Summer Taper

those were the best days.
pelting rain illuminating
the overcast pool. clouds
as bleak as that Christmas.
what to get Dad on the eve
of his redundancy? or my
mother, burdened with a
promotion in a job that drains
her? or you, who i might
never speak to again? this
is the scattering: like bolts
of lightning through clouds.
no silver lined shapes up
there today. but the air hums
with warmth. and our laughter
beats out the thunder. and

something we did well was
talk. about nothing, like
the constant patter of rain
on the pool. the drains
slurping the dregs of our
meaningless conversations.
all those familiar sounds.
now the thunder booms
like an echo of those days.
this is the scattering: rain
flung to the four corners
of the earth to find a
landing ground on our skins,
the pool covers, the hoods
of our cars. sometimes
it thunders. today, a whisper.

Posted in 105: NO THEME 11 | Tagged

2 virgoes 1 zoom

for Autumn

a leyline –

i suppose we call them

songlines –

a gentle tug of the thread like fishing line

wrapped around the stars

making constellations

as above,
so below,

for one to find another

meanwhile, swimming in the womb,

ready,

waiting,

to be born and be who we need to be

but the sediments of the universe

shift glacially

thirty orbits around the sun

sufficient alignment we don’t question the ancestors

as they tenderly guide

with deftly worked and wise hands

the cosmic threads the umbilical cords

while we ask to

lobotomise the sky

Posted in 105: NO THEME 11 | Tagged

Soloist intimations

Surface to dare, clap & wave
idly as blowfly lands on beer can’s lip
plastic Buddha cracks
his Borgnine grin
& Manager man sayeth: “Consider Sun Tzu…
Sisyphus, the drying wings
of cormorant…
Imagine riding the elephant”—
Heaving spring heatwave
red poetical jellyfish
rash, sweaty stinky armpit thunder—
“But the farmers had moved away,
the barn was abandoned and the granary
stood empty. And since winter was not far off,
the little mice began to gather corn and nuts
and wheat and straw. They all worked day and night.
All—except Frederick.”

*

“No beetroot, please…”

*

Meld song’s mire balcony daze sun-bright Tuesday
hangover. Drop saw nail gun currawong map
of Croatia—
Busted thong. Leafy street daydream
smiley life palaver. A job is a job
is a job. “Are you
for real?”

*

“Yeah…nah…maybe”—
“What is the scope of your work?” Huh?
“Scope.” Recall Dinger Bell: “Ya got shit
in yr ears?” Add eyes. DOOR
THAT SLIDES.
Dear Sir.


Quoted passage – beginning ‘But the farmers had moved away’ to ‘All – except Frederick’ – from Leo Lionni’s Frederick.
(Collins Picture Lions: 1974).

Posted in 105: NO THEME 11 | Tagged

Between Victoria and Valparaíso

I ride like an orbit
round the circle of native grasses
close by my house
it is the day after my movement towards the other hemisphere was halted
it was after being with the dancers in Alice’s class
it was autumn–– just, no the end of summer
these imported seasons are not a well fitted frame
the sun warm
the breeze against my body–– cool
the bike, my body and the breeze

and between them a transposition
a décalage

it was two days after a planetary announcement of bizarre proportions
it was sometime after our reading began
reading Lisa Robertson poems as a movement across the pacific
a South-South axis
between riots and acts of care
you said that everything was speaking and that the walls were incendiary
and between fires and megafires are new words
and worlds.
I continued reading in the city turned red

patterns of atmosphere and ignition
are like my movement between those speaking walls

and on the matter of unprecedented proportions
we are between disease and the governmental reactivity and the pandemonium
reading
between our voices
exchanging back and forth
a space is created
to create a space–– even if facilitated by the voice record function of WhatsApp, it is still a space

as we were speaking parts of the planet were moving through us–– we were not alone
held by wind and dust

my body continues like an orbit
round the circle
between the bike, my body and the breeze
is this transposition
the cool waters both caress and hold my body
existing here and there
swaying in this cool pacific blue
a South-South axis

your excitement in letting me know about the wind
changed the length of the vowels in your speech

not an I alone

you read to me in my mothers tongue
a familiar language I do not know
what are poems if not beautiful sounds read by a voice?
You read to me from a continent I have never been and cannot imagine
yet I walk within it, carried by your voice
not needing to go further than a landing on the ear

