Realism. Four Preludes

The only realism in art is of the imagination.
It is only thus that the work escapes
plagiarism after nature and becomes a creation.
(William Carlos Williams)

 

I. Every convention is also a technique

 

1. sleepless thirty days:
place names loom up

and disappear. Apparitions
of grain bins erupting

in dull conflagration–
slaughter yards–the urine-

coloured eyes of dead
sheep leering from

irrigation ditches. We
slug it out on the roadside

for hours just to keep
the disagreement alive.

Each blow describes
the beginning of a story

told from its end: weighted
with its own nihilistic poetry.

 

2. sometimes drank until you were numb.
or sat there among sleepless

dust motes like a phoney buddha
high on ephedrine and mantra.

seeking direction from
x to y in the absence of any

recognisable landmark,
varying the dosage (degrees of relation

between what is and is not prescribed
according to the logic of adversity).

then turning north into sunsets
redolent with odalisque figures–

naked silos posed against fields
of yellow-flowered rape …

we are back were we began:
the flatness of a perspective scene

which recedes against
a merely conventional horizon,

Blaxland and Lawson-esque,
appearing inverted on the other side–

as if to rectify
a wrong way of seeing.

 

3. where to now? riding in
on the last breeze and hard up.

a hundred pages on
through plotless outcountry

we arrive again at the
flat edge of pacific breakers

in slow dissolve to urban
nostalgia, moral undertow

and nameless affect …
or backwashed in reverse cycle

as prodigal sons gone south
and no forwarding address.

We could've been the children
of Whitlam and Coca Cola,

jetlagged, having lost track of
history or currency denominations.

 

4. nothing to be gained here.
before, after. cash for scrap.

another 4:00 a.m. stupor
vomiting the dregs of last night's

mental arithmetic. dreams of a
recurring decimal

that stretches out cross-continent
without ever giving you a clue

to its reason for being there.
A punchline without a joke.

Dead-of-night towns on the
overland route. Miles gape,

evoke silent interlocutors
on the nod towards unfolding

catastrophe. A deus ex machina
lurches carbon-arced

out of bearing cases ground down
on the long haul from mount isa

to broken hill, dry-retched into
cataracts of bulldust. Spent fuel

lingering like cheap cloying perfume.
Cutting the black interstate line

to haul eastwards across
salt flats ridged by narrow

horizontal bands: on one side high
dunes littered with coarse vegetation

which when slightly decomposed
has a brown earthy appearance.

 

5. Daybreak under barbiturate cloud-
patterns. Ahead, the sky sends down

a dragline, describing a vertical front
ranged from on-high to the grey

volume of easterly pressure systems.
a mirror, held up to art: to reflect,

is not to change. traversing unfamiliar
regions of cross-sectional debris

our projections fly straight back at us–
bypassed on the long straight road,

thinking the scene ironic or insincere?
A procedure, to establish

first principles. Landscape with face
and hands turning on a dial.

an ambiguous terrain, its objectivity
is a thing of the mind, una cosa mentale.

 
 

II. A monument to something history plagiarised

 

‘dark revolving in silent activity.' Proximity
edges forward, an isolated and discarded
thing. strange shapes bred from this
forsaken wilderness–wheels of coal trains,
shunting of freight cars, loading the giant

conveyor belts. Long peninsulas jut against
sky blacked-out of nocturnal cartography,
awaiting castration. Rockdrill totems,
paleoflora. each stroke of the brush
of the hammer of the pen, to force the hand

against petrified inner space. Drastic
as the maternal body's death cycles and
purification. Hate becomes an efficient engine
scraping away at the coruscated vision,
made edgeless and in time the reasonable

ordination of events. Not to balk
from consigning what needs to scrap (‘ends
accomplished turn to means'). And with these
precautions, set out again westwards to
clear a path through the broken-headed tracts.
 
this obelisque erected in / macquarie
place / a.d. 1818 / to record that
all / public roads / leading
to the interior / of the colony / are
measured from it
 
 

III. The effect of travelling in distant places

 

1. Attention cones, outward from
light source and seasonal photographs

take motion in their grasp.
The prodigal's irrational return

through disorderly striations and
eerily neutral background noise:

the sound of an airport, of a
house collapsing, of a bridge

in rain. Perhaps some alien
brain there waiting to smother us.

