Bella Li Reviews Pascalle Burton and Nathan Shepherdson


All images courtesy of Pascalle Burton and Nathan Shepherdson

UN/SPOOL and A gram of ideas on art, form and film
by Pascalle Burton and Nathan Shepherdson
Self-published, performed, 2014

In an anagram all the elements exist in a simultaneous relationship. Consequently, within it, nothing is first and nothing is last; nothing is future and nothing is past; nothing is old and nothing is new … (Maya Deren, An Anagram of Ideas on Art, Form and Film, Alicat Bookshop, 1946, p. 6)

Experimental filmmaker, choreographer, dancer, film theorist, poet, lecturer, writer and photographer, Maya Deren was a seminal figure in twentieth-century avant-garde art and theory. To begin with Deren’s words is to follow in the footsteps of Pascalle Burton’s and Nathan Shepherdson’s UN/SPOOL and A gram of ideas on art, form and film – twinned works that are simultaneously homages to, and dialogues with, Deren’s own work and ideas, and entirely new and original pieces of art.

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Antonia Pont Reviews Meredith Wattison

All The Precious, Broken Things Thrown In

Terra Bravura by Meredith Wattison
Puncher & Wattmann, 2014

I am reluctant to divulge for how long I deferred reviewing Meredith Wattison’s Terra Bravura. It languished with me during the later months of the first half of 2015, then, as I left the country in late June it joined the other analogue reads in my suitcase. Before my departure, I’d plunged in, but was unable to assemble for myself a sense of the individual poems and their relation, with the purpose, of course, of saying something about them that would do the work justice. Like a stern and observant child, the work insisted on a ‘doing justice’. Perhaps rather than opinions, what was gathering for me was a series of unrepresentables; atmospheres.

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Yesterday I

Yesterday I googled your name
Because I missed you

A picture of a horse came up
I imagined you riding it topless

I googled your name again today
My internet was down.

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Basic Cable

Tomorrow bends into
the marine layer with
alluvial decisions
spread across an imitation
Mesopotamia. Chops mountains to
hillocks, drain lakes to beds. Retires.

Chase scenes mock
an earlier, louder you in San Francisco.
then, at home years later, the sound
curved near quiet, separated
by the thrilling adventure
of internal decline. Tomorrow is a fable

with darting eyes, a remote control
changing hands, recording
stories that ship off to an absurd
kingdom posed as democracy.
Its salted oceans are granular. They
wear Petrochemical coveralls.

Back here, the channel changer,
the logline and the endless cycle
of entertainment brood over
powerhouse happy hours,
images debilitating as they
shift. They pixelate, then rise again.

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Wallpaper

Nana’s ghosts gnawed through her walls.
Mum and aunts scale bow-legged ladders,

scrape paper, bury leaves of it
in pilling carpet. Autumnal crunch. Mum

makes Nana reinscribe her living room
with colours Grandad never would have

chosen. We scrawl on naked scraps
of palimpsest, in crayon. She cannot

watch; Nana’s propped on her walker
at the sink, fingers itching temples.

She insists we use old tea towels –
save the pristine ones for later.

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Ward

The 75 year old ladies’ man is all cut up
in the hospital bed beside mine.

He loves his dog, brags he once slept with a woman
& her 30-year-old daughter at the same time…

some kind of summit for him
& they were both satisfied.

He’s lost most of the bowel, half his bladder, spleen,
appendix, bits of lung, a snip of the oesophagus,

prostate & finished with a distal pancreatectomy. Reckons
he’s now the ideal weight for his age. Great antidepressants &

you’ve gotta hope. His kelpie Jimmy is only 2 years old
& wouldn’t understand any thievery by death.

Still got all his hair & a full pension
which is accumulating nicely while he’s in the Royal.

Professor Coure is happy with the surgery
but hasn’t been around much since.

There’s a morphine pump & a cheeky Irish nurse.
Maybe he’ll get up next week. For Jimmy.

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University Second Year:

Russ and I battling on Sega Genesis and Nintendo.
The victor singing our version of a song lyric: "I like the way your mama works it, my
dick-ety."
Hockey '94 in dispute, but Madden Football stored records:
Had him 80 something wins to 20 something losses.
Russ would tell people we played even.
I'd say: "I can see you in ten years telling people we played even."
(Ten years later Russ was telling people we played even.)
Marathon bouts of Baseball Stars – American Dreams vs. Ninja Blacksox (“The Douchesox").
Until I was required to write a paper:
Russ clamoring for a best of seven; I locked the door.
Harassed from the hall; minutes of silence; then at the window sounds of a break-in.
One afternoon we started with a stopwatch on Super Mario Bros.
Bet $20 within two weeks I'd beat the game in under 6 ½ minutes.
That evening registered a 6:24.
He wrote a check; I didn't cash it – taped it to the wall for visitors to see, and keep him
nervous about the bank balance.
Alone during my lowest round of Nintendo Golf:
2 eagles, 15 birdies, 1 par; Minus 19.
Second shot on the Par 5 18th:
Faded a wood in over the trees to 12 feet.
Made the putt.

