Apology for and Further Explanation of an Attempt to Divert Accusations of Equivocation

In my hometown, it was like January,
like January in Oaxaca, in Fortin

de las Flores, like Fortin
in the mid-forties, like the 40s

in December, like December
on the river, a forest of willows

half in, half out of water,
like the river in the picture,

like the picture above your bureau,
like your bureau filled to overflowing

with feathers every colour of the spectrum
feathers blown through vowels,

through curtains of bougainvillea, going
on forever, forever as it formerly was,

in the lustre of a loved one’s luggage,
baggage to carry lightly or solemnly

toss-off into the Bay of Fundy.
Thank you for four golden mice

who never wake me up at night,
for the pocket-size surveillance device,

for books which tell me nothing’s unakin.
In January it was like my hometown

in the 1940s in the middle of December,
December a cool glass of water at noon

in the summer, a clinking of cowbells
to signal it’s evening. I was seven

four, eight, eleven, still unborn,
brother to my younger sister,

sister to my mother, father like a twin,
twins like vapour trails on clear nights

in October.You were my shadow
I dared not step into.You stood by

my shoulder, champion, angel, faithful
companion I dare not look in the eye.

What was it like for you?
Were you about to step into your skin,

like water poured from a pitcher,
like an ant into amber, like molten gold?

Was the gold like someone’s fortune
or folly, folly a moving picture you’d get

into for a quarter, when a quarter meant
more than a dollar, a dollar a bit

of a future you’d be expected to furnish,
I’d be with you to finish,

of a finish wearing the date of your birth,
polished with everyone’s hopes,

polished with everyone’s dreams
lost in a basket of keepsakes.

Posted in 05: UNTHEMED | Tagged

Pro Model Tells Story

it’s not like i’m attached
to all these camelcoats,
long, short &
floppy (big buttons),
short & tight (big
buttons): i mean i would give them just
give them
to any girl off the bus,
stairs tar black corduroy
and the driver, her relaxed
hair, wide-wheels through left
turn signals in deep, slovenly
rain, i’d give her one.

it’s just when i get stuck across
town in the rain by that fish
shop overlooking the ocean,
whole rows of these
fish shops and it’s raining, then
i do need a coat as i wait like
my pig-tailed chewing lips debated
for mother to pick up but
it’s so far away and there’s
nothing worse than your
teenager having some
job where you hafta go
fetch her half across

but when you get a large green
newsmelly plush, well you still
don’t want to be at the
beck-&-call of some teenage

& your progeny’s buying a little sportscar like a girl in a film, even a
European
& she just wonders, mother
Victoria, oh Victoria!—the map of
where i was,
please

He gave narrative, tenderness,
solicitude & doubt. photos of the two
of us labelled everywhere. I walk through shelves and streets of

Posted in 05: UNTHEMED | Tagged

Pregnant Woman in Red

Most of the flesh a harsh red,
heightening the expressiveness
of the figure with its black
outlines and setting it off
against the background colour
of the paper.

The woman’s mask-like,
raised face appears as an afterthought.
Far more important is the shape
of her body—the hefty thighs
and the swollen belly—round
as an apple.

Her distended body, thigh, and arm
are altogether believable.The left half
is less convincing, for here only
an outline is provided, then
filled in with a brush
to match the other arm.

The artist has omitted
the table or chair
supporting the figure:
the pregnant woman
on an elevated surface
hangs in space.