Sunsets wrecking the blanked-
out cellophane happiness.

After the nightsea crossing–
retracing, step by un-

countable step, the sinewed track
(‘irruminated meat').

Autumn leaves and excrement,
like haunting reciprocations.

the sick man groans,
dragging his sack of instruments

on into the immeasurable–
beckoned by its fool's glimmer …

 

2. balshazzar's ghost, draining
into grey, too slow and too final,

and what's written there–
some strange irregularity of man

blazoned in the sky's zero.
the dance around the golden calf–

a common instinct towards religion
in monetaried vehemence.

in each outcrop, a hieroglyph
of dionysian ecstasy, sloughed off

from the eye that beholds it.
It's morbid death-watch begins.

perhaps we are waiting
to be told that man is not born free

or good, but is only the backwards
description of what he underestimates.

 

3. the eye, too, is a product
of history. Contemplating

desiccation and evitable
lines of regress, water to salt.

Clumps of skeleton weed
standing alone in the midst

of alchemical counter-proofs
miming ecology. The vast

signatura rerum crossed-out
by seams of alkaline.

A noise like machined-
grist hammering a borehole

and brackish effluent spat out.
What it feeds does not equal

that tract of uncultivated land,
sketched into the background

piero della francesca-like
as a scaffold on which

a foreground hangs. Being
so much dreck and signage.

 

4. dry wind undresses ground
naked under heat-tremor.

Buckled sheets of plate glass.
Irregular emissions fill the air,

mimeographed in reflex cutaneously
programmed. A very present

physics of the senses stripped-out
of genital wilderness, lymphatics

and distort-teratology. The end-stop
lying there and coming apart

into a gap that knowingly desires us.
As red ground, cut across with blue

in post-ketamine let-down, emanates
from cracks in the opaque residue.

 
 

IV. reprise

 

not at all as you had pictured it–
out on the broken edge

‘liquid mountains float in the air' …
outcropping from thorn bush,

slates of bloodstone placed there
according to the laws of chance–

the idea, the motive, immured in its
vault like a fossil awaiting excavation.

We reached the next turning point
and came to a standstill:

from centre dead up against periphery
(no things but in relations). The old

illusion of inward left bare
in the first false dawn. A bridge to the

promised land in perpetual
strip-tease slung above the 100,000

expiring light bulbs of luna p rk.
Undressing the blacked-out scar of

decommissioned navy yards, dry
docks … Our hungers for elsewhere

were free to enlarge, conscripted
to the Big Idea–not by ballot but by

lottery–free too from the necessity
to prove anything. In the shadow

of America everything was neon,
sex and no come-down.

A plush hollywood blonde
all glass and electric switches

radiating from a single point
like a finial on a skyscraper.

It rises up from the compendium
that constitutes its centre:

an ever-exploding movement
watched over again on replay

and then reversed, jump-cutting
at zero altitude from interchange to

nightroads across flat out-country …
Difficul to remember the

purpose and reason for continuing.
Already, apparitions of distance

reveal the end of the line–
vertical and pin-point luminous

as conducting rods and storm fronts
ranging west to east.

the rainslashed glare of
articulated lorries as unreal

as visitants from outer worlds.
Earth tremor and juggernaut

cut sideways in the wake and counting
back to the moment the halo formed

around the analogue dial,
wandjina-like, and electric as

spirit medium shot at high speed.
Thinking to out-run the dry

resounding emptiness head-on.
Escape was a sad parody of a film

that's been running for a century.
blue shadows flicker across

defaced warning signs–a surface
of night stretched thin across

unbidden secrets of dead lake beds,
diesel and methedrine. Or two

exxed-out roadmaps overlapping
in the rearview, testing the stringency

of what it means to be invisible–
though drawing no conclusion from it.

