Behind Enemy Lines

1

he walks past once
twice
again
& again

now he hovers
clenched fists
sweat pouring
ears pricked
mouth agape

his eyes bulging
staring into every house
every window
his head darting back & forth
like a clown at the show

he walks up the driveway
shoots out
walks down the street
looks around
then back there

this time he goes straight for them
one over his shoulder
one under his arm
& takes off
like a vulture with its prey

he makes it home
panicking about that bloke
he spotted too late
watering the lawn

he burns the passport
the tickets
anything with a name on it
so he can't be

 
 

2

usually it's sloppy service
& looks of revulsion

but the new clothes
with the funny names
change all that

looking like one of them
acting like one of them
feeling like one of them

he likes to brush shoulders
with the sportscasters
newscasters
footballers
politicians

'pitiful' pitman buying milk
anne wills browsing
george donikian getting a haircut
amanda vanstone
standing aside for him
in the aisle

but there's always the fear
of being tapped on the shoulder

where'd you get that jacket?
or the shoes
or the shirt
or the jeans

 
 

3

he says
the risk is worth it

he like unley

but he knows
unley
doesn't like him.

Posted in 08: FESTIVAL | Tagged

simultaneous / soon

burn through cliches / a pack a day
smoker / soon your smile will burn
like paper / curl & disintegrate
simultaneous / soon
you'll become thin
as a whisper / cough up a cast
iron lung / soon you'll have
nothing / to lose sleep over / become
nicotine / inhale a chain
of signifiers / desire comes
with cautionary tales / when the
man wrote / I can't get no satisfaction /what
did he expect.

Posted in 08: FESTIVAL | Tagged

The Garden of Earthly Delights

They grow cities on these flowers,
she told me.

I have seen faces emerge
from the arms knotted behind a man's back.
Sleepers;
wings sprouted from the web of fingers.

Dragon wings and a pterodactyl foetus.

It's all there
she said.
The dorsal fungus
and inverted smile.
That nascent web.
The whirlpool.

They grew the family on these,
she said.
That swell,
that family of lies,
that war.

They grew that family of seven,
she said.
That five,
that three:
muddle, fuddle, thistler and brothel –
no thistler, three brothels.
That family three,
she said.
That family tree three thee fee fine for fume.
That smell.

She sniffed.
They grow cities on these flowers.
She arched her back
and split.

Pollen puffed away
on the sea of grass.

Posted in 08: FESTIVAL | Tagged

Maitland Bay

You hardly moved
lying like a sea slug
in sepia,
dreaming of sky fluorescence.
As if reading braille
you ran your fingers
over tiny shells,
a trail of ornamental bones
on bleached sand.

Hours later the moon rose,
full breasted,
white Godiva,
flaunting it
for the green tipped
crowd,
for bleeding eucalypts
& saffron-sprinkled
lichens.

At dusk we left the
gossamer bay.
Your body heaving,
breathless from exertion
wanting to break
the shackles
wanting to enter
the spirit
of all these forms.

Posted in 08: FESTIVAL | Tagged

Girlfriend

you dress me in brown suede boots
& mini skirt
say you’re bored of your husband
of suburbia
hand me half a pill
promise me fun without misgiving

i’m the serious one you’re streetwise
we drive to the nearest club
where tonite they play retro
silk curves sway
inside your blouse
your smile white as mercury

we strut & flick in the grimy light
of the cubicle

friends don’t sleep
but when you leave
night inhales
Givenchy & trumpet lillies

Posted in 08: FESTIVAL | Tagged

Ian Bell: riot

you poked a hole
in my chest and hoovered
my heart out

you burgled me
while I was busy
blagging you

it was a riot
sure
that hit home
like a baton round

when you took off
when I got remanded
in my own custody

see you, see if
I ever see you again
I'll deck you

with kisses
I'll plant you
in my breast

Posted in 08: FESTIVAL | Tagged

Ian Bell: why da was a Elvis impersonator

my da was The King, and don't
laugh because it's not funny
because I watched that man suffer