Posted in 105: NO THEME 11 | Tagged

(The most terrible thing about being a poet is: The impulse to attach meaning to everything)

I’m a dumb bitch because I do shit like
ask people to tell me what kind of potato I am
and believe them

I’m biting myself on the arm
I’m biting myself on the arm
because you told me not to but also
because it feels like. . . . . . . . a treat

I’m a contrary little piglet when I want to be
constantly nuzzling towards sensation

It’s so much more comfortable inside the myth

Am I at my best soaked in cream and pepper?
Do I seem like someone extruded
into a more appealing shape?

I like to leave the broken pegs in the washing basket
For myself as a little surprise
Because: without struggle
there is no growth

I like to make up lies for myself
and believe them

(I am the unstoppable force
and the immovable object

I am a Red Desiree
sexy anthropomorphic tuber
heavy-lid cigarette eyes
strung with pearls
smiling smiling smiling at you
in my sexy potato heels

I am a very special baby
who would
never
ever
do anything wrong)

I like to believe them so often
I forget they’re untrue
this is called magic

I like to say:
If my self-knowledge wasn’t this powerful
I’d never be able to outsmart a genius like me

I tried breaking a plate once when I was angry
stood on the kitchen lino and thought fuck it
I deserve this catharsis

What’s not very satisfying when you’re angry
is
relying on other people
for your entire sense of self

Turns out
I’m a boiled potato
skinless swimming in butter

Turns out
I’m a forgotten bowl of Mccain’s Potato Smiles
gently sweating at the picnic

No one wants
a reminder of their own unhappiness

Everything’s a little greasier close up

Yeah, I’ve made myself unrecognisable from my original form
Yeah, I’m pretty sure I’ve got nothing to offer you except

A creamy interior
free of texture
A canvas for salt

My face in the shape pleasing

to 67% of the focus group

Posted in 105: NO THEME 11 | Tagged

Two Shadows

The man was wearing a floral polo shirt. Meaning,
he’s just like every college guy in Manila out for
a quick fuck. Except, you were out for lunch, and
for once you weren’t in the mood. The server asked
if you wanted the dessert served early, and both you
and the man answered differently at the same time.
Your eyes kept landing in open spaces, and his remained
on your covered chest. When he asked you about
your week, you didn’t say that it was all about him.
But now it was about the kid on the next table,
the flickering letter at the front of the store,
the mall music, everything but him. Perhaps, you
didn’t think he would be that big, and you wanted
so badly that he stayed pocket-sized. And clickable.
After lunch, you watched a movie. And after the movie,
you went home. The rain, like fingertips, you were so
sure of it. The night before, looking at his nudes, you
never knew generosity so sticky and so far away
you wanted to eat your phone. Now, he sent a new
thirst trap. The sharp expanse of his hip, the video
barely panning to his ass. From experience,
you know that you can put an entire fist in your mouth
and come out alive. Today, you just let your phone die.