Posted in 37: EPIC | Tagged

Rumpelstiltskin Cycle

The smoke cleared, crawling
from the wreckage, the horned vizier
of forked tongue and stingray tail
fame was the last man standing,
he said he could spin straw into gold–
now he was king and his vizier could do
the dirty work–and called himself Plain Mister
the man who spins straw into gold
(though all we ever see are graphs and reports
the polity colludes and pretends to believe)
the ghosts of myths were on his side, the diggers,
the gold miners, the greatest sportsman
of them all, the cool heeled and well-to-do,
even Kylie's Battlers voted him.

 

Such was the magic in this man
his filthy lucre dance seduced us all
as he mocked the law, re-made history
and tradition in his image, so many
pretended not to see the cruel shadow,
the horns and tail, or hear flames crackling
behind his words and we shared an evil
dose that hardened all our hearts
into a bribe, we retreated to our castles
but loved the way the wicked one
spun straw into gold, the churlish man
attracted our souls, our chariots were powerful
so he took the chance and went to war
there'd be death and rubble, sure,

 

There'd be more straw to weave into gold.
One day two men climbed out of a collapsed
mine and the joy of two people
helped by other people spread;
suddenly, not caring about the gold
or the straw, the people called Rumpelstiltskin's
name just once and cast him out, and the demon
let go, shredded the evidence, corruption
swept under a carpet, with expeditiousness,
the gold dust settling in quiet homes.
There's a bolt of lightning the smoke clears:
revealing those bad moments
that held our hearts all those years
are batted clear by a gracious succession.

 

Demons are complicated like Russian dolls,
mysteries wrapped in enigma, a rustling of leaves
and whispers, the animals disturbed by sin–
while Rumpelstiltskin was in Plain Mister's skin,
a crueller demon lived within: the traitor, Ugolino,
who enjoyed his punishment below so much, so
into politics the devil let Ugolino's spirit go.
In his final hours before the shade fell
Ugolino ate his children, or perhaps they ate him
the records are not clear but we know
he started a war that ruined his city
to prolong his influence, and profit, oh
but that's another story–now

 

a new magic is installed in the palace–
what devils possess this new Plain Mister
who speaks in dot points and glory be
asks of himself most difficult riddles,
answers with confidence–joy is his dance
a one-man pas de deux where two make one
sweetly on television, the Moon and Sun
anoint him chief of hope and future,
so raise the cudgels! (Socrates was a soldier)
soothe the baser passions (devilishly
clever rhetoric), remember the Renaissance,
and the old green world is dying,
take us on a journey, tell us when we're good,
make us feel young and free, wink before lying.

Posted in 37: EPIC | Tagged

Millennium Lite Redux

i. Come On Die Young

the diary is a newstart fraud de art
a fortnight spaced with love minestrone neruda
7-11 EFTPOS seals our entente

mallboy with a rose and a resume company suitor
caffeine cigarettes bandana and an ipod body rock
dusk don't care if you're a mover or shaker

if you don't have the ingredients, don't try to cook
greasy libraries pull over for accidents
inventory your stuff see what you can hock

the nokia generation reject their romances
in a dark wood the peace corp succumb to diphtheria
are you the sum of your selection criteria

 

ii. Busabout

waifs all over triple j singing london
you're still in london
the bars are full of london
everybody is coming and going london
and i think i understand the saints
stranded so far from home.

 

iii. Geezers Need Excitement

for Sam

His shirt says This is the Modern Age.
Piffing bottles outside the Worker's Club,
rucking with wannabe rockstars
takes up Friday night
like the footy would
if it was
July and we were Bombers fans.
AC Neilsen decree we play on Saturday.

Hit the trendiest digs
trying lines before you go
on the run from the morning after
when it's too early to know
what you've gotten into.
(Horse tranquilizers are strictly
for the racing fraternity.)
Hang out with bouncers
until they ask: is this it?

Walking down Boundary St.
Golden Casket's neon rainbow fades fast.
Sam hasn't even emptied his bags
and he's ready to jump Brisneyland's bail.
There's too much Peter Parker in me.

Someday the clouds will lift
and you'll catch me tipping my sombrero to a seniorita
giving the day as a gift
shuffling like a reptile at the fade of a dusty siesta.

