in the gravel like paws
for worms, then stop, dart up
to steal a drop of atmosphere.

Posted in 54: TRANSPACIFIC | Tagged

Barricades

Once upon a time, scorched earth
& thighs. The first word was “dough”
upon my lips. Some voip mixer plan
in highly performative social wear.
Something about how I ate everything
in the house, & then proceeded to eat the house.
Life is so much better when you
don’t have to work. It’s hard to say
why anyone ever invented it. Pure power
is super-annuated & dull. I will probably
speak more than my twin brother this weekend.
There is no page to like. I am intact
in this case of lies, & I don’t care.
Perhaps we trust our texts too much.
& so continuously toward the dark toilet
trembling in a sea of topless .jpegs, that
function in your night like bayonets,
those enemas & ecstasies!

Posted in 54: TRANSPACIFIC | Tagged

Desert —

allows wildflower murders
the momentary, untouched
granular, hidden

has emu-light, river gum,
sockets of stone huts,
is always being left

accepts troop-carriers,
razorwire,
no man’s land

dessicates Detention,
slapped up in the magazine
triggers Intervention

Posted in 54: TRANSPACIFIC | Tagged

Tacit Knowledge

Driving back from Zavalla at 5pm along some road towards Courpsville
wondering exactly what I’m meant to watch the ice do on the bridge.

This morning a snake came up from the undergrowth
and I didn’t know whether it could kill me.

It wasn’t the diamond-headed death-bringer of my childhood;
nor does the maxim of if it’s long it’s deadly hold up in Texas.

From the wrong side of the road
I rang Mum in her new house who laughed at me

then said they had a 2 metre dugite living in their shed.
But she was worried I was driving at dusk

and told me to watch for roos and I didn’t correct her.
But what I want to know (as I drive past a dead thing with horns) is:

why can’t someone tell me if deer are crepuscular?

Posted in 54: TRANSPACIFIC | Tagged

In the Kingdom of Tonga

Children’s play is serious, dangerous.
It does not lie
in green squares platted with white lines.

Still waters make sailors sick at heart.

Fana / fire pitu / bamboo is a toy
every boy builds and fires off.
Tilt kerosene in the column, light it
with a match, boom! Big boys have keepers,

thick, heavy bamboo sawed off for impact.
Cha-Cha was born with balls, but he can-
not mess around with fana pitu like
his brothers. Cha-Cha is raised faka

leiti, as a girl, since there is no
sister. Her mother spoils her with tapi-
oca simmered in coconut milk, tea-
spoonfuls tipped into her big soft lips.

The sailor misses his sweetheart.
The smell of fuel is intoxicating.

She combs her hair.

Posted in 54: TRANSPACIFIC | Tagged

Willows of the Fourth Ring

The willows in the winter wind,
green-yellow octopi or as the tails
of cartoon comets:

such is their movement
without the labourers
who with long poles

coax the last recalcitrant
tawny leaves from branches
which sag without despair.

That was
earlier.

I speak now of a rising nation
resurgent,
of the contested ground

searching not
for the first time
without its borders.

Is it by a revolution of
tentacles or that
spectacular night-lit trail

they will arrive
or are arriving?

There are no sentries
upon the walls,
only tourists biking

atop the enclosed bricks
of Xian and the
Great Wall spreads

its webbed and callused
feet upon the world…

So in winter the willows
blow back upon themselves
and over

the Fourth Ring Road
flying above SUVs that are
death and may be still death.

Surely they are
not honourable.

I will move as the willows move
rooted here, the green and yellow
octopi if not the comet’s trailing

and may likewise arrive

and appear spectacular.

