Johnno and the Seagulls

is not the name of a boy band, though it could be,
I think, and then how it’s so easy to lay the blame
at the feet of others. But if you hold the brush,
then you’re responsible for how the painting looks.
As surely as the artist makes the art, people
make the mess they call their lives. I am
no Goddess, but I have to remind myself that
what I have with Johnno I created, though it took
more than six days and six nights of labour
and I don’t remember resting on the seventh.

When Johnno unwraps the white parcel of fish
and chips on the grassy ledge at Brighton-Le-Sands,
I want to throw it all to the seagulls and let them
squabble and bicker right down to the very
last chip. They prowl around our feet, these
shameless salt and vinegar scavengers.

I rejoiced when I floated through the early
months of coupledom, but now I’m stranded
in this limbo of Friday night picnics, Saturdays
pashing at the movies, Sundays given over
to a trek up some bloody mountain track
while the flies circle, my t-shirt sticks to my back
and my calves threaten unprecedented strike action.
It’s as if I’ve nailed up my volition in some tea chest
and left it in storage while it waits for my ship
to find the harbour. Botany Bay is calm, serene,
the wind fresh, the sun slipping out of sight
with this euphoric belly flop into the early evening.

How did I manage this—a thinking, independent
woman who can’t say what’s on her mind
because her man is going away to the war? And
that’s assuming I know what I want to say.
Now that he’s leaving he seems more attractive
somehow, this modern hunter gatherer
who might not have caught the fish
with his own hands, but thought enough of me
to pack a plastic goblet, corkscrew and a bottle
of plonk—this crisp, fruity moselle that goes
straight to my head, the lights shimmering
in the dark water like a hallelujah chorus.

Posted in 84: SUBURBIA | Tagged

Father’s Phobia

In Beirut one night, Father hit a woman
driving home past curfew
from a soccer game. We hear the story
from Abu George, his childhood friend,
because Father can’t ever admit to his mistakes.

45 years later, he still refuses to drive,
claims poor eyesight and an unhealed rib
make him dangerous. We play along
because the erratic rain of Sunni missiles
may have propelled our car into her too.

We never ask about the haunting; it sits
between us like a broken bridge, a wet road
on a starless night. We don’t ask why
he didn’t stop to help her, why he revved
the engine, raced his way home.

We don’t wonder if he remembers
the color of her hair, the thick braid
sweeping across her left shoulder. We create
her likeness in our minds—sometimes she’s not
a Muslim, not a farmer’s wife, not a beggar.

Sometimes she’s just a girl who gets up
and walks away.

Posted in 84: SUBURBIA | Tagged

Double Acrostic

‘Leg magic!’ I’d chant, swinging higher behind the badminton centre, flaunting Mum’s
earrings and Razzamatazz—nylon whoosh—and my barely hairy legs, ever-unat
-tended tenant of that gravelly South Hobart park where purple plums also burst philo
-sophically; Sophocles chronicled doom in the teens—smilelessly, I’d push mow the lawn,
The Cure’s Disintegration spuming, cumuli
apprehensive of Dad’s appalling
kernels of corn. Pre-hipster Balaclava the promised land until Alexander came out with
‘encephalopathy’—rapid detox from sex, Fox Mulder’s ultimates, poppy seed hament
-ashen. Cut to West Brunswick—uni share house dazed by The Annual, acid, Chianti,
red geraniums in terracotta pots lifted from neighbours’ porches; the perenn
-ial ‘Youse lazy skips
don’t belong ere!’/‘Raver freaks!’/‘Tofu
eatin queers!’ while tripping to the tram/op-shop/supermarket. SUPERB
APARTMENT, Easey St, Collingwood! Siouxsie and the Banshees’ Juju
needled the mind, Tina the scalp, tweaker after bloody tweaker
dealt in gobbledygoo at The Peel, hundred buck return cab
rides to Sunshine for Xanax blowouts, nothing but Nescafé and chapati
until payday. Every Clifton Hill jasmine the Hydra,
nasturtium a gory
wide-brimmed helmet as fluoxetine, nicotine, caffeine kneeled before zero.
In Cooee Bay I ran with curlews at new moon, shrieked ‘Adieu!’
to my fear of the night, searing it with full vocalic
horror, snorkled with bales of green sea
turtles, honed ‘T’estimo molt’ for a dreamy partisan in
-habiting Catalunya. On The Range the tipsy rainbow lorikeet
eases its brush-tongue from African tuliptree to African tuliptree, next door’s handsomish
dad’s gentle with the son who turns remote-control cars over with the sort of freedom I
ordered and doesn’t snarl, into a hairbrush, I only wanted something else to do but hang around, a cud
-gelling: … same-sex couples … (mark one box only) … ‘Ja! Oui! Ae!’



