perth

in the space between light and the sea
glitters a thick emptiness,
the infection of clouds and blood.
leonard cohen died yesterday,
and my mother’s boyfriend,
a gentle alcoholic, fell asleep in his car
outside our house. i think he has parkinson’s,
she said, lifting the blinds
like she was waiting for a prom date,
a corsage, untailored suit. because
of all the shaking
. he told me he wanted
to marry her and shattered his beer on our floor.
for weeks we found stray glass glinting on the rug,
and woke with his words cut into our feet.

it makes me think of the music teacher
i was in love with at thirteen, the one
who slid his hand up my skirt. five years later
and middle c sounds like panic;
hot edge of acoustic pedals, the distant swell
of saint-saens and hangnails.

look at the moon, lonelier than it will ever be
again. a dirty opal over the city, sky impaled
upon rooftops. dozens of us gazing upwards,
like a shoal of whitefish over bleached coral,
faces scoured in gold glass and silence.
we expect everything and find only echoes.

a drunk, soft head weighted
against the steering wheel,
mr goosen offering me a chocolate bar
for being such a good student. there is a sense
of geometry; there is a ratio to all this violence.
it waxes and wanes, follows us through tide,
through love, through music.

Posted in 92: NO THEME VIII | Tagged

Weather Forecast

Each day since she has been gone, 
there’s been an installation outside Heather’s place. 
Today it is two plants. 
The Happy Plant is wilting, but the succulent is happy. 
Would it be weird if I watered it? 
I never even spoke to her 
                                                                         and it’s meant to rain tomorrow.

At Campos I chase the sun. Through the window I see Ian and Helen, the King and Queen of the Community Garden.
They are with their dog, a Pomeranian I think. Dressed in a Carlisle sweater this morning. The dog that is, and Helen is holding it under her arm like a handbag.
It’s getting colder now. That time of year when the heat of the day huddles in the middle away from the edges, and when Helen goes to put the dog down, her feet shrink from the cold. The dog’s that is, not Helen’s.
I am watching them on the window. Helen wanders on with the lead and her Pomeranian stops. Helen keeps walking about to lose her slack.
Posted in 92: NO THEME VIII | Tagged

Soup

i.
I don’t remember the way you did it –
the cleaver pressed sharp against the meat,
a memory: fingernails sunk into flesh.
Dinnertime is a theatre of trauma,
a curtain revealing smells: garlic, ginger, fish sauce,
the lascivious tongue of oil touching a pan
as the radio spits out a language
I keep tucked in my school skirt
& I don’t remember the way you did it,
I only remember how each spoonful
tasted like a bruise.


ii.
You pick apart the blue on my collarbone
& do not speak. I am only just realising
that shame has a shape—a blurry-edged,
clingy foetus you cradle, so tenderly,
your thumbs pressed against my womb
as if to say that violence is in our genes
& still, you do not speak—
(I read somewhere that
Chinese women make their anger
into something they can drink.)
A soup stirred for three weeks
drenches the house in its dull,
star-anise smell for decades,
a cheap spice, $2 a bag & you,
my dear, dumb, silent mother
coax my mouth open,
tell me a story
feed me a tonic
to burn my insides
clean.


iii.
Mama, when I write poems
I am always typing words in hiding
with the crack of that radio still nestled
in between my collarbones
& thinking about how pretty English is,
how this half-cocked verse tastes like
a recipe missing an ingredient
you cannot get from around here,
but Mama—
I think I get it now. I think I get it.
That yellow is not a synonym for blonde
& my father shuts the door
to cry without anyone seeing
& if you were still here
I would ask you
how you made that soup for me
your fingers strong
against the barrel of my chest,
spoon after spoon
as your tears dripped down
into my forgetting mouth

Posted in 92: NO THEME VIII | Tagged

chamber musings

(i) 43 days

all on foot, drug ripe and addled,
Tramadols and Endones puppeting mice

in the peripherals, trekking lanes and
limestone, withered grapes atop walls, to the West

sky smeared peach, on the demolition site
pink ribbons around the trunks of two tuarts –

heritage listed? termites? brake lights and
brittling couch grass, the bruising of a

week closed, sutures of hours – clockwise
is off. to the wharves, slap of ropes

and tide, ‘Spliethoft’, Dutch, engorging.
it’s a Vaselined moon tonight, March brooding