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c a p s u l e

how  is  this
plastic case
so attune to
tampering I
ask my love
bone-thin &
fossil-grey &
crying at me
        to       
s w a l l o w




Jessica Venables remixes this poem for The Lifted Brow portion of this issue.

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Untitled

Boy who smells like fish with a leather jacket, piercings and rings came and sat next to me, he started writing poetry in his Moleskine. He has written “your light radiates through me/but I am empty/I know my feelings are true.” On the opposite page he has a shopping list, all I can read is “small nice protein powder”

Think i’m talking to an undercover cop on craiglist but i suppose i am eager to make frends of all shapes and sizes. Imagine if the craiglist undercover cop took a real liking to me and decided he wanted to be my bodyguard forever, protect me from everything at all costs. I’m not the one who sent every craiglist 420 man an email. that was my boyfriend. but now he’s asleep so I have to deal with all these incoming emails about Fire Ass Weed.

Every man always say Don’t do that to my non-stick pan my expensive pan! Anna! Don’t misconstrue my words and use them against me!

Then man insults me and I reply I am the product of three miscarriages and was born on my dead grandfathers birthday I say that there is no life running through me, only death

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Pawpaw

Carica papaya

No Need To Argue, French Vanilla ice cream and tear-dry eyes
I will taste as I hear, hear as I taste for the rest of my life
Walk Two Moons, pawpaw with lime, and for once, not me who cries

there was no screaming, no hit, no touch, no whip, no knife
the only cut – the first sung notes of Ode To My Family, vanilla dissolving salt
I will taste as I hear, hear as I taste for the rest of my life

I’ll never know if something happened, if someone was at fault
all I remember is that voice, that taste, that beat, and each dry blink
the only cut – the first sung notes of Ode To My Family, vanilla dissolving salt

half a city away in my other home, each dry blink in synch
watching her, seeing her cry the first time, as she reads aloud, as I eat
all I remember is that voice, that taste, that beat, and each dry blink

the wonder of seeing such sadness, pure, without defeat
in someone else’s story, someone else’s death, someone else torn
watching her, seeing her cry the first time, as she reads, as I eat

I will taste mourning, salt and sweet in each note, each voice, the past born
No Need To Argue, French Vanilla ice cream and tear-dry eyes
this bridge spanning silence, with taste, with sound; without hate, without scorn
Walk Two Moons, pawpaw with lime, and for once, not me who cries

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Kyoto Haibun

(In Memory of Harold Stewart)

          They say great blessings wait in the temple of a thousand goddesses. But on entering, the gold arms and faces of mercy statues stare with a penetrating purity that scares hungry ghosts out of your pores, and suddenly you are walking blind into a hell sauna of burning flesh, trees of lascivious knives, wards of addicts, a giant cauldron boiling with parent killers and Buddha murderers. Where the hell have you landed? asks the mind on vacation. What is real? Fear has entered and dribbles down a leg forming a piddle puddle on marble. You flee the red-pillared hondo with its dragon roof of orthodoxy and gasp for air.

          With great relief you find yourself on a green bridge inside a forest of plum blossom. It is a garden. A garden is a breathing space. Some pre-disposition for chimera-shaping has caused you to see hells or heavens inside icons or under ordinary leaves. Temple, garden. Garden, temple. What is the difference, what is your role in this? Maintain composure without losing face gazing at the grandfather carp of yourself, knowing this, too, is just another illusory standard flashing in the clear current that carries all your metaphors like beliefs.

                              Old white koi you wear a spot of red.
                              The flag of Japan swims on the riverbed.

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Three Stories

I. She Asks Him “For the Third Time” to Leave the Toilet Seat Down

outside the elm trees
redden with autumn.
their tight green berries
bitter in the waning sun.

II. Her Uncle Slipped His Hand into Her Overalls — Whispered, shhh it’s a game

outside the elm trees
redden with autumn.
their tight green berries
bitter in the waning sun.

III. With His Fingertips, the Old Man Brushed Her Hair Behind Her Ear — Soon, my love.
Soon

outside the elm trees
redden with autumn.
their tight green berries
bitter in the waning sun.