 

iv. La Bamba

for Frank O'Hara

fairytale dawn: our estimations
of ourselves relax their
grip on temporality

the killer gets off on a technicality

the big easy at the not quite there
swelters with afternoon's enthusiasm
punchpacked with clouds
a storm that never breaks

to the bequeathed: shoeboxed ‘78s
a mildewed dive slate a cassette

hot nights translating prime time's bottom line

your model for the world
is a house where you've lived in
every room

you carry the memories around like prized mumbles

 

vi. The Secret Life of Them

life in the fast lane catches up with you
do tony montana's march towards destiny
morally ambiguous as a tense day five test match finish

the logistics of summer mean you drive over creeks
underneath airplanes beside
containers ceremonial grounds
the italian mausoleums
fence the bottom l of the cemetery
the seminary guilts down from its hill

you take out life insurance
but can't find a beneficiary
methamphetamine labs hide in our sheds
cut down the banana plantations
put up condos instead
it's an all night burn up at the fossil fuel doof
last man standing turn off the lights

but the lights go out on us,
as lazily as a midwicket poke in the annual boxing day game
michael slater has never known such a tragedy

rather than celebrities the glossies give us notorieties
the gossip in the weatherboard suburbs
is as periodical as a cold sore
the pleasant machines
in the bourgeois estates get whacked on irony and debt

play prime time remote control keno
if it comes up rove everybody wins

who says the naughties cant be fun
just get the rules down:
it's mob life

once your in the pocket
you pay

i float off
into the universe
a sceptical astronaut
who was only ever in it for the uniform.

Posted in 37: EPIC | Tagged

Boobs Are So Random

The Merkin Distraction

Man walks into bar.
Willowy Russian meanly
smiles. Contact is made.

“I'll have a double,
and one for yourself my friend.”
A code is broken.

To be understood
he tips in old currency.
Russian approaches;

bartender leaves quick,
drink and bills lonely, untouched.
He gulps. She does too.

“You fucking fucker.”
Hat askew, trailing tassells,
she's slightly wrong, keen.

“You. You have something.”
He's slightly offended now.
A nothing brigade

marches in, then out,
trailing bromance and jerky
they can't even see.

He eyes her, up, down.
A pouch rests in her meek lap,
sculpted patch of muff

hiding her true aim.
Too late, he realises.
Distracted, she fires.
 

The Gelati Imperative

Serious talking –
“religion is poetry” –
disrupts his dreaming.

He opens his eyes.
She's pointing at the window.
He can't move his head.

The Russian, Mirka:
“They all like the Before girls.
Ignore the results.”

Threatening, her mouth;
unsavoury with delight.
Cyrillic hate. Gorge

ous she may be but
none of this makes any sense.
He aches precisely,

marshmallow wound gapes.
He speaks their language, listens.
Shocked, they spin and stare

but she keeps eating:
a duty, without pleasure.
“You got shot. Not me,”

she clarifies quick.
Ocean roars majestically.
Light invades like thieves.

Industriousness
bellows from beneath his bed.
Another spoonful.

“How?” he says, his voice
clotted with enquiry. Sniffs.
He knows where he is.

Gelati longing
envelopes him. She's exhaust
ed by the task, doubt.

Then: volcanic smile.
“Found it,” she says, roll
ing the last taste, sure.

“The flavour is clue.”
In English she speaks louder.
Who is listening?

“We leave soon. Get him ready.”
A woman. A name,
she spits: “Rosemary.”
 

The Dolphin Dilemma

Sky imitates gems.
No armed spooks waiting today
on this street corner.

Still: him, lurching, sick.
Running, bucket on her head
to avoid attack

and recognition.
Misshapen rays of sunlight
pursue them also.

They're at the water.
Old souls, broken by our wants.
Despite this, with us.

Laughing or crying?
Trained for stealth and explosives
it is hard to tell.

Nonetheless, chirping
agreement, secret message
is soon organised.

Their sleek grey menace
makes her sad of their mission.
Mirka sheds a tear

for the animals
inside and outside ourselves.
“Message is end game,”

she says, loud, sniffing.
He vomits his painful Yes.
The sun takes the world.

A gleam, Rosemary,
descends on her doubt. And now,
the dolphins vanish.

Headlights. The boat ramp.
A fissure in dusk breaks free.
Boots. Guns. “They found us.”

