I.
your arrival was a kind of heliography you came with the sunrise: a seven hour process that set the platetone you, the lavender oil laid down to wipe away the steely toned posterior of my ambivalence now turned gooey.
the scientific sensation of a chemical process meant to cure the image in time taken here as the blood and scat that enveloped your body in protective bitumen to deflect the world’s input turned over to sunlight; your image—angel of history.
face turned oblique in your mother’s channel you don’t physically look to/like my past as in, he never gave you your bio/features, but he gave you your name; or rather i rudely interrupted the etiquette of evolution and inheritance to say: ‘here kid, have this but not this.’
genderless is everyone’s first experience, a narrow canal— head long and nameless —through which the world passes and then truly distorts: both thiiin and thennn. sibilant: a hissing speech sound made by forming a small gap between the tongue and the back of the upper row of teeth.
II.
where once ‘it’ was derogatory for ‘infant’ new forms of address as ‘they’ render subjects as p-l-u-r-a-l. the impression of multiple scenes onto celluloid where metaphor means transportation; birth carrying one domain of experience towards the other so that we walk around as hot cases DIY build-at-home-drones —talking ourselves into motion.
fruitful when applied to
humanity
doesn’t mean only physical reproduction; it refers to the process of mental conception which i take to mean my cocreation of you inside another’s womb.
how would saint augustine of hippo have felt in the fourth-hundred year after christ’s demise that by adding one-thousand- and-six-hundred more we arrive at a place where his word is dreamed up in sin’s common currency.
children are mentally conceived of daily coined through cordoned cash flows that quip subjective substances, inheritances self- insemination in bedrooms; rewritings of ‘fruitful’ from fruity as in nutty as in mad to ‘fruitful’ as in elected vagrant —a bird straying from its migratory route, fecund.
III.
i played you mozart once while in utero— does the fact of all the exposure to feminist folk lore undo the intellect you were due if mozart were more heavily rotated? spin another crumpled sucker punch.
music selection is a matter of compromise in this house micro-organism of
the present
rearranging our feelings towards the past ;
do what you wanna dooo
be who you wanna beeee
yeea-aah.
discipline plays like a continuous record, we stick to the score where it counts. where poets were the early internet, we carry boundaries of the plot manually little soldier crabs crumbs of bread scattered throughout the house rearranging your temperament— seasonally.
your intuition plays out like a chorus your defiance repeats in choreography we play into dynamic movement patterns of frustration bump into prolonged affection; we embrace to meet through sound and heat—heartbeat pulses.
IV.
just like a poem is a machine made out of sounds, pronouns human subjects are born through the detection of sonars; rangings of sneakers their squeaks on linoleum next to the tipping point of stilettos: écriture féminine.
you are a blueprint: a variant of nilak bluish pansy of psychogeography rewrit.
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- 120: DIALOGUEwith E Chong 119: FITwith E Collyer 118: PRECARIOUSwith A Jackson 117: NO THEME 14with A Creece 116: REMEMBERwith M Sahhar and A Te Whiu 115: SPACEwith A Sometimes 114: NO THEME 13with J Toledo & C Tse 113: INVISIBLE WALLSwith A Walker & D Disney 112: TREATwith T Dearborn 111: BABYwith S Deo & L Ferney 110: POP!with Z Frost & B Jessen 109: NO THEME 12with C Maling & N Rhook 108: DEDICATIONwith L Patterson & L Garcia-Dolnik 107: LIMINALwith B Li 106: OPENwith C Lowe & J Langdon 105: NO THEME 11with E Grills & E Stewart 104: KINwith E Shiosaki 103: AMBLEwith E Gomez and S Gory 102: GAMEwith R Green and J Maxwell 101: NO THEME 10with J Kinsella and J Leanne 100: BROWNFACE with W S Dunn 99: SINGAPOREwith J Ip and A Pang 97 & 98: PROPAGANDAwith M Breeze and S Groth 96: NO THEME IXwith M Gill and J Thayil 95: EARTHwith M Takolander 94: BAYTwith Z Hashem Beck 93: PEACHwith L Van, G Mouratidis, L Toong 92: NO THEME VIIIwith C Gaskin 91: MONSTERwith N Curnow 90: AFRICAN DIASPORAwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
