Mal

for Mal Morgan

I brought in your newspaper at 2 o’clock,
it was under a bush, still wet with morning; you don’t bother
with some things, Mal, but how do you decide which ones?

I mean, you play Solitaire on your computer, it was on the screen
when I came in; electronic card games,
do you still have time for them, or is it me, not you, who’s changed?

Albania, you think men can be worse than animals,
that they don’t murder, a dog will lie, exposing its jugular vein
rather than fight and be killed.

And you duck out for just one fag in hours;
why didn’t you empty a packet while we sat, why conserve it;
I’ve sometimes thought, if I was dying, I’d Kahlua my Corn Flakes each
morning.

Lines spring into your mind, miniature kangaroos,
first lines, last lines, or feelings, like wombats,
your poems start as these sometimes.

Love-making is the best time, only making a poem
can compete, you say, that headache as it requires to be born,
kneading, looking for a way out through your skull.

All your stories, your opinions, the million things you know
will soon be blown towards the moon; the sound
of wind over sand, wind over stone.

Empty wine bottles, coffee, books amongst the barbells
I notice as I walk to your toilet. The afternoon
eaten away as we sat, Mal, gone,

the afternoon, the clouds, the sun, the air.

Posted in 07: NORTHERN TERRITORY | Tagged

The River

It’s one of those hot days in the Alice,
I run into Neville outside the bottle-shop
He’s got a cask of coolibah.
“Hey bunjee, bunjee. Come and sit down with me.
Talk some stories.”

So we go down and join a mob
In the riverbed.
Nev knows everyone,
I get introduced—
His whitefellow bunjee,
His brother-in-law.
No barriers down here in the river,
The grog will take care of that.

We sit in the shadow of an old gum
The shimmering mirage of Alice Springs
Hums in the distance, and
The grog is warm now, like the day.
“All that Captain Cook stuff,” says Maurice,
As the MacDonnel Ranges sit and wait
For this town to blow away.

Maurice goes off to buy more grog,
Returns with a carton,
Green cans and we’re all Irish,
Pirates, all of us,
Grog faces floating
With out bloated stories
In this riverbed
Of broken glass.

The day passes,
Like it was meant to pass,
Without problems,
Except Mary and Scotty start yelling at each other.
You fucking bastard. Fuck you, she yells.
Fuck you. Fuck you, he answers.
They are throwing stuff at each other.
Too much noise.
We’re trying to drink.
They wander away in a circling dance,
Falling over, yelling.

Scotty must have got lucky with a stone,
Because Mary lurches back,
Her head bleeding
And lunges at Beth.
Calls her a fucking bitch
For fucking her man.

Scotty knows what’s good for him,
He’s done a disappearing act.
Mary trips over and falls in the sand.
“Go on. Get out of here.”
She’s crazy that one, I’m told confidentially.

Ah, the river.
The water comes down sometimes,
And all this love gets washed away.

Posted in 07: NORTHERN TERRITORY | Tagged

Watching the Sun Go Down

Watching the sun go down,
it’s kooky and weird
inside my head
trombones and trumpets
dick vagina jazz laments
watching the sun go down
a glass half empty
magnifying the ashtray butts
as the television calls to me
and the typewriter sings
watching the sun go down,
a pack of safety matches
on my desk, contents — 50
product of indonesia
jakarta on the news
watching the sun go down,
6 o’clock winter
i can feel the moon rising
over my back, must get ready
to go busking tonite
watching the sun go down,
I know the score
at what price and where
add obscure thought here
to throw the reader off
watching the sun go down,
what you lack in one department
can easily be handled by another
so stop askin questions
and make do — stupid
watching the sun go down,
old empty packet
of tally ho’s
make it a rule and use
watching the sun go down,
my smoking causes lung cancer
for more information
call 132130
watching the sun go down
mistakes, misprints
errors and omissions
welcome to the Met
you have a 2hr concession
use it wisely
watching the sun go down,
hell bank note
lying on the floor
next to the porno mag
masturbated once today
thinkin maybe twice tomorrow
watching the sun go down,
white male middle class poetry
bored so he has to make somethin up
it’s all to easy
to be lazy and forget
watching the sun go down,
i can smell suburbia
all over my clothers
could kill myself
and still never end
watching the sun go down,
over the suburbs and town
and skyscrapers and factories
industry and obscure well dressed accountants
all watching this sun go down
inside my head
it’s kooky and weird watching the sun go down.

