Sitting At A Table In A McDonald’s On Rundle Street

these sesame seeds are shaped like tears on purpose /
but i’m in an xl t-shirt on accident /
yellow as my best friend
from middle school / when she kept watching a film
about the awful things humans do to animals /
i’d say / why you wanna watch that? it’s gunk /
her midnight macaroni melted to one side of the bowl as she /
dreamt about smoking a cigar / or a textbook /
and this is exactly what i am /
praising my blood when it mostly works like it’s
supposed to / creating the wound myself
when i can’t explain why it should be there / i fucked up when i tried
to bury the past inside me /
my best friend is still watching that documentary /
she is still wondering why we brutalise the things we adore /
why the fuck aren’t you watching it? /
she’d said /
i don’t know man / i guess i’m not ready to admit
when i’ve done something unforgivable; / or when i should make up
for it, at least /

Posted in 101: NO THEME 10 | Tagged

Poem whose volume contains attenuated pause

If to care means look closely, then streetscape
here—you tell it—every gaze within the frame
a tangent line in Euclidean space,
not a single gaze intersecting another’s face
(except the one looking across this flattened
plane bent on asking) what in Godot’s name
are we all waiting for?
The crowded pause
does not reply, but its bodies do, or seem to.
Hands pocketed, arms crossed, what to
make of the bright white lines
whose oblique lapels & collars sweep
like arrows the civil gaze to inwardly
blank cross-purpose?
Unselfconsciousness poses,
unaware perhaps of being viewed,
yet plainly skewed
by the scrutiny of nails, whose shape
suggests no palpable social answer.
Misery walks on certain faces. The body
parses a precise language of anonymity
and rubs against, not quite touching,
perhaps about to,
some muted aggregation, a poly-
synthetic future, you and you,
whose determined lack can’t come
quick enough, god help us, in buffed
monochrome, absently milling
history’s streets, hands kept idle
in careful cuffs.

Posted in 101: NO THEME 10 | Tagged

notes to a landscape

It is a structural matter, a view from a window which has been carefully placed to exclude a whole quadrant of the landscape.
— W.E.H. Stanner

axe time, pale
austere, Gregorian
the ridgebacks saw down
bodies of clay
the eucalypt quills nestle
fractured rivers
forked light, shrapnelled sky
among plains:
everything happens once
to a grave.

myth softens,
lacteal foregrounds
invite gaze
and knot it.
distance is heroic
in an easel, a survey:
packed wadding and shot,
spit fumed wind-rose,
hints to travellers,
well-watered meadows and soft,
black poplars flourish

syntax is plunder.

Posted in 101: NO THEME 10 | Tagged

white space

memories of mother hands cool on skin
soft love not for bruising

current steep reading words and stories
Goenpul woman Arrernte poet Gomeroi scholar

blistering epic daily humming histories
each story its own

ordinary love conversation
but common refrain mother to child:

‘be careful of white women’

[protest: I am not one of those: they are not me]
[hold the words: don’t spit: let them coat my gums]

melt the looking glass that has shaped this body
let ‘me’ slide from my tongue

writing that speaks into white space pages
an invitation are you listening

holding notes that have vibrated
in bones for centuries

what we inherit can be so quiet
it takes another voice to dial the volume up

reading stories to peel back
skin of the past

ordinary love conversation
my mother to me

‘be careful when crossing the street
driving a car walking on your own at night’

in our household
where three white girl women lived

we didn’t talk about power
and bodies

actions of ancestors that moulded
where we stepped

no mention of
[raised to be kind but—]
[is silence violent or merely careless]

talk was sports bodies
‘I saw Evonne Goolagong play!’

‘Isn’t she brilliant—Cathy Freeman!’
no need to be schooled about

how women might— harm—
to stay safe from— bodies like—

writing is re-writing
an invitation are you listening

how to trace the imprints of
this ordinary body

Posted in 101: NO THEME 10 | Tagged

This is my storytelling!

This is my data, and
This is my Sovereign right.
No more whitewashing
Let Truth be told

Dear Australian Whitewasher,

Why do you find it difficult to understand ‘my kind’ and ‘my people’? Is it because of a whitewashed Australian popular psyche? My kind, you know the fair skinned ‘not real Aboriginal’ kind. Yep that is me the fair skinned one with a dark-skinned mother. The one you tried to make feel different and displaced. Sorry (not sorry) to disappoint but I do not feel different or displaced from my Yamaji cultural mob. I feel the exact opposite – strong, Yamaji, proud, grounded and defensively supportive of my culture. You continually tell me in meetings, in media, in print, online and in person that I should be grateful for being rescued by your definition of civilised people’s and a civilised society. You wrote and spoke that my people, First Nations-Aboriginals- Yamaji, were to die out and our culture and skin colour bred out to hide many true Australian history truths. I emerge from the Australian mindsets of ‘soothe the dying pillow’ and the ‘half caste problem’. I was 21 years old in 1984 when Western Australian Lang Hancock mining land thief said “the half caste is where most of the troubles comes I would dope the water up so they were sterile and breed themselves out that would solve the problem…” (Leschinski, 2012). This was only 37 years ago a white man’s solution was to make ‘my kind’ sterile not have any children and for my lineage to end with me. The intention was always about making ‘my kind’ disappear and making my ancestors culture invisible and taking, owning, and keeping the land.

      Therefore            I write / I protest /I talk/

                                                I tell my story … I am being me

Yours Truly, Charmaine – A Strong Surviving Yamaji Woman.

Posted in 101: NO THEME 10 | Tagged

Peach Scut

On the subject of woodlands, why
write what you don’t understand, write
lies about landscapes, for four days
it rains. I read
the books to have read them. I didn’t
read them I was moved by the titles, how
life quietly insists. Mammal in the kitchen
in a mew in Shadwell
cold soup and cataracts, mammal that would
mend the world, with words like landscape
nowhere but in poems. That is, writing
of morning mulling
greens and blues, describing the sky—
long and only window—nowhere writing of red
weather yellow weather, you, with clouds
around your neck
on a printed peanut travel pillow, half-asleep
in the passenger seat—to catch your eye
in the mirror. Undercast, I know
there’s a weather
for it, though not knowing the why, if it
will fit into life’s white envelope, why
caught under the netting on a fruit tree
a bird feasts until it dies.