Posted in 105: NO THEME 11 | Tagged

girlboss leviathan timeslip

most honor’d friends; leah, mesdames et mes yeux
gods, dolphins, dauphins and fascists
(good afterble, constanoon!) the year is 2020-something deep inside of a
parallell universe where adriana la cerva still exists flossin’ & girlbossin’ like helen
(of troy) in skin-tight leopard print and over yonder in the great impossible
queen di’s slinging big tennis dialectic w ms. ruggerio hark now, hear
salomé shrieking! chasing fritz down the cobbles (with a whip 😈) what a time to be
alive!!!!! the renaissance commences, as it should in the middle of the
fifteenth (should it???), century new year new me new diet (of
worms) hegelian yoga to prepare the body – retrospectively – for the
state of nature to come: in this girlboss leviathan timeslip, where the 90s is taken as
imagined given the present moment never occurs, harry never met sally and
freud, jung, lacan?? never born no jeremy kyles followed only us:
the hbo original door-to-door medusa, sweet serpentine, laden, trojan, wheeling
and dealing jamberry thermomixes (on this timeline there are no illusions)
(or ‘multi-level marketing schemes’), no sir nor sires no one argues
about david lynch endings or accepts the love they think they deserve
elisabeth of bohemia said ridendo dicere severum, through what is laughable
say what is somber: watching it all happening like pi o (before him ////,
before her) the iphone groove in your distal phalanges the aflw players
kickboxing in the park hunger leaves no
trace on this diminishèd timeline ⏳ the laws of nature are eternal; and yet,
easie… … we do not suffer newton, malebranche, nor patrick bateman
though violence’s most impressive trick is kicking itself in the head
in a quiet room near the edge of the woods there’s a one-trick pony
(named tony) playing buckaroo it’s a slippery slope to solipsism
the [homoeroticism] to [german- engineered consumer goods] pipeline
ecce homo, ecce… personne 🐸 even lauren conrad remembers
sentience; the beauty contest that started it all:
the bold (audacieuse) and the beautiful are all around us, here in girlboss
leviathan where nothing was the same and everything could be différent!!!!!

Posted in 105: NO THEME 11 | Tagged

strange FM

what the fridge magnets said
vast fame and broken sight

order reigns by reorderings
listen to me stolen time

move things and breakfast
smoke vents and a bar fight

what’s in the fridge: data gems
item: some little sonnet

weigh the dadaist fragments
fastest-moving handbrake

damages withstand the grief
lit memento stolen site

make soft and brave things
snake eats wolf is snowflake

Posted in 105: NO THEME 11 | Tagged

at the british museum, mawadah points at a stolen artifact

People did not even need to travel to the Middle East, as exhibitions and art dealers brought
the Middle East to them.
—The British Museum

down the street mawadah tells me she misses egypt but sometimes egypt is brought to her
in berlin she says i saw the bust of nefertiti & waved at her from afar
because there were borders separating us because touching her face
would only bring her home & i guess they don’t want that
summer says they were never this careful with our bodies

an orientalist calls me a bedouin chasing a fool’s paradise
& maybe i am a fool the soles of my all stars are rubbed raw
from all the chasing & chasing & chasing
but hey at least i know what my tombstone looks like

in new york i think of edward saïd when fatima goes to class in her
periwinkle coat & she tells me she feels arab everywhere
so i remember him saying he never liked going to museums that much
(i also know what it feels to burn under the limelight)
instead i tell her it’s okay you just crossed an ocean

we’re at the british museum & mawadah points at a stolen artifact
& jokes about bringing it back home but listen what if we actually do
what if this dissolves the border & all our wounds
what if our dead are no longer dead what if it wipes the canvas anew
whatifwhatifwhatifwhatifwhatif

zein says to figure a border i must first start with the body
but i’m tired from all the reading & stretching & rubbing my shoes loose
trying to uproot/unmap my skeleton from the earth
if the body is buried elsewhere what is home
if nothing remains of it what is home
stuck outside its geography the same way they stole the moon

at the biennale mama comes eye-to-eye with some
sculptures from outside her stance splintered & hung dry
she asks if this is colonization & i say yes
i don’t bother touching their faces at all

Posted in 105: NO THEME 11 | Tagged

Beets

When does the master plan end? I remember they cut the ribbon on the road connecting the murdered swamp and the capeland, as if they weren’t already connected. I remember they permitted the first trickle to enter Lake Orr, when the hills housed more than just urban sprawl. I remember my classroom bordered the edge of the school, that the windows showed a universe among the trees, and that months later there was bare earth. I’ve been allergic to construction work ever since. Kurrawa Park has me in hives. Don’t talk to me about the Guragunbah floodplains.