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Brawne Girl

Exchanging names like strangers
in a lifeboat. You say to me
“Let’s sleep for half an hour.”

Laughing as you reach beneath my t-shirt.

There is nowhere I can go now.
I jump forward in time from moon
to core to nebula.

A face I could not reconcile
with all those drinks I longed to taste
just once with you. Your face
was something new to taste.

To hold you near was something new,
a kind of mild celebrity. The subject changed
from day to day, the things we knew.
The things we did not know.

I never knew the proper form, your lips were full
of things to sell. But what was that?
I couldn’t say.

The prototype you hung to dry
so many brawne girls gleaming white.
Each part of you was brawne itself
your colour and your apple scent.

I never caught you in a line at sea or under
amber skies; we never spoke of it at all.
Your body slipped through every sign.

Sometimes you seemed a different brawne
your skin and hair and eyes would change
and I’d not recognise the title of that song
you’d hum quite tunelessly.

You’d smile and there was nothing
I could place between. No arcady or temple glade
no Beatles B side ‘Thank You Girl’,
no crass electric century, the waking dream
you left behind.

How simple then, this action hardly noticed
by an unrewarded glance, made sense.
Mere minutes spent alone with you
I would defend most savagely.

To watch you sleep, your neckline full of sun
not watching you at all, no time to see
this turn from truth to beauty with forgetfulness.

Full brawne and lovely with your laugh
an opening or a closing scene, one day
so full of heat, where we would always lie

by swimmers till the end of day.

In carnivorous winter, inhaling
the airwaves like smoke and a smell
of leaves there’s no reason to think
that the night is so still and so small;
you carried me here in your jaws
and once I felt your teeth in me.
Soft as applause.

A violet fuzz that’s so hot in the rain.
I am no stranger to the moon’s extinctions
soaked to the cotton bone, as eyes
ignite so ardent and bewildered.

Only dizzy with your tongue and tiger’s mouth.

In white dressing gown
she curls her hair, and talks
to me.

The moon shifts orbit by a shadow’s length.
Looks out of place.

And I like
to know that there is nothing
I can say.

A small flame falling through
a darkened library.

‘So many unsolved mysteries’
thought Philip Marlowe quietly.

And I like the way all things
come to an end outside her window.
And I like the way she takes
her time to tell me where she’ll be.
And I like the way she gives
herself the chance to look away.
And I like to know there is nothing
in the world that I can say.

Something that whispers
itself ‘Pacific’, or
the pause between,

that cheerful look of mayhem
on your face, goes on ahead
inconsequential.

Talking on the phone, I see you voiceless
wearing the red bra you showed me
for luck or the crook of your elbow.

How your left arm falls

where the last word can only be languid .

Here then, you might say, I have it.
One word that is more than to forget.
The phone that rang for me once
at 4.am. I never heard.

Humans love this new technology
that uses its ghosts with such economy.

later where people come walking
their dogs in the afternoon.
Sunshine. So normal.

It’ll be hard to find a place
to lie down with you. That’s all
I want. Wrapped up in our coats
and scarves. I like it there

where the sand is full of old sun-cream.
Bodies who have left their scents
by their side. Things that have
rubbed off and released.

Whatever you would want or would not wish
to be is here. The spoils of happiness.

The view eight stories high that shows
you traffic and a cheap hotel. An ashtray
stained with caramel, too many birds that hide
behind too many leaves.

Too much to learn from angles in the Doric columns,
corners facing corners. Maps are sold like tickets
to a murder; it intrigues you just the same,
your private theatre, confessional or bridge.

It left no scar. It was far
too visible.

I want to be awake, when you’re awake.
I want to be asleep, when you’re asleep.
In the cold nicotine drag of Monday
I want to taste the coffee when you taste it,
to hear the traffic argue when you do.
I want to move alone through an empty room
and make myself a mask of calm prepared
to meet you. I am never prepared to meet you.
I want to put my body between you on
the subway when the people stare.
I want them to stare at me. I want to stare
them down for you. I want to feel tired
and satisfied when you feel the day is one
long bus ride.

Today she is different wearing
the same colours she was wearing
yesterday. She has withdrawn
and she has not withdrawn. I have
laughed and not made a sound.
In these moments we are both
entangled in a clear blue sky.
The beauty and the fear that are half
a person each. Buildings stand
and do not stand a thousand years
or more. The last time I saw her
there was no sun or moon.
I felt both empty and complete
with the pure simplicity of opposites.
The way I could tell her anything
and see her smiling shake her head.

I miss that old apartment and my calendar.
How many weeks was that counting the rooftops
and antennae. I liked the early evening there,
the scent of old sheets waving friends goodbye.