Posted in 101: NO THEME 10 | Tagged

Joshua

– from Look at This Blue

Joshua Trees of the first vandalized during
shutdown, national park defunding

1,200 square miles at risk
high desert, 45 might as well have burned it all
rangy succulent majesty
said to straddle Mohave and Colorado Deserts,
incoming spray-painting rocks,
smiley face, THE 419, three underscores
felling Joshuas to make off-roading roads,
so they could drive into sensitive areas
where vehicles are banned”

by 2100 Climate Change rising temperatures
may take it all, they’re hurrying along.
People climbed the massive junipers to break
branches for prohibited fires, it’s welcome shade now gone.

“there is no Plan B for our national parks” – Rand Abbott

“Donald Trump is literally destroying America.” – Bill Prady tweeted

Posted in 101: NO THEME 10 | Tagged

Vespers

In the vigilant years, when the sunset rises to nothing
you see entirely what the screen sees,
completely at one with that

and don’t have to suffer.
To persist through autumn.
Keep pruning the herbs, like a Benedictine monk:

resentment of weeds – not what they are but over-abundant
in a ‘Godless’ fashion.

Work, read, pray, but mostly read
when you don’t need to skim
desiccated leaves off the pool cover.

Distiller of charms, you become
an expert on cisterns.
It’s what the website doesn’t mention that counts.

I too have fixed shoes, baked roti, and
advise my brother on the sins of idleness.
He likes a game of cards, a smoko at lunchbreak.

Remind yourself that
succulents love the rain,
that French recycling bins are a logical system

– bottles here, rustic nostalgia there.
the State promises no hassle.

OK, old policies have been revoked, though
they didn’t waste a letter to warn you.

Here the gap between love and hate
is infinitesimal.

I still miss the certainty I was,
A door fixed so it works.

The telegram arrives – LIVE LIFE PERFECTLY
But then it’s buried under compost.
Unfixed, the door still opens and shuts.

Posted in 101: NO THEME 10 | Tagged

Decolonial Research Methodology after the Bogong Moth

Supplant. Unsettle. Bury. Return.

Learn to live in colonial soil by incubating in every available abundance. Cutworm into crop and field, drink your nutrients from the earth. Swell and wriggle, aestivate in crack and crevice, in fallen trunk and crumbled rock, live quiet with proximate generations, then bury yourself deep to melt into your body, don’t let them see you before you’re ready.

Arise. Trace. Lead. Linger.

In the night, begin cartography. Your blood knows the journey your body seeks for dark, for damp, to eat. Grow fat and full, nestle together in the deep for your rest, go quiet. Do not let them see you before you are ready.

Return. Extract. Propagate. Remind.

You know where best to grow your children. You know when it is right to leave. Go home in swarm. Hum the air and fill the sky. You will eat as you will be eaten, you love the fire only when it is in the dark. Love in the flurry and frenzy of a plague, it is for no one to stop what your meaning has made you to do.

Refuse.

Find the deep and dark again. Collect in such hordes you will stain the soil metalloid. Die in such heaving mounds the earth is poisoned with your decay. If they want to feast on your carcass, let it kill them.

Posted in 101: NO THEME 10 | Tagged

Notes from the Corridor

Between 2012 and 2015, I traveled between Delhi and Chandigarh, pre-dawn, more than a dozen times, to avoid the thick, white fog that made travel impossible after 10 a.m. Sometimes in a taxi, sometimes by train, and sometimes with my uncle, who pointed out the factories we passed, set off behind lawns or right up against the road, where he’d worked — this one, that one — as an engineer. At 4 a.m., the agricultural ditches of this industrial corridor radiate a lime-green and violet light. Make me a pair of earrings. Knit me a dress. No, these colors don’t have shapes. I hesitate to put them in my art, the paragraph.

*

Is it the dark phase? Yes, I said, it’s the dark phase, making conversation. But soon, an orange sun was pulsing like a flat disc in the creamy grey air. As the sun rose, the air dropped out of the sky, turning everything pale yellow for a few minutes. Is a memory an adaptation to a fleeting visual field? My uncle’s eyelids were heavy. I often lack courage, but when things are difficult, I know what to do. This time, we were heading south, into a city with immense luxuries, a red couch in every room. This architecture flowed like music, on and on and on. My uncle had a new job, developing estimates for real estate brokers and their customers. Tell me a story, I asked, as the car swerved in the small night then corrected itself.

*

In December and January 2015, an average PM2.5 level of 226 was noted by US embassy monitors in Delhi. That winter, I sketched out a zombie novel in a cafe in Gurgaon, taking the occasional sip of my excellent Madras coffee, which was gritty and fervent. Did you know that I had a home in India? Did you know that as I stepped across its marble threshold, its wooden threshold, its rotting threshold, I glanced back and at the last moment saw something wrapped up? It was a hand-woven rug, made by hand in the 1930s, by my mother’s mother — of a leopard. This colonial leopard was wearing a diamond and ruby necklace, and it was saying something — the words were woven in bright yellow against a dull brown hemp background — directly to the person looking at it. “Goodnight.” I like to think of this leopard walking next to me, lightly growling at a level inaudible to others. Goodnight.

*

This morning, the particles of PM2.5 in Delhi have the capacity to penetrate the blood-brain barrier, at levels that exceed, by four or five times, the emergency of 2014/2015. “The level of PM2.5 pollutants, which are the most harmful because they can reach deep into the lungs and breach the blood-brain barrier, have reached at least 999 in parts of the city this week, more than 16 times the safe limit of 60, ” I read, pen on the saucer, spoon in my mouth.