Posted in 05: UNTHEMED | Tagged

Woman in a Street Stall

She makes torn shapes above a pot;
and I love to watch how the moon
adds its cool, transparent edge
to her lips. She tests for enough spice,
enough distance, and I watch those
sticks of cinnamon float among
her large, flat spoons.Ah, there could
be a bird flapping out of tall grass
by her sweet oasis, and a man too,
whose breath smells of cedar and dust,
who has come to quench himself,
to listen too to the duet of her spoons
and bracelets. I watch her face
above the steaming pot, above the
milky expanse where I imagine all
her customers, lonely, yet open
to the intimacies of their thirsts,
to their days full of the umber scents
of their longings stirred in well
before dark. Far off, the sounds
of dunes moving under birds’ wings
are the sounds her sighs make
moored above her shimmering liquid.
She sifts ingredients, spoons them in,
and her bracelets slice the air
with a thin marimba music, the kind
you might hear somewhere far off,
as you set your afternoon to the
loneliest bandwidth … She sips
a last spoon, douses the air,
shakes in grains, spice, the green
Formosan leaf … this woman who
calls us in, draws us in with her
skilful, aromatic finesse; who,
like an illusionist, knows what
she can and can’t gain from the
immeasurable edge … this woman
who works in heat that begs
illusion of her, distance of her;
who listens for whatever she can
amongst the soft resolutions
of her bracelets … She blows
now at the fine wisps of steam,
gently, as if she held her lips
to a man’s damp cheek, though
she consoles all of us, who’ve come,
drawn out by the need for tenderness.

Posted in 05: UNTHEMED | Tagged

Change

Having decided to change her life,
she slashes
welts of green
over her eyebrows.
She arrives at her house
to find the writers’ group of five
bent like fingers
over each other’s pages, laid out
on the lounge room coffee table.
There is her body
sitting with them
leaning into their words–
they don’t notice
her disembodied animation
in the doorway.
One tells her
she has asked a few new members
and points to the other side
of the room.
It has ballooned
into a public hall,
filled with duplications
of her dining table, surrounded
by bent backs,
cardiganed, striped, seamless,
with faceless heads and voices
reading from their writings,
louder and louder to overtake
each other. She decides not
to worry about her eyebrows,
and rushes from table to table,
saying: that image rises from the page,
saying: here, your character is coming to life—
do you see,
do you see?
She leaves her body’s imprint
at each table and stands
in the airy empty space
between the two half-rooms.
They are asking her questions
but have no time
for an answer. No-one
has noticed her eyebrows.

Posted in 05: UNTHEMED | Tagged

Yesterday’s Solution

ACROSS: 1 Teardrop, 7 lady, 8 Flamingo, 9 Unison, 10 Gyrate,
11 eye, 12 lease, 14 Yeast, 16 set, 18 bandit, 20 Option, 22 Apostles, 23
Ewer, 24 Asbestos. DOWN: 1 trainee, 2 Abyss, 3 Define, 4 Orange, 5, 15,
light showers, 6 Fierce, 13 Sadism, 15 see 5, 16 stylus, 17 tousle, 19 Apple,
21 Treat, 25 Burn, 26 Finish.

Posted in 05: UNTHEMED | Tagged

Precision German Craftsmanship

It was a good day and I was about to do something important
and good, but then I unscrewed the pen I was using
to see the ink. Precision German craftsmanship.
The Germans are so persnickety and precise,
they wash their driveways. Their mountains and streams
dance around each other in a clockwork, courtly imitation
of spring. They built the Panzer tank, out of rakes
hoses and garden gnomes; they built me.
And I’ve seated myself above an avenue on the brink
of mystery, always just on the lip, with my toes over the lip
but my bowels behind.

When I replaced the ink the sky was socked in,
only one window of blue open in the north, directly over someone.
But that person was reading about Rosicrucians in the laundromat,
he was unaware as the blue window closed above him.
The rest of us are limp and damp,
I see a button in front of us that says “spin cycle.”
I’m going to push it.

Posted in 05: UNTHEMED | Tagged

Revolving Restaurant

Today I found a photo
of them—
he’d taken mum for
a big night out
the only time ever. . .
except for the Chinese
‘slap up’
in Gosford
some Friday nights
and there they are
sitting at a table
in ‘The Summit’
Seidler’s modernist cylinder
spinning towards a beige and glass future
through Mondrian grids
with his Elvis sideburns
and gravy-stained polyester
(he’d forgotten to use the napkin)
cufflinks heavy on the table
mum in her hairspray
and blue eyeshadow
framing so much
hope
turning on itself
where Galileo may have uttered
“Eppur Si Muove”

Posted in 05: UNTHEMED | Tagged

Red

The day her boyfriend came home from gaol
She spilled out onto the quiet street
In a sheer red dress
Which showed her flattened breasts,
Her bones.
And the mad edge of her laughter
Held itself to the neighbour’s throats.