Posted in 54: TRANSPACIFIC | Tagged

The Untitled (52)

for Judith Fitzgerald

Who were your parents, your mentors You and your BIG
WORDS You and your BIG WORLDs What is beaten
not out of one, survives, subsists in verbinous might through
yellowed gerunds The book retains the odour of decades

of blowing smoke across rooms, across yellow cordons of

time The colour of eyes in muted portraits of selves In
reflection, diaphane issues come to light The narrator is
a liar will not face facts twists whatever that tongue
elects to tamper with A movement occurs, painstakingly

drawn out then scherzo to taste

Books weight too much No way you wanna get ’em mixed
up with THE LAW The letter is the only molecule to
last eyedropped outward The letter secures their sleep
forever in the mausoleum no O terra addio this time a

sleep untouched for buckets of time the colour of waste

-ing away -ing away with verboten thisogeny this
story of this and all this illustrious progeny scattered
among all this imaginative terrain tucked into caches
thick with ardent belief unearthing will transpire

menis away menis away day echoes of the ancient world
warp the loom of the mind Kudos to you, O undertaker
of journeys set to Monteverdi that is to say ne’er leaving
a room of one’s own room to pace a steal of a deal getting

in on the ground floor while offer stands erect Priapic

words that offer a lift / words like rare currency in karma
jar / words like inchoate you nearly choke on like rich meal
to unacquainted palate until years later the savour like an
involuntary memory coming up on one at the instant

of display window What more can I descry or pledge
to do Sandwich man outside of which premise, classical
shrieking MAKE THAT WHAT The the is beautiful
this time of year dredged out of a stream of coughing

the the the the the the the the the the the the the the the the the the
obviously swimming in it luxury gumption to take
a strategic point on top of it vulgarly chewing over
vulgar dead languages circling like a hungry pack of

vulgars champing at the bit chomping at bits biting
into neural organizations at the slightest fragmentary
nods of sound structure suggestive of own collapse
via beauty of word beauty of entropy aglow at dawn

rife with interruption Wake up to plainchant will be
the title of something instead of that screeching alarm
polyphonic breathing when it starts to get interesting
through thin walls, neighbours showering, humming

the type of thing they paint the topical of a capsule
hidden from time the shape of a gaudy tombstone
the type of thing held in holding pattern in display
window, selling the latest whatnot, a type of thing

accountants do not consider investing in one-
self getting in on the ground floor getting over

dread vanity yellow flowers friend-
ship refrain of sailing off horses neighing a
random gifting wistful the plastic violin another
wheedle in the stack playing by ear using César

Auguste Jean Guillaume Hubert Franck technique

surrendering to musical representation of a failing
heart to broken marches to all that aesthetic
anxiety and no even basking in that minimalist
concerto is no retirement plan no a box of me

to give something back this sweet season to you

who know to you who might carry me across

Posted in 54: TRANSPACIFIC | Tagged

Coot Observes the Trashing of Venus in Tahiti

This deal prov’d as favourable to our push
as we could witness, not a Clutter was to be seen
the whole deal and the Airship was perfectly clear,
so that we had every advocate we could detail
in Observing the whole of the pastime
of the Plasticine Venus over the Sunhats dispensation:
we very distinctly saw an Attendant or dusty shampoo
rubbing the bolero of the Plasticine
which very much disturbed the tines of the Contingents
particularly the two internal ones.

Dodger Solander observed as well as Mr. Green and myself,
and we differ’d from one another in observing
the tines of the Contingents much more than could be expected.
Mr Greens Telex and minnow
were of the same Magnifying prattle but that of
Dodger was greater than ours.


Coot’s juggle, 3rd June, 1769

Posted in 54: TRANSPACIFIC | Tagged

Singing for Their Lives

1

that man over there sang and near and far we listened we who had shut our ears to his song over forty years ago and for those short or long years or long and short years because usually it is a mix some are long some short or shorter than others he sang to himself he wrote his songs and sang them and went on writing and singing his songs year piled on year and looked out at the world from between his words and between his chords looked out from his uncurtained window onto a field that sometimes flowered and sometimes browned and wore to dirt and he kept that rhythm flowering and wearing down flowering and wearing down until one day some son of an old fan came to his door and asked to hear his songs and so he sang and now they want him to leave his bare window overlooking the field and stay in hotel rooms with conditional air and only views of views that never change that never wear down to brown and then green to flower and wear down but are always the same and he said no