*

The mixed business has become more focussed: a café; blue-drab and clean, and surely fair-trade in this day-and-age. Chemical free. The house built by doomed wishes to live the wrong life right— demolished, three-stores of luxury private underground burgeoning against the zoning laws— the street stretches straight into its sound barrier— painted green, an acre cleaned— for property, for poverty, pressed and swelling into the edge— the woolly vines and downy wattle won’t last much longer— houses rolling over battlegrounds and cowpastures. It’s comforting to see history being honoured like that.

*

I don’t know how you feel homesick for a place that was never your home, or that you only ever saw in greyscale. It was my mother’s home and she was my first home; the threads she worked from there to here were never too tight, were always securely loosened, and were wet with everything but the leviathan, and yet still somehow on fire, and yet still somehow a single fibre strung from singed to savaged ends. We always had cherries, apricots, and a salón; always lived along the water, made our own aniseed dough-bait, and caught our own fish — I have never in my life bought a fish — we tended for a time a towering coniferous faux-pine, whose death cast on the torso, the main body, the sleeves all done and edges waiting, and actually I prefer crochet these days. So now I knit too tight, my fruit bowl is empty, and the fish are all blown up.



Beets: The plural of house, as far as I’m concerned

Posted in 105: NO THEME 11 | Tagged

See ya later

I wanted to write that song for you, the one that already exists, you know, the one that goes ‘oh, la la, lalala, la laa, la laa, la, lalala, la lala, a la, la, la’, and buy its forever rights as an NFT in your name, store the cold wallet in a small wooden chest with a decorative and rusting key and encode the coordinates to the roots of a particularly gnarly tree on a treasure map inkjet printed on velum, with perfectly imperfect burned edges, which I’d keep in a very ‘cool, chill way’ tucked between the puff pastry and ice trays in the freezer

which, surely, would say something about how, surely, time has diminished us

and then pack some ripped stockings, fly spray, USB sticks, toothpaste, noodles and a hat in a Countdown bag

to move again

In my mother’s house again
In my mother’s womb again. I can’t quite move without
hitting the walls

Peeling paint from my, nails.

you see every single movement, even when I am still, practising my ‘frozen’ face

But, no, no, no, no, hold up just a min

*

One thing that I do find weird, is that in your notebook, you’d written the name of the celebrant who would conduct your funeral four days before you got your diagnosis. Which, come on, is a little freaky.

I cannot stomach sentiment about death or hospitals or bodily functions — and especially not of the names of specific drugs or scientific medical diagnoses, or linoleum, or fluorescent lights, or a crisp autumn morning, or a nostalgic food group, or a lost puppy, or rain, or mist, or a ‘better place’ or cum, or anything visceral.

*

Grandad went over time in his speech, and it made me nervous. And then Uncle started off his speech with ‘Her illness was BRUTAL’, and I had to stifle some laughs, push them back down disguised as tiny whimpers, and not make eye contact with anyone, because all the drama and the build-up needed deflating, and more so the drama not inflating.

I imagined him either flinging himself on the casket, somehow dislodging the lid, knocking over a candle and starting a fire, or else dropping his share of the load when we carried you out. Not much faith in the living, I mused to myself (in an aside — ‘haha’)

At the cup of tea afterwards, the four-year-old wanted to know why the dead person wasn’t there waiting for us at the party, on her special day, and six months later asked if we could go back to that cafe with all the flowers and the little sandwiches

The roof rafters were exposed, very Grad-Designs-Barn-Reno chic (which seemed fitting and lofty) and so high up; a golden helium balloon — a letter or number —, the kind made delectable by mommy influencers, had floated up and lodged itself between them, tail hanging like a tampon, or a tacky, trapped angel (I thought to myself).

*

Back at the house, Cousin fainted, and Uncle, drunk, leaning in too tobacco-breath close, complimented my outfit.