*

On the outskirts of Delhi, my uncle pulls into an Ancient Greek-themed rest-stop with white deities (as tall as two houses) carved in local marble. We order parathas and chai, taking our breakfast on the patio. My uncle tells me the story again, so that I can write it down. He’s speaking in Punjabi, a language I can speak but not write, so here is a story of the corridor in English, and it’s yours to tell and re-tell. Four stories. I’ve suggested, I suppose, that I was a kind of assistant to my uncle. That’s not exactly right. I was here to sell my ancestral house, or empty it.

*

We stopped on the way to take this photograph of an apartment building. I can’t recall if we were going home or embarking on the long drive north. It was my uncle who was accompanying me. He was driving. “Women are never safe,” said my aunt.

Delhi, Winter 2014 (on the drive from Gurgaon to Faridabad)

*

Story 1:

“I worked for a Dutch-owned company that presented itself as (avidly) maintaining environmental and ecological controls and yet which (privately) was just as corrupt, if not worse, than everyone else. All those fires in the ditches along the road? Chemical fires. They dump it all.

There was a Dutch manager who was bribed to accept a lower-quality burner. It didn’t have the correct protective…and the two Sikh boys, only twenty years old…. They were monitoring it. There was an explosion. One survived through the night. I went to the hospital and sat with him on the balcony as he moaned in pain, then finally passed away. The company gave the families of the two boys $4000 in compensation, and that was it. The government person brought in to assess the incident, and “ensure compliance,” was bribed in turn. He was high-up in the environmental agency. I tried to speak to the Dutch owner. I wrote to the Dutch owner, who I had known for many years. Do you remember? He brought a dog from Germany and gave it to me. The next month, I had to go into hospital for an operation to remove my kidney stones, and when I came out, there was a letter. I was laid off.”

*

Describing the boys, my uncle can’t speak. He stops eating, pushing his plate aside, then throws his tea into the grass. Let me get you some more tea.

*

Denmark is the 26th largest investor in India; the Netherlands are 5th. Norway just altered the status of Delhi as a “hardship posting” for its diplomatic corps, due to the air pollution.

*

The world feels networked to recede, like the moonlight.

How to sit through the phases that are non-apparent, occluded, put nothing towards hope.

*

Notes for a novel never written.

*

Story 2: “They made us go down the ladder to test the equipment without protective clothing. My skin was covered with boils. Each night, your aunt washed my body with olives mixed with soap. It was calming down, but then one day, I slipped and fell.”

Story 3: “At lunch, in the cola factory, we’d enjoy chatting in the foyer, sitting on our folded chairs. One day, we noticed that the cola concentrate we added to our water, with pepper and spices we brought from home, had burned holes in the marble beneath us.”

Story 4: “The janitor found a nest of cobras in the basement of the factory. The manager made him catch them. He was so afraid. Then sent him in a taxi to the forest. Almost to Simla. And set them free. Because if you kill the cobra then your factory is cursed. The janitor let the cobras out of the basket, but one had escaped in the car. This was the end for him. The manager sent me to bring his body back. I was an electrical engineer. He said, take this money, buy a sheet.”

*

On the divan, before everyone’s awake, I transcribe the news into my notebook, pulping its grasses in service of this other kind of time. This is not writing, but it’s weighted language, which I prefer. I am not sure about including these passages here, something to skim but not read. Perhaps I will include them. Delete: Lavish descriptions of the enclave, the balcony, the weather, the surrounding landscape, the sky-line, the dead hours between morning and night.

*

“Fearing court sanction, the Government of Delhi decided to close (or ‘seal’) all industries in this group until a solution could be worked out. In the meanwhile, the puzzle of which other industries were to be sealed led to complaints from the factory owners alleging wrongful and arbitrary sealing. The lack of reliable ground information and corrupt practices added to the chaos.” (Hindustan Times, 12-12-2000).

*

We’re almost home. Behind the enclave is a crumbling pink wall.

Posted in 101: NO THEME 10 | Tagged

Remission

Mama is waiting for me perched on her cliff
with her black, bat-winged parasol opened
scrutinising the sky with owl spectacles,
there might be sun that sears our backs,
there could be rain dropping pellets,
she has thoughtfully dressed
in a light fabric, hewn from the temerity
of leaves from all seasons,
the young green cleave to the bodice,
weaved in with the creases and crinkles
of fallen and rested,
needled into the flow of the skirt and sleeves.

These days she is so easy to carry,
her 75 years of story and lamentation
fold into the contours of my back
becoming my carapace as I stretch my neck
towards the horizon of densely designed
scaffolds and cranes holding the steel
and concrete blocks,
we scale as one species.

It is only when we reach the turret
of “Yiatrina” Γιατρίνα: informal speech for female doctor
she disembarks to unveil
her ruptured, heroic body
awakened from death
by telescopic insistence,
Mama looks to me to voice her gratitude
and acceptance, as I become the myth
of the humble whisperer
‘upon settlement in strange land’.

After the tick of health,
Mama would rather I climb her back
but her carapace shrunk into her spine
when she turned 51,
and we both know that my heart
was birthed for two souls.

Through pathways spilling cables like entrails,
she screams in fear of our fall
until we reach the turbulent weeds near home,
where she dares her body to escape my back
and trudges the climb with nose to the ground,
as if a mushroom would sprout with a sniff,
her memory creeps and entangles
my feet to her door,
she implores me to enter
with a fig she snatched from a passing branch,
knowing I am now the eight-year-old
with the hunger for anything sweet.