(ii) venn intersects

in this convalescence – good word that with it’s
gauze-like length and syllabic wrap – been

practicing the lost art of waiting, bus and
train stations, doctors’ rooms, never enough

shade or new ‘New Ideas’, been watching,
the wizened and the upright, figs ripening,

footpaths that flow like prose then trip like
misspellings, been rubbing paperbark trees,

listening in on frogs, been mulling over the
difference between learned and remembered,

the venn intersects, making a mantra
of ‘clockwise is off’ while pondering the

origin of knowns, the mind that did
the choosing, hands that shape our days



(iii) rope armies

taken my lungs to ocean, remembering
that on taps, clockwise is off, though

that is my truth, my tomorrow, not that
of the clock hands and been thinking

‘bout tides and un-neaping, and let’s call it
global swarming though we’ll never get there

of course, when, for every ant there’s
a human – they know that, ‘cos for us

‘mining’ means ‘mine’ and we’re more blind
than they are and while we’re making

books for our faces they’re forming rope
armies to bind and save the world

Posted in 92: NO THEME VIII | Tagged

Storying

– for two tigers and a lion instead of punctuation marks

P R O L O G U E

a half-light noon i wake up
inside nowhere. a campfire deep
within my breastbone and i know
i am human, hunting
for meanings as bandages,

D R A F T

desire,

lack(?)

redu /a/

cti sl/ant/

on /tru/

microscopedbodymicroscopedbodymicroscopedbody

T H E S T O R Y

fatigued winter, the sky sculpted in ashes. Comma and Colon travelled
through circles, making sense of words, wrestling inside these pages. today,
the snow seemed enough. distances between the iris lights and the roads.
the typed sky, now became dawn-blue with its own falling.

? r e d r o

this city always failed them these exhausted words, violent as a heart.
they were walking home and right there Comma’s house a strangled sentence,
broken in. the day exited. and the house, crumpled by Full Stop, trying
to conclude a life, a paragraph’s wound that veined through the paper.
under the night’s cold skin, this ink kept blueing their existence.

? h c i h w

there was much of a pause, then a ‘get out!’ then the second sweated,
a swoosh, a gone. ‘why didn’t you try to talk to him?” always,
colon with too much to hold. colon like a thirst that wouldn’t finish,

s r e t t u t a h t

‘silence? his explanation?’

y l l u f s h i t h c t a c

‘i would rather let go, it’s ugly god. swear i still feel it, near.’

y l g u

so i let go i guess, of my animal. again to continue or to go? is it good?
maybe trapped in this verse – the full stop, waiting for a home a stillness.
but dear readers, this writer has deleted that desire an erasure
of a heartbeat. to go yes. just to go. the house’s roof suddenly sentenceless,

a brutal sky.

 

Posted in 92: NO THEME VIII | Tagged

National Treasures Coming Home

My boss, the head nurse, says she has a collection of Ming Dynasty crockery,
Qing dynasty snuff bottles and a
Shang 代 bronze tripod vase
always filled with fresh pomegranates
looted by her ancestors or
bought at Sotherby’s
for all the tea in China.
“I’m the poor cousin, the others got more
Come for dinner and you’ll see them all.”

I disliked her then, now I dislike her now
But it is Queen Victoria I should 更讨厌
throw rotten eggs
or spray Four bandits on the pedestal upon which
she sits in the park at the end of Great George Street.
‘Looty’ was her Pekinese,
say it in Cantonese ‘北京狗!’

It is my boss, not Victoria, who wants me to eat beef stroganoff and polenta
off my ancestor’s plates.
sniff the potpourri she’s placed
in rhinoceros shell lined bottles
translate the inked poems
about ancient fish
and explain why the toad has red eyes
flared nose and only three legs

For dessert she will make a Pavlova in her new Bosch oven
with fresh cherries, bruised seconds from local farms.