They wished she would go back inside—
Lie on her bed with a bottle of gin;
Sit, in a haze, on the lounge-room floor
Flicking her lighter at a pack of burning cards.

The street could not contain
The riot of her voice;
Her stumbling red shape;
Her bare white feet on their bitumen road.

They preferred the hysteria of her screams
Bouncing off inner walls
Of crushed and shattered plasterboard.
There a fist or two,
There the crater of a skull.
A whole panel gone
Where her pushed her body through.

Their ecstasy lasted a day or two.

Then, at night,
They howled in the yard
Like a pair of ill-matched cats
Tearing at cloth; at hair; at skin,
Drawing each other’s animal blood.

Posted in 05: UNTHEMED | Tagged

Acupuncturist; Under the Needles

He’s rather soulful, someone said

Half-undressed, your hands crossed on your chest,
you might be lying in state
but you are now the calmest of short deaths
in a room that’s calming,
rectilinear, worn smooth by New Age silence.
Even the acupuncturist who
looks like a well-tanned ballet dancer but cannot
move a word without a minute
passing, then a stutter on each syllable, is
therefore, mostly silent.

You’re nearly naked, stripped down to knickers
and T-shirt. He watches you
then actually says,Yes, and slowly his fingers
move your T-shirt down
discrete as sewing, for the needle he must touch
between your breasts,
and one lift of your knickers for another needle
just above your mons.
They are a stranger’s fingers, and they touch
like slow attentions.
More, perhaps, because his face is long, voluptuary
from troubled speaking
and you never know the body’s own seductions
surrendering, or wary,
(one more in both your wrists, then ankles) each
time he touches you and
says you must relax, and not wanting this ambiguous
more than soulful.

Silence. The sunlight moves across your face.
I listen to your breath
and try to feel you lying in this portrait.The needles
shine on your body
like the stars shiver on the limbs of constellations.
The body, and the silent
expanding universe … Years seem to be passing
in this room of elementary
pin-ups: the diagrams of Chinese men like pink
blow-up dolls.
The lines as virtual as an introvert’s tattoos.
Your nerves perform
the finest calisthenics and the tiny needles seem
the inverse of idea …

But who knows? Perhaps, above, below, you are
all the hexagrams
rising and falling, the whole I Ching may be
passing through you
like currents in a lake, the surfaces which hint
at all the abstracts
but are mirrors: the trees, birds, the universe of clouds,
a fisherman at sundown
like old souls … as this man watches you, and me, his face
handsome as a magazine
but so serious, so … (Is the soul our favourite pastiche?)

I think of an old man
lying prone in another room, in another context
altogether—as each image
jabs him, remembering so much of a world that’s gone
he can’t remember us
but calls out to the figures filling into him, says
the order of the years
all wrong, the slowest acupuncture undoing him, his soul
under moonlight, in the sun. . .
We might be in another room, when I am old, and these
nerves from my father
blinking off in me, and as the nurse reaches down
to me like needles
you waiting there, as I am now, in the corner
watching silently.

Later, you tell me how you felt without your usual
points of reference,
wanting to make the process work, knowing you had
opened up your past,
some grief, he said, and hoping he was touching you like
just another patient
even as he struggled for his words, and even as his watching
was lingering too long,
I thought of my father, so late and very close to dying
and the no-nonsense
nurse shouting: G’day Mr Salom! Now toss back
ya medicine! Whey!

And my mother flinching. And all the diagrams undone.

Posted in 05: UNTHEMED | Tagged

Disaster

for Dr Diane Lightfoot

Why is it so fascinating
watching disaster’s colonies
grow?

Some hang before the mouth
like clusters of grapes
others wriggle
like the tempting blips
of distant constellations.

Is the microscope honest?
Is the petrie dish safe?

Disaster can be
so gentle on the eye,
wondrously translucent
a swimming mystery
with delicate working
parts.

It’s not so easy
calling you names,
disaster.

Even when the lid
is lifted
on your putrid stink
you are generously
enlightening us
to the real world

its lurid lovely movie
Divide and Rule.