Note: ‘Double Acrostic’ includes several phrases from Pet Shop Boys’ ‘Suburbia’

Posted in 84: SUBURBIA | Tagged

This Pigeon is a Big Man

My therapist wants to know if i was breastfed
I have a short attention span and get bored easily

My Mum yells abuse at me as i’m leaving
for work One morning i move out and live

in Granville I cover my balcony with plastic grass
Two pigeons make their nest there green

& purple like oil on wet asphalt I have
a short attention span She lays two eggs

behind the milk crates I hold them in my palm like
coins I put them back South Street on Sundays

is a tunnel of chicken smoke Road rules are optional
Cars smash like eggshells His red eyes are goji berries

He puffs himself up with popcorn & cigarettes
When i stand up too fast he vanishes in a puff

of smoke They gather twigs & shit everywhere
they stay Because it is a Safe Place i live in

Granville and my barber is probably a drug front
So is that juice place no one ever goes to

At night the stray cats snarl & rip at each other
Making love sounds a lot like a catfight

I have a short attention span but some things
i remember all the time like I’m two years old

on the kitchen counter at my parents’ house
and my Mum says You know your Daddy & i

love you very much I’m twenty-three now and
there’s so much i don’t know I try to say Love

and say Loud instead try to say Mum say Mad
instead try to say Mum say Mouth instead and it

swallows me whole Family comes out Felony
Safe comes out Scathe Dad comes out Dead

This pigeon is a Big Man My Dad is more pigeon
than man Mum raises her voice and he vanishes

in a puff of smoke drives a white van around Sydney
gridlock like an egg stuffed between milk crates

She gathers coins for her empty nest I grow
old and walk around with fists full of twigs

& broken eggshells I slot my hands in
my pockets like coins I don’t know what to do

with them I have four parents Three of them
are pigeons Two are roosting on my balcony

One is a stray cat At night i lock my doors &
windows Some things i can block out but others

i remember all the time like My first word
was Car not Mum or Dad

Posted in 84: SUBURBIA | Tagged

Suburbia: Jurong East

Decentred centre. Regional hubnobbed, notquite heartland,
more ribcaged iron lung of the body politc; working protein;
a thigh muscle: hardly missioncritical, although would be missed.
Or else re-placed.  Swath of brownsites, postswamped, timestubbed,
grassrooted and faraway from tua por: no bigshored rickshawed
downtown comehitherness here. No one to impress, this corner of
the 21st C, so everything smallcapped, missmelt, mixmetaphoric, free
of storyboarded skylines or selfieready shopfronts. No toilets
glazed with ads above the urinals advertising legacy watches&
and holidays by the seine. Still, michelinguided porridge purveyors
and famous fromelsewhere meepok claimants stall here,
not for brochure rights but rent and proximity to locyal tastebuddies
who brave the PIE for lunch, sleeves rolled and merces parked by the town
council next to the atm queue next to durian tout next to mobile repair&
next to pawnporn creditready lenders, remitters, resellers, headbowed
men and women loaded with fairprice bags. More tuition centres than toy stores.
Beautiful, necessary employment embanking drenched and empty playgrounds.
Dollars to be stretched and places to stretch them in. Home is where hope’s
affordable.  Afternoons, coffeeshop voidsprawls enchair worktanned uncles
in checkered polos haranguing policy (safely offsite) over sips of kopi-c-siu-dai.
Ashfall soft on plastic tables. A son in dhaka squealing from a scarred phone screen.
The chickenrice auntie brisker and louder than presidents (having raised teens
and conquered cancer while hubby shagged shenzhen divorcees,
or so the tv soaps may script her), insisting on cheer and more chilli sauce.
Each chaw sharper than a good story, with no end in mind and no less love.