up like a Lilty at the scrake of dawn
his haunting uhuhuh ahoohoo wafted
round us getting ready for school

we watched him agog in the evening
squeezing into his karate jumpsuit
kicking and chopping in anticipation

ready to cast his sequins and burst
his buttons amongst the swine
by God that man could handle a mike

my da lived like The King and he died
like The King, breeks round his ankles
hamburger in hand on his porcelain throne

now I see him at the window
of a Graceland only in my mind
tubby silhouette in his quaking pose

now I flail, dippy groupie drowning in his wake
imperfectly executing lunges of my hips
longing to feel his perfect curl on my lips

Posted in 08: FESTIVAL | Tagged

Eurydice In Sydney

What did he think, while I was gone
he’d done time in his head, was he still a mirror
did he waste his brain dancing in the abstract darkness?

Pain comes and goes, I notice things
I hadn’t before, in the city the ibis stitching his voice
to the wind between the carpark and George Street

I think of shopping the supermarket with him
as under the blue trees in Hyde Park
bogong moths flutter in shafts of sunlight down Elizabeth

Maybe maybe maybe
and pain numbs you after the laughter
pain only exists to fill the empty holes his jokes made

Was Sydney Harbour real — did it still exist
after his murmuring late into the night when he drank
until his voice rustled with ribbons of blood and smoke?

Posted in 08: FESTIVAL | Tagged

Travelling Salesman

Was this the end of those
dusty by the side of the road
women in pinnies times? his
good-natured laugh and smile
climbed out from behind
the steering wheel of his
grey bull-nose truck.

Cuts of cloth and baby clothes
sold with been-around ease,
he'd resume his country town
round with dust rising from
behind the wheels. Our sense
of remoteness trailing along
in the camphor smells.

A memory lost now
to the bar-coded blip
of check-out aisles.

But, hey. In these times
of economic rationalisation,
soon the week's shopping'll be
moused out on computer screens.
Delivered by the company's van.

Look! Coming up your street!
The past pulling up outside your house.

Posted in 08: FESTIVAL | Tagged

Like Bukowski

. . . we live without
feeling beneath us
firm ground . . .
— Mandelstam

 

Perhaps I could write like Bukowski, probably
do
sometimes —
only one problem
with writing like that
is the possibility of writing
like that
forever —
it would go on well after everyone
has gone to bed
(not necessarily to sleep)
it would go on even when the trains
have stopped for the night
it would go on stage like cosmetics in some late night theatre
& never come off
it would be po’s 24 Hours being read
from the Departure Lounge at Tullamarine
but never arriving at any destination
it would journey through every breath and drunken thought
with minor variations on imagination
dependent on degrees of alcohol consumed
and endless relay or Mexican wave around a stadium
which never closed or dropped the baton

Allison says, He couldn’t write all the time
He’d have to sleep, shave, shower and shit
So you don’t have to write all the time
to write like Bukowski

but
what kind of poem would I write
if I did write like Bukowski?

It’s Winter — the air-conditioner
is set
too high
& I can hardly
breathe.

I’m writing on top
of an old Gregory’s
(Holden HQ-HJ 6 cyl
service and repair manual)
kept the book
though I sold the car

Bukowski’s The Last Night of the Earth Poems
1992
is sitting beside me
on the hand-carved in China sandalwood chest

the book is open
on the first page
of the last poem
I read
before I’d had enough of
before I felt as if I could write like
Bukowski

Posted in 08: FESTIVAL | Tagged

Beach

the dark
coat winter

one sleeve
full of stars

the other
thrown over

a shoulder
like a glance

as the wind
blows diamonds

Posted in 08: FESTIVAL | Tagged

A Train Dream of Wings #2

Central to Suburbs to Central to Suburb: an extra $4.50
Forgotten Briefcase.

In the descent of angels, nothing matters.