Posted in 05: UNTHEMED | Tagged

untitled for a number of times already

i sold a poem today
at the junction of plenty road and dunn street
where they used to sell age in the mornings to passing cars stopped
before the red light
or waited to collect coins to fill in barrels of charity
or wiped a few coins out of the unconcerned window screens
but i sold a poem today
believe it or not
to an australian
a bloody australian
who looked like a greek
spoke like an asian
smelt like a middle eastern
behaved like an adolescent
average man
who said:

pom? what ya mean, pom?

i shouted in his grey hair of y/ears:
i’m going broke and mad today
this is all i’ve got
a poem of pants
not punts
nor puns
that i had picked up in a garage sale
for a couple of bucks
that i had worn though thick and thin
in a lot of fucks
i’ll just give it to you
for a cent

(here it is
i have the cent
he’s got the po(e)m
i don’t know what to do with it
nor does he)

you understand?

Posted in 04: UNTHEMED | Tagged

The Lighthouse

The image of a lighthouse keeps recurring,
toylike with diamond patterns down its walls.
A harlequin in black and white that flashes
on and off and on and off: highlighting a thin
peninsular. Below it wooden houses
with verandahs overlooking sand
and more sand, inside living rooms
not confined by walls and lives
not defined by clocks, just the beam
at night that blinks awake calm
and blinks again on the illumination
of this—one second hung in the night.
An instant stripped clean, pure
in the sweep of light. Invisible in the day

Posted in 04: UNTHEMED | Tagged

Unrecorded

Cook stands on the shore at Farm Cove: it is the past.
Sydney surrounds him. Low green apexes of land
slash into the harbour; above blows the open-heavy
of the sky, some equilateral clouds. He is not a simple
man. Banks carefully traces specimens; others
of his crew insert themselves, finding unseen views;
outstare blacks, hook strange fish. Cook does not
have questions. Haberdashery in Staithes is everything,
he sees: he knows that there are no ‘new data’, that all
phenomena are a single kind, a thing of the world
can be neither explanans nor explanandum. Really he
has not left Yorkshire, has not stopped digging in his
garden, is still in church in London, singing. Drink
machines lie buried under the sand. Usually he will
not accept his own simplicities–Where do words
come from? What is the start of action? The harbour
is no place of options: it is like thinking into blotting
paper; in the natives’ language “spider” is the same
as “web”. Products and history start to fill the land.
The royal banners forward go. The music is corrugated,
a twisted metal framework rusting by a desert sun.
Observations are not observations–he skips a stone.
Caged in the captain’s saloon, the bird of Happen
strikes its head against a porthole, forward and back.

Posted in 04: UNTHEMED | Tagged

Q

Who ate the rest of my portion, where has the new purchase gone,
When are we stopping to have a rest, sentences missing their mark,
Moments passed waiting, no reply.Who wrote your autobiography,
Where is the South China Sea, what were you doing at the toy museum,
Sentences best left for others, post-modernists, those who might actually say.
Why does it rain then stop, how does the grass grow up,
What is the radius of the solar system, sentences that demand an expert,
For which the Italians reply Boh! Is this the centre of the world,
Are we standing in the main street, am I in my right mind,
Sentences eliciting a straight yes or no without any further to go.
We put our heads forward in this chancy world, there is no way
Of knowing, no way that’s for sure, sentences children dream upon,
Phrases that together sway like trees.What is the missing letter,
What is this line about, you can’t be serious, can you,
Sentences that imply a hidden intent, where something more must be meant.
Why did you say such a despicable thing, do you think the world owes you a living,
How much longer can this go on, sentences you don’t want to hear,
Hazards for the unthinking majority. Can we be born again,
Are you the one for me, is this what we came to see,
Sentences begetting others more impossible than those that began.
Is this all there is to a party, why am I the Wilde of staircase wit,
And shall my pilgrimage reach a centre, sentences no one should ask,
Not that this stops them, not that we don’t see the contrary instanter.
Who are you, what is this, where is that, when to, how come and why not,
Sentences we have heard too much from, sentences, sentences, sentences, sentences
Walking around in a circle hoping to find the step in or out.