Posted in 07: NORTHERN TERRITORY | Tagged

Dreams of a Mechanical Man

— an excerpt from a longer poem

And on the seventh day
Deano plays with his own cars
his fleet of BMWs
and the yellow Porsche.
Cars are his passion
his life.
There is no wife
to cause trouble
be jealous
resent the time
the money
the effort
that goes into the business
into exotic machinery
(and their owners).

On his way to sleep
his subconscious briefly
teasingly
wonders about some clients
Some female clients
Some married female clients.
He idles for a moment
on female bodies
female parts
and considers
that there must be time
should be time
for other pleasures of the flesh.
Thus Deano’s dreams
become a rambling mess
of Jaguar bonnets
and heaving breasts,
naked flesh
and Mercedes upholstery,
pouting lips
and Carrerra Porsches:
throbbing engines
turbo engines
V12 engines
blonde hair
and ice blue eyes.

Posted in 07: NORTHERN TERRITORY | Tagged

Portrait of Vincenzo d’Orti

from The Invention of Everyday Life


Vincenzo d’Orti is a man who smells. Day in, day out,
waking or sleeping his nostrils register the world and convey
it to his simple brain. Like many, Vincenzo moves
between thinking his life a torment and thinking it a joy.

Outside his house grows a mean, gnarled lemon tree —
unusual, because lemons grow well in Half Moon Bay.
The fruit is a dirty yellow colour, not much larger than
golf balls and just as hard. There are almost no leaves.
While Vincenzo’s wife complains bitterly about the
lemons, he is grateful that there is one less smell to
torment or gladden him.

Spring is the worst. Vincenzo often joins his neighbours
on the surgery porch hoping for some relief, not unlike
that prescribed for hay fever. But aside from breathing
continually through his mouth, which of course cannot
be healthy, swathing his nostrils in scented cloths, or
wearing an oxygen mask, there is nothing that can be
done for him. And he suffers.

The first delivery of mangoes, as the truck rolls down
the highway from Queensland — the smell reaching him
from as far away as Werris Creek — soon mingles with the
tomatoes and flowers and onions in the huge produce
market in the centre of the city, a terrible cacophony of
odours! Rotten fruit, rat filth, chickens.

At night Vincenzo smells the sewers and drainpipes of
the city after the first rains come and feels he is in a cave
that has never been opened. Beneath his house he can
smell the black mould spores multiplying; outside, shit
from a thousand dogs on verges and in parks. He can
smell the opening of chrysalis and the slick wet of new
butterfly wings fanning the air to dry; passionfruit inside
their thick leathery skin, hanging green and hard like
secrets on the vine; their ripeness, when it comes, almost
more than he can bear, mixed as it is with the lovemaking
of the young couple next door and the clean laundry
blowing on the line in the sun.

He can smell the pages of books being turned in the
library on West Street, the photographs in his family
albums quietly fading. The carpet shrinking.

In spring there is the fragrance of new basil being
planted out from thousands of little pots and the smell of
artichokes cooking in the kitchens of old women — this in
and around the smell of algae and mud and mangroves
and garbage coming up from the bay; in the evening the
smell of crickets singing and in the morning the dew as it
settles on the grass; for weeks tomcats screaming and
fighting under the moon.

For Vincenzo there are some days which are unbearable
anguish. These days he smells himself — his body aging,
decaying, his blood moving sluggishly like a dirty river,
the bones in his hands and feet curling ever so slightly. On
these days the soap his wife uses, and has always used even
when she was young and had beautiful hair, smells worse
than urine. The meat she places before him stinks of
death, as do orchids and strawberries.

Vincenzo, like many, spends much of his life wishing it
were over and terrified that some day it will be.

Posted in 07: NORTHERN TERRITORY | Tagged

A Plot

from The Invention of Everyday Life

The novelist is feeling pleased. Having altered
somewhat the original emphasis, his novel is going
well for a change. It is now mainly about a young
woman who becomes a recluse after her lover kills
himself in her beauty salon because she wants to
break off their seven-year relationship.

In fact the young man is only seriously
wounded and in critical condition for a while, but
eventually recovers. It is the well-known heart surgeon
who is going to operate who is the one actually
shot and killed, in a suburb not far away. A different
surgeon, soon to be equally famous, performs
the successful operation.