Posted in 84: SUBURBIA | Tagged

Parkway

Down here, my pound of flesh is worth a dollar fifty
more. Where the old pretzel maker from Mindanao
once rested his sweat-flecked arms, there is now
a fire sale of obsolescence. A garden of aerosol cans
glistens, a low-grade hum emanates across
autonomous regions of retail. We once saw Mrs Lee,
very much the hypotenuse
to the railing of ageing steel. Every half-hour the virgins
parade, and giggle in their off-white whites. As I ascended, I recoiled
from the gathering stench of marriage. Remind me to tell you
about the other sale as well, before the discount codes go bad.
The nomads tell us of emporia built into emporia, aporia
within aporia. Some legumes here have not yet felt
the heat of the sun. Subprime loans bloom in neat terraces,
their scent draws the weary, the homeless, the recently discharged.
Noodles from Sarawak, a newly discovered scent
from downtown LA, a tribal mask from London. The best bed linen
wage slavery can buy. Wordlessness bleeds, out there
there is silence curated just for you and your loved ones.
Get back to work. There are acres of sleep we have not yet lost
and visions of paradise still not in the catalogue.

Posted in 84: SUBURBIA | Tagged

Listening to U2 with the fat still on your lip—

that pale patience of yours, oh, I could drive myself
crazy from this observation of condominiums to Maine,
old and bony Maine. What’s that song you’re guessing?
I guess it’s empty passion no groovier than last night’s
cigs you’ve beautifully lighted for one more china sparks
at the counter of 7-Eleven. You know what happens
to fat when fingers stay out of love, out of their silvered
stillness? Traffic lights, they turn to the eyes of the law
in tripartite colours. It’s safe and subtle, isn’t it?
How clever the fat moves in princely prose, or
in scripted smoke splitting between your Kerouac
lungs. I suppose you’re a movie star, a gorgeous
hard rain, a motorcycle of flowering acquaintances.

The kitchen sink never dirtied, you never cooked,
peeled, dreamt. But you showed me your world.
Ashtrayed the day away. That dear fat on your lip,
I loved it and I wrestled with the night pretending
it’s already 2:30 AM; that no creature of the streets
would dare say it’s another Bono song you’re slanging.
Whether Where The Streets Have No Name or Stay
is slippered on your ears, the test of music is the gape
of a new fish at midnight. Every time I finger-spelled
the words of your breath’s lyrics, you’d say there’s no
perfect word, only car park symphonies
and the heavy pulse of the runaways.

And so I learn
the basics of yesterday, smelling
the fat on your lip, its music and magic astound me—
forever guessing the beat of our endless
smoking suburbia.

Posted in 84: SUBURBIA | Tagged

The Closet Opens by Degrees

This is the year I make reparations
to my sixteen-year-old self.

I am closing every Messenger window,
burning her school kilt, and letting
the wool smoke choke everyone.

I am retreading sixteen like a warpath:
I demand to be kissed unremarkable
while we wait for the bus;
unroll me on your tongue
like fruit paper,

fuck me in every summer
we tried to avoid;

during grace at family dinner;
your stepmum’s house,
when your dad is home;

the old playground,
right there on the tanbark—

and then we’ll climb the bars
and do butcher flips,

and you could teach me
how to be here in ways
I never figured out on my own

Posted in 84: SUBURBIA | Tagged

Burial

for Neddy

Furious bright day
on which the calendar
notation reminds
of jackhammers at dawn,
the digging of a hole
to be filled at dusk:

pool of clear sky
unsympathetic to such
endeavour, the careful
mapping of dogged grief
onto earth—
fault lines expanded

by heat. Hours
warped by shifting
ground, our wait
to undo the cryonics
of final injection.
The veterinarian’s

receptionist reads back
dimensions, white
old blind eyes stay
frosted until the rite
lurches ahead, body
thaws into hothouse

embrace of sweat, dirt
and the various
wisdoms: remembrance,
fidelity, the give of
suburban landscaping
and fumbling prayer.