Posted in 101: NO THEME 10 | Tagged

A Muslim, Christmas

The streets are empty-ish.
Ish is for my body, the faithless
and lonely. I head toward
departure. Long one-eyed spectres
hunch over the earth
and each tree has around it
a darker deeper life.
Few shops are open: solitary
yellows adorn a doorway
or two amid dormant heavens
(I call any abundance heaven now)
saying welcome in Mandarin
and later, Arabic.
I move past the beckoning oasis.
I am not looking for a home
all prior attempts failed—
I aim to find the heaven of me,
the we who linger
at stations to hear a loop of human
voices skip over silence
or sink into it, to relish
the ripple that makes absence
visible. We move through
enormity and feel our edges
obvious and crowdless
with the hand of an ancestor, perhaps
brushing the backs of our necks
so we tilt up
to see a migrantory heaven
pummel the sky and disappear.

Elsewhere, beloveds
gather, ready to unwrap
a gift beneath
the semblance of a tree
or the memory of pine, still green,
and though I have one
a family I mean a queerness
I cannot abide leaving
the city without a body
to trouble its making.
I have no destination
in mind—how sacred it is,
this not knowing, how divine
to walk in this world as an ish.

Posted in 101: NO THEME 10 | Tagged

Ghost of the Bush Marys

The ghosts off Bush Mary
fancy playing cards
they’re given to birth,
divinity and oh and
so forth, Mother.

Women deal the men
like how we gathered, we
young Mary, and first told Mary
Magdalene, He
is risen!
Dammit

3 Aboriginal women came in and they took … nothing
instead, strung coolamons
and left bearing gifts of ace

Women carrying the busted children,
the honouring of fertility.
Spirit, she dealt a map
into Earth and marking older planes.

Posted in 101: NO THEME 10 | Tagged

guided meditation ASMR — your therapist’s intern calms you down roleplay — monotonous colonial apocalypse comfort ASMR #RoadTo100K

I know obviously you’ve got stuff going on, but please get up. They don’t really pay me for this, it’s a cadetship.

Okay, well, since you’re gonna lie prostrate on the floor like that I mo’aswell practice. Can I join you? Any objections? Okay, well, um.

Welcome to this, your guided meditation. It is just for you and not for anyone else on Cordite dot org dot au.

Find a comfortable place, somewhere you won’t be disrupted. Like the floor next to my ringing phone, for instance, sure, fine. Okay, unclench your jaw.

Tsk tsk tsk tsk. Sk Sk Sk.

Like that, yes, now your eyebrows. Slacken your shoulders, feel the weight of your body on the lino. Move that relaxation downwards. Like that, like that. Now, inhale. Now, exhale.

Now, if you’re like me and your head spins when you do these things, you might be asking:

How do I stay alive boiling this fury far in me? When these listless, flaccid poems only salt right up my rage? Right? How could I use this bloody and limp tongue to dignify those I love? To offer more than symbols: empty and aware with no end?

We’re all in that ugly, restless chorus shouting our shared fate.

Tk tk tk tk tsk, swoosh.

Hey yeah sorry, just step around them no they’re fine it’s okay — yeah she’s just down the hall waiting for you. Did you bring your Medicare card? Okay, just leave it by the phone. No, I. Just hand it to me then, okay, third door. Remember to subscribe and hit the bell.

If you’re anything like me, you’ll remind yourself — your every yawp of public pain is little more than a boreful background hum to others. The same is true for all among our midst — amidst all vaguely and horribly this.

We are choking on the smoke like our emphasytic parents, only catching little breaths atop our last. I certainly have no measure, that shameful uselessness we feel, except 164/94 and two new pills.

Shhhhh, tk tk tk tk, shhhhhhhh, hmmmmm

Notice without hard judgement, all the baking wrath in you. Every time it bubbles, bump into a new risk group.

Pick an affirmation to return to. There is no pressure. It only matters what it means to you. Anyway, each one is a humiliating gesture to our vast and weird oppression without end.

It is okay to surrender to that impulse. Let go of any tension.

Nothing you say will do anything but embarrass you. Also pretty much no doctor will prescribe benzos anymore. All of us will fail to scale with words the terror that we meet. If only there was something we could do when all around us buckles and dies other than, well, exposition.

Anyway, um, return to the breath. I have to make some calls.

Posted in 101: NO THEME 10 | Tagged

Te Whitianga a Kupe

Last week we celebrated the arrival of the waka hourua of Kupe
Matawhaorua about 1100 years ago and HMB Endeavour in 1769
of then Lieutenant James Cook.
Kupe’s wife Hine Te Aparangi,
according to Ngāti Hei, named the islands Aotearoa
which refers to the Māori name for Great Barrier Island,
Aotea, with the main landmass of the Coromandel
marked by its high peaks observed by her as the longer,
‘roa’ of Aotearoa. When they landed, Kupe named the first landing
or crossing, Te Whitianga a Kupe.1
When Cook arrived
for twelve days in November 1769, he named
Te Whanganui o Hei Mercury Bay. They were there
to see the Transit of Mercury on November 9
so that the astronomer Charles Green could work out
the longitude of Terra Australis Incognito.
The crew gave other names such as the Aldermen Islands
for their high rock needles like a court.

Posted in 101: NO THEME 10 | Tagged

The Commonwealth of Australia Constitution Act 1901

Whereas the people of New South Wales, Victoria, South Australia, Queensland, and
Tasmania, humbly relying on the blessing of Almighty God, have agreed to unite in one
indissoluble Federal Commonwealth under the Crown of the United Kingdom of Great
Britain and Ireland, and under the Constitution hereby established:

With the blessing of our Almighty God, we take for ourselves your ancestral lands.
With the blessing of Almighty God, we take for ourselves your bodies as our commodity,
and as possessions of the Queen.

With the blessing of Almighty God, we wrench you from your Country and your kin.
You shall toil for us and your payment shall be your continued existence.

Over your lands we shall scar state lines,
scramble your bloodlines and give you over to the custody of men.
Your children shall be taken from you and forced to renounce themselves.

We gift to you our arbitrary common law,
which shall apply to you but not protect you.
We appoint ourselves your custodians,
but we owe you no duty of care,
and you shall have no compensation for any loss caused,
here no equity shall be done.