The young man’s family, who have never
liked his girlfriend, have ‘a change of heart’, so to speak,
and relent in their opposition to the marriage.
Long, emotional discussions follow between the
mothers, apologies, gifts are exchanged. The
engagement is announced and a trousseau planned.
The Castel d’Oro is booked for the reception. Soon
a little van with tablecloths and bed linen piled in
the back begins to appear weekly in front of the
young woman’s mother’s house. There is an engagement
party with truckloads of food and drink and a
bazoukia band so loud that the police are called by
a distant neighbour who must not know the situation.

At the wedding the bridesmaids will all wear pale
blue and the groom will wear a red carnation like a
bullet hole over his heart.

Posted in 07: NORTHERN TERRITORY | Tagged

Glasses of Water

from The Invention of Everyday Life


The concerto on the record player stops. Marina is now
dreaming of a trip she took to Milan with an
orchestra — the long walk out of the city into the
villages and fields. She is dreaming of that place. She is
looking for her arm. There are stones, fallen leaves on
the ground. It is not there, she cannot find it. She is
gone for weeks. The orchestra returns home without
her. She never leaves Prague again except to
come to this new place where her sister lives.

To leave her beloved city … Could she not survive
without her sister? Or is it her sister who could not live
without her? Each day Anna walks the few blocks to
Marina’s studio bringing her lunch: hard-boiled eggs,
bread, onions, cheese. She has begun to photograph
these in different lights. And glasses of water.

Posted in 07: NORTHERN TERRITORY | Tagged

Pyrotechnic

Carved images face distant Easter Island,
eroded remnants of unknown events
safe now, one would hope, for eternity here
high above this open boat, loaded,
preparing to leave that anchored ship,
the unravelling swell taking leeside water
peeling back, baring the coast’s rocky hips.

Nobody misses Matthew Quintal
nimble below, defying Christian’s law.
Those in the boat hear snapping & hissing,
a shaft of fire engulfs the stern like a pyre,
glow-worms of minor eruptions bursting,
then the Cornishman, backlit, mind flawed,
clambers down to the sea, his expression rapt.
Radiant heat makes them pull on the oars
feathering clear of the entrance’s white wash,
paler water boiling below the women
who watch now from the Hill of Difficulty
flames & burning ash shooting ever skywards
as seabirds arc around the heatcurrent, crying
& Christian feels a grief tug at his heart,
a strain he could never explain.

Posted in 07: NORTHERN TERRITORY | Tagged

Gesture

Fletcher’s juggling Bligh’s shrewd attention with bayonet, cutlass, maps, musket & pistol,
a stance crying out for halcyon poise. Collar open, hair loose, lapsing into
Pidgin, he could be a C20th film hero, even sports the unshaven scoundrel look
suitable for a South Pacific dawn scene, except for the wild eyes, maddened
beyond any good-looking actor’s range. Now observe Bligh from behind. See the
nightshirt below his chafing bound wrists? Ignore the turmoil, the shouted
commands, snarled counters, fuckwitted suggestions, those varied accents echoing off
the water. In the launch out of the launch, too crowded, factions forming, splintering.
The pirates need that one, this one weeps, gunwales wobbling & dipping so low they
touch the ocean’s silver light. Lloyd’s would never underwrite this lot’s cruise
despite Fletcher slipping them his sextant. Bligh’s puffing up for his grandstand
speech, the one about justice & England. See that sailor standing next to him, the
short one scarred by smallpox & tattoos? Tom Burkitt in one of history’s walk-on
parts, moved by modesty or sense of decorum or perhaps humiliation overkill; watch
him tug down the ruched nightshirt, cover his captain’s bare white bum. Later, Tom
might rue that moment, just before the wind blows out the sun & the rope crushes his
ignorant neck as the waiting cannon recoils.

Posted in 06: NEW POETRY | Tagged

Christianity

The Polynesian widows
remain faithful to their rituals
now John Adams stands alone.
The shouts & laughter of children
mingle with the cries of gulls
echoing over fields where the widows work
surrounded by the unchanging ocean
wearing flowers in their hair,
carrying the bones & skulls of the slain.
Poor Adams is confused.
Does mad Quintal mock Mr Christian?
Or is Williams grinning at Ned Young
whose rotten teeth at last have fallen out?
Clank, clank, the widows’ hips sway
unnerving this stranded survivor
witness to lurid action
this beached up cockney, reluctant patriarch.
What a life! his old dad would have sighed,
good weather, time for a bit of skiving
all the time in the world.
But Adams has his problems, clink, clink
the widows share their secrets.
He must stop these heathen rites,
turns to the Bible, that comfort in old age.

