stumps

we should make out
you whisper

perched in this nest of
chapbooks meets cricket whites
I could not agree more

we put down our
respective teacups

look, you say, I’m seeing
someone. she’s overseas
we’re in touch, we
like each other a
lot

beneath us
the futon creaks
a ship going down

plus, you add,
this summer I’m helping
a friend get pregnant

our first kiss is green
as an exit sign

Posted in 92: NO THEME VIII | Tagged

Poems on films – Le Quattro Volte

(Directed by Michelangelo Frammartino 2010)

I hear the distant clanging of bells
and there are shadows of goats on my wall.
I wondered how they would come to me
but imagined them in the hills nuzzling me
as I laid back in the grass and closed my eyes.

My heart beats slowly and I feel
the sweet milk breath of a kid on my cheek.
The dog barks on the steps.

They will lay me in the crypt
cold stone on all sides.

My tree will be cut down
for the festival – a night of dancing.
Then men will come to saw
it into logs for charcoal.
My final thought
a wisp of smoke above old tiles.

Posted in 92: NO THEME VIII | Tagged

Don’t go breaking my heart

Kiki Dee, Elton John Don’t go breaking my heart
It’s been thirty years plus since I last heard that song,
sitting in another car, another time a broiling January
eating soggy sandwiches with my dad his apprentice

We were half way through the job Kiki Dee, Elton John
Don’t go breaking my heart despite it all, the desperate battles
of a father and son, ideological to the marrow to the death
he’d sit there alongside me, in that damn car, listening
to music beyond his culture, beyond his generations, as foreign to him
as his political youth was to me far away, Austria a war
as he always said, I had no idea about Don’t go breaking my heart

Hot, soggy sandwiches Kiki Dee, he, I, twinned two sides
one coin, the currency of a job shared we worked as one
pass me the plane, the glue, hoist that end job done

I enjoyed building that kitchen with him, then with him
there, along the river each time I hear that song, I’m there again
driving home at the end of the day together in comradely silence

I’ve learnt to forgive him and sometimes I seek
his blessing still

Posted in 92: NO THEME VIII | Tagged

blood loss

closing stone
you and me in
     apartment complex

blue dreaming
in the soft of night air
you nurse a fever
           pale water
           rushing to your head

of course there are
rules that we follow

hold raw flesh in one hand and
signal small fires to burn
around my body

i peruse
     the dense grass
     that keeps me hidden from the others

blood stain
thickens in the carpet

when i am not blind i notice
that your body lies
across the ground
          your legs twisted into
shape of crossbow
     hallway          bends with your echo

i meet your mother in the morning
if you stare long enough
her skin will shade itself
                  into dark wine

the bedroom window is moonless
hear your whispers but i get you to
verify your identity through each
cup of tea smashed across the floor

you are swollen in my arms
to keep you there
i think of the colours
that wake inside of you

different winds
                     blowing
Posted in 92: NO THEME VIII | Tagged

From Northbourne Ave

How vulnerable the body's archive

                        reproduction and memory 


a banner juts out a banner juts out pure vector two or three mediocre feelings inscrutable protesters and their certainty and their tough white crosses what life is like scabrous raked-over pine witches hats in bleached or shaded settings
place attaching to symptoms–––is this bias? is
is movement like air it's how we live * clouds floating on windscreens one-liners I'm interested in that
no airflow apology no airflow Would you try again? Or give up? no airflow Ask for help? Give and give? no airflow * altered foliage living memory, impression realm seems disinterested across but never to: tentatively perceived housing aptitude––asset the light eagling decades END palms effort it happened, you were there landslip, roaming, a detour * the person of the place / everyone we knew / abetting / from here / flat country

invigilation of the public bitumen inland, scrubby, day day day turn back reports of an assailant turn backs selection criteria fate the wrong way recycling that memory distractible 2000s crime air * double dream spring spring warming bump––bloom as if you were born an angel watcher reader this belief what life is like temporary something new is getting started; bureaucratic (unpeopled) and so clean
Posted in 92: NO THEME VIII | Tagged