Posted in 04: UNTHEMED | Tagged

Canvastown

That spring we lived in Canvastown
there were mushrooms the size
of dinner plates in the fields,
frayed at the gills with lice.
My mother wore a feather in her hair,
naked, in profile, always painting.
My father, stringy pony tail,
pink shirt, threw pots in a cow shed.
I half wanted to be the neighbours’ child.

She, fat and breathless would seat me
on top of their enormous freezer,
a mortuary of animal carcasses, feed me
bright yellow pickle, doughy bread.
The odour of Basset hounds,
mutton gristle and hot vinyl.
She created nothing, sat indoors eating
melted cheese from a dented frying pan.

Furrows on her husband’s brow
ploughed deep, skin red as raw beef.
Yet he could listen with the trees,
make a willow stick dance
to the song of an underground stream.
The flick of my mother’s brush on canvas,
buzz of mason bees building white clay houses,
the dull roar of my father’s kiln.
Across the road the weaver at his loom,
weaving a poltergeist’s footfall
into a vermilion carpet. Sound gradually
drinking in all its listeners.

The fat woman and I didn’t listen.
She was bored with the water diviner,
resplendent in a green chenille housecoat
she turned afternoon into evening
by watching Bewitched on TV.
I liked to lie in her overgrown garden,
watch crab apples pull malevolent
faces from the tree, poke out
their wormy tongues at passer-bys

Posted in 04: UNTHEMED | Tagged

Rent Boy

We started
to watch Alien
on video
but it was dubbed
not subtitled.

We had already
talked each other
blue in the face.
So spurred on
by a dose
of male pheromones
and inspired
by a Sony installation
and a porn room
at the gallery
I got to
rummage around
in those
white
Bonds
boxer shorts.

Only entertainment
failed us.

Posted in 04: UNTHEMED | Tagged

Unfortunately I’m Dead

A little portrait of me lies in the flowerbed
making allusions, watching her comb her hair.
She sings into the shattered mirror:
“But you will last as long as the rose,
as long as the glass, glass tulips. . .”
A can-opener smiles derisively on the night table.

Each humid, endless afternoon
I hacked the encroaching bamboo,
unstrangled the weeds from our bedposts,
and made little repairs in the canopy.

I remember she loved and feared the dark.
Whenever the horses broke loose and threatened the begonias
her heart trembled under my hand like a bat.
We’d huddle all night in bed, counting.
The horses filled us with the ineffable grandeur
of their silent pounding, or something like that.
Mostly I liked not knowing what to expect.

The sun looms angrily, high above, stranded.
She walks, or rather meanders, towards my portrait, chanting
“Phillip, your green thumbs, the envy of all Wales.”
Each wisp of her hair grows larger, they wave and shine
like snakes you can see through. How strange. She bends
over me, blocking the sun.

Posted in 04: UNTHEMED | Tagged

Everyday

You go to a restaurant and you eat a meal and you choke and die. It happens like
that. You feel horny and you visit a sauna, get careless, and you catch AIDS and die.
You open a
present while straphanging on a tram, miss your stop, get off in a hurry, don’t notice
a truck, get hit and die. Or you breathe the mould of your own body for a lifetime,
day after silent day, and you turn white and die. Or you open your hand and the
lines suddenly go walking off in different directions over the edges of the world and
this puzzles you and you can’t understand it and out of such perplexity you die.
One day the face of the sunflower deity is splattered on the bedsheets and you
grow prickly and are never visited by the bees that carry sweetness in their thighs
and from the hunger for their soft release you die.You construct a house of stone
underneath a well of pure skywater and there you bring the pillars of every deity
and the offerings for every cult and you crush flowers and the tiny hands of the
newborn dead and, forgetting how substanceless is sacred food and ritual water,
you reincarnate as gesture without body and die.

On a Saturday during the football on an airplane over Antarctica in galoshes in a
business suit on the holiday of a lifetime tomorrow and yesterday after five minutes
of thinking and a decade of acceptance passionlessly as oxygen from a mask in
this room which has grown as small as a child’s crib you open your mouth to all that
exits and all that rushes in and wanting so much to speak you start to mime the
opening of a word
and you begin to understand
how the silence that fills you and the passion for words that overflows
is your own private and chaotic death.