I usually pay to admire stolen goods, encased in glass cabinets,
national treasures and ancient clays I cannot afford to buy.
I’ve seen the Egyptian treasures, excavated
by the men who live in Downtown Abbey
“Your Chinese mouth would not touch these Chinese treasures
had we not salvaged history back to Portsmouth.
Look at what happened to the Temple of Ballashamin
the Giant Buddhas of Bamiyan!”

We have an understanding she and I.
I order pens, paper, ink cartridges and pantry supplies, soaps,
malted milk and chocolate biscuits
for children who attend our geriatric clinic.
I add two extra boxes of tampons
“For the patients of course”
I nod when she says, “People should pay for their health care.”
because she gives me hour long-lunch breaks
and calls me “good boy.”
So I say “will come to dinner.”

I will see if Russian gravy taste better on centuries old porcelain plates
patterned by cobalt and manganese
and ingest the same trace elements as
imperial court nobles who ate 菜 off the
crockery when they were fresh out of the kiln.

But my cousin says that our people were the peasants who woke up early to
harvest grains of rice with our hands,
and we were foreigners to the forbidden city.
I ask him what I should wear to a meal with the descendants
drug dealers who poisoned a nation with opioids
rendered it sick
too yellow and diseased
to walk in leafy green meadows
when they could not cure their addiction to yum cha.

He says, “I will lend you my vest, cut from the uniform of a Song dynasty eunuch.
It does not fit me but it will indeed fit you.”

Perhaps
Perhaps
Perhaps.


代 – ‘dai’ – era
更讨厌 – ‘geng tao yen’ – more hate
菜– ‘cai’ – food dishes
*北京狗– ‘Bei Jing Gao’ – Pekinese Dog but Cantonese pronunciation is ‘bah-ging gow’

Posted in 92: NO THEME VIII | Tagged

something very old

Inner monologues are set forth in North America from deserts to mountaintops
in cutting room fashion,
measures between two and three feet in length,
runs hot and cold,
active only at night,
they feed principally on the difference between a pond and a lake
a haircut and a beheading

Digs shallow burrows,
blowing my nose and lying in bed with my shoes on,
settling into their new apartments in combination with fleas
larger than mice, grabs her shoulders and plants a kiss on her cheek,
their faces and buttocks marked with vivid purples and reds,
precisely because we are human

Having no technical meanings,
improvising his own plan, seemingly on a daily basis,
something very old
of which we have not freed and may never free ourselves
that decimated populations in 29 minutes
and the NBC broadcast it in full,
unedited,
including its tail

Flashing back to the leaf mould of the forest floors
with scant regard for chronology
between moles and shrews
yet it also covered terrain as if we’re old friends and it occurs to me that maybe

we are.

(Collage poem, with text from articles in the November 23, 2017 issue of the New York Review of Books,
and from The Living World of Animals, Readers Digest Association, 1970)

Posted in 92: NO THEME VIII | Tagged

Pteropus

far from the beach and its many mouths
the body of a dead bat
skin strung in a cartography of veins

even at dusk flies fuzz its eyes
terrier teeth crescent claws
fur pelt pulled winter close

the evening draws Rothko sheets
over roadkill mannequins
dripping tar and meat stink

the big lake behind
moves its mercury molasses
and moonlight unzips the water

the roost loosens their straitjackets
fox-faced banshee notes
a loping caterwaul in freefall

Posted in 92: NO THEME VIII | Tagged

Un-titled

my culture is a blizzard, low
visibility everything,
everywhere

it is thick sheets of ice to slip on
hard enough to break
bone

cold snow to cause loss
of feeling in far digits and many
places

fun to make angels and skate!

my culture is a swift blanket
over stone and foliage
a princely cape lain over soft ground

for safe passage
of young ladies
in old stories

my culture is a long, hot second.
ungiving ungenerous unstudied
by anthropologists

my culture does well
at recreation most of the time it takes
first prize

my culture is the tallest wall
it holds everything in
it doesn’t sound very good
does it

it doesn’t feel very good

it doesn’t feel very much
like anything

Posted in 92: NO THEME VIII | Tagged

Dinner Companion

To begin our conversation, I turn toward Sue
and refer to the Oxford University dining practice
of first talking to the person on one side, then
after a given time, the one on the other side.