Posted in 84: SUBURBIA | Tagged

Her

I want that night again: hours trickling by
In soft rich dark caressing bluestone walls,
But take away the morning that showed up,

Delete all haughty sunlight of the day,
Erase that list of things that must be done.

Let angels clip the wings of big jet planes.

Death doodles circles round us hour on hour,
Each smaller than the last: I hardly want
Great chords of moonlight on the river, or

The Crown Casino shrunk upon my desk
With snow forever falling round about.
Give me the week before: a curdling sky,

Its questions with thin lines that spool and loop
While walking down a street I know by heart,
Give me that ordinary day, the best,

The one that had me step into a room
And see her there. I want to live inside
The words she spoke that afternoon, fine words

With windows tasting sunlight as it came.
I want to turn around and see her there.
Delete the miles that keep us far apart,

Erase thin moonlight tingling ocean waves.
Let angels cancel time. I want my days
To thread themselves though our first kiss that night,

I want to hear soft darkness breathe for hours,
I want to wake beside her, warm, each curled
Into a question mark a touch away.

Posted in 84: SUBURBIA | Tagged

like we’re scared

you get off work fast and walk fast from the shopping centre
to your car and drive fast down the new highway
and the etag on your windshield beeps fast as you speed
under the fluoro lights that flicker fast in the new tunnel
that they built fast just so that you could get off work fast
and drive fast to my house which was built so fast that
you can’t even see it on google earth yet and we kiss fast before I get into
the passenger side of your fast car and grip onto the door handle while
you drive fast down winding backroads and I watch
your headlights flickering fast on the dark trees before we pull into
the new maccas drive-thru and order our meals fast like we’re scared
they’re going to run out of chips and we have another fast kiss
before I rub your leg and our fast food comes
and we listen to a fast pop song as we cruise through the main strip
where all the kids my brother goes to school with are growing up too fast
lining up for the only nightclub left since the other one burned down fast last summer
and they’ll be grinding on each other fast while the music blares down on them
making them wish they could be done school fast so they can go to tafe and get
a job and spend all their money fast on clubs and maccas and new tunnels for you to
drive in

Posted in 84: SUBURBIA | Tagged

The Apocalypse We Always Hoped For

In the beginning was our stuff, like a vast empty yard
where grass-seed was scattered, and at first

shards, bare shoots, patches here and there,
until a great lawn of things everywhere sprang up

and covered the ground and the deep.
Our trash is soaked with us. Our boats

skrim through the plastic souls we shudder.
I want to tear up the house from its foundation

and empty it, want our stuff to get lost like the names
of characters in almost every book I’ve read

and almost every single student I’ve ever taught
(it’s magical how settings remain, like the white

wrought iron bed, your ideal chair, its thousands
of particulars: Eames, caneback, wicker, a nickel

plated lowrise that bears the impression
of a tall man sitting in it with his legs crossed).

They rise up and sink, drift by the boat like scores.
Even love has multiplied beyond our ability

to count. The coasts flood first, then the seasons
were unmoored (nothing gold can stay). Now the flash,

currents knocking us off our feet. We cling
to tree branches, reach out for fingerholds.

And this sweeping away, we’ve longed for it
to tell the truth, to finally be clean.