2

this man here had given up names to the secret police in his old country who had tortured him until he could not stop his mouth from opening and reciting name after name and now some of those people are dead and some spent many years incarcerated and he is alive and living safe at last and he has a daughter whom he loves and is proud of and they are dead and he loves and is loved and is alive and now he has written a book detailing what happened and he is alive and they are dead and he tells this as it is the bare bones in his book tells how he reached a point when he could not take any more and started to talk a point when he chose to live and he knew the regime that was torturing him were without mercy and he knew that he was trading places and now he has written it all down as clearly as that and at the end he was asked did he think this confession of his actions would allow him peace at last and he said no

Posted in 54: TRANSPACIFIC | Tagged

Tomioka

Ordinary soul
stands up to trace a pattern
the length of a cracked planet
with no good excuse
follows the crush of mountains
along coin-coloured ocean

you do the reading
mark the margin lucky red
watch the paragraphs turn out
greener than childhood
black with slow, fat mosquitoes
stone Amida’s patient guards

so forget to ask
all your beautiful questions
the old man selling tickets
the cat on the beach
the fog-white sunrise at four
their own cool explanations.

Posted in 54: TRANSPACIFIC | Tagged

ginen sounding lines

~

“Curiously, there are no known migration legends in Chamorro lore …”

                              —Robert Tenorio Torres
                              from Pre-Contact Marianas Folklore, Legends, and Literature



~

when it is 2 pm here, it is 8 am the next day there—
to mark the precise location of—remember just
when dad tied an old tire to a metal pole of the wire fence
so brian and i could practice pitching—the hollow
sound when the baseball strikes the tire rubber—
the rattling sound when the ball strikes the wire
fence echo—but when the ball strikes the pole
through the middle of the tire that’s the sound
i can’t remember when it is 4 pm here it is 10 am
the next day there—i played little league
for the barrigada tigers black and gold
uniforms but i can’t smell the dirt when
it is 11am there it is 5pm the day before here—
the large cooler filled with ice and red
hawaiian punch—riding in the bed of dad’s truck
after games on the drive home listening
to american songs on the radio when
it is 6 pm here it is 12 pm the next day there—
how do i know if [we]’ve sailed beyond sight
of land, of once known world, of natural
starting point when it is 7 pm here is it
still the next day there?—brian played baseball
for father duenas memorial high school and dad
was the coach—maroon and gold uniforms—
remember just my poster of the “bash brothers,”
wondering what “oakland” was—”in california”
dad said, near where brian went for college, near
san francisco, where renee—when [we]
are here it is the next day there—on weekends
mom took us to hafa books and brian and i
could choose one pack of baseball cards each—
[we] kept the cards in a box under the bed—
the special cards in plastic binder sheets—i carried
the cards with us to california when [we] are here, will i
forget about there?—remember just finding brian’s “easton” bag
when [we] were packing, his bat, glove, a few baseballs,
in the dusty corner of the laundry room—still
dirt in the seams—did [we] bring those things with us when
it is 1 am here it is 7 pm the same day there—
and then i saw what “oakland” was after [we] moved—
the first american league game [we] attended—
the field felt like was an island, with dad and brian
surrounded by an ocean of people, of America—
did the “A’s” win or lose?—the green
and gold uniforms—when brian first moved here
[we] were still living there—he was eighteen hours behind us
and twelve hours, by flight, away—remember just
dad’s army fatigues—the rifle from vietnam
he kept under the bed—the only time i remember him
taking it out was when someone tried to break
into our house and dad chased him away—he
carried the rifle with us to california—remember
just
going to paseo padre park as a kid, mom and dad
would walk around the stadium for exercise,
talking with friends and relatives—i would run,
and, if i ran fast enough, past the walkers and joggers, through
the trade winds, i would eventually find my parents,
lap them, when it is 6 am here it is 12 pm the
same day there—remember just the timetable that mom
made after [we] moved, posted on the fridge—remember
just
the first day i joined cross-country in the first year
of my new high school in california—
five thousand nautical
miles

