Her Embroideries

He was the shadow of the deep bed.
He was very beautiful, and as always
there was something perfect,
as though I were his cousin.
On the map he had shown me
a forest, but there was no such forest,
hence the lies, the discomfiture,
and the rest — the manor steeped
in the odours of freshly ploughed
earth, shops rife with Trieste dialect.
And his messages ended with vows
like, “Believe me, I am always
at your side.” It is impossible
to relate what or how he played,
the sudden modulations that
I could not grasp. I felt at such times
that only my body was riding,
yet I said the loveliest things.
He awoke with the violence
of the sensation, so that I was forced
to fasten with pins. His sisters again
donned their sombre mourning.
Even the sea-birds lost their way.
And then the moon rose and shed
a different light. Listen how he
dreams, how he weeps!

Posted in 06: NEW POETRY | Tagged

Pattern

One gets sick,
the other follows —
and drag out blue irises
and lines by Tennyson,
the only one that really fits:
“We know nothing.”

When they call for a minute’s
silence
there’s always some chicken truck
roaring past,
or a trench digger at work
in the south west corner.
Behind this though,
the sotto backing track of pigeons,
and beside another bed,
a woman in a white hat
bends to sniff a rose.

The infants are restless
and kick against their prams.
The eldest of the tribe,
whose wheelchairs resemble
sturdier versions of the prams,
cast their eyes over
their own future crowd:
the brave, the clever, the mute, the small —
(the funeral director fill in the dots)
“it comes to us all.”

Posted in 06: NEW POETRY | Tagged

Fishing Shacks

A shocking mismatch of colours,
a love of galvo,
these bachelor beach pads
say “eternal boy”
in the boofiest way,
sometimes edged
with shotgun warnings —
the skull and cross bones
on the cubby door.

A total lack of tizz or frill
or any plants,
and a stack of stubbies
beside the gutting table.
The kitchen’s outside, a grill
propped over charcoal piles.

Homage to its own solitude,
the architecture of rough enough,
of cobble together, of Rafferty’s rules —
it says, “live, but don’t care too much
about yourself.”

You can’t complain —
a fire, some gar you’ve pulled
out of the bay,
the last sun
over turquoise fibro.

Posted in 06: NEW POETRY | Tagged

Skin

for W.H. Auden

The old man and old woman kiss.
In the park, on the path, openly.
A fullness of touch, a coupling
Of comforts and fearlessness.

We, sitting on the grass, deny
That this should happen, even the broad
Among us sits up at the kiss length and
The old skin’s fondles and handholds:

The old are consumating among us
And while they can. How finite
This warm summer, plane tree shade
And smell of mown grass, oh infinite
Skin!

Posted in 06: NEW POETRY | Tagged

Laissez Faire

They were acting crazy around the card table.
She was trying to teach the guys how to deal
poker hands, the way it ought to be done —
she was bluffing, they were too stoned, in this
motel room like a cheap movie set with the television
in the corner unreeling garbage into the air
while my future toppled back and disappeared —
I could see fragments glittering — pieces
of my hopes, I guessed — like goblets catching the light
in a cabinet full of crystal dishes
as it crashes to the floor.

These dinners — why did I pick on that
lovely young wife — lovely, my interpretation —
getting anxious about her hubby’s promotion,
spilling soup into the boss’s lap — no —
the nights were full of accidental spectacles,
rockets up the chimney, lecturers
who looked like monkeys, angry servants,
riot in the kitchen. But Professor Pauline
had a balloon bobbing over her head with a picture
of her stupid fucking husband flinging himself
into the job of leader — boy scout leader —
she must have been mad, or drunk — daydreaming,
maybe — saying one thing to her husband
and something different to the sales executives,
then going behind his back to fuck that other man
by the sea, almost every night (can you believe it!),
the breeze through his window — the breeze
I’d invested with my stupid hopes and dreams —
this other man — checking the market — this other,
better man, myself — then her
usual ungendered dream, a train wreck.

Time passed. Months. It could have been years
but I was in no state to notice. Absinthe and daiquiris
were the only suns on my horizon as The Lost World
stealthily substituted itself for this country
I once loved — now, I was only patriotic to a memory
of her — her — dizzy in my arms, the furniture gloating
and hungry, and wishing it were in my place.
The rumours? They feed the anxious,
that’s what they’re good for, isn’t that so?
And to think, I’d stood on the edge, stood
there in my y-fronts, ready for National Service,
and let it go. As if my sex had something
to do with it. The press blamed Petrov —
am I supposed to be grateful? Will someone
help me?

Oh, let it go, I thought. And
herself? Down the long epic poem of a big
city firm, designing linguistic tubes,
she had come to rest at this awful place,
pushing for fifty miles down the road of drink,
full as a bar on Saturday night, out of control.
My work went to the dogs, though my critics
claim this was my most fruitful period — stupid
pricks — a couple of paragraphs here or there,
a drunken TV interview that had them rolling
in the aisles — and that was in the studios!
The producer reckons it was the best piece
of impromptu television he’d seen
in a career stretching back over twenty years.

I woke up freezing,
on a linoleum floor. My left side
was numb, my other side
was hardly there.