Posted in 84: SUBURBIA | Tagged

Old Friend

I choose to live in a mongrel suburb,
my scruffy street a united nations.
You live on the leafy side, unperturbed
by sameness, your own face, your relations.
You tell me, over coffee and éclair,
that on a rare train trip last week you’d seen
“a boy from Footscray, or somewhere out there,
you know, tats, moccasins and stove pipe jeans.
He vomited in the carriage, right there
in front of everyone. Didn’t clean up,
just stared round with a stupid grin. ‘Who cares?’”
The look on your face was not quite disgust,
telling your little Western suburb story,
but unamused, self-congratulatory.

Posted in 84: SUBURBIA | Tagged

curb cut cartography

i. CNR PIPER ST SOUTH & TRAFALGAR ST

the trailing end of november is filled with
medical appointments followed by house
parties hosted by mates who live around
the corner from my doctor whose practice
is heritage listed thus preventing her from
putting in a ramp unlike my mates who are
prevented from putting in a ramp by their
landlord who explains that complying with
the Disability Discrimination Act of 1992
would be a source of unjustifiable hardship

ii. YOUNG ST PAST WISDOM ST

on the journey home from physiotherapy
my Gamilaroi neighbour sees me struggling
says you want a hand? yeah i say flustered
fold my handles up so he can gently guide
me backwards off the barrier curb his arms
are strong you good? he asks yeah thanks i
got it from here! – i don’t – after trundling
across the street i find a dearth of curb cuts
on the opposite side also & resign myself to
several minutes of public embarrassment he
notices & rushes over to help saying nothing
of the bright blush hotly rising on my cheeks
i am terribly grateful for his tactful silence &
for the fact that when i am safely grounded on
level pavement he says again you good? as if
it is the first time he has said it & when i say
yeah thanks i’m good – he nods & lets me go

iii. DALGAL WAY, NR TRAMSHEDS

i used to bike down here back when i could ride
a bike before the area became a favourite haunt
of hipsters & dickheads sipping Early Grey gin
back in my day the area was already gentrifying
but at least we didn’t listen to live ukulele bands
i have a better set of wheels these days & the bike
tracks have been repaved & given names. dalgal
means mussel in Dharawal dialect as recorded by
William Dawes as told to him by Patyegarang who
in 1790 was told that if she washed herself enough
she would become white – to which she replied
Tyerabárrbowaryaou: I shall never become white

iv. RESERVE ST

this street was infamous once – i used to call it
the obstacle course & everyone walking down
with me knew why: paving stones broken to shit
by the lashing roots of gum trees ripping through
a street already too steep for comfort & scattering
stray twigs leafy debris the occasional treacherous
gumnut & not a single decent curb cut to speak of.
nobody else could push me down that road. it had
to be navigated alone. wheeling hand on rim gave
me perfect control over the tiniest of movements
though i swear i nearly died a dozen times on that
hellish stretch the challenge was exhilarating until
one day suddenly the whole lot had been repaved

v. CNR CATHERINE ST & THORBY AVE

in summer my sister & i race madly down the
road to the local bottle-o prompted by urgent
alcoholic drought eight minutes to closing time
two minutes of which are eaten up heaving me
over the threshold like some cumbersome bride
in a fairytale lacking universal design. the lone
cashier’s face falls & i tell him We’ll be quick
while my sister dashes downstairs following a
sign that reads BEER THIS WAY leaving me
to linger at the till uncomfortably aware that i
am dangerous in this space walled in by towers
of precariously stacked discount wine i am the
bull in the bottleshop Asterion in the labyrinth
so i pretend to be very interested in a bottle of
thirty dollar rosé called Cockfighter’s Ghost &
wait for my sister to grab a sixpack of dreadful
cider & a packet of Winfield menthols so we can
get the fuck out of here. on our way back home
traversing broken pavement littered with broken
glass i see someone has abandoned a cork from
an expensive bottle of champagne in the gutter

Posted in 84: SUBURBIA | Tagged

Window Record

The bird staples itself
into the afternoon, asking
to be asked
for forgiveness –
a prowling Hyundai snarls defiance.