Posted in 105: NO THEME 11 | Tagged

i’ll <3 u when ur gone

Posted in 105: NO THEME 11 | Tagged

please leave me a hairdryer

please tell your husband too,
you should come back and stay.
maybe take a pottery course

please tell your husband to
refrain from psychoanalysing
his unconsenting guests

please leave me a good review –
the last woman didn’t, said
she couldn’t believe I had no hairdryer

please leave me a hairdryer
it’s seven degrees outside and
I just crawled out of the ocean

it was a great pleasure to
host Lauren and her friend, they
were both very nice people

Lauren and her ‘friend’
had a lovely, sinful stay in
your hyper-Christian home

Lauren y sus amigos estuvieron
muy simpaticos y dejaron
el apartamento en perfecto estado

Lauren no hablas español
muchas gracias amigo et tu
mañana mas café en hermosa cuidad

Lauren was one of my best guests!
she was such a kind person and
we texted a lot during her stay

Lauren sent you texts in error
of wildflowers and travel tales
meant for Lauren’s dad

Nice & tidy!
You just might regret!
She used my place very cleanly
Left the place in a terrified condition
I highly recommend her as guest to all hosts =))
It is recommended that you stay well clear
Friendly, respectful, and very quiet
Overbearing, lives on site
Great guest 🙂
Posted in 105: NO THEME 11 | Tagged

Hard of Understanding

This thick ear is a humble interface;
a desktop setting for within,
a triumph
of engineering and aesthetic quirk
that captures sound like a fisherman’s net:
indiscriminate and blind as their jakes.
Your slipp’ry bream-words spill across membrane;
r’leased with salt-water spray from terse blue lips
filtered and,
guarded and,
with grey timbre.
I don’t understand.
But my ear lets you in despite myself.
I’ternal screams without voice, a twisting carp
gasping for water in a world made from air,
and so I nod and say anything, everything,
just so the sound stops.
And our eyes then meet.
I mirror your smile, a quieter tide comes in.
No more noise,
I am as content as the ‘Davy dark’
but without its depth, its cerulean blue,
its ability to join you in communion.

Posted in 105: NO THEME 11 | Tagged

trinny and susannah

i am an oyster catcher running down the beach
i know my colours, as trinny and susannah might say
jet black and the most vibrant orange
the most stylish bird on the beach

entertaining the fools on a walk who are
suddenly
remembering how much joy nature brings them
like, duh
have you not seen how i run?
is that not joyous enough for you?

if you can’t realise that
or my position as This Beach’s Top Fashionista
then i’m afraid i can’t help you
and you’re shit outta luck

Posted in 105: NO THEME 11 | Tagged

Arrival!

—After Rom Spaceknight #1, December 1979

It’s classic meet-cute. He’s a seven-foot cyborg on
a quest to rid the galaxy of an ancient evil.
She’s a small-town girl on her way home from work.

She swerves to miss him. He wrenches her back onto
the freeway. Stands there statuesque in
silver wetsuit and thigh boots, engine-block chest and

boxy head, blank apart from two red headlamp eyes.
He shines a light on her and flies away.
Later that night, in front of the Bijou, The Creature

from Space on the marquee, he turns two guys to piles
of ash like chalk outlines. Everyone runs
but her. He flies her to the outskirts of town, tells her

about the war in space. How he signed up for the cyborg
army. How her high-school buddies are
shapeshifting sleeper agents hiding in plain sight.

The National Guard cuts in. He chucks around some tanks
and jeeps. Ignores the bouncing bullets and
the flicking of flames against his armour. Turns the Sherrif

and the local barber to ash, then flies away again, leaving
the survivors to tell the tale of his arrival. It’s
Roger Corman meets Ernst Lubitsch. It’s a hell of a first date.

This poem was first published in Strange Horizons on 31 January 2022.