Sue responds with the most hackneyed question,
how did you meet your husband, which throws
me off a bit, but we move on to Simon Winchester’s
writing, especially Atlantic but also The Perfectionist
about precision instruments which I say I’m
reading now.

The science reference is an opening for her
to explain her training: undergrad science
then a Masters in what I pretend I recognize,
some study of aquatic mammalian life.

She knows I’ve done a doctorate so asks
me the title which I articulate a version of:
Age and Natural Order in Ultimate Attainment
in Second Language Acquisition.

That leads into a discussion of immigration
then back to her next area of study: Economics,
which is why she is at this dinner and qualified
to turn to her right to join the all-male mutual funds
conversation group that I have heard snatches of
while we’ve been talking.

This leaves me somewhat desolate as a wife,
rapidly spooning my almond ice cream
into my mouth until my husband, on my other side,
who is also here due to his economics knowledge,
includes me in his conversation with a nod
of his head in my direction.

Posted in 92: NO THEME VIII | Tagged

What I Saw

I didn’t see the helicopter hovering didn’t see it had stopped didn’t see the police at the end of the pier or the small boat in the sea didn’t see one policewoman stood there for a reason a barrier to prevent us from moving forward didn’t see the whole thing proceeding didn’t join up all the dots make connections like good learners do didn’t see didn’t notice totally oblivious to my environment just like I’ve always been but Janine pointed it out to me all of it in the middle of conversation there was what’s that helicopter doing and why is it hovering and why has it stopped and then there was I wonder if the police are connected to that small boat out on the water from before and that’s why the helicopter that’s what the helicopter was looking at and me saying what boat and me not seeing anything and Janine seeing everything but I did see Janine’s face when after an hour of talking about teaching hers mine she said she had some news and I knew straight away it was one of her daughters and she said her daughter had got into Medicine and there was the slightest pause after she said it and her last word was weighted and felt big and bold between us and she said At Melbourne! and I saw the awe the pride and joy in her face it was flushed from the sun and beaming and I saw the way the light caught her hair still as dark as when she was a schoolgirl and she looked at me waiting for my reaction and I can be slow to say or do the right thing but I saw how she was expecting and anticipating and almost willing my reaction but probably I’m wrong and it was simply one friend turning to another with wonderful news and waiting to see the smile on her friend’s face the warmth of sharing wonderful news and the waiting for your friend to say something and I put my arm round her shoulder at the side for we were walking so a little awkwardly I hugged her from the side and kissed her on her hair when I meant her cheek and said that’s wonderful! and she said Imagine! A daughter doing Medicine! and I could see she was bursting with it and yet she wasn’t there was something contained as if it still hadn’t entirely been taken in and I don’t think it was that she was surprised or even shocked at the brilliance of her daughter which she knew so well but maybe more at herself for bringing this brilliance into the world as if she hadn’t thought herself capable of it and I wanted to hug her again a real hug properly hug her hold her in my arms and say well it’s wonderful but it’s no surprise there’s absolutely nothing surprising about anything everything you have brought into this world

Posted in 92: NO THEME VIII | Tagged

Synonyms for Womblike

Ants traverse my legs, only
when I’m a child. Taking off

my underwear to squat in puddles of brown
mud, letting it in. Walking it through the house

hoping for a smack, squeezing
muddy bravelegs into mum’s thick pleather

boots, she doesn’t wear lightly, doesn’t
understand the message behind a flat

heel like I do. Ants traverse my legs, still
I am five squatting over a full body

mirror to see my arsehole for the first time
to see my future, puckered and mint

I can already clean mud from cheap carpet,
can sacrifice an afternoon of bending

can think of ways to get out of trouble
at least until I’m clean. Ants

traverse my legs, I am thirty, bent
over the same looking glass, looking for something other