Aspete/Wait

(after Shirley Hazzard)


In the vicoli
the great heft
of Neapolitan washing
flaps above me,
driven by winds
that might have ancient names
or simply be cattivi,
sucked out and back
as if the streets themselves
are breathing.
Somewhere in the
closed chapel of Sansevero
lies the veiled Christ
in his wrappings
miraculously light
as this bleached and hoisted lot,
the afterbirth of his crown of thorns
discarded by his side.
A short walk on
and the markets are awash
with cloth
from god knows where.
Later in a darkened shop
—the Lavanderia
a patient expat helps me explain
exactly what I need in a bottle
Aspete, signora, this one, right?
Aspete enunciated in the local
becomes asssh—pet,
a meaning so close, too close
for what it is
that really hangs above this town.
On purchase, I make a poor answer.
What did I wait for here
but the fine white
of not knowing
falling all over me.

Posted in 92: NO THEME VIII | Tagged

Bathroom Abstraction

1.
You once wrote the following in an essay in a book: ‘His poetry, ambivalent as a bathroom, acknowledges both the body’s pleasures and its incompetencies’. In response, a critic wrote that he only kind of knew what you meant.

You were talking about the poetry of John Forbes, who died of a heart attack in 1998. In his poem, ‘Ode to Tropical Skiing’, taking a bath is described as ‘a total fucking gas’.

2.
You think about the bathrooms you have encountered since writing that essay almost two decades ago. In particular, the bathrooms of hospitals. Helping your wife, almost unable to stand, wash herself. Outside a nurse asking if she can help, while the baby, helpless in a plastic cot, cries from hunger.

You think about the bathroom you made your way to after your bypass operation. Crossing your hands over your chest and applying pressure, like the nursing staff told you.

3.
Windowless bathrooms are the caves of modernity. In a hotel in Patagonia—a town where the wire fences were covered with scraps of rubbish, frantic in the wind—you find yourself in a room with a windowless bathroom.

All that space outside, ambiguously beautiful, and still nowhere to let the light in. On the second day, you change rooms.

4.
Every day, at home, you are in and out of the bathroom, taking in its fine abstractions while—utterly human—you shit, and wash, and brush your teeth.

You revel in the gaseous miracle of hot showers. The water, the fatty acids, the skin and hair—it all runs away. The bathroom window frames the outside world, which is simplified by steam and distance.

Posted in 92: NO THEME VIII | Tagged

Lifting Machine

Lifted from his hospital bed for showering,
my husband swings at a perilous height.
Put me down! he cries like
some early movie heroine.

He has the King Kong of brain tumours:
Inoperable, Grade four
and is not the hero
anymore.

Posted in 92: NO THEME VIII | Tagged

Asyndeta

“On the downside, we have so many unnecessary deaths…”
President M. Buhari, 25/12/2018.

I

you could mount the monster, Eiffel-style
wrestle it to the asphalt
crack your cranium!
you know no restraint being
the bairn of your father, the moon of her
dark eyes;
fractured, you are flown into an elfdom
where elves of enchanted songs with
magicked fingers, would for the right price,
patch up puerile puissance;
in the meantime
they continue to river unremarked
the lethal blacktops veining this land
much menaced, the arterial spurts of votaries
commoners haplessly propitiating the
implacable gods of the roads we ply daily.

II

you shall be sheltered
having climbed into their hallowed rank
on bloodied steeples
mindless, of course, of the treacly cherry puddles
you would do a tap dance, really a victory dance
slipping, you would snap your neck!
why should you regret?!
what does it matter when your vulturine
friends, oligarchs in the chamber red, only
have to dig in the popular till
off you go then on medical charter
meanwhile
in the pens in your backyard
mothers expire in childbirth
babies post partum…

Posted in 92: NO THEME VIII | Tagged

perth

in the space between light and the sea
glitters a thick emptiness,
the infection of clouds and blood.
leonard cohen died yesterday,
and my mother’s boyfriend,
a gentle alcoholic, fell asleep in his car
outside our house. i think he has parkinson’s,
she said, lifting the blinds
like she was waiting for a prom date,
a corsage, untailored suit. because
of all the shaking
. he told me he wanted
to marry her and shattered his beer on our floor.
for weeks we found stray glass glinting on the rug,
and woke with his words cut into our feet.