Posted in 06: NEW POETRY | Tagged

Appearances

Under an oppressive sky
two men shaving in an open boat
after a four-thousand mile marathon
soaked, their limbs swollen, unable to lie down
excepting a brief landfall at New Holland,
death’s sour breath blowing them ever westabout.
John Fryer, Bligh’s antagonist
on both voyages, the Bounty fiasco
& the miracle in this very boat,
fingers hollowed cheeks in the clammy heat,
task completed, offers to remove
the thick beard of Bligh’s servant, John Smith.

These exhausted sailors sit off Coupang, Timor,
left behind to guard Bligh’s possessions
after he raised a pennant of distress
then waited, high on duty, with his men,
constipated, dehydrated, tormented,
for formal permission to land.

Now he & sixteen others sip breakfast tea,
guests of surprised Englishmen
sojourning in the Spice Islands.
The two Johns use seawater aftershave
as a whiff of swamp reaches them,
&, shocked by the black sadness that overwhelms him,
Fryer wonders when their turn will come.

Posted in 06: NEW POETRY | Tagged

Fullers’ Walnut Cake

People with sore memories
are getting fussed up
because they are letting
a war criminal into the country

and suddenly the need to talk about yourself has flared
though you hate confessionalism
and you do not really know what you think
or who you are
or what has happened to you

This is the unanswered question.
Do you affirm or deny?
My great grandfather was chief rabbi in Leeds
and my mother still says there aren’t Palestinians only Arabs

there were always aunts and uncles you were always supposed to be
ringing up, or seeing, or sending letters to
who were going to be mortally offended
and hangers on who came to my father’s funeral
still blocking me in my grief

you complained that relationships were supposed to mean something
but they didn’t see it that way
because everything hinged on hypocrisy
and anyway they wanted you to suffer like them

yet we all laughed like mad
when Carmel gave the cousins her own recipe
and pretended it was
the Fullers’ walnut cake they’d just been eating
and liked so much
because it wasn’t kosher and they never guessed

the same walnut cake with the frosty icing
you ate in the cafe in Manchester
every week as a treat after your violin lesson
and before you got on the train

where you read to pass the time
until the lights went out in the tunnel
and left you shaking in darkness

Posted in 06: NEW POETRY | Tagged

After the Picnic

Whenever she remembered the smell and nuttiness
of river gravel, in the old days of picnics
and whole gangs of them at the sandy flat
(smoky sausages had never tasted more alluring!)
she would also remember that time Paul had smiled
almost seriously but holding her eye so that she blushed.
He had strolled off, then, up the track through long grass
not looking behind — he didn’t have to — He had paused,
beneath that thicket of bottlebrush and lillipilli,
tearing at branches, savouring the smell of them,
chewing the leaves and the stems hungrily and then spitting them out.
And she was aware of his body, of the flimsiness
of his taut Speedos and the way his arms rose and fell
and his smile still hovered. He offered her a bunch
of the purple lillipilli fruit — it was almost tasteless —
but in putting them into her mouth she had known
something was committed. So she herself looked up
among the shady branches then, to find another bunch,
then reached out her fingers and tugged it off.

Posted in 06: NEW POETRY | Tagged

a fable and a joke

— Elizabeth Riddel

You walked up the stairs ahead of me
and I said ‘Your legs are beautiful!’
In the 1970s it was possible
to acclaim grace in a woman
and your path up that stairwell spanked
deftly as if we were all onstage
and theatre followed us with applause.
I applauded the energy of your passage
and the body’s precision.
There are a few images that hold on
to us — I think of Judith
entirely nude from the warm sea
at Marina di Alberese
invoking Venus and the ideal vase of fullness
in an Italy no doubt littered with lovers
and carcogenic clutter;
I think of the return of long hair in the 60s
and the seductive flick of a young girl’s head
on a bus going through Mosman.
No order in this, only a vividness
more legible than photographs.
You, ahead of me on those Melbourne stairs
in a Motel in Albert Park back in the 1970s
defined grace and decision
and clipped them into me.
Twenty years later, you reminded me of this,
laughing, with the dancing steps still in your eyes.

Posted in 06: NEW POETRY | Tagged

Wadjemup

Something comes out of nothing
across the water
on days when I am
clear
about sound, touch, a sharpness of taste as
external.