Posted in 105: NO THEME 11 | Tagged

I have heard the butcher’s words & learned to care

here’s a cow-shaped
possibility
way of no thickness

of blade
thru

grit pink hollows
to strike in big
hollows

& never touch ligament

zip zoop

hey I could
do this you
say but don’t

so would they have made
that I say
& have

they? beyond
meat &
blood
poured out
for cooling
unsuitable
for food, & care?

we won’t

Posted in 105: NO THEME 11 | Tagged

Tongue In Our Mouths

This is not my tongue,
or my mother’s, or of my land.
Law, however, says it is. A tongue

shoved into our mouths,
a clear violence
of our body, of a people heavily oral,
a clear violence
disguised as benevolence,
as liberatory pleasure. A tongue

from across the Pacific
that forced its way into
our mouths for nearly half a century⁠—
half a century too long that it
still licks our lips some 75 years
after its supposed withdrawal. A tongue

whose buds still dictate
our palate,
whose muscles still slur
our speech,
whose clacks still whip
our laws,
whose sputum still smudges
our identity. A tongue

that I wish for us to cut
with our unsheathed own,
so that we may finally
taste and speak.

Posted in 105: NO THEME 11 | Tagged

Raw Lemons

my adoptive father ate lemons raw, skin and all
he was the only person i ever met to do this
he had no argument with bitter, sugarless fruit
and the bitter lemon had no argument with him
i never saw him eat any other fruit but the lemon
he sucked and scrunched at the lemon like a deflating ball
with a mouth of toothless gums, top and bottom
watching this exquisite act made me squirm
and my own mouth filled with sour reaction
i heard the sour fruit complain like a small wild bird
juice dripping from his toothless mouth as if it had no end

Posted in 105: NO THEME 11 | Tagged

Centocarography, San Francisco: dirty dancing








































Bob Kaufman, ‘Walking Parker Home’; Lawrence Ferlinghetti, ‘Retired Ballerinas, Central Park West’; Kenneth Rexroth,
‘Education’; Jack Kerouac, ‘Bowery Blues’; Ambrose Bierce ‘Diagnosis’

Posted in 105: NO THEME 11 | Tagged

Fidget Spinster

For Amelia Newman

Can you hear me? Wait—you’re on mute!
Uh huh! Okay, I’ve got you now! It’s me!

Yep, it’s Velma’s knobby knees,
the Grinch’s gay mothers,
Elmo’s favourite ice cream flavour—pistachio—
and that music that plays when Fiona turns from Princess to Princess Ogre.

Would you want some carrots from my fanny pack? Probably not, huh?
My social script says not to ask people this, but if you could have anything other than skin encasing your body, what would it be?

Juicy, juicy verbs. Bamboozle. Canoodle. Skedaddle.

REPLY ‘STOP’ TO UNSUBSCRIBE.

Sorry for leaving so abruptly. I’m terrified of UTIs.

Is it possible to be a Sharknado, yet still boring?
It says a lot that the Sims universe doesn’t allow for hatefucking.
I’m not witty enough for cool-girl poetry, but not soft enough for subtlety.

STOP.

Even in those spaces, I’m defined by an imagined proximity to men. Like, call me a dyke, not a fag hag.
We can’t all be the kind of gay that fits comfortably within a Kmart catalogue.

The oh-so subversive existence of cowering indoors eating biscuits. Alone, as usual.

It’s like I only exist within my own head. Indivisible zero… that’s a thing, right? No, don’t answer.
We can only fold in on ourselves so many times, I’ve heard. That’s real math.

You can’t count on sunset that close to the arctic. The heart itself isn’t even heart-shaped.

Sometimes you just have to sit in it, ripe and clinging like… a soiled diaper. What’s my GP gonna do? Tell me to drink water and stop being a bitch? Because I refuse to do either.

I keep crying over Masterchef. I love you like XO sauce. I just can’t respond to your texts.

But which did you wear best?
The loneliness or the sweater vest?

STOP.

My list was unhelpful today:
Party toys that you can flick at people, that leave marks on the wall, that your dad banned from the house.
Putty squished into carpet fibres.
Pizza left out for too long, gummy with cheese tar.
Papier-mâché, half-eaten.
Plain old grief.

All the sticky things.

Like licking your own uvula.
—No, uvula.

Like a well-used dildo, shoved into the drawer when their real friends come over.

Like a waterbed, wet and forgettable.
I guess we keep these childhoods somewhere, isotopic in our bones.

STOP.

