Fullers’ Walnut Cake

People with sore memories
are getting fussed up
because they are letting
a war criminal into the country

and suddenly the need to talk about yourself has flared
though you hate confessionalism
and you do not really know what you think
or who you are
or what has happened to you

This is the unanswered question.
Do you affirm or deny?
My great grandfather was chief rabbi in Leeds
and my mother still says there aren’t Palestinians only Arabs

there were always aunts and uncles you were always supposed to be
ringing up, or seeing, or sending letters to
who were going to be mortally offended
and hangers on who came to my father’s funeral
still blocking me in my grief

you complained that relationships were supposed to mean something
but they didn’t see it that way
because everything hinged on hypocrisy
and anyway they wanted you to suffer like them

yet we all laughed like mad
when Carmel gave the cousins her own recipe
and pretended it was
the Fullers’ walnut cake they’d just been eating
and liked so much
because it wasn’t kosher and they never guessed

the same walnut cake with the frosty icing
you ate in the cafe in Manchester
every week as a treat after your violin lesson
and before you got on the train

where you read to pass the time
until the lights went out in the tunnel
and left you shaking in darkness

Posted in 06: NEW POETRY | Tagged

After the Picnic

Whenever she remembered the smell and nuttiness
of river gravel, in the old days of picnics
and whole gangs of them at the sandy flat
(smoky sausages had never tasted more alluring!)
she would also remember that time Paul had smiled
almost seriously but holding her eye so that she blushed.
He had strolled off, then, up the track through long grass
not looking behind — he didn’t have to — He had paused,
beneath that thicket of bottlebrush and lillipilli,
tearing at branches, savouring the smell of them,
chewing the leaves and the stems hungrily and then spitting them out.
And she was aware of his body, of the flimsiness
of his taut Speedos and the way his arms rose and fell
and his smile still hovered. He offered her a bunch
of the purple lillipilli fruit — it was almost tasteless —
but in putting them into her mouth she had known
something was committed. So she herself looked up
among the shady branches then, to find another bunch,
then reached out her fingers and tugged it off.

Posted in 06: NEW POETRY | Tagged

a fable and a joke

— Elizabeth Riddel

You walked up the stairs ahead of me
and I said ‘Your legs are beautiful!’
In the 1970s it was possible
to acclaim grace in a woman
and your path up that stairwell spanked
deftly as if we were all onstage
and theatre followed us with applause.
I applauded the energy of your passage
and the body’s precision.
There are a few images that hold on
to us — I think of Judith
entirely nude from the warm sea
at Marina di Alberese
invoking Venus and the ideal vase of fullness
in an Italy no doubt littered with lovers
and carcogenic clutter;
I think of the return of long hair in the 60s
and the seductive flick of a young girl’s head
on a bus going through Mosman.
No order in this, only a vividness
more legible than photographs.
You, ahead of me on those Melbourne stairs
in a Motel in Albert Park back in the 1970s
defined grace and decision
and clipped them into me.
Twenty years later, you reminded me of this,
laughing, with the dancing steps still in your eyes.

Posted in 06: NEW POETRY | Tagged

Wadjemup

Something comes out of nothing
across the water
on days when I am
clear
about sound, touch, a sharpness of taste as
external.

I mount the ferry, dramamine—s cradle —
passage paid this side
of the river.
Arrival is
rope cast and pulled, green light skin, sun
fal-
ling
sixty seconds behind Tuarts.

Slopes crowd:
rumour, myth, the dead —
evidential occasions of
intoxication, olives,
the Mediterranean (architecture),
water catchment, purification, lenses and
fishing —
at least there is fishing.

I am
familiar with
the physics of hook and lure,
dynamics of reel,
knife and gut,
descaling, the need to extract
every bone —
mortality axis at this
point.

Clearly
a salt signature is external,
the voice of sea, tide and sand;
clearly internal
the sound of
a key dropped outside
a cell, the door
closing.