The bed was wide and easy to forget.
The door was strong and easy to make safe.
Woke by an aftershock one morning
I enjoyed the sole possession. I kept
it clean and tidy, smelling good. The walls
were warm outside you faded in
and out sometimes.

Some nights I’d take a call and leave
to meet you by a fountain or a bridge.
Two hours on foot to cross I was corrupted
by the green glass dawn.

Your voice was softer than your skin
with words you used and years
before that made you theirs like drinks
and chemicals and other men.

Today I saw someone who asked no questions
in whose face I saw no rain. Someone with my face
was idly checking their reflection for calamity.

Just a perfect shave or the quizzical birdlike
gaze of an older man as I breathed out the desert.

For days I had avoided it that frozen meteor.
It hit without a sound. Five oceans rose.

I could not say that’s how it felt to me. One year
ago my life was full of echoes. You do not feel
those points of impact, worlds in darkness

worlds in light. A thousand hours to simply
walk you home.

Those thin shreds of light on my ceiling
tell me nothing that I don’t already know.
She is there behind the window and the wall

rolling it round like the world
between my fingers or the cigarette
you let me place between your lips.

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The Garden

ii
With threaded beads of rain the spiderwebs
raise arch on vaulted arch of eyebrow studs
(say ‘garland fairy lights’ to please the mob),
the micro-metallurgist at each hub
extruding a St Andrew’s cross long-limbed
awaiting prey vibration of its net,
the planes at angles variously trimmed
and layered for a polaroid effect
of integrated air traffic control.
Their tick-plump cousins fatten in the eaves
on flies tucked into cotton cobweb folds
old gauze unravelled like a bandage sleeve,
unsightly yes but what annoys the eye
fly-proofs the house. Unless I am the fly.

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Everyone I Know

The first night I moved in
my flatmate appeared in the hall
covered in blood of his own making.
He had scored his forehead
with a butter knife which he was still holding.
I locked myself in and watched his footfalls
back and forth –
I frantically SKYPED all night
asking for advice. Everyone I knew
was overseas.
In a Starbucks in Hong Kong
you veered and bobbed
giving me advice:
‘Put him on,’ you said.

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Good Friday

Your carefulness was a waste
Of fucking time. I needed your
Libido’s restless vice an unstable
Touch. There is much to fear
Paragraphs of fear and many poor
Taste suitors who might stick up
For a Woody Allen. Only place to go
Is the gym but the nearest is CLOSED.
I sustain myself with these sticky buns.
Q: Who is this person I’m fighting?
A: He is made up, mere grist.
The planes fly low and I view them
Often, foregrounded by evergreen
Leafiness. Everyone who’s talking
Stops a few seconds adding minutes
To each hour where they simply look.
I hit MUTE on my volume control.
It’s a good chance to reconsider
Whatever I’m up to. People say I’ll get
Used to it. I am new to this suburb
New to the lives of my neighbours
Who I overhear arguing and love

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Oyster Slip

Oyster slip: Could be the mollusc glistening
Or the silk chemise.
Twist a word too far and it shucks itself,
The bivalve letting off steam.
There’s nothing in the world like this:
The plump pillow as it slides
Across your tongue, excites your glands,
And plunges down your throat.
Swell.
When will our next lick of lexical
Slipperiness be?

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Kacey

I dust the cobwebs off my spandex and sneakers. This is where I document my progress. I want to take this moment to apologise            to my muscles for whatever the hell          happened to them the first day. Everyone            is fighting their own battle. Turning up and          giving it your best is better than sitting at          home, wishing you were there. One            thing I struggle with and I’ve known            this from doing yoga before is that I              forget to breathe! Falling for me               is a normal, everyday thing. Stepping          off the treadmill, my left hit the ground and          let out a gigantic crack. I laid there pretty          helpless for about fifteen mins, iced it                and then decided to do arms and abs. Can’t          miss a workout now, its week ten! Who             really wants me to tell you each day was          awesome and wonderful with butterflies and          rainbows? No-one. My jaw doesn’t line up          properly. It cracks and clicks and locks.      Every day, anti-inflammatories for        my jaw and pills for my heart. That’s my          dad right there in this photo, and the little          creature on his lap is me. He was a strong          and active man, a body builder, managed a gym          in Charlottetown. He came down with severe          chest pains. Doctors at Halifax were baffled.          He didn’t make it through the night.          I was eight. And what do you call a girl          who has only worked out twice in two weeks?          ME! You call her me.


Prue Stent remixes this poem for The Lifted Brow portion of this issue.

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