than cracked, dried mud. Other than
plastic boots, other than my future

womblike, watching assholes making mud-
puddles from desert sands

Posted in 92: NO THEME VIII | Tagged

po (i) nt

an other flees full stop tidal tugs tyres full stop arm a meant for holding torn full stop tired full stop another slips sleeping awake waters sinking full stop mourning tears are salt in which we swim full stop home in the stars in the pull shoreward miles pebbled our feet swollen with brine full stop this house of our parents dust full stop memory no pleasure full stop wind is up bearing dust tracks pollen cordite full stop tattered being full stop living in small gaps of hope full stop moon shimmers small of ear silver full stop breath dream slow chuckling seaspray coastal full stop our prayers paddle full stop the sentence muttered is without the verb love full stop the phrase of humans all humans these blood beating muscle straining fractured full stop all mothersbrotherssistersfathers the point full stop

Posted in 92: NO THEME VIII | Tagged

Dear Mother

on board P.& O. liner “Chitral” 1933
We had a race meeting the other evening; it was quite exciting. The race card is
enclosed. The dogs are toys on wheels & drawn by a string which is wound up round a
drum by the Jockey who sits with her back towards the course so that she cannot see how
the race is going… My dog won the second race & I won 20/- but had to give the Jockey
10/- for her efforts.

RACE 2. – THE SPINSTERS’ SCURRY
won by Buckle’s Clutching Hand by Reach out of Boarding House

Oct. 20th nearing Colombo
Arthur Buckle, age 27

ex- out of London
recently articled, fished
from a CA firm for
K B & Co., Penang

Surrey dad
badly gassed
in WWI

so Flora-raised, sensibly

“economical” & musical
named for a king
open to ex-

what’s left
(behind

experiri, try, try

…to stand in the bows at night-time

to make it, fit in

watch the sparkling lights
in the sea as it gets churned up
by the ship…

(with a joke not a
joke, experience
just cliché

…they say that on some nights at Penang
it is so pronounced
that the movement of fish is sufficient
to stir it up

those colonial echelons
hard-boiled, & you

bound for the new
a try so

sure / unsure

the whole sea looks
illuminated

seeing & being
in it

Posted in 92: NO THEME VIII | Tagged

Pictures at an Exhibition

We gathered in your loft. It was a safe milieu. We took
our medicine and waited. On the wall the countenance
of Iggy Pop floresced – a haggard beauty full of lust
for demi-monde and vagrants. We could not keep our bodies still
so ventured out on Brunswick Street, our wherewithal to catch
the number 86 to town. The NGV allured

with William Blake’s Inferno. Temptation in disguise allured
in bestial fashion, his Dante fleeing in a dance he took
to Virgil for embrace, the latter hovering to catch
alarm evinced by pilgrim, solicitous of countenance
the floating angel. The creatures (neither statuesque nor still)
comprised the wolf of greed, the leopard of more rampant lust

and lion of ambition – a grisly triad that would lust
for souls of innocents. We backtracked to Fed Square, allured
by moving images – Romanian cartoons, each still
a nano-second long. The plot was of a girl who took
apart a book, from which emerged the ragged countenance
and torso of a fugitive, his destiny to catch

the train she boarded, she a mystery rather than a catch
made captive (and Bucharest their Mecca). Far more than merely lust
together brought them, unable their desire to countenance
reprieve of any ending but a loop. Then Saint Paul’s allured
from opposite the stage. The choir was practising, and took
the master’s chiding well. The stations of the cross were still

in evidence, for stained glass windows drew a light so still
we stood transfixed before Golgotha. There had to be a catch
and here it was – no salve without what deposition took
to sepulchre, the spirit yielded. As Christ endured the lust
for crucifixion of his captors, his falling thrice allured
Veronica, her cloth to wipe the abject countenance

of sacred servitude. Agnostic though each countenance
our troupe presented, such compassion was affecting . Still
entranced and moved, we exited as Dymocks then allured
with Violette Leduc, her ‘Ravages’ a must to catch
again inimitably a sensual tang, its naked lust
depicted on the cover, a woman crouched as what we took

to be a golden panther. Her hair, arms, back allured to catch
off guard our pheromones. To countenance a bed we’d still
require from lamp of lust a curtsy, your homing all it took.