Posted in 54: TRANSPACIFIC | Tagged

Why Islands

For our next trick we disfigure the puma.
O to be marooned with Ginger or Calypso.
You have committed a horrible act involving
an orange. Cheerio black sheep, dark horse,
sore thumb. Go hunt coconut with slingshot,
prize silence, imbibe moonshine and wanderlust.
Jesus! Is that you, Ginger, in real life?
We don’t see so many oranges in England,
only serving to improve the canoe. One cyclone
and the resort is on the house, sold for peanuts.
D.H Lawrence radiates while washing plates.
The botanist’s trousers disappear as pale moons
go down and up in the shrubs. That’s how the coconut
crumbles on the slices of empire. It sticks to your lip,
tanning at the atoll, the poison pip set to detonate
and reflect in minnie-mouse sunglasses. Whoopie
cushion, canned laughter, castaways — to be continued.

Posted in 54: TRANSPACIFIC | Tagged

Horse Latitudes

The gyre. The currents sweeping up
plastic artefacts. The currents the gyre
the artefacts. The Sun breaking plastic
down into particles. The polymers.
The molecules. The container load
of polythene horses thrown overboard.
The gyre. The floating debris slow
spinning into a new continent. The Sun.
The currents. The suspended polymer
particles mistaken for zooplankton.
The jellyfish. The albatross. The horses’
polythene panniers brimming with
toxic chaff. The plankton. The food
chain. The monofilament polymer
fishing line. The albatross.
The artefacts. The Sun breaking plastic
down into particles. The currents.
The floating debris. The toxic chaff.
The food chain. The quiet stampede
of miniscule Trojan horses slow
swimming nose to tail around the globe.

The Horse Latitudes is a region of the Pacific where, when becalmed, Spanish sailors threw cargoes of horses overboard to conserve fresh water. This region now contains a continent-sized gyre of marine litter with exceptionally high concentrations of pelagic plastics and chemical sludge.

Posted in 54: TRANSPACIFIC | Tagged

… Events When We Have No Access to Them

There Should Be Like a Really Interesting Political Discussion about
Trying to Represent Events When We Have No Access to Them


Thus the groove meme insurgency people,
hood-ass Grandma goodbyes.
I went back to work in the fields again
after eleven years of surgery.
When I left, the long summer died in unison playing,
Madagascar/Spain in the rain’s warm pomegranate power lines
y una mini-van airbrushed with a scene of wild dogs.

Posted in 54: TRANSPACIFIC | Tagged

Pacific Solution 3

we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the
we will decide who comes to this country and the
we will decide who comes to this country and
naru
we will decide who comes to this country and
we will decide who comes to this country
we will decide who comes to this country
we will decide who comes to this
razor wire razor wire
we will decide who comes to this
we will decide who comes to
we will decide who comes to
we will decide who comes
manus island manus island manus island
we will decide who comes
we will decide who
we will decide who
we will decide
mandatory detention mandatory detention mandatory detention
we will decide
we will
we will
we
temporary protection temporary protection visas temporary protection visas
we
we will
we will
we will decide
mandatory detention mandatory detention mandatory detention
we will decide
we will decide who
we will decide who
we will decide who comes
manus island manus island manus island
we will decide who comes
we will decide who comes to
we will decide who comes to
we will decide who comes to this
razor wire razor wire
we will decide who comes to this
we will decide who comes to this country
we will decide who comes to this country
we will decide who comes to this country and
naru
we will decide who comes to this country and
we will decide who comes to this country and the
we will decide who comes to this country and the
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they
we will decide who comes to this country and the circumstances in which they come
we will decide who comes to this country and the circumstances in which they come
Posted in 54: TRANSPACIFIC | Tagged

Boats Built from Branches

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Posted in 54: TRANSPACIFIC | Tagged

Diaspora

A twice blooming tide in California it
was Portuguese sailors who first sailed the Pacific on lilac gardens:
a fragrance dripped through history potent
as South China dye
and the changing colour of Pretoria’s hills.
Spring sentinels in order along suburban
Australian streets and swept through Kathmandu
Valley meeting places.
Each Jacaranda purple as bruises and possibility:
trying to explain a dream
only to realise it’s in another language.

Posted in 54: TRANSPACIFIC | Tagged