it makes me think of the music teacher
i was in love with at thirteen, the one
who slid his hand up my skirt. five years later
and middle c sounds like panic;
hot edge of acoustic pedals, the distant swell
of saint-saens and hangnails.

look at the moon, lonelier than it will ever be
again. a dirty opal over the city, sky impaled
upon rooftops. dozens of us gazing upwards,
like a shoal of whitefish over bleached coral,
faces scoured in gold glass and silence.
we expect everything and find only echoes.

a drunk, soft head weighted
against the steering wheel,
mr goosen offering me a chocolate bar
for being such a good student. there is a sense
of geometry; there is a ratio to all this violence.
it waxes and wanes, follows us through tide,
through love, through music.

Posted in 92: NO THEME VIII | Tagged

Weather Forecast

Each day since she has been gone, 
there’s been an installation outside Heather’s place. 
Today it is two plants. 
The Happy Plant is wilting, but the succulent is happy. 
Would it be weird if I watered it? 
I never even spoke to her 
                                                                         and it’s meant to rain tomorrow.

At Campos I chase the sun. Through the window I see Ian and Helen, the King and Queen of the Community Garden.
They are with their dog, a Pomeranian I think. Dressed in a Carlisle sweater this morning. The dog that is, and Helen is holding it under her arm like a handbag.
It’s getting colder now. That time of year when the heat of the day huddles in the middle away from the edges, and when Helen goes to put the dog down, her feet shrink from the cold. The dog’s that is, not Helen’s.
I am watching them on the window. Helen wanders on with the lead and her Pomeranian stops. Helen keeps walking about to lose her slack.
Posted in 92: NO THEME VIII | Tagged

Soup

i.
I don’t remember the way you did it –
the cleaver pressed sharp against the meat,
a memory: fingernails sunk into flesh.
Dinnertime is a theatre of trauma,
a curtain revealing smells: garlic, ginger, fish sauce,
the lascivious tongue of oil touching a pan
as the radio spits out a language
I keep tucked in my school skirt
& I don’t remember the way you did it,
I only remember how each spoonful
tasted like a bruise.


ii.
You pick apart the blue on my collarbone
& do not speak. I am only just realising
that shame has a shape—a blurry-edged,
clingy foetus you cradle, so tenderly,
your thumbs pressed against my womb
as if to say that violence is in our genes
& still, you do not speak—
(I read somewhere that
Chinese women make their anger
into something they can drink.)
A soup stirred for three weeks
drenches the house in its dull,
star-anise smell for decades,
a cheap spice, $2 a bag & you,
my dear, dumb, silent mother
coax my mouth open,
tell me a story
feed me a tonic
to burn my insides
clean.


iii.
Mama, when I write poems
I am always typing words in hiding
with the crack of that radio still nestled
in between my collarbones
& thinking about how pretty English is,
how this half-cocked verse tastes like
a recipe missing an ingredient
you cannot get from around here,
but Mama—
I think I get it now. I think I get it.
That yellow is not a synonym for blonde
& my father shuts the door
to cry without anyone seeing
& if you were still here
I would ask you
how you made that soup for me
your fingers strong
against the barrel of my chest,
spoon after spoon
as your tears dripped down
into my forgetting mouth

Posted in 92: NO THEME VIII | Tagged

chamber musings

(i) 43 days

all on foot, drug ripe and addled,
Tramadols and Endones puppeting mice

in the peripherals, trekking lanes and
limestone, withered grapes atop walls, to the West

sky smeared peach, on the demolition site
pink ribbons around the trunks of two tuarts –

heritage listed? termites? brake lights and
brittling couch grass, the bruising of a

week closed, sutures of hours – clockwise
is off. to the wharves, slap of ropes

and tide, ‘Spliethoft’, Dutch, engorging.
it’s a Vaselined moon tonight, March brooding