These things are indissoluble.
Indissoluble.
Indissoluble.
This Commonwealth is indissoluble.
Our right to this land is indissoluble.
Our right to exploit you is indissoluble.
Our sovereignty is indissoluble.
Our authority is indissoluble.

Be it therefore enacted by the Queen’s most Excellent Majesty, by and with the advice and
consent of the Lords Spiritual and Temporal, and Commons, in this present Parliament
assembled, and by the authority of the same, as follows:

This Constitution shall be binding on you, you shall submit, or hang yourself, or contract a
disease, or die of hunger, or we shall be forced to breed the blackness from your recessive
genes.

The provisions of this Act shall extend to Her Majesty’s heirs and
their heirs; and
their heirs; and
their heirs; and
their heirs; and
their heirs; and
so on.

The Commonwealth shall be established, and the Constitution of the Commonwealth shall
take effect, on and after the day so appointed. You shall accept this Act without question and
without complaint, and your heirs and their heirs; and their heirs; and so on, shall accept this
Act, without question and without complaint.

This Act, and all laws made by the Parliament of the Commonwealth under the Constitution,
shall be binding on the courts, judges, and people, and what we deem the native flora and
fauna of every State, binding on every river we choose to pollute, on every gorge we choose
to extract, on every tree we fell, on every inch of Country we farm and pillage.

You shall now speak the language of our great and Almighty God-blessed and indissoluble
Commonwealth – English. You shall cease to speak your own languages.

You shall cease to practice your ceremonies practiced since time immoral.

All your lore is repealed and the right to make law over you now vests in the Parliament of
the Commonwealth. The Parliament shall be composed of members of our choosing, directly
chosen by ourselves. The power of the Commonwealth shall vest in us. We shall call this
democracy. We shall make laws that you cannot keep and appoint men to preside over you
who have no interest in your ways, your lore, your rights, your cultures, your Countries.

Your many Countries shall take a new name Australia, and so too shall you, we shall call you
Aborigine.

Posted in 101: NO THEME 10 | Tagged

Buenos Aires

from Places You Leave

Your dog takes a shit outside Hotel Presidente.
Someone else always cleans up for the State
and it’s not Alsina, busted, Socratic, his hand
remonstrating with a balding, white sky. They
rake green shoots into a pile on LIBERTAD,
a cosmetic gesture to the funerary traffic
on Avenida 9 de Julio, the largest boulevard
in the world. You film your dog in a series
of selfies cascading through the park. Abilio
roll over [click], Abilio squatting for a piss
on the lower branches by the hissing fountain
[click]. Snapchat over the traffic snaking west.
You feel yourself part of the continuum going
nowhere in the coolness of a Jacaranda’s quiver.

Who was it fleecing the workers’ pockets but you?
Each day opens and closes like a clockwork petal.
Even the air locks everybody in. Today is another
national holiday: warm rain soaks up the workers’
protest, where you pass by tapping your wallet,
looking down at the young man who lost his father
in the cyanide mines at Valdero. What can you say
when your eyes are spreadsheets, counting out
the world in ounces of gold. ‘Lo Siento’ you mutter
when the Pepsico workers approach, not meaning
I feel or feel sorry, but the formality of ‘Déjame
Pasar’. And you pass. Dream of a hacksaw factory.
Even Marx backed away when he saw the flags
of free capitalism. All those numberless offices.

PAN Y TRABAJO reads the sign. PAN Y TRABAJO.
When a canvas didn’t sell he drank the oils.
Turn away into Pettoruti’s La Plata. They call
you a foreigner but what does the word really
mean? Look away now and again. Solar’s smoke
-river. Spilimbergo’s louche terrace: the world
floats through rocks like memories (but whose?).
Commotional billboards blur and set the cars
honking. Tamayo’s soldiers wear shells for eyes.
Your everyday uniqueness and vertical sequencing
unimpresses Lam’s balloon skull; its eyes look
away from you towards a tablecloth covered in
unshakeable dust. Carry your tears in a wet sack,
worn heavy. Until the retina starts to shriek.

Lightcrawlers. Monsters in the bestiary. Games of
love or mischance. You count your casino chips
on the side of a dice. Peel away yesterday’s lover
from the tattooed map of your body. What you want
to call temptation can be renamed Ambition’s Grotto,
Encounters Unease. Turn Aryan devils into saints,
rise above a city counting out your bank balance.
Rattle your new coupe keys in the exhaust, ex-
hausted, wheeze through a cloud of cognac, disc
cells contracting the rotunda of your body. Morning,
your skin ruddied, reduced to buying up the sellabilities
of image. So much distance between victory and victim,
you think (how to translate this for the boardroom?)
When you die they’ll cut the film from your eyes.

The voyeur twiddles you as if by puppet string.
In Figari’s Candombe o Candombe de carnaval,
a pink-shirted man shakes open his hands to
question a gallery of masked faces in windows.
Chevron ¬– Swastika. A General, skeletally x-rayed.
Another morning when the waffle-haired president
reminds us how we met Hitler. As you would say,
sometimes it’s all just too much. How to embody
hope? Chagall painted dreams to save the world
from itself. My hands run over yours, lean in through
the remoteness of trees to fire a kiss. Because what
else is love but the world opening in your eyes, open.
Morose beauty of a horses’ eye, sad but knowing.
Stay close, take cover, safe in this mirage of mist.

Today, walking in the scent of love’s blood.
Tomorrow, casted in Alonso’s ‘Carne de Primera’.
‘It’s not just in Mexico, women go missing here,
you don’t hear about it on the news.’ A business-
man smokes his cigar and the elsewhere of his eyes
suggest: I am counting you up as a number: 622
by the leg, 729 by the arm. I live out my violence,
from the entrails of a ranch, from the hanging
of a meathook. The oligarchy are Bacon-faced,
digging another anonymous grave at the roadside.
A lost child runs through doors of broken glass.
You edit yourself in and out, as Mayakovsky
advised. It’s a form of self-dentistry, he said, just
to survive. A gloved hand props open your throat.