Posted in 92: NO THEME VIII | Tagged

Lady Xoc

8th Century, Mayan

You’re supposed to say shoke but I like shock.

Lady Shock.

Who drew a spiked rope through her
offering tongue to
burn blood
into the threads of bark paper, coax

a smoke―

so she could froth up
the Vision Snake…

Mouths.
In this particular design

the Snake has two. The lower

disgorges a warrior-god and the upper the ancestral
general-king―

Two mouths: you’d think,
two opposite positions. You’d think she faced

a breaking choice:

Do/Don’t
Kill/

Save―

For wisdom she went to a fanged mouth,
Lady Shock.

So she could answer
a trick question: man or god

of war―

I like
how honest they were, the old

tribes.

Look how she kneels
in tranced adoration, the long spear pointed

at her brow.

Posted in 92: NO THEME VIII | Tagged

A letter to my never again

Dear body,

To my never again once lithe, dimple-free body,
to the now double chin and lumpy-dough thighs,
to the now flabby arms that were once toned and athletic,
the never-again flat tummy and the distinct outline of muscle from
hundreds of hours of yoga,
to the never again lustrous hair that used to shine with streaks of furious red and brown,
now thinning and confoundingly grey

To my never again eyes that used to be free from the astigmatism that now renders me half-blind,
to the conspiracy of incoherent globs that appear where once firmness stood,
now inchoate with fright,
to the night and day, day and night flushes that give new meaning to the word sweat
——the sweat which used to act like a sexy sheen on your body and my body
and together we slithered in glorious afterglows of love and its making——
for now sweat sits in puddles under the folds of my neck and on the lines between my bra
and bulging belly,
to the aches that suddenly appear in the hip after a jog,
to the painful soles of feet that ache with a dull knowing
to the creaking knee joints and shoulder joints that seem to need oiling
to waking up some mornings to feel that everything just hangs——
yes, you are bag of hanging things, of things hanging on for a dear life

To the many pills I now have to take,
and the bottles that accompany me on my travels——
DHEA, GABA, 5HTP, melatonin, Vitamin D, estrogen and progesterone creams,
spirulina, milk thistle, calcium, glucosamine——
to the never again ease of sleep
to the never again joy of gratuitous slumber
and to the reality of the word, jowl

Dear body,
I am sorry I used to punish you in ways that were brutal
to the starvation, the flagellation of the self and soul
to the guilt of mastication, and the horror of food
to the persecution of punishing exercise regimes
and the sick satisfaction of pain

To my never-again once liver, perhaps now fatty
due to this sometimes alcoholic predisposition
to my browbeaten lungs from years of nicotine
to my heart, liver and spleen, to whom I have
sometimes deprived kindness

To my uterus, ovaries, cervix and vagina who serviced in the
production of my two daughters, for the gift of a natural birth,
for the children that I will have, never again,
to my breasts who gave milk, who could manufacture milk,
who rendered me like a dairy farm, a cow-like disposition,
with the largess of nipple and fully-functioning mammary glands
to the perpetual sick that ailed me during pregnancy, to the
bile that was created in my belly, every day, every hour for
40 weeks, to that stinging, bitter, yellow bile,
to the insides of toilet bowls, to that, never again

To the aches in the neck, shoulder and elbow
that seem to consistently curse when the writing needs to be done
to the tingling in the fingers,
bites of electrical charges that still course
through the nerves,
to the litres of tired blood, all that thick,
glutinous glorious crimson to never again flow in between thighs,
to the cramping of muscles, that hard grip of pain reminding you that
it is again, that time of the month, of that the moon cycle
which will never again feature,
to the ovary that emits an egg every month,
that swollen pain, that urge that makes wet of cunt, of coition, of acts
never again

Dear body
Thank you for staying with me——
despite my discontent,
my want to conquer those blobs of unquiet goodness,
the scars that have traversed two divorces
the unholy nights on the floor, screaming out the weight of all my grief
the suffering, the soils of love, in spite of all this
you have stayed, still,
to never again harbor certain reckless passings
never again

The body is kind, it remembers,
it forgives, it is wise
it is brave, valiant, virtuous,
never again will I curse you, berate you, subjugate you,
for the body is good,
it is always good.