Posted in 06: NEW POETRY | Tagged

Two-for-One x Three

Six versions of green towel on rack, my head
flat to porcelain — hot flesh chilli thrust
up the wall.
A matter of interpretation: disjunctive prostheses
a) mid-thigh to foot,
b) fore-arm and hand,
c) brain in a jar,
d) information highway —
I’m
on it, wreckage scattered to the Arafura Sea,
cupboard door open.

I learn to type with one hand, lettered scarification,
body simulated, hold the pethedine — .15
at the wheel, optic distortion (Look, Ma! Six
of everything
), I don’t need
leaping tigers through the window to convince,
I’m totally dependant.
READ:
a) catheter,
b) bowel bag,
c) drip (drip, drip, drip),
Southwest winds through the walls, rack
and pinion physiotherapy — next week
I’ll take myself
to the toilet (drip, drip).

And it’s not so much
the visionary disruption, fraternal limbs,
melded epidermis grafts — no,
Not
the Virgin Mary Mother act Wonder Woman
Barbie Stars-and-Stripes altar with flashing
heart and voodoo candles litany from down
the hall — nope. (You can do the hoochie-koochie
with
a dead cat on your head all I care.)
It’s
the stainless steel table with trough,
gash of granite marker,
and then
nothing — grey ash swirl.

Posted in 06: NEW POETRY | Tagged

Seducing Hemingway

Leventado

He hesitates outside Harry’s; contemplates
an absinthe? a martini? no matter
what matters is the girl making a slow
pass across thwe room, her full, red
skirt trailing behind her.
She has the tight sprung look of a young boy,
wears pride like a pagan virtue.
He is almost afraid of her.

Parado

So he’s playing it cool, strides in, sits
on his usual stool, keeping his back to her.
Then, just as he swallows his second drink,
he feels something sharp prick the back of his neck
as if twin insects have bitten deep into the soft, soft
flesh — he orders another — turns to see her,
standing quite still, staring. Her eyes sharp
as steel-tipped banderillos.

Aplomado

But he’s safe, propped up against the cushioned
leather of the bar, glass in hand, this must
be his fourth, straight down the hatch, he grins,
almost boyish, shirt open at the neck,
knees apart, heels hooked like anchors to the stool,
he’s no fool, he’ll easily out Bogart her Bacall,
he’s had more women than she’s had …
She smiles, raises her glass to him.

Courages travels the short distance
from his head to his heart. He stumbles
toward her. Still smiling, she moves in for the kill.

Posted in 06: NEW POETRY | Tagged

Ken

ken you were the only vietnamese member
of my year 12 modern history class you
must have found it odd to be studying
the history of indochina from

a white perspective but then history is
cunning makes fools of many of us not
you ken you were smarter than most
excelling at german history of all

things scoring top marks for your oral
presentation ken when you chose to be
adolf hitler a small part of me broke
inside you handed it right back to

all the boys who called you kenny
long tan kenny lao bing kenny tet offensive
giving a brilliant dissection of your own
motives during the final years of the war ken

we were spellbound by your commitment
to nazism and the purity of the white race
adolf you taught me more than any h.s.c.
curriculum could have i was your albert

speer i would have killed you if i had the
chance but you foiled me ken and i failed

Posted in 06: NEW POETRY | Tagged

Prime Cut

With the sunlight spinning through great emptiness
to the mulled puddled blood of ox tongue and calf’s
liver in the butcher’s window, the sawdust
floor and the mothers with children, who would notice
if one child watched another he didn’t know
and of a sudden grasped “He thinks he’s good”? —
each one the centre of a moral world. Would he clutch his mother?
The butcher whacks a lamb leg from its torso
and everywhere is the centre. In a sprightly
universe the stars race away from one another.

Posted in 06: NEW POETRY | Tagged

Pasternak and David Lean Maurice Jarre and Stalin

The bits don’t fit. . .
Mr Whippy in the suburbs
between the psalms of mowers

and clean cars of a Sunday.
The tune is mixing up its message:
6/8 on a high celeste

the kind that wings might stroke in heaven
some where my love
in David Lean’s three hour account

of Pasternak’s Zhivago
and further back the sound of Stalin
talking on the wire

there will be songs to sing
as children wring a coin from mum
and sprint across the lawns.