Here, the options are
to be mostly one thing or
barely many others.
Escape is via
laugh track tollway weather balloon dirigible –

the backboard
in the breath,
the blackboard
of the throat,
the things giving each day permission to proceed

in the furrow of the previous one that is to say
with desolate compassion. See the corner’s quaking aspen
whose leaves
are its highest vow
grinding down the teeth of the day. It happens every

moment, and again. Serried fenceposts
which don’t know better. A bypass’ plunge
beyond imagination. Two
caterpillarwise helicopters.
The smell of the first breath from air-conditioners in cars

signalling nothing. Evening coming on like television,
like the second cigarette –
nothing redone or to redo
much less forgive.

Posted in 84: SUBURBIA | Tagged

Neonate

chewing on the nipple my baby
turns her head

each time that door flies open
can’t anybody

shut those damn kids up my head
is splitting swipe emoji where’s the one

for kindling on the fire who was that guy
with the big suit you remember MUM

take them all outside take them
back of buggery let me get this done

so I can change her we will all go up the road
for maccas she’s a beauty little princess

everything ahead of her it all
just breaks my heart

Posted in 84: SUBURBIA | Tagged

Sunburnt Jukebox

‘We can write what we want to write.’
John Farnham, ‘You’re the Voice’

I want to tell you a story
I come from a saltwater people
Waiting on the weekend, set of brand new tires
Is running in your veins
I’m tired of the city lights
Let’s go down to the sand
You don’t need a friend when you can score
Out here nothing changes, not in a hurry anyway

Call this history? But what could we ever really know?
So you look into the land, it will tell you a story
I would not tell lies to you
I love her far horizons
A rain of falling cinders
Yeah, we razed four corners of the globe
Now she’s gone, gone, gone like the wind
No way, get fucked, fuck off

I come from a land down under
I’ll be coming home to see you tonight
I woke late in the middle of the day
The hot gold hush of noon
Crying in the wilderness
The hot sun is a killer
So long, long between mirages
I didn’t know how or why

There was nothing that I owned
If half of what I’m saying, of what I’m saying is true
In convoys of silence the cattle graze
We see the cattle die
The Western desert lives and breathes
And rumour said there’s a boom ahead
More than working for the rich man
Mistaking tacky sex for sensuality

I feel like a good time that’s never been had
Each passing day our culture slowly dies
Come and see the real thing
She pays us back threefold.
And that ain’t bad
Watching as the ships came one by one
Life is a bitter disappointment
Let’s swing for the crime

Now listen, we’re steppin’ out
Like a child at big store windows you feel confused
Help is on its way
You will not understand
There’s a fine line between pleasure and pain
Close the doors to the past forever
So throw down your guns
Dream on white boy (white boy)

Posted in 84: SUBURBIA | Tagged

Posing Cards

found poems

i) Mom + Dad Hug

Have the couple half hug
with their arms crossing in the front.

Tell Mom to slightly lean
her head into Dad.


ii) Family of 5 Standing

Have Mom and Dad stand together
and ask Dad to put his hands in his pockets.

Tell Mom to turn toward Dad
and ‘hug’ his arm.

Ask older, taller children to stand
beside Mom and Dad

with one shoulder tucked
behind whichever parent is beside them.

Then bring in any younger children
and pose them in front.


iii) Mom + Dad Arm Hug

Have Dad stand first with his
hands in his pockets (thumbs out).

Then place Mom beside him
and ask her to hug his arm.

If they seem uncomfortable,
ask them to make silly faces

at each other
to loosen them up.


iv) Family of 5 Sitting

Modified cheerleader pose for Mom.
Same pose for Dad, but with his knee up

and his arm resting on that knee.
Bring in the older children

on the outside of Mom and Dad.
Have them sit modified cheerleader

or criss-crossed. To show connection,
tell them to link arms

with the parent beside them.
Bring in the youngest child last.

If they are young enough,
have them sit on Mom or Dad’s laps.

Try to use them to fill any empty spaces
between older family members.


v) Family of 4 Sitting

Place Mom and Dad first
in the standard Mom and Dad sitting pose.