 
*
 

Each Station lit with bayonets of
fluorescent light, empty train, stomach, head,
benches, head and still the whistle blows
the long day's end
challenging vagrant men
to roll over, stick a digit up
the sphincter of night's crow-black
arse.

As the train rolls my head bounces with a
do-do-do do-to-do do; a la Lou Reed
and the coloured girls, a glass
woodpecker hugging
a briefcase full of work.

I rub my neck and shoulders (check for the
stubs of my new wings)
see my breath
alive as frost on the glass
fashion wings that beat, breathe, erase,
design/redesign
with the stump of my fat finger,
I scratch inside
a whale like Jonah
wanting to fly,
excape
that sinking
feeling.

Posted in 08: FESTIVAL | Tagged

Kate Wild Reviews Cathoel Jorss

going for the eggs in the middle of the night by Cathoel Jorss
Self-published 2000

I received an early Christmas present last year: a book by Queensland poet Cathoel Jorss, sent in the post for me to review – but no one could consider the arrival of such a beautifully executed collection as anything but a gift. The volume of 20 poems is self-published, designed and illustrated. Poetry aside, the quality of paper, printing, and the reproduction of Jorss' artwork stamp her as a curator of great merit.

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Paola Bilbrough Reviews Andy Kissane

showcover.jpgEvery Night They Dance by Andy Kissane
Five Islands Press (2000)

Andy Kissane's second collection of poetry begins with the evocative lines:

In my dreams I blow glass.
My breath spirals easily
up the rod,
My lips are loose and supple
as if I'm panning cool notes
into the evening.

This is an apt description of Kissane's work. There is a certain lyrical effortless to his poetry that makes it very readable, and indeed many images and details in this collection have the beauty of blown glass. However, there is also a very different sensibility in operation; many of Kissane's poems are also robust, meaty creations packed full of information.

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Festivals

Welcome to the first Internet-only issue of Cordite. Issue #8 reflects a period of transition within Cordite. Migrating to the Web has been a difficult and confusing process, with which we have not yet fully come to grips. We now receive as many submissions via e-mail as we do through the post. The range of poetry we are sent for review purposes is diverse: CD Roms, zines, self-published works, chap-books in rich text or PDF formats. Who said poetry was dead?!

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Posted in ESSAYS | Tagged

Deb Matthews-Zott Reviews Dorothy Porter

whatapieceofwork.jpgWhat a Piece of Work by Dorothy Porter
Picador, 2000

Dorothy Porter's previous verse novel, The Monkey's Mask, was a huge success – it won The Age Book of the Year for Poetry award, as well as several other prizes, and has been adapted for stage, radio and film. What a Piece of Work is Porter's third novel in verse, and takes its title from Hamlet's soliloquy (Hamlet, Act II: Scene II).

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Gaby Bila-Gunther: It’s not easy being zine

How can one ignore names such as Inter Urban Service, RIP, Anti-Gravity or Lose Ugly Flab By Eating Less? They come inside matchboxes, envelopes, or gently packed in wrapping paper. Some you can't even view without 3D glasses. Some are only one page long. Whatever their shape or size, zines are a direct approach to self-expression – away from glossy, elitist print media.

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Chris Mansell: Poetry of the Northern Territory

Region is not acknowledged in contemporary Australian poetry – which is strange since the way we see our tradition is in terms of bush and country. It's also what most contemporary poets have rejected in fact (and, legitimately, act in opposition to). What is now forming is an urban/suburban/rural split. Les Murray remarks on this often – the title of his recent collection Subhuman redneck poems is itself a direct challenge. This is how Murray thinks some suburbanites see non-urban people. If the country is seen as wildly exotic, how, then, is poetry of the Northern Territory seen? Or not seen?

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David Prater Interviews Pi O

Pi O was born in Greece (1951) and raised in Fitzroy, Melbourne. A founding member of the Poets' Union, he has edited books of poetry such as Fitzroy, 925, Missing Forms (1980) – a visual poetry anthology, and Off the Record (1985) – a performance poetry anthology by Penguin. In the same year, he toured the United States and later performed in Colombia. Pi O is an Anarchist. Fellow insurgent Brad Evans interviews Pi O via email for your re-education.