(ii) venn intersects

in this convalescence – good word that with it’s
gauze-like length and syllabic wrap – been

practicing the lost art of waiting, bus and
train stations, doctors’ rooms, never enough

shade or new ‘New Ideas’, been watching,
the wizened and the upright, figs ripening,

footpaths that flow like prose then trip like
misspellings, been rubbing paperbark trees,

listening in on frogs, been mulling over the
difference between learned and remembered,

the venn intersects, making a mantra
of ‘clockwise is off’ while pondering the

origin of knowns, the mind that did
the choosing, hands that shape our days



(iii) rope armies

taken my lungs to ocean, remembering
that on taps, clockwise is off, though

that is my truth, my tomorrow, not that
of the clock hands and been thinking

‘bout tides and un-neaping, and let’s call it
global swarming though we’ll never get there

of course, when, for every ant there’s
a human – they know that, ‘cos for us

‘mining’ means ‘mine’ and we’re more blind
than they are and while we’re making

books for our faces they’re forming rope
armies to bind and save the world

Posted in 92: NO THEME VIII | Tagged

Storying

– for two tigers and a lion instead of punctuation marks

P R O L O G U E

a half-light noon i wake up
inside nowhere. a campfire deep
within my breastbone and i know
i am human, hunting
for meanings as bandages,

D R A F T

desire,

lack(?)

redu /a/

cti sl/ant/

on /tru/

microscopedbodymicroscopedbodymicroscopedbody

T H E S T O R Y

fatigued winter, the sky sculpted in ashes. Comma and Colon travelled
through circles, making sense of words, wrestling inside these pages. today,
the snow seemed enough. distances between the iris lights and the roads.
the typed sky, now became dawn-blue with its own falling.

? r e d r o

this city always failed them these exhausted words, violent as a heart.
they were walking home and right there Comma’s house a strangled sentence,
broken in. the day exited. and the house, crumpled by Full Stop, trying
to conclude a life, a paragraph’s wound that veined through the paper.
under the night’s cold skin, this ink kept blueing their existence.

? h c i h w

there was much of a pause, then a ‘get out!’ then the second sweated,
a swoosh, a gone. ‘why didn’t you try to talk to him?” always,
colon with too much to hold. colon like a thirst that wouldn’t finish,

s r e t t u t a h t

‘silence? his explanation?’

y l l u f s h i t h c t a c

‘i would rather let go, it’s ugly god. swear i still feel it, near.’

y l g u

so i let go i guess, of my animal. again to continue or to go? is it good?
maybe trapped in this verse – the full stop, waiting for a home a stillness.
but dear readers, this writer has deleted that desire an erasure
of a heartbeat. to go yes. just to go. the house’s roof suddenly sentenceless,

a brutal sky.

 

Posted in 92: NO THEME VIII | Tagged

National Treasures Coming Home

My boss, the head nurse, says she has a collection of Ming Dynasty crockery,
Qing dynasty snuff bottles and a
Shang 代 bronze tripod vase
always filled with fresh pomegranates
looted by her ancestors or
bought at Sotherby’s
for all the tea in China.
“I’m the poor cousin, the others got more
Come for dinner and you’ll see them all.”

I disliked her then, now I dislike her now
But it is Queen Victoria I should 更讨厌
throw rotten eggs
or spray Four bandits on the pedestal upon which
she sits in the park at the end of Great George Street.
‘Looty’ was her Pekinese,
say it in Cantonese ‘北京狗!’

It is my boss, not Victoria, who wants me to eat beef stroganoff and polenta
off my ancestor’s plates.
sniff the potpourri she’s placed
in rhinoceros shell lined bottles
translate the inked poems
about ancient fish
and explain why the toad has red eyes
flared nose and only three legs

For dessert she will make a Pavlova in her new Bosch oven
with fresh cherries, bruised seconds from local farms.