 

Dirt Unit

In a noiseless waft,
she collects the collectors,
gathers the schemers.

Silence, the weapon.
“When the state moves quietly
it's more dangerous,”

she says, “Violence
and safety's illusory,
so practice your stealth.”

Learning on the job.
Language and culture distracts
them from Us and Them.

They belong nowhere,
to no one. Rosemary sighs
the grim surroundings,

and barely contained
joy explodes for her damp pores;
inhabits the room.

“What have we got here?”
Problems, no, conclusions reign.
The information

inhibits the room.
The Geek returns, flushed; smiling
pervy coffee stench.

“What you see there Rose,”
he exudes, sure, electric,
“is the only thing

that can save your friends.”
She stares, amid stares, amid
doubt. Can he be trusted?

[The leaders exchange
intimacies, never seen
before. Unheard of.]

Rose exchanges doubt
for hope: a new currency;
snatches photos up.

[Naked ambition,
naked limbs, torsos, countries.
They've undone the world:

moist diplomacy.]
Rose turns to the Geek and asks:
“Find Mirka now please.”

“And the Messengers?”
she asks, looking deep within.
His head slowly shakes.

She cries for the lost
and the willing and the safe.
Quick, she leaves the room.

 

If it ain't (Strad)broke …

Power of bacon.
The scent drifts to the morass
where they hide and blink

like starved animals.
Mirka and James entering
the room, worlds apart.

“Can you move Mirka?”
A loud stomach growl answers
him. And then, nothing.

He wriggles up, grunts.
The chattering of torture
accompanies pots, eggs.

Diamond eyes open.
Her back cracks like a new book
spine. Violated.

Broken teeth crumble.
She tastes pain and the season.
Broken wills, trembling.

Finally, “Yes. No.”
She adjusts expectations.
“James?” Moments. Questions

like vows, unspoken
but filling up the future.
Possibility.

“What do you reckon?
Where are we?” He asks to ask.
The different light.

Nature banished, gone.
People noise dominating.
Table animals

dumbly cluck away.
Unaware of their soon fate.
Next incarnations

gambling away now.
They realise together:
we've left the island.

Hanging, tauntingly,
mystery objects, but known.
Close, but can't reach. Still:

their faces, new names.
Peruvian passports shine
in the dawning day.

 

Darkest Peru

Rapid conclusion.
They're eating their toast and then:
a sound from outside,

thud, thud; human drip
ping from the walls, the ceiling.
The gore of rescue.

Mirka peers through gloom.
A very hard stare indeed
piggybacks on motes,

leaping the distance
like aeons in the fragile
universe – explodes

into their fragile
collective unconsciousness.
Beings on fire

with sunlight and warmth.
Their attacking attackers
propelled to the past.

“Mirka? Who?” James says.
A strange disgorging of truth
in those two questions.

But what he asks her
mind compels her to resist:
like love, the future.

Killing their own men.
Saved by their captors' captor.
A face she knows well,

transformed by fate and
the decay of blackmailing,
glides in. Not alone.

“Boobs are so random,”
comes the code phrase. Mirka and
James relax, collapse.

Their old enemy
made speechless by this vacuum
of power in which

he now resides. Grim
silent nod of release and
they're free to watch his

contempt linger in
the room like a smoking gun.
Rose walks through his ghost.

“You don't know the cost
of this debacle,” she says.
“Nor you. What I pay,”

Mirka assures her.
James recalls the bar, first drinks.
Never had a chance

to find out the truth,
or the lies, or the spaces
between such judgements.

The circle ends, be
gins. “Take them to the island.”
Stradbroke is waiting.