Gimme one hour of scream time.

Posted in 105: NO THEME 11 | Tagged

Not a salad

I went home, I came back away, I don’t know what else I can tell you.
All night and all year the heat has undressed me. Not in like,
a beautiful sense. Even my shins, damp with missed summer.
I am feeling it wrong. I don’t know what else I can tell you.
What else is still good. Today I threw some chive seeds into some soil
and tossed the whole thing together. When Sarah found her horse’s body
I couldn’t help her. And it keeps happening. I don’t know what else I can tell you.
Every time I build my bed I lose my sense of self. It is like losing a needle in a stack
of IKEA flatpack slats. Someday we will live in a better place,
the same place but better. I will have learnt to drive a small motor vehicle.
And you know I don’t mind how long until my girlfriend reenters the country.
To bury a horse, you have to dig so many hours, so wide.

Posted in 105: NO THEME 11 | Tagged

recline

openings can be challenging
where to sit everyone who has a chair named after them

opera chair from investment banking requires ergonomics
being chair of an arts org is both pleasure and responsibility

[chair now an object, now belonging to or associated with person]
not everyone can be given the name of a monarch

I enter my name into a chair name generator
it asks me what I currently do in life
(I work in an office/I do not work in an office)
how often I work out will assist in calculating a title
whether I see infrastructure as big or small

there is an art to naming furniture, there is more at stake
than any new born child due to levels of production

seeking visceral connection with consumers
everybody wants a throne, nobody dignifies a toilet

IKEA has the process down to a science
all have Scandinavian origins

beds have Norwegian place names; seating have Swedish ones
in my next life I will return as a Stavanger queen ensemble
I will be a port to strangers dreams
a berth for bodies, ferrying the traffic of pleasure boats
paying tribute to cruise administration

no mentions of chairs were made in the bible
(the more you rely on a backrest, the more you tend to slump)

companies fund chairs as part of good corporate citizenship
(Jesus was not a good corporate citizen, he liked to stand up)

billionaire is padded soft beige eco-leather with vintage walnut structure
(just one in 10 ASX 200 chairmen is a woman)

I sit in this lounge chair and watch the first season of shows
I sit on this swivel chair and preside over search engines
(look up things with a back and four legs that can’t walk)
dream of a chair to carry the day weight of dreaming
I up look up dream chair online and become two inches of foam

a well-endowed chair requires chutzpah
catbird seat is the best place to chew the ear off a president

as Ellen DeGeneres says Leaning forward in your chair
when someone is trying to squeeze behind you isn’t enough

we will break down before the office chair, these bare ends
not built to comprehend how many of us there really are

microplastics have been found lodged deep
in the tissue of living people for the first time.
there is increasing concern about hazards within us.
we have each swallowed the equivalent of one hundred stackable chairs,
our lungs are an auditorium of unsustainable applause.

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Yamaji Kin Songline

I am kin to the Bimarra creation line
Snaking across country into bloodlines
Creator of Yamaji life and culture
Sustaining very old ancestor our old country

Nganajungu Bimarra is our medicine

I am kin to the old people now sand grains
My barefoot lifting their spirits into my being
Their quiet soft voices floating like invisible
Feathers in the Midwest wind into our hearts

Nganajungu Gami- Aba brings us medicine

I am kin to the bushfoods on my kitchen table
Gifted from family tree hunters on country
Collected by family gatherers from seasonal foods
Sustaining our spirit in town colonised spaces

Nganajungu warany -guga is our bush medicine

I am kin to the colonial archives violence
Family stories of removal , genocide and
Social experiments of eugenics and inhumane
Treatments of a First peoples on own country

Nganajungu yungatha needs our medicine

I am kin to family tree descendants of our
Many Ancestors guiding each generation forward
Coming back from ancient waterholes to babies
Family song lines sung in many different ways

Nganajungu Bimarra
Nganajungu Gami-Aba
Nganajungu Warany -guga
Nganajungu yungatha
Brings me culture and medicine
Grows our Yamaji Kin Songline

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