Without bread but with work. Weeks caption
the stillness of a blue table. Nothing devastates
more than a child dangling an empty spoon.
Stray bloodfleck on black-backed curtains.
Monday: volcanic as the sun. You remember
Christmas 1990, your mother serving chicken
instead of turkey. Am-Dram pretence of knives,
but she ate none. Outside the window, a swab
of musketeering soldiers on the charge raise
the sword of war. Death breathes through the cut-
glass wetness of your eyes (but for what, what?)
A child’s belly, soiled, the bills yet to be paid.
Whoever paints this is the repo man at the door.
The father looks to the mother who looks at you.

Posted in 101: NO THEME 10 | Tagged

Trees of Seed

The seed-cloud its own netting, counter-entangles its own advantage grain beyond
the graining of parent tree to find new roots in universal improvisation:
encompassing similars of tree-host, prime collusion is the link with original tree
mass

Tree to tree at its most variable according to seed size within-tree inferences of
seed weight, let it echo the call to crown-height

Sheer hulk of tree has always led to seed initiative the differential seed spree a
course across origin (vertical community), not merely its hornier side

Though a tree might contract to a seed message, it never retracts from found bulk:
the paradox of ready load at origin

Are the nuts on a tree its camouflage of becoming, its fruits of self-zoning
inadvertently transferring?

The drive of an oak to steep its scatterables, draw apart ancient stores each new
seedling the eldest heir

Cupped for its ovalling onto new green documentaries of site towards a
wideness of solo generation, each uncapped acorn alone

Not gathered but trusted with remote absorbance a slight twist to rest and root
among skins of soil

What is an acorn’s anchorage if not its drop-size off tree, then to beguile new
ground spikes

Tree entitlement at one remove its own displaced belittlement with those many
dwarfs of return

A seed’s prowess, the most exact reiteration, without imitation

A key spinning its ancestors, awaiting their revised insistence each seed loosed
like a travelling scar of the over-offerable

With winged fruit accurately acute, detachable at a lee-spirited randomness:
stays true to the origin’s crowding

Rescinding at the level of air (sycamore twirl) what was kept firmly unassignable
at branch dangle

Drones of winter turbulence, they scour their bleak infill turbary spend all their
germination in one simultaneous mass, no seed bank for a wingless soil

Field maple on short hold to colonise only intermediate damage, the inset fruit
concisely opposes its flight keys

Hazel hurdles not made on their seed pulses the flower display averts main
struts to red styles and catkin dust on thinnest twig antennae of fringe
revision, core seed cumulus

A seed glut is their prime fluctuation gambit the rarity of excess grants a lean
layer remaining the exception of success

As mast it set well, abundant occasionals confuse raiders with a plenty they
haven’t the practice of

If a seed does resume a tree, only so far as predicting half-smothered lineaments,
sediments of initiation, the coronal commission is non-competing while
pressing the departing

A ribbon of prevailment goes its swarm, common sift for saturate edge fresh
native comparisons the lightness of seeds which leap

To mend a tree’s future so far as seeds are not weapons that branches confer
fruit actual from within an otherwise preserve

Posted in 101: NO THEME 10 | Tagged

a case study on the colony

a case study of the colony – in lutruwita (tasmania) – twentytwenty (in the year of the coloniser). a property called cullenswood (we know that’s not the true name of that place) / was sold for twelve million dollars (in the colonisers currency). after six (one two three four five six) generations of the legge family (who never bought the land / but certainly spilt blood enough to call it theirs) ///

                                                                                                                        back then (and how long ago it was!) those first legge – after never making a purchase to this place (though justified with the logic of their far-off law) – marched across the land and tore from the earth any person who would remember the land’s true name. and those they could not kill fled – followed by hoards of hard footed hard mouthed square eyed animals (they took from the soil all things – and in turn the humans would take the wools and the meats and the babies of those animals to begin the cycle again) and sell those things from the stolen soil – from the soil they never bought. from the soil too they would seed those plants (those plants with the same origins as the legge) lace the soil with plants that poison the land slowly like a sickness spreading. plant it out and sell that too ///

                                                                                                                                                                                   not satisfied with the surface next they would open wounds across the land. great open sores into the earth called mine. mine mine mine – a word as foundational to the people who can take from others a thing they call mine. they cut the hole (mine) and took from the ground what couldn’t be seen on the surface. stories that swim with ancient fish in quartz coloured streams underground. they took that (those spirits of the land where minerals lie) and sold it off. that thing they stole from the land ///

                                                                                                                               maybe they felt unsettled or like winds they couldn’t see moved across their souls. the legge built a church (in the colonisers religion) and in this faith they built a yard to place the bodies of the murderers (born and died on a land they stole) buried there in neat wooden boxes (boxes they didn’t afford the people who had always known this land) ///

                                                                                                                                                                        the legge spread out from the place they named cullenswood and when a legge saw a bird or a mountain or some thing that made them feel some way they named it for them (legge mountain) (legge eagle) as though these things did not have names given to them since before time began – as though these things were not true things that existed before legge. the name spread far and the people of cullenswood said aren’t you glad the legge were here ///

                 and when there was nothing left to kill – contaminate – extract – they sold the place (that system of wealth that means a thing stolen can be sold) and when they sold it they said – we are the people of this land. six generations (one two three four five six legge) the time it takes two lives to begin and end and the memories run clear. the thing that wasn’t bought can be sold and can be sold on a bloodless deed (for the paper remembers a border drawn and not the bodies who fell) these civilised people put it into law (that death) without looking over their shoulder. and the colony said oh those people who were here didn’t know how to use the land and it wasn’t theirs anyway and ///

                                                                                          no what people before? we are the people of the cullenswood and that is the name of the land.