I usually pay to admire stolen goods, encased in glass cabinets,
national treasures and ancient clays I cannot afford to buy.
I’ve seen the Egyptian treasures, excavated
by the men who live in Downtown Abbey
“Your Chinese mouth would not touch these Chinese treasures
had we not salvaged history back to Portsmouth.
Look at what happened to the Temple of Ballashamin
the Giant Buddhas of Bamiyan!”

We have an understanding she and I.
I order pens, paper, ink cartridges and pantry supplies, soaps,
malted milk and chocolate biscuits
for children who attend our geriatric clinic.
I add two extra boxes of tampons
“For the patients of course”
I nod when she says, “People should pay for their health care.”
because she gives me hour long-lunch breaks
and calls me “good boy.”
So I say “will come to dinner.”

I will see if Russian gravy taste better on centuries old porcelain plates
patterned by cobalt and manganese
and ingest the same trace elements as
imperial court nobles who ate 菜 off the
crockery when they were fresh out of the kiln.

But my cousin says that our people were the peasants who woke up early to
harvest grains of rice with our hands,
and we were foreigners to the forbidden city.
I ask him what I should wear to a meal with the descendants
drug dealers who poisoned a nation with opioids
rendered it sick
too yellow and diseased
to walk in leafy green meadows
when they could not cure their addiction to yum cha.

He says, “I will lend you my vest, cut from the uniform of a Song dynasty eunuch.
It does not fit me but it will indeed fit you.”

Perhaps
Perhaps
Perhaps.


代 – ‘dai’ – era
更讨厌 – ‘geng tao yen’ – more hate
菜– ‘cai’ – food dishes
*北京狗– ‘Bei Jing Gao’ – Pekinese Dog but Cantonese pronunciation is ‘bah-ging gow’

Posted in 92: NO THEME VIII | Tagged

something very old

Inner monologues are set forth in North America from deserts to mountaintops
in cutting room fashion,
measures between two and three feet in length,
runs hot and cold,
active only at night,
they feed principally on the difference between a pond and a lake
a haircut and a beheading

Digs shallow burrows,
blowing my nose and lying in bed with my shoes on,
settling into their new apartments in combination with fleas
larger than mice, grabs her shoulders and plants a kiss on her cheek,
their faces and buttocks marked with vivid purples and reds,
precisely because we are human

Having no technical meanings,
improvising his own plan, seemingly on a daily basis,
something very old
of which we have not freed and may never free ourselves
that decimated populations in 29 minutes
and the NBC broadcast it in full,
unedited,
including its tail

Flashing back to the leaf mould of the forest floors
with scant regard for chronology
between moles and shrews
yet it also covered terrain as if we’re old friends and it occurs to me that maybe

we are.

(Collage poem, with text from articles in the November 23, 2017 issue of the New York Review of Books,
and from The Living World of Animals, Readers Digest Association, 1970)

Posted in 92: NO THEME VIII | Tagged

Pteropus

far from the beach and its many mouths
the body of a dead bat
skin strung in a cartography of veins

even at dusk flies fuzz its eyes
terrier teeth crescent claws
fur pelt pulled winter close

the evening draws Rothko sheets
over roadkill mannequins
dripping tar and meat stink

the big lake behind
moves its mercury molasses
and moonlight unzips the water

the roost loosens their straitjackets
fox-faced banshee notes
a loping caterwaul in freefall

Posted in 92: NO THEME VIII | Tagged

Un-titled

my culture is a blizzard, low
visibility everything,
everywhere

it is thick sheets of ice to slip on
hard enough to break
bone

cold snow to cause loss
of feeling in far digits and many
places

fun to make angels and skate!

my culture is a swift blanket
over stone and foliage
a princely cape lain over soft ground

for safe passage
of young ladies
in old stories

my culture is a long, hot second.
ungiving ungenerous unstudied
by anthropologists

my culture does well
at recreation most of the time it takes
first prize

my culture is the tallest wall
it holds everything in
it doesn’t sound very good
does it

it doesn’t feel very good

it doesn’t feel very much
like anything

Posted in 92: NO THEME VIII | Tagged

Dinner Companion

To begin our conversation, I turn toward Sue
and refer to the Oxford University dining practice
of first talking to the person on one side, then
after a given time, the one on the other side.