 

Posted in 37: EPIC | Tagged

Reading the Mahābhārata

Once in a ruptured past before mutiny or Midnight’s Children,
partition turning brother against brother, the Imperial tea-party
over, before the Mongul cavalry crossed the Ganges-Jumna doab,
or Tamberlane abandoned his jade and ribbed cantaloupe dome,

his leafy gardens of Samarkand, to convert infidels and polytheists
into a pyramid of skulls—the Rig Veda was written as divine ink.
The sword proselytised; distinctions were blurred between Hindu
and Muslim Sultans, forts of the Rajputs, their temples and idols

razed, reduced to ashes, a hundred thousand slain by the Ghazis,
who looted rubies, diamonds, garnets, tapestries of silver and gold
brocade in a measureless day. Before the syllables of Chingis Khan’s
army infused with the market vernacular into a different alphabet,

rendering Urdu with its Nasta’liq calligraphy as the lingua franca,
idiom of poets, musicians, the vocabulary of mosques, mudrasahs,
and today’s Afghan refugees drifting homelessly through Pakistan,
an ancestral war distilled time’s accretions, its battlefield dividing

myth and history. Dramatic tension follows, for in myth the stakes
are high: dharma, kama, moksha are synonyms for the same goal.
History accrues its minor errors as finite incidents, whereas myth
like love endures. So filial and divine love was tested at Kurukshetra

between the Pāndavas and the Kauravas, between Krishna and Kali,
dynasties of gods and ordinary mortals. Arjuna’s desire for Draupadi,
was matched by faultless archery in the swayamwara, and fraternally
coupled. A fated promise to his mother proved that destiny is duty.

Sarasvati, river of forgiveness, was a parched divan of cow dust.
As wisdom and nobility are paradox, Duryodhana fell into a pond
of his own reflection. Semi-divine, his father sightless, his mother
blindfolded by preference or the obligation to feel a husband’s pain.

So the sons of darkness avenged their exemplary cousin in a game
of loaded dice, to bankrupt Yudhisthira, who gambled his kingdom,
his wife and brothers. All five Pāndavas were exiled to other worlds,
Draupadi’s honour saved, her body dressed by Krishna’s seam.

These archetypes, renewed in painting, tabloid, poetry and screen,
were first inscribed by Ganeśa’s tusk, a 100,000 verses, a frame-tale
of the Iron–Age, which according to Pānini, the grammarian, alludes
to a Roman empire, the Huns, and the Hellenistic floruit of Antioch.

Who were the Aryans? What men or gods? For what mad pursuit
did they abandon the oasis delta of Turkmenistan, with its fire altars,
its foal burials? What drove their kafilas beyond the valley of Kabul,
the snows of the Hindu Kush, towards the fertile plains of India?

Trade or climate change drove them south. Conquerors in the style
of Indra himself, their wars and divisions are historicity, the subject
of a fossilised verse, which like the grey pottery of an ancient citadel
breathes life into an Indian heroic age, the origin of a timeless myth

whose elisions are perfect riddles, Attic shapes, truth’s arithmetic.
For this, Ganeśa broke his tusk. Without pause, or doubt Vyāsa spoke
his cosmic fiction, synchronising Kali’s birth with the death of a god,
whose vishvarupa form reverses thought, time and human struggle.


NOTES

madrasahs: schools for the teaching of Islam
dharma: duty
karma: pleasure, aesthetic experience
moksha: liberation
swayamwara: ritual practice of chosing a husband. In the case of Draupadi suitors had to hit a fish’s eye with a bow and arrow. This fish was an image rotating on a wheel, placed in a pan filled with water
Pānini: an ancient Sanskrit linguist and grammarian
kafilas: camel caravans
vishvarupa: universal or celestial form, the thousand headed appearance, which Krishna reveals to Arjuna in the Bhagavad Gita, book 6 of the Mahābhārata

Posted in 37: EPIC | Tagged

Telemachus Remembers His Father

Single-parented most of the time, it's a wonder
I turned out as well as I did. One day he sailed
away – travelling salesman hawking his sword
arm to the highest bidder. I don't think she, the
endlessly patient, cared that much – content to
ravel and unravel in her tower – keeping at bay
the ravenous suitors. So when he finally turned
up, paunchy and short-sighted, she pecked each
cheek then went back to her loom – left the old
man shuffling downstairs with his interminable
monster-beating yarns, a bad back, and his beer

Posted in 37: EPIC | Tagged

Run for a Safe Climate

“Run for a Safe Climate”

The Sunday Age, 26 July 2009

 

The Fire Fighters
Are ready
For the Long Run

From the wet tropics and the Great Barrier Reef
To the Australian Alps, Murray-Darling
Basin, and river red gums

Past natural icons under threat
Together they tended the dead

They don't want families to go through that!