Posted in 101: NO THEME 10 |

Dark is Beautiful

In my country
if you have fair skin
you are called
“gora” or “gori.”
This is
considered
a compliment.
If you have
dark skin
you are called
“kaala” or “kaali.”
This is
considered
an insult.
In my country
they tell
dark-skinned
girls and boys
that they are not
marriage material,
and offer them
skin lightening creams
as if they are
antibacterials,
for they believe
that having a
dark complexion
is synonymous with
having an infection.
These creams
are endorsed by
Bollywood celebrities
that capitalise on
peoples insecurities,
while also starring
in films that are
discriminatory.
In these films
the fair-skinned
women are
glamorised
while the
dark-skinned
women are
ostracised.
Songs are
constantly
sung about
“gora gora rang”
and this
toxic ideology
pollutes the minds
of the young,
this toxic ideology
is why skin
whitening creams
are a multibillion
industry.
My people are
victims of racism
but they’re also
the biggest
culprits of it.
India was
colonized by
the British for
two-hundred years
but the country
still isn’t free.
And there will
never be any
freedom when
your own people
become the
colonizers.

Posted in 101: NO THEME 10 | Tagged

Readers Digest Great World Atlas 1961 (1962)

Between the time of its publication and fourth revise they exploded the bomb they called Vanya over Novaya Zemlya—its fireball five miles wide hung a second sun over the island—its cloud rose into the mesosphere—black rain over the Kara Sea, Barents Sea, Alaska, Norway, Finland, the Ukraine, northern Canada—lines leading back to the closed cities—to Arzamas-16 (Sarov), to Chelyabinsk-70 (Snezhinsk), near the Mayak site where they loosed the radioactive waste into Lake Karachay, Lake Irtyash, into the Techa river, past the villages, to the Arctic Sea—its radioactive cloud moving northeast over Berydanish, Satlykovo, out to Tygish—Between the time of its publication and fourth revise they exploded the bomb they called Starfish Prime off Johnston Atoll over French Frigate Shoals, high inside the thermosphere—Its aurora—a blinding white flash, green sphere of light, vast cloud outflung in turning arcs, in circles sweeping outwards—flared across the earth’s magnetic field lines, debris lighting the sky from Taraw, on the equator, down to Apia, Wellington, Tongatapu, Campbell Island—trapping radiation along the field lines, irradiating the satellites TELSTAR, KOSMOS, ARIEL—the classified ‘national reconnaisance satellites’ ZENIT, CORONA, gridding the earth in rectangles of film—Its fallout rained over the world—Between the time of its publication and fourth revise they exploded plutonium over the salt-bush scrub of Maralinga, at Taranaki, north of the straight train line across the Nullabor, in secret trials they had named Operation Tims and Operation Vixen—its plumes, a hundred miles long, drifted on the wind—They had taken the sacred objects, trucked the people south across the rail line to the coast at Yalata—She said, ‘Where are we going? We are going to a place we have never been to’—Some people walked, leaving sand tracks in the desert for the people left behind—lines leading back to Calder Hall at Windscale on the grey Irish Sea—Between the time of its first publication and fourth revise they exploded the bomb they called ‘Storax Sedan’ underground at the Nevada Test Site, as part of their Peaceful Nuclear Explosions program, lifting a dome of earth 90 metres above the desert floor—more than twelve million tonnes of earth exploding outwards, a radioactive cloud separating into two, drifting north-east and then east over Iowa, Nebraska, South Dakota, Illinois, across to the Atlantic—In Las Vegas people watched the explosions at the Test Site from their hotel windows, put on their radiation badges and sat outside—its clouds spreading between the Cascade and Rocky Mountain Ranges—They collected the children’s teeth for a study—Between the time of its publication and fourth revise they exploded the bomb they called Bighorn over Christmas Island (Kiritimati) in their year-long Dominic series of thirty-one nuclear explosions over the ‘Pacific Proving Ground’—filmed with EG&G Inc. rapatronic cameras, at 2400 frames a second, at one frame a minute—capturing its fireball, sun-like until its shockwave, rebounding off the ground, smashed into it, a cloud—a film-like sequence of high-speed photographs—‘the critical information needed to build better bombs’—lines leading back to Los Alamos, to the Lawrence Livermore National Laboratory, to Hanford in sage-bush country on the Columbia river—Between the time of its first publication and fourth revise they exploded more than a hundred atmospheric bombs at the Semipalatinsk Test Site (the Polygon) in Kazakhstan, south of the valley of the River Irtysh, out to the Karagandy Ranges, south as far as Degelen Mountain, east to Chagan, where the river bends—testing them on purpose-built apartments, bridges, underground metro stations, trucks, planes—black winds over the industrial city of Ust-Kamenogorsky, Znamamenka and the Kazakh steppes, the towns and villages—at Dispensary No. 4 (IRME) they studied its effects on the local people and their newborn children—She said, ‘Like hair burning—the smell came back from the earth each time it rained’—Between the time of its first publication and fourth revise they fired the thermonuclear warhead they called Operation K from Kapustin Yar south of Stalingrad (Volgograd) towards the Sary Shagan test range, detonating it in the troposphere south-west of Zhezqazghan—a pulse so strong it fused buried power cables for six-hundred miles—Between the time of its first publication and fourth revise they exploded the fourth of their Gerboise bombs over Reggane’s ‘Sahara Centre for Military Experiments’—a vast flash, an enormous ball of bluish fire, red at its centre, a cloud carried on the desert wind—That same year, they started on their nuclear test series with jewel names in the granite mountains at In Eker—the desert base they named Oasis 2, invisible from the road, east of Tan Affela—where during ‘Operation ‘Béryl’ the steel door of the tunnels exploded into the air on a rush of flame—its ochre-coloured cloud turning to black over the desert, drifting eastwards—The chief of the armies fled that night—they had brought in crates of guinea pigs—they had the soldiers crawl across the Forward Zone—Between the time of its publication and fourth revise—

Posted in 101: NO THEME 10 |

The Hook

I

The Colony won’t let me breathe
It walks rough shod over
My very air
My country is cut open, bleeding
She has no tears to spare