The dogs are yelping out of sync.
The icecream man from Hamelin
sagging, pale, without his flute

is trying hard to smile —
the franchise bill is due on Friday.
How come so many streets are bare?

The silver lilt of Maurice Jarre
is hollow in his head.
His dreams are deep and wide as well

with waltzing and with snow,
with icicles like slivered glass
and curlicues in cones.

Street by street all afternoon
he circles off until
the contradictions fuse at last

and jangle in his bones.

Posted in 06: NEW POETRY | Tagged

The History of Mr Howard

Give me back the smell of pencils
Monday morning in their boxes
the mucilage and ink in inkwells

the Mercator’s above the blackboard
with half the world in red
give me back that ‘firm but just’

preceptor of my childhood
who filled our lives with copperplate
and knew precisely where he stood

give me back the flap of canvas
the tall ships southward under sail
give me back the quiet explorers

heading for the centre
accompanied by faithful Jacky
searching for an inland sea

give me back my heroines
Grace Darling, Florence Nightingale,
Mrs Chisolm with her girls

give me back old Cobb & Co
the miracles of Bendigo
where everyone made good it seems

and Ben Hall too to lend some colour
give me back the picturesque
the fading warrior with spear

staring always at the sunset
and thoughtful on one leg
give me back the wars offshore

so notably conducted
give me back the nineteen fifties
where once we all ran small garages

or kept a corner store
and Mr Menzies lived forever
and each night loyal behind our fences

we’d turn the lights out right on ten.

Posted in 06: NEW POETRY | Tagged

Son of Alice

I

Eight-thirty am.
New Years Day.
Alice lays down
flacid in heat
and hangover.

The bastard son of Alice,
in his white-walled house,
comes out to give
pale feet glass
to walk upon.

Come on Captain Cook
this time you’ll hafta
fuckin’ buy it!

He tears off clothes,
bares his scarified hide.
Takes a leak on
the landscaped garden,
Toyota, cement paths,
empty bottles against
tidy town bins.

Fifty grand cash
for these white fuckin walls
Come on white cunts!

The flatlands of Gillen
listen in a manner
to which they have
become accustomed.

“He must be mad!
He’d get three times that
on the open market!”

II

It must have looked good once,
three bedroom ex-trust
with an updated kitchen
tiled throughout,
new skylight,
brick veneer.

By nine-thirty
his half brothers
begin to feel
the heat, despite
the air conditioning.

Don’t tell me about your kids!
Our kids were there when
you raped our mothers
took away our brothers.

He wants to leave
this fucked-up country.
Swears at Alice
for letting them screw her,
for not wearing her ring.
Couldn’t make her stop,
can’t go on watching.

The gold card
in his back pocket
must have worn a hole
clean through to his skin.

Must have woken up,
washed his face white
and seen the reflection
of an empty house.

At ten-thirty he is
stoney silent.
We toss down pills
he can’t swallow.

“The mortgage must be getting to him.”

Posted in 07: NORTHERN TERRITORY | Tagged

Psychology

these are the mad journeys
that I would like to get out
of the way

a short note from my dead mother reminding me
not to urinate like a dog

the platform at Richmond Station without train
and in-between delays

seaweed in a brown plastic bag

potato cakes MADE IN TUNISIA & other
beautiful maps

the yellow tablecloth and a birthday twice a year
and caravan holiday

building a nebulous tin-shed on the hill of a
manifesto.

an original text

ignoring the messenger bird & citizen fish

masturbating into my 4th journal, later finding
the kitchen of this religion

standing back like a history for people with no
memory

watching journalism in TV

hiding b/w two seperate rooms

the unwrapped clubfoot and this beautiful
abattoir of mind

losing my father’s sadness to the taxman

swimming beyond the gorgeous detours of flesh
and finding an empty bottle of Pepsi

the maintenance of petroleum islands

a dead September sea

and 46 other questions.

Posted in 06: NEW POETRY | Tagged