The balloons rose
again, swaying above the table,
and I couldn’t help myself saying
out loud: Damn your babble, any idiot
could chatterbox these so-called intellectual issues.

Go and piss on your dollars! she said.
In any office in the real world those words
would lose you your job, but this was the Fairy Land
of Academe — hot diggity! — before the bean counters
had gutted it, and I dragged her to the Staff Club,
bought her a stiff pink drink, then rushed her
to the beach house, taking the opportunity to whisper
that song from long ago, Let It Be,
into the scent of her hair. Did I

pass out? Maybe.

You wanna dance?
the Professor asked, shaking my body
like a dog worrying a bone — Then
bring out the gramophone,
don’t bother the others, wash up later,
this is holiday time! So much for small talk, she
turned the analytic flamethrower on my careful
chatter. In the morning she’d turn up after her run,
shower, makeup, eat a hearty breakfast.
Like shifting tenses

it’s to be expected.
After about eight months I gave her
a piece of my mind, and she had to see — deified desire —
had to see how it would be hopeless, always,
with hubby. It was a magic time,
maybe it was a spell of some kind, irresistible,
a curse she’d hexed me with — but
what if it went wrong — I don’t want this
cut it out! I was lost, then found.

When it was over I went back to the flat
by the beach and looked at it, empty.
The sense of emptiness was like a pain,
you could feel it in the air, aching.
I read all the self-help books I could find
but nothing helped. I confronted her one day
in the corridor, I laughed and shook her hand,
thanking her for the break. I noticed later
that my hands were trembling. Thanks, I had said.
It had made me get out of the house for a day.

Why was I caught sobbing in that snapshot?
I ended up defeated by the competition,
dealing a losing game — is that right?
I reconciled myself to the way things were —
bluffing my way into a winning position
and then ruining it all with a nervous tic.
Oh, to be back in a modest hotel room
with a few pals. Hearts. Drunk,
acting crazy around the table,
while my future toppled over —
a cabinet full of crystal ornaments.

Posted in 06: NEW POETRY | Tagged ,

Drugs and Country Towns

for Paul Muldoon


The SS Commodore with tinted windows
will make the run to Perth in a few hours,

the stereo flat-tack and the driver pumped up,
hanging out but intoxicated by the prospect

of picking up, the hollowness filled with bravado:
the deal better not fuck up or heads will roll.

A week’s wages and a bunch of mates
who’ve put cash up front — the whole town

speeding off its face and strung out,
they’ll be counting the hours

and tempers will flare, blokes
knocking girlfriends about,

bongs strained and beer on beer drained
to help them get through. The town is growing —

spreading out — out there ploughing,
listening to the call of the tawny frogmouth,

and then a run through the fast-food outlet.
Later, it’s a mate’s place for speed and videos.

Not yet big enough to hide ripe-offs
those with contacts are jacking up the profits —

the chemists, forcing frowns back
as they sell fit-packs and dieting tablets,

are asked to fill city prescriptions.
The older blokes are mumbling

at The Club — “one of them young blokes
shore two hundred the other day

and the next day couldn’t finish a run…”
The cops are getting rough — stripping cars

and raiding farm houses. They
have their chosen ones — the boys

in the footy team, the girls who do favours.
The world grows small fast — the town

moves out to the farms. The drive-ins
have shut down and fast music

comes into the Country Hour
like Armageddon. On a back verandah

a farmhand says to his girlfriend:
“I love you… the sunset is magic”.

Posted in 06: NEW POETRY | Tagged

N.o E.scape S.urvives a B.utterfly

The crescendo of everyday sophistry
Preserves a pseudonym of facial temperament
Like the sea growing dark in our eyes
To the Black Sea
Like our naked bodies cutting the railways
To death

We never saw
The badges of our clothing as a mismatch
The triumph that has been given away

Now it is the moment
The moment of the hard places that we must travel
And of the fake services rendered to relax
We close our eyes in Victorian dream bars
Soot calls of foreign names echo in our memories

Like a butterfly carved down to my skin
I Hitch my dreams

Prostitutes with many names
Prescribes a monogamous medicine
Screaming “What are ya?”

Drifting into a meaningless act
I hold a magnifier onto my arms
To its design
A butterfly burned down to my skin
I scrape it free into air

Posted in 06: NEW POETRY | Tagged

Pissed off with conformity

“Every minute
has its secret corridors
leading to dark rooms.”
— Vladimir Levchev (b. 1957. Lives in Sofia)

Pissed off with conformity, the times, the red glow
of a dawn which breaks old promises
like the shell of an empty egg
or the hardbacked horizon, we
shuffle on tired legs down these bleak
passageways that lead us back to
the rooms of our private dismays
where, reunited once again with the gloom we
have come to love, we
draw comfort from our misery. Which is
totally acceptable, given our human fallibilities. Goes
with the moments when, manic with happiness,
we charge about full of life. Cause of concern
being those times when normality turns
up like a grey-suited vacuum salesman on the front step,
and you invite him in, sprinkling dirt on the carpet,
your hand fingering banknotes out your wallet.

Posted in 06: NEW POETRY | Tagged