In a life-or-death race against time, they can't afford
To sit on their hands, they were searching for survivors
In the ash and the grey … fifteen kilometres a day,
Six thousand kilometres in the relay,

The fires they were fighting were unstoppable.

Run, run! For a safe climate!

(After Jas H Duke's No, no! You can't do that!)

Run Run For a safe climate
Run Run, for a safe climate
Run, for a safe climate!
Run run run run run run,
For a safe climate!

Run, run run run run run run run run,
For a safe climate
Run run run run run run run,
For a safe climate
Run! Run! For a safe climate!
Run! For a safe safe climate!

Run, for a safe climate!
Run, for a SAFE CLIMATE
Run run run run run run run!
For a safe climate!
RUN! RUN! RUN! RUN!
For a safe climate!

RUN! For a safe climate!
Run, run run run run run run run run!
For a safe climate!
Run! Run! Run! Run! Run!
Run, for a safe climate!
Run, for a safe climate!

Run! For a safe climate!
Run, for a safe climate
Run, run run run run run run run,
For a safe safe safe climate!
Run! Run! Run run run! For a safe climate!

Run! Run run run, for a safe climate!
Run! Run! Run! Run! Run! For a safe climate!
Run, run run run run run run run run!
For a safe climate!
Run, for a safe climate!

Run, run! For a safe climate!
Run, run! For a safe climate!

Posted in 37: EPIC | Tagged

After Medusa, Newtown

The scissors hissed.
Each blind and fearful snip. Always imagining
his nimble fingers hardening to stone.
Medusa's hairdresser invented
the asymmetrical bob
centuries ahead of fashion.
He's titled Art Director now, the salon
gleams in polished stone.
He never meets the client's eyes.
They only think this means he's gay.

Posted in 37: EPIC | Tagged

The Post-Man Letters: An Evolutionary Epic

However you look at it, the sense that humanity
is now facing its evolutionary moment of truth
is almost tangible. We are living through the most
exciting, challenging, and critical times in human
history – possibly the most critical time in the history
of life on earth.
–   Peter Russell, Waking Up in Time, p. ix

 

(Explanatory Note from the Editor)

 

Suburban Sin City, Christmas holidays,
early sixties. To top up my pocket money,
keep me out of mischief, dad
gets me my first job, a temporary
postman helping out with the card glut.

The many worlds concept takes
literally quantum theory's idea
that a quantum entity like an
atom can exist in many states at
once,

In the gloom of the backroom sorting office
my mentor a weird old postie, white beard,
black brush eyebrows, toes like the roots
of a Moreton Bay fig squeezed into sandals,
who never looks you in the eye and rambles.

and posits the existence of
parallel universes

One heatwave day he throws me a sack
marked RetSenAdUn, tells me,
sideways with a snigger, to sift out
the ones with senders and chuck the bigger
bloody rest in the bin out the back.

containing infinite copies of
you

Six letters and an ‘exordium',
whatever that is, with no senders
but black borders and weird stamps
from a country I'd never heard of
called Glossalia. Bin them, no way,
nor burn. Curious, took them with me

 

with different histories

when I left at Chrissie and tried
to read them on the tram. Gobbeldy gook,
neither head nor tail, some silly scam.
Chucked them in the bottom drawer
with the false base next to the Playboys

and   futures.

and forgot all about them for fifty years
till my father died the other day
of old age and boredom. Taking the old
drawers to the tip, these letters fell out.
So here they are for your bemusement.

 

Exordium & the Argument

 
We seem to be in a bit of pickle.
The old story is up shit creek
without a paddle. Every schoolchild
knows it. When we press the gas pedal,
Greenland melts. When we eat
our vegan tofu, the Amazon burns.
Old hat: bombs kill babies
even before they explode, WMD,
melting poles now our Buddha reminding us
we'd better wise up. Meanwhile,
we watch television. Time
to grow up. Into a new story. Fast.
 

Let us (since Life can little more supply
Than just to look about us and to die)
Expiate free o'er all this scene of Man;
A mighty maze! But not without a plan;

And here's the argument:

The joke is
this is
no joke

(only joking)

& a pretty dicey
theodicy
of sorts I s'pose.