Posted in 92: NO THEME VIII | Tagged

Chinoiserie

The plush loveseats, the pillows festooned with birds,
Bamboo stalks, the console hewn with dragons’ heads,
Their long tongues unfurled; the teal wallpaper

Where a monkey clambers up a red-budded tree.
Cherry Blossoms? Magnolias? Such chinoiserie
As you wouldn’t find in all of China. Still here it is,

In an educated parlor in the eighteenth century, a kind
Of code for well-travelled-lord-and-lady of the house.
The way my mother tells it, she was twelve years old

In New York City, four to five pugs leashed in each hand,
Each dog paid a quarter to walk in the Upper West Side.
Salems prised between tight fingers, her mother loves

Her ghosts: twice a war widow, once a mother.
The twelve-year-old buys the milk and the bread
And the butter. Slick, slanted eyes, with only a lick

Of green in them. Here she is with the Jones’s bitch,
Against sudden rain off the Hudson.
Her hands red and wretched, burned as much

By leather as love. She remembers her mother
Eyeing the last two slices of bread on the counter:
Let’s pretend we’re rationing during the war, darling.

She remembers not to grimace
When the pug licks her mouth clean.
Because this is my version of the story,

It is getting cold. Because I love my mother,
She is hungry, a child running on a square of bread.
Like a wrecked clock, her mind runs on shy gears:

Sudden man at three-o-clock, sudden man
Progressing toward her over fast blocks; so fast,
Her knuckles give over tight dog leather.

Because he does not know her name,
He is calling after her
In his native tongue.

At the museum, it is decided that the flowers
Are cherry blossoms, the monkey a kind of
Mischievous, sly Eros. “Chinois!”, the Frenchman

Calls after my mother, “Chinois!”.
My mother learns to run fast and harder.
At twelve, there is no larger

Threat to her life than a man. He does not
Mean well, you and I know it, but que c’est un dur
Métier que d’ être belle femme
. Wasn’t that Baudelaire?

Isn’t it is no one’s fault but hers,
She is so beautiful—isn’t that the way
He will tell it in his own small kingdom? A girl

Neither Chinese nor of willing age.
After she loses their pug, the Joneses
Scan their conscience. She is conscientious,

Mrs. Jones, when she tells my mother
Thank you, darling, but no, there’s no
Further service required. You can go.

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Veto

Be certain and work that grammar
Of real world experience, of obfuscation.

For self-considered bareness
Every vulgar scandal stamp’d a spirit.

Thirdly: the fiction is now—poly-visual,
History, multi-tabbed. “: turned. ” ~with <alt> and markup.

We want punctuation in you! Work! Differently!
But please, with all our civilised technique.

Posted in 92: NO THEME VIII | Tagged

Dry Cry

Old men in open shirts and give-away caps
sit royally on the staircase of the community parlour.
Their teeth grind like their knees in the picong,
empty quarrels about cricket and young boys
on the port smuggling drugs in the fold of brand name clothes.

These elders are not wise;
they do not grow fine with time.
They spread across the shade’s deformity,
talking the talk, turning concrete into slippery parts of
whiskey nostalgia and smoky eyes of lost fires.

Days spent tumbling, stirred cubes of ice,
shriveled fingers dancing in a plastic cup;
full embrace of tropical island slowness
and shit economy with no jobs
or the regard for the dignity of things that age.

As a child, I abandoned the thought
that I would spend my last days on the step of a shop,
leaning in the afternoon air, barely able
to live what’s left of my life in the present tense,
arguing about the golden era of the West Indies, long gone.

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The girl, the one

I’m the girl with the curly hair;
The one with four eyes and a moustache;
The girl whose brother promised laser hair removal when engaged;
The one with a two syllable foreign name.

I’m the girl that is told is weird;
The one that is ‘special’;
The one with a mouse on a running wheel inside her head;
The girl who writes fake notes to not play sport.