Then bring in the children.
Have the older child sit beside Dad

in a modified cheerleader pose
and lean into him,

resting his arm on his raised knee.
Place the younger child either in Mom’s lap

or beside her in the same position
as his brother, but mirrored.


vi) Stop and Kiss

While walking away,
have Mom and Dad stop

and kiss over the child
between them.

Posted in 84: SUBURBIA | Tagged

Insect Wisdom

for Lisa Slater

I was gripped with manuscript panic, so I ventured into the backyard for perspective and sunlight. Three paces from the door and a giant bug swooped. It was five metres across, prehistoric, all wings and fang, ant-beetle-wasp. I was caught between pincers, hung upside-down. My husband stood on the stoop, concerned. Our seven-year-old waved, eyeing off the antennas and bulbous eyes, before his father ushered him inside for trombone practice and bath time. I stayed out there, suspended above the grass. Days passed. Weeks. The neighbour’s dog finally shut up and when everything was quiet, the fierce grip around my torso relaxed and I toppled to the ground.

Posted in 84: SUBURBIA | Tagged

Rehearsal

new year’s eve & burning like icarus. a below-ground pool is too close to the sun.
the youngest kids shout around dining tables in the cul-de-sac. you see them
from the balcony. sunset has set your suburb on fire, & the next one.

gone downstairs again, you drip poolwater where the table should be,
on wax-white tiles. your family will be moving soon, taking you far. & as the light fades,
the heat in your skin is rising. reflecting something unseen, you feel like the moon.

you’re so antisocial. you’re alone in the house. you could shut the blind & block
the night. you could stare at a starry ceiling—the afterimage of the day in your eyes,
projected like glow-in-the-dark replays of every excruciating misstep.

futile as penelope, weaving a shroud every night & unmaking it. more so, as it’s your own
shroud. you have been faithfully rehearsing all the reasons why you deserve unhappiness.
& later, sitting on the terracotta lip, above the pool filter, sculling your shins

in the water, you’re just a becalmed boat. you should block your ears with wax. thinking is
trap. remembrance is just a siren song of making yourself a myth. but underwater should
count as trying something new. a year shouldn’t feel like a rehearsal for the next one.

Posted in 84: SUBURBIA | Tagged

different / same

spongy buffalo
lawn mown short

palm beard muttering
rust edge sky

reach for the orange
brick still warm

parching and drenching
shoe strung high

black chip enamel
tea gone cool

fierce little fist raised
girl brought home

depthless perception
flat blur still

everything / nothing
different / same

green fleck laminex
mint fresh coin

dozing and leaking
song sung low

toenail nemesis
sheet worn thin

tentative tendril
hook flung slow

adamant hunger
cut sewn tight

never / forever
no time / soon

Monday remember
chip shop shut

ghostly echidna
ten cent moon

Posted in 84: SUBURBIA | Tagged

Crescent Road

Nobody comes here
who is not lost or home.
3 pm: the hour of housecats whiskering

across open-palmed backyards
while cars shark up this hill
much too fast.

The road’s a double nothing: it splits
into tarry hoops of cul-de-sacs
that slingshot all cars

back the way they came.
In passenger seats
people shake their maps like babies.

6 am: the sun’s barely a blister
on the horizon’s thumb and a runner,
new to town, chisels

up the street,
meets the club foot of one dead end.
Back at the fork, lactic patches

on his high-vis legs,
he tries downhill and gets
nowhere again.

Twice in a row and he believes he’s arrived
in some nightmare town
which he now fears

he might never escape. The highway,
close enough to burr in the ear,
promised him order

but here he’s mazed
in these two ends, bent
on staying dead.

Posted in 84: SUBURBIA | Tagged

Henley Park Canto

33:54:30 S,151:6:190 E

This cul-de-sac sits like a thermometer bulb at the bottom of a street lined
with housing of various degrees–Californian bungalows, miners’ cottages
adapted to open-cut suburbia, stucco incursions that conceal grandiloquent
stairways while the next generation experiments with sheepishness.