– The Post-Man

 

Letter 1: The Wanting

 
Dear Kidman,

You ask me
how it all started.

First, in absolute silence,
a wanting.
I am the Post-Man.
I say: I'm lonely.
I want an Other.

A bit like sperm sighing
for an egg, thought
for word. So, split, fusing,
there's an awfully big
bang or low moan, and
hey presto: the post office
is the universe, the hiss
of its wanting
suffusing stars.

 

 

The universe began not with a bang
but with a low moan, building into a
roar that gave way to a deafening
hiss. And those first sounds gave
birth to the first stars. Translating
the observed frequency spectrum
directly to sound yields tones far too
low for ears to hear – some 50
octaves below middle A – but
transpose the score up all those
octaves and you can listen to it.

Since then it's all gone double,
everything married to its opposite,
downhill and up, outwards
and inwards. Light, galaxies,
gravity, dark matter, black
holes, singularities, you name it
you got it. I'm all entrained & tangled,
strings attached. Quite a dance,
lots of splits and funny moves.
Hold your hats.

As for volume, the intensity of the
variations corresponds to about 110
decibels, as loud as a rock concert.

Hear it for yourself at www.astro.virginia.edu/~dmw8f
under ‘AAS presentation'.

Lila, the Vedantists called it, or her.
Play. Trying it on. A million
zillion masks, charming,
terrifying, depending
on the velocity of your mind space.
I become a love letter.

Probably the cosmic dark matter is a
cocktail of many things, some of them
as yet undreamed of. Whatever it
may be, it seems that ordinary atoms
of the sort we are made of represent
a tiny impurity in a universe
dominated by Something Else.

Anyway, eventually I'm a blue planet
curdled out of a very milky galaxy
and there we are, almost.

 

Dr Lewis said the gas had taken so
long to find because it was so thin –
close to what would normally be
considered a vacuum. He speculated
that dark matter could become a
resource of the future. ‘It will be an
exciting day when we can say what it
is. It may seem esoteric today, but in
50 years it may have uses we never
thought of.'

Give or take a few billion
eons of shifting star dust
and the unknowable
magic of water and I'm the first
little critters we call bacteria,
the fellows who still direct our cells
and pleasure our stomachs
when we're nice.

 

In theory, inflation could still be
happening, with bubbles of space-
time suddenly blowing up to create
new pocket universes.

You know the rest:
bacteria eat up the CO2, fart out
the oxygen and turn into plants
who breathe out even more oxygen
and help fish land and go four-legged,
apes and then, alarums,
I, Post-Man, is us.

 

Approximately 45 billion light years
away lies the cosmic horizon, the
ultimate barrier because light
beyond it has not had time to reach
us. So here we are, stuck inside our
patch of universe, wondering what
lies beyond and resigned to the fact
we may never know. The best we can
hope for, through some combination
of luck and vigilance, is to spot a
crack in the structure of things, a
possible window to that hidden place
beyond the edge of the universe. Now
Sasha Kashlinsky believes he has
stumbled upon such a window.

The whole shabam drawn by desire,
attraction, fire for an other, the gravity
of Love, delusion, mirror tricks.
What a way to go.
As we're doing, and always have been.
What a wanting.

If universes really are crashing into
us willy-nilly, should we be worrying
about a fatal collision? ‘It's true,
there is always a chance we will be
hit by a lethal bubble, which would
come without warning,' says
Vilenkin. ‘But since we'll just
evaporate in an instant and there's
nothing we can do to stop it, there's
really no use in worrying.'

Yours, truly,

The Post-Man

 

Letter 2: About Time Two

 
Dear Kidman,

It's about time
for some Time.
Ding dong. Tick tock.
So the Post-Man falls some more.
For us, again, for chrissake.

No longer can we think lazily of time
as a constantly flowing, uniform
background entity. Optical clocks
confront us with the difficult realities
of general relativity.

Think Eden without God:

An ape looks up.
The spine straightens a little.
It looks at its hands.
It looks at that stick.
It looks at this fruit.
It looks at its hands.

In your home, time is not the same
upstairs as downstairs.

Its fattest finger twitches, adjusts
in opposition to the rest