I’m the girl that hates numbers but devours words;
The one who sees through people;
The one with instinct as sharp as a claw;
The girl who fits with rage at injustice.

I’m the girl that’s told to go back to their own country;
The one who speaks two languages but understands three;
The one that doesn’t drink;
The ‘religious’ one.

I’m the girl that makes peace at home;
The girl with the crying mother and absent father;
The one who has brokered deals with God;
The one that sleeps like a foetus.

I’m the girl with the chastity belt;
The last standing virgin in a sea of blondes;
The one forbidden to go on schoolies;
The one in bed at home every night.

I’m the girl that is ‘easily distracted’;
The one that talks too much in class;
The girl that is segregated;
The one that makes others laugh.

I’m the girl eating the pomegranate;
The one that smells of turmeric and thyme;
The girl that can’t say no when offered seconds;
The one in a lamb induced food coma.

I’m the girl that was forced to swim;
The last one in a race;
The girl that heard the sounds of jeering;
The one with a lack of discipline.

I’m the girl that’s been mistaken for a boy;
The one called an ugly duckling;
The one that wrote a love letter;
The girl that got refused.

I’m the girl that’s looking at you looking at me;
The girl that wants you to stop looking and let me be;
The girl;
The one.

Posted in 92: NO THEME VIII | Tagged

2.0

there’s a sample of the future
on the Sunday morning train
a platform of people
on the Bridge to Brisbane
and the smug stench of wellness
but what use is it to run
only to return

the grapefruit tang
of Saturday night
flayed on sidewalks
and the haven’t you already been here
once today

enjoy your latte among the regulars
where they serve
hipster fries and heaven in a jar
and the failed date from the night before
you’re trying to ignore
the poet who only wants to talk
about boxing
where every fight is the fight of the century
and the punter who says I didn’t know
poetry could be funny
and the man who is every man
shouting in the foyer
I am oppressed I am oppressed
and you wonder if this is just
another performance

what are you going to do
write yourself gently
into 2000 years’ time
where maybe one day someone will find these thoughts
archived in the museum of earthly frights
where you are a sequel
a 2.0 version of your self
and the people who once knew you will look back and say
nothing beats the original
but I like you better this way

*This poem appears in Rebecca’s forthcoming collection Ask Me About The Future with
University of Queensland Press in 2020

Posted in 92: NO THEME VIII | Tagged

Concept Creep

It’s not a reflection on you, climbing the stairs to happiness (what flights?),
trying to leave at the door the low-tops of ambivalent love.
Whose turn is it to shock absorb the ordinary once more?
Emotional labour slides in restaged or rug-stuck rites.
To hum at the grind, clock-work engine in grandstand traffic.
Assumed face of calm as compassion congests in the blood.
Red-corner smiles of encouragement, Marie-Antoinette comfort
for the over-casualised, infantilised offspring
of the stalled revolution. What goes unnoticed spreads to home,
a tirade of to-do ticks, outward well-wishing and the hug
of small invite returns. Evening vigils to dispel
uncertain terrors. Ghost-shopping for milk, discount
packets of human kindness pantried for the winter,
It’s not just about taking a leaf out of the book, more out of the gutter.
Roof over our heads, heads-up, everyone’s fine.
Maintenance is what holds the body or households together
Sticky-tape rebuilds, take-home projects of heart work.
The hold-all basket of “working families” still guillotine
feminism’s parallel lives and the cause beautiful.

Posted in 92: NO THEME VIII | Tagged

Let’s Not Jump to Inconclusions

One November I began to fall deeply in love with a man who just yesterday told me to add tension to my linebreaks, challenge the readers, discomfort the empty spaces on the page. I am trying to listen, but there are so many rules in the world: one must not bend the spines of books, one must not talk about sex on public transport, one must watch out for the end of the moving walkway or else one falls. Sometimes I forget his words and I ask him ‘What did you say the other day that I said can be the title of my next poem?’ and he has an exaggerated look of mortification because he can’t recall. Without geological markers to identify directions we walk in circles. I encircle him and he me, buying each other the same books. Words are our reliable currency; so is time together. I have decided to not bother with linebreaks for three days.

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