I mount the ferry, dramamine—s cradle —
passage paid this side
of the river.
Arrival is
rope cast and pulled, green light skin, sun
fal-
ling
sixty seconds behind Tuarts.

Slopes crowd:
rumour, myth, the dead —
evidential occasions of
intoxication, olives,
the Mediterranean (architecture),
water catchment, purification, lenses and
fishing —
at least there is fishing.

I am
familiar with
the physics of hook and lure,
dynamics of reel,
knife and gut,
descaling, the need to extract
every bone —
mortality axis at this
point.

Clearly
a salt signature is external,
the voice of sea, tide and sand;
clearly internal
the sound of
a key dropped outside
a cell, the door
closing.

Posted in 06: NEW POETRY | Tagged

Two-for-One x Three

Six versions of green towel on rack, my head
flat to porcelain — hot flesh chilli thrust
up the wall.
A matter of interpretation: disjunctive prostheses
a) mid-thigh to foot,
b) fore-arm and hand,
c) brain in a jar,
d) information highway —
I’m
on it, wreckage scattered to the Arafura Sea,
cupboard door open.

I learn to type with one hand, lettered scarification,
body simulated, hold the pethedine — .15
at the wheel, optic distortion (Look, Ma! Six
of everything
), I don’t need
leaping tigers through the window to convince,
I’m totally dependant.
READ:
a) catheter,
b) bowel bag,
c) drip (drip, drip, drip),
Southwest winds through the walls, rack
and pinion physiotherapy — next week
I’ll take myself
to the toilet (drip, drip).

And it’s not so much
the visionary disruption, fraternal limbs,
melded epidermis grafts — no,
Not
the Virgin Mary Mother act Wonder Woman
Barbie Stars-and-Stripes altar with flashing
heart and voodoo candles litany from down
the hall — nope. (You can do the hoochie-koochie
with
a dead cat on your head all I care.)
It’s
the stainless steel table with trough,
gash of granite marker,
and then
nothing — grey ash swirl.

Posted in 06: NEW POETRY | Tagged

Seducing Hemingway

Leventado

He hesitates outside Harry’s; contemplates
an absinthe? a martini? no matter
what matters is the girl making a slow
pass across thwe room, her full, red
skirt trailing behind her.
She has the tight sprung look of a young boy,
wears pride like a pagan virtue.
He is almost afraid of her.

Parado

So he’s playing it cool, strides in, sits
on his usual stool, keeping his back to her.
Then, just as he swallows his second drink,
he feels something sharp prick the back of his neck
as if twin insects have bitten deep into the soft, soft
flesh — he orders another — turns to see her,
standing quite still, staring. Her eyes sharp
as steel-tipped banderillos.

Aplomado

But he’s safe, propped up against the cushioned
leather of the bar, glass in hand, this must
be his fourth, straight down the hatch, he grins,
almost boyish, shirt open at the neck,
knees apart, heels hooked like anchors to the stool,
he’s no fool, he’ll easily out Bogart her Bacall,
he’s had more women than she’s had …
She smiles, raises her glass to him.

Courages travels the short distance
from his head to his heart. He stumbles
toward her. Still smiling, she moves in for the kill.

Posted in 06: NEW POETRY | Tagged

Ken

ken you were the only vietnamese member
of my year 12 modern history class you
must have found it odd to be studying
the history of indochina from

a white perspective but then history is
cunning makes fools of many of us not
you ken you were smarter than most
excelling at german history of all

things scoring top marks for your oral
presentation ken when you chose to be
adolf hitler a small part of me broke
inside you handed it right back to

all the boys who called you kenny
long tan kenny lao bing kenny tet offensive
giving a brilliant dissection of your own
motives during the final years of the war ken

we were spellbound by your commitment
to nazism and the purity of the white race
adolf you taught me more than any h.s.c.
curriculum could have i was your albert

speer i would have killed you if i had the
chance but you foiled me ken and i failed

Posted in 06: NEW POETRY | Tagged

Prime Cut

With the sunlight spinning through great emptiness
to the mulled puddled blood of ox tongue and calf’s
liver in the butcher’s window, the sawdust
floor and the mothers with children, who would notice
if one child watched another he didn’t know
and of a sudden grasped “He thinks he’s good”? —
each one the centre of a moral world. Would he clutch his mother?
The butcher whacks a lamb leg from its torso
and everywhere is the centre. In a sprightly
universe the stars race away from one another.