Sue responds with the most hackneyed question,
how did you meet your husband, which throws
me off a bit, but we move on to Simon Winchester’s
writing, especially Atlantic but also The Perfectionist
about precision instruments which I say I’m
reading now.

The science reference is an opening for her
to explain her training: undergrad science
then a Masters in what I pretend I recognize,
some study of aquatic mammalian life.

She knows I’ve done a doctorate so asks
me the title which I articulate a version of:
Age and Natural Order in Ultimate Attainment
in Second Language Acquisition.

That leads into a discussion of immigration
then back to her next area of study: Economics,
which is why she is at this dinner and qualified
to turn to her right to join the all-male mutual funds
conversation group that I have heard snatches of
while we’ve been talking.

This leaves me somewhat desolate as a wife,
rapidly spooning my almond ice cream
into my mouth until my husband, on my other side,
who is also here due to his economics knowledge,
includes me in his conversation with a nod
of his head in my direction.

Posted in 92: NO THEME VIII | Tagged

What I Saw

I didn’t see the helicopter hovering didn’t see it had stopped didn’t see the police at the end of the pier or the small boat in the sea didn’t see one policewoman stood there for a reason a barrier to prevent us from moving forward didn’t see the whole thing proceeding didn’t join up all the dots make connections like good learners do didn’t see didn’t notice totally oblivious to my environment just like I’ve always been but Janine pointed it out to me all of it in the middle of conversation there was what’s that helicopter doing and why is it hovering and why has it stopped and then there was I wonder if the police are connected to that small boat out on the water from before and that’s why the helicopter that’s what the helicopter was looking at and me saying what boat and me not seeing anything and Janine seeing everything but I did see Janine’s face when after an hour of talking about teaching hers mine she said she had some news and I knew straight away it was one of her daughters and she said her daughter had got into Medicine and there was the slightest pause after she said it and her last word was weighted and felt big and bold between us and she said At Melbourne! and I saw the awe the pride and joy in her face it was flushed from the sun and beaming and I saw the way the light caught her hair still as dark as when she was a schoolgirl and she looked at me waiting for my reaction and I can be slow to say or do the right thing but I saw how she was expecting and anticipating and almost willing my reaction but probably I’m wrong and it was simply one friend turning to another with wonderful news and waiting to see the smile on her friend’s face the warmth of sharing wonderful news and the waiting for your friend to say something and I put my arm round her shoulder at the side for we were walking so a little awkwardly I hugged her from the side and kissed her on her hair when I meant her cheek and said that’s wonderful! and she said Imagine! A daughter doing Medicine! and I could see she was bursting with it and yet she wasn’t there was something contained as if it still hadn’t entirely been taken in and I don’t think it was that she was surprised or even shocked at the brilliance of her daughter which she knew so well but maybe more at herself for bringing this brilliance into the world as if she hadn’t thought herself capable of it and I wanted to hug her again a real hug properly hug her hold her in my arms and say well it’s wonderful but it’s no surprise there’s absolutely nothing surprising about anything everything you have brought into this world

Posted in 92: NO THEME VIII | Tagged

Synonyms for Womblike

Ants traverse my legs, only
when I’m a child. Taking off

my underwear to squat in puddles of brown
mud, letting it in. Walking it through the house

hoping for a smack, squeezing
muddy bravelegs into mum’s thick pleather

boots, she doesn’t wear lightly, doesn’t
understand the message behind a flat

heel like I do. Ants traverse my legs, still
I am five squatting over a full body

mirror to see my arsehole for the first time
to see my future, puckered and mint

I can already clean mud from cheap carpet,
can sacrifice an afternoon of bending

can think of ways to get out of trouble
at least until I’m clean. Ants

traverse my legs, I am thirty, bent
over the same looking glass, looking for something other