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Prithvindra Chakravarti: Twin Mangoes

We never spoke, never sat face to face.
Our company evaporated with the morning dew.
The midday sweat dried up on the quilted
rice field: our wornout scarfs and robes

reincarnated as embroidered ripples
all around, a blossom in the centre,
the rainbow snakes guarding the borders.
We never sat face to face, never spoke.

We hung like twin mangoes
from the forked bough of an ancient tree.

Posted in 07: NORTHERN TERRITORY | Tagged

We All Discard Our Eyes

We all discard our eyes one day.
Sticking them on the wall, we scratch around
caught in a cobweb, relish our rest peacefully.
Once Anancy created a whole world,

now he will undo his mischief, relieving us
of our routine: no more seeing then
those soft, harsh colours; figurines, ribs —
only sticky gum will put us together

if we fall apart. We’ll enjoy the warmth
released by the dazzling eyes disowned long before.

Posted in 07: NORTHERN TERRITORY | Tagged

Some Lines for Reading

Adelaide River War Cemetery

Bones of Polly Mop or Mine
below
the last plaque on the grass.
Blasted into death,
there’s now no flesh
but her still fresh name
has stopped me.
Fourteen runes I read
‘POLLY MOP OR MINE’.

Her secrets buried deeper
than JF Simon’s,
Corporal, twenty,
whose familiar letters
burn bullet hot in the tropic glare
but tonight will share with Polly
all the grave black air
beneath a clouded moon —
his too soon death made me stop and wonder

if JF Simon was a white man
his rolled Up sleeves with cigarettes tucked under,
or Polly Mop or Mine was Black:
she’s nearer to some other stones
like CHARLIE LARRAKIA standing silent
in a separate line.
And yet they’re linked —

I think back then
the kids were told it’s true
— he died for Polly —
and maybe even JF Simon tried believing too
in his untaught understanding
as he marched off scared but smiling with the band.

Complexions fading into land
whose surface has been lately labelled with secret signs
JF SIMONS
CHARLIE LARRAKIA
POLLY MOP OR MINE.

 
 
The cemetery fence

a crude inscription
reads
“Kill all MABO’s”.
The red paint bleeds on silent stone.

 
 

keeping records

On the surfaces
there’s a ranking by degrees
of anonymity
frorn least to better guessed:
xenophobe;
Polly Mop or Mine,
JF Simon; etcetera.
And yet, with a bit of effort,
I bet I could learn most about
the Corporal.
I reckon the Army
has a fading dossier
with further details:
blood group,
height, weight, parents (bereft) —
never mind that just like Polly’s runes
the writing’s all that’s left.

 
 

mind map

Like heated lead
these words burn into my head
almost under thinking,
ancl silent synapses
link tracer shells
across a darkened sky —
Charlie Larrakia
JF Simons,
Polly Mop or Mine,
the blood line defying all the silent stones
and what they stand for.

Posted in 07: NORTHERN TERRITORY | Tagged

Pandanus Fruit — Ubirr

for Elizabeth Mansutti

On the edge of the floodplains
At dusk
Beneath recursively barbed leaves
Shards of vermilion enamel
Drop onto burnt black earth.

Now delicately dismembered
The knobby sphere
Displays like jewels
On a jeweller’s cloth
Smooth inner membranes of vivid glass.

Stored in a basket
Beside my bed
Glossy cinnabar fruits
Exude a strange perfume.
The floury smell of semen
Penetrates my room.

Posted in 07: NORTHERN TERRITORY | Tagged

Slow Evenings

… when even words were eaten
and behind our backs

they were forming a picture an
inscription

illegible but flawless
as that other time when words

were still things their melody
ringing on the cold, charred ground

Posted in 07: NORTHERN TERRITORY | Tagged ,