I’m with my Country, with my
Family, my heart Boodjar, moort, koort
In the jaws of a vice

And you are helping them turn
The screw

We’re screwed

II

I had a dream of walking
On water, down the river to the sea.
Carried on the breath of
The ocean back to where
They have carved deep into my Country

Where

I bleed ink, my skin is
Paper, my family was stamped
Scrawled recorded
I bleed ink

Where

If not for wadjela’s paper we might never have found
His/Her-story

Where

My skin is paper
My bones are story

III

The colony won’t let me breathe
I am dying
The colony won’t let me breathe
I am drowning
The colony won’t let me breathe
I fight for breath
The colony won’t let me breathe
I learn to breathe water

I hide amongst the roots of a paper bark

We are as aware of the colony as a fish is of water
Send me a fish hook.
I bite. I bleed.
Let me bleed

Posted in 101: NO THEME 10 | Tagged

nookert-ngoornd-barniny / sleepwalking

.

djenbiri dooka-k koorliny
(toes dust-in moving)
toes dragging through dust

manda nookert-ngoornd wer biyoo-kadak
(between sleep and awake-having)
between sleep and wakefulness

noorakoort-il yoowart koora nakolak baranginy
(brain-it not previous-time knowledge holding)
the mind cannot retain memories


..

yoowart biyoo-kadak, yoowart nookert-ngoordiny
(not awake-having, not sleeping)
not awake, not sleeping

djidar, malyarak, karnamook, bandang winarak
(dawn, midday, evening, all same)
dawn is noon is troublesome twilight

kedela baal woori maladji-k warniny, ngaangk-boort
(day it long shadow making, sun-without)
the day grows long shadows without a sun


nidja djena koorliny, mayakawa-boort
(here feet moving, echo-without)
footsteps don’t echo

windji nyidap-ak
(where edge-at)
where are the edges

benang baal djinara-boort wer mirook baal yindjarangany
(tomorrow it roots-without and yesterday it evaporates)
tomorrow is rootless and yesterday evaporates


….

ngalak Boodja-k nookert-ngoornd-barniny
(we Country-on sleep-walking)
we are sleepwalking on Country

miyal-il binbart binbardiny ngarda miyal nalyak
(eyes rolling under eye lids)
eyes rolling beneath lids

bintj-abiny kambarn ngalang moordang koondam
(trapped-becoming with our dark dreams)
trapped with our dark dreams


Cass Lynch uses the Marribank orthography when writing in the Noongar language and is indebted to the efforts
of Noongar Elders who have kept language alive.

Posted in 101: NO THEME 10 | Tagged

Tripod

Father Alfred [1]

It is said the earthquake is the migration of animals that cannot be seen.  A stampede actually picking apart the foundation that falls.

He told them about the cross as they were quilting.

Mostly it was dislocating as the work of assimilation.

Quilting is a brutal craft that begins with scissors.  It is Christianity with its swords and thorns and nails.  The names of quilts— Sawtooth.  Streak of Lightning. Shoo fly.  Crucifixion.  Crazy Quilt with squares going everywhere. Without pattern.  But the end is the preservation of cloth that otherwise would not be preserved.

In the earthquake buffalo hide is remembered.  The bone needle and sinew.  Now the paper bit me or maybe it is his needle in my hand.  At night my grandmother talks to me about quilting.

There are rifts in the texts I read.  Fissures underneath.  These are the names of the quilts they made— Fort Parker Massacre 1836.  Battle of Plum Creek 1840.  Battle of Palo Duro Canyon 1874.  Battle of Yellow House Canyon 1877.


Father Alfred [2]

Father walking hooves his feet

Maybe now it is him— wearing a horse mask with wooden ears— eyebrows held on with brass upholstery-studs and teeth that are stubs of dowel rods.

He lectures from the chalk board on solecism— a word that refers to an ungrammatical combination usually of words— but also of thought.

Solecism is a dream-word.  He is against it.  We must learn to write clearly. We must give up our old language— though a thought walks two paths at once.

Does he not know a horse carried language to the earth because it was the heaviest load?  Therefore a sentence starts with hooves.

He has four legs under his robe.  In his sleep at night he neighs.  His room beneath theirs in the school.  I am writing on my tablet.  Near the end his legs kept running.


The Story-teller Nails Her Thesis to the Quiltmaker’s Door [3]

In those days fabric was sparse.  We held onto our clothes or she would cut them into pieces.

Near death her hand kept stitching.  She sewed to the end of the road.

I stitch pieces together too— pieces of cloth that have been cut— that have been wounded in the cutting.  Only my fabric is stories—

My mother had a taffeta skirt she kept it in the back of her closet.  After she died, I found the skirt.

When light shines on it, the skirt is like copper.  When I wear the skirt I hear the deer-skin dresses with elk teeth sewn to them.  I hear the jingle dresses with tobacco-can lids rolled into small cones— sewn close enough they speak when I move.

When did she wear the skirt?  Where did she get it?  How did she hide it from my grandmother, the quiltmaker?

Maybe my mother wore the skirt in a dream— floating above the bed until she found the window— flying out into the cold winter air.

I see her in the taffeta skirt.  A large bird’s head on her shoulders.  Bird-claws sticking out beneath the skirt.  My grandmother trying to capture her with thread and needle from a peddler who came to the reservation and continued up the dirt road.

Maybe my mother passes above me in the night.  The taffeta smooth as tanned deer-hide scraped with a worked stone.

I have two stones from a buffalo jump— one, an ordinary stone— the other with an indent for a thumb, a worked stone that scraped hide until it was transformed by the visceral work of cutting— of making something of the parts.

There may have been 100 million Indians on this continent when the Europeans landed.  90% were killed by smallpox, cholera, tuberculosis, measles, massacre.

I hear my grandmother’s spirit-voice from the next world— she does not approve.  I tell her we work in our different ways— but they are the same.

Posted in 101: NO THEME 10 | Tagged