Nearby, a distant view would have sketched calligraphic brushstrokes
in gold-clearing light, stick figures stepping on egg shells while their hands wove
jing in the bountiful void between the cresting sun and resting moon.
South-east,
acres of bermudagrass lie still in regimented fields, while athletes, joggers

and mums in three-quarter tights pushing bivouac strollers hug the convention
of perimeter. On weekends the fields thud and scrape with the long ball booted
forward by a thirsty fullback and sprigs that bite the turf for grip, or
the vertical alignment of a bowler in delivery stride and the deliberating willow

of a watchful batsman.
Foam-soft, low-swung play equipment breaks
the park’s sporting stranglehold and evokes hardier memories.
My thoughts
rove, like Rilke’s dog, around the corner to the off-leash strip beside the back fences
and its yap for a greater allotment. It peters out at the slope the graders forgot

and the garden border of the Blind Centre that has toiled for decades to be
seen. Across the road the forever “new” nursery has retained the cocky cages
and fish ponds of its predecessor, though its owners reportedly hunger
for tenements.
The dog comes to heel, returns to the leash at the cyclone fencing

on the boundary of the pool that abuts the cul-de-sac. In the civilian lane a burkini
reveals girlish joy within the strictures of her faith. Alongside lap swimmers
ply their litanies of stroke and kick. Those who shudder at the merest whisper
of respiting breeze seal themselves in the humidicrib of the heated pool.

I remember I first apprehended truth’s elasticity in this pool as my father cajoled
me into swimming–an Olympian propelled me to the 33 yard mark; my brothers
and sisters share this experience in their own measure–and that the coelacanth
has inhabited the deep Indian Ocean since the Devonian Era, and swims on.

Posted in 84: SUBURBIA | Tagged

The Birthday Party

I was obsessed with The Birthday Party in the late eighties. If only I could have applied that kind of focus and energy to anything else in the last thirty years.

I’m not entirely sure my childhood was as Gothic as it now seems; no one will ever know. It may have been more so. The family home was dark and cold in every sense. My parents fought constantly, as did my sisters, and I locked myself in my room with The Birthday Party. Their sound reflected the chaos and conflict surrounding me, at the same time as it offered a bohemian alternative to the stifling grimness.

I got into punk music when I was about thirteen. I particularly liked British punk. The Birthday Party pushed my taste, and I liked the fact that their music was artier than that of their bolshie British cousins. That they came from Melbourne was very exciting for me. I had grown up looking across vast oceans for cultural inspiration, so to find such innovative music made not so not far from my suburban home was a revelation. I would think, travelling through Melbourne on a rattling old W-class tram, Maybe in the late seventies Nick or Rowland or Tracy was on this tram, the exact same tram. The Birthday Party gave me a sense of hope that I might be able to participate in culture, and that being at the arse-end of the world wasn’t an artistic death sentence. My obsession with The Birthday Party would propel me to art school and the rest of my life.

I look back to that time knowing that I was about to be immersed in Melbourne’s dynamic art and music scenes, but from my bedroom in the suburbs it seemed as though everything had already been done. And this was before I encountered postmodern theory or was entrenched in the cultural malaise of Gen X. I’d first noticed punks in the streets of Melbourne in the early eighties, and at the age of eight had decided that when I grew up I would be a punk. By the time I was listening to punk music as a teenager, I knew that punk’s moment had passed and I was not at all tempted to adopt its tropes.

But once I became obsessed with The Birthday Party, my punk envy evolved into frustration that I never got to see them play at The Crystal Ballroom. The scene around that enchantingly named venue in the faded beach town of St Kilda was already legendary. I’d missed them by less than ten years, but at sixteen this was a lifetime – and no matter how you look at it, I couldn’t have been there aged eight.

I yearned for time travel. The tyranny of distance became a tyranny of time. I was soaked in melancholy, obsessing about a past that was geographically close but entirely lost to me. Although I was on the edge of adulthood and a hopeful future, I was absolutely preoccupied by a past I had missed. It felt like a great injustice that I never saw The Birthday Party play live.

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