than cracked, dried mud. Other than
plastic boots, other than my future

womblike, watching assholes making mud-
puddles from desert sands

Posted in 92: NO THEME VIII | Tagged

po (i) nt

an other flees full stop tidal tugs tyres full stop arm a meant for holding torn full stop tired full stop another slips sleeping awake waters sinking full stop mourning tears are salt in which we swim full stop home in the stars in the pull shoreward miles pebbled our feet swollen with brine full stop this house of our parents dust full stop memory no pleasure full stop wind is up bearing dust tracks pollen cordite full stop tattered being full stop living in small gaps of hope full stop moon shimmers small of ear silver full stop breath dream slow chuckling seaspray coastal full stop our prayers paddle full stop the sentence muttered is without the verb love full stop the phrase of humans all humans these blood beating muscle straining fractured full stop all mothersbrotherssistersfathers the point full stop

Posted in 92: NO THEME VIII | Tagged

Dear Mother

on board P.& O. liner “Chitral” 1933
We had a race meeting the other evening; it was quite exciting. The race card is
enclosed. The dogs are toys on wheels & drawn by a string which is wound up round a
drum by the Jockey who sits with her back towards the course so that she cannot see how
the race is going… My dog won the second race & I won 20/- but had to give the Jockey
10/- for her efforts.

RACE 2. – THE SPINSTERS’ SCURRY
won by Buckle’s Clutching Hand by Reach out of Boarding House

Oct. 20th nearing Colombo
Arthur Buckle, age 27

ex- out of London
recently articled, fished
from a CA firm for
K B & Co., Penang

Surrey dad
badly gassed
in WWI

so Flora-raised, sensibly

“economical” & musical
named for a king
open to ex-

what’s left
(behind

experiri, try, try

…to stand in the bows at night-time

to make it, fit in

watch the sparkling lights
in the sea as it gets churned up
by the ship…

(with a joke not a
joke, experience
just cliché

…they say that on some nights at Penang
it is so pronounced
that the movement of fish is sufficient
to stir it up

those colonial echelons
hard-boiled, & you

bound for the new
a try so

sure / unsure

the whole sea looks
illuminated

seeing & being
in it

Posted in 92: NO THEME VIII | Tagged

Pictures at an Exhibition

We gathered in your loft. It was a safe milieu. We took
our medicine and waited. On the wall the countenance
of Iggy Pop floresced – a haggard beauty full of lust
for demi-monde and vagrants. We could not keep our bodies still
so ventured out on Brunswick Street, our wherewithal to catch
the number 86 to town. The NGV allured

with William Blake’s Inferno. Temptation in disguise allured
in bestial fashion, his Dante fleeing in a dance he took
to Virgil for embrace, the latter hovering to catch
alarm evinced by pilgrim, solicitous of countenance
the floating angel. The creatures (neither statuesque nor still)
comprised the wolf of greed, the leopard of more rampant lust

and lion of ambition – a grisly triad that would lust
for souls of innocents. We backtracked to Fed Square, allured
by moving images – Romanian cartoons, each still
a nano-second long. The plot was of a girl who took
apart a book, from which emerged the ragged countenance
and torso of a fugitive, his destiny to catch

the train she boarded, she a mystery rather than a catch
made captive (and Bucharest their Mecca). Far more than merely lust
together brought them, unable their desire to countenance
reprieve of any ending but a loop. Then Saint Paul’s allured
from opposite the stage. The choir was practising, and took
the master’s chiding well. The stations of the cross were still

in evidence, for stained glass windows drew a light so still
we stood transfixed before Golgotha. There had to be a catch
and here it was – no salve without what deposition took
to sepulchre, the spirit yielded. As Christ endured the lust
for crucifixion of his captors, his falling thrice allured
Veronica, her cloth to wipe the abject countenance

of sacred servitude. Agnostic though each countenance
our troupe presented, such compassion was affecting . Still
entranced and moved, we exited as Dymocks then allured
with Violette Leduc, her ‘Ravages’ a must to catch
again inimitably a sensual tang, its naked lust
depicted on the cover, a woman crouched as what we took

to be a golden panther. Her hair, arms, back allured to catch
off guard our pheromones. To countenance a bed we’d still
require from lamp of lust a curtsy, your homing all it took.

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