Posted in 04: UNTHEMED | Tagged

Adrift

For the first time in my life I didn’t feel
like an empty hayshed leaning down the wind
on top of the last thing you could dignify
by calling a spur beyond which peneplain
and then just plain for as far as I could see
from where I sat near a bale a straggling runt
had pulled apart to find it gone grey all through:
not absolutely sure of my emptiness
as if something in it was working adrift,
and almost unaware of falling behind.

Posted in 04: UNTHEMED | Tagged

Towards Wilpena Pound, South Australia

When salt- and bluebush country
gives way to the small yellow constellations of
wattle, the mind enters existence.Then

native pines stand, where rabbits had cleared the undergrowth
and where they themselves were wiped out by an island virus,
echoing plantations. Further, in the sung wind,

subtle bodies are a glimmer, fluid as the invisible river
over broken rock geometry, as extinction.
The sentence, then, is an unrealizable mountain.

Posted in 04: UNTHEMED | Tagged

Evolutionary Tales Nº1: Flight and Distant Travel

From this distance, I’m small and quiet,
being all curled up in this poem and waiting

inside the woman who lies spread-eagled,
silenced by the temperament of generations.

Her husband cradles a book, whose contents
no one remembers, and as he reads

she listens, not to this, but the sharp unfurling of wings
within our dim-lit cave; her muscular breath.

Slow march of words crawling back through centuries,
letters inked into leather scrolls,

a dark wind lifting the fabric of memory
and my mother labouring me up to the world’s fleshy rim

beyond which lie the nameless continents
and my father, who has long since put his book aside.

Posted in 04: UNTHEMED | Tagged

The State of the Union

Billed as the State of the Union Address
to state the state of Bill’s union or
preferably the state of Bill’s non-union
Bill’s State of the Union Address prayed
closed its eyes & thought of Hillary
while looking Saddam Hussein in the lens.
So everyone, but everyone wanted to know
how far the President would have to go
how far the President had already gone.
Had Monica Lewinskied Bill Clinton or
had Bill Clintoned Monica Lewinski?
Instead of going the whole Lewinski
perhaps Monica just Monicaed Bill—
one & the same as Monicaing Clinton.
Bill mightn’t have got any more out of it
if he’d gone the whole Lewinski but
Monica might have got more out of it
if she’d gone the whole Clinton
Clinton, Clinton, Clinton, Clinton.
Depends on whether or not she thought of
Monicaing as Lewinskiing with lipstick.
Anyway, who cares, who cared? Everyone
& no-one once the Navy was on its way
the Lewinski aircraft carriers carrying
Lewinski bombers carrying Lewinski bombs
smart or maybe not-so-smart bombs
some dud bombs, dumb bombs, dumbos
depending on whether they thought with
their Lewinskis or with their Monicas.

Posted in 04: UNTHEMED | Tagged

Rita Coolidge Plays Mt Druitt

1
The minarets of Auburn’s mosque
are topped by shining metal cones.
Calm, early afternoon–

Dirk Hartog bangs a nail
through the sky’s pewter dish.

Land the colour of dried sponge,
razor grass–a white flame
sputters in the wind.


2
Fences fall like theatre
props. Mount Druitt expands,
LA obsessed cars

stretched by the tar’s
tightening belt

where in-between houses
hover in heat:
Speer the architect.


3
The carriage judders
the glaze from
a passenger’s eyes;

and Rita thinks of fame,
can almost roll

that kernel beneath her tongue:
a signature song that could shake
any audience to its feet.


4
Instead she scans
newspaper reports
that read as obits:

Delta lady achieved her fame
in duets with Kris.

Under her breath she croons
watching the Nepean’s algal blooms
from the sluggish, half-full train.


5
She knows the audience loves
her casual dress
as much as her songs.

The way she flicks her skirt the way
young arsonists flick a match

to thunderous applause.

Posted in 04: UNTHEMED | Tagged