Posted in 06: NEW POETRY | Tagged

Pasternak and David Lean Maurice Jarre and Stalin

The bits don’t fit. . .
Mr Whippy in the suburbs
between the psalms of mowers

and clean cars of a Sunday.
The tune is mixing up its message:
6/8 on a high celeste

the kind that wings might stroke in heaven
some where my love
in David Lean’s three hour account

of Pasternak’s Zhivago
and further back the sound of Stalin
talking on the wire

there will be songs to sing
as children wring a coin from mum
and sprint across the lawns.

The dogs are yelping out of sync.
The icecream man from Hamelin
sagging, pale, without his flute

is trying hard to smile —
the franchise bill is due on Friday.
How come so many streets are bare?

The silver lilt of Maurice Jarre
is hollow in his head.
His dreams are deep and wide as well

with waltzing and with snow,
with icicles like slivered glass
and curlicues in cones.

Street by street all afternoon
he circles off until
the contradictions fuse at last

and jangle in his bones.

Posted in 06: NEW POETRY | Tagged

The History of Mr Howard

Give me back the smell of pencils
Monday morning in their boxes
the mucilage and ink in inkwells

the Mercator’s above the blackboard
with half the world in red
give me back that ‘firm but just’

preceptor of my childhood
who filled our lives with copperplate
and knew precisely where he stood

give me back the flap of canvas
the tall ships southward under sail
give me back the quiet explorers

heading for the centre
accompanied by faithful Jacky
searching for an inland sea

give me back my heroines
Grace Darling, Florence Nightingale,
Mrs Chisolm with her girls

give me back old Cobb & Co
the miracles of Bendigo
where everyone made good it seems

and Ben Hall too to lend some colour
give me back the picturesque
the fading warrior with spear

staring always at the sunset
and thoughtful on one leg
give me back the wars offshore

so notably conducted
give me back the nineteen fifties
where once we all ran small garages

or kept a corner store
and Mr Menzies lived forever
and each night loyal behind our fences

we’d turn the lights out right on ten.

Posted in 06: NEW POETRY | Tagged

Son of Alice

I

Eight-thirty am.
New Years Day.
Alice lays down
flacid in heat
and hangover.

The bastard son of Alice,
in his white-walled house,
comes out to give
pale feet glass
to walk upon.

Come on Captain Cook
this time you’ll hafta
fuckin’ buy it!

He tears off clothes,
bares his scarified hide.
Takes a leak on
the landscaped garden,
Toyota, cement paths,
empty bottles against
tidy town bins.

Fifty grand cash
for these white fuckin walls
Come on white cunts!

The flatlands of Gillen
listen in a manner
to which they have
become accustomed.

“He must be mad!
He’d get three times that
on the open market!”

II

It must have looked good once,
three bedroom ex-trust
with an updated kitchen
tiled throughout,
new skylight,
brick veneer.

By nine-thirty
his half brothers
begin to feel
the heat, despite
the air conditioning.

Don’t tell me about your kids!
Our kids were there when
you raped our mothers
took away our brothers.

He wants to leave
this fucked-up country.
Swears at Alice
for letting them screw her,
for not wearing her ring.
Couldn’t make her stop,
can’t go on watching.

The gold card
in his back pocket
must have worn a hole
clean through to his skin.

Must have woken up,
washed his face white
and seen the reflection
of an empty house.

At ten-thirty he is
stoney silent.
We toss down pills
he can’t swallow.

“The mortgage must be getting to him.”

Posted in 07: NORTHERN TERRITORY | Tagged

Psychology

these are the mad journeys
that I would like to get out
of the way

a short note from my dead mother reminding me
not to urinate like a dog

the platform at Richmond Station without train
and in-between delays

seaweed in a brown plastic bag

potato cakes MADE IN TUNISIA & other
beautiful maps

the yellow tablecloth and a birthday twice a year
and caravan holiday

building a nebulous tin-shed on the hill of a
manifesto.

an original text

ignoring the messenger bird & citizen fish

masturbating into my 4th journal, later finding
the kitchen of this religion

standing back like a history for people with no
memory

watching journalism in TV

hiding b/w two seperate rooms

the unwrapped clubfoot and this beautiful
abattoir of mind

losing my father’s sadness to the taxman

swimming beyond the gorgeous detours of flesh
and finding an empty bottle of Pepsi

the maintenance of petroleum islands

a dead September sea

and 46 other questions.

Posted in 06: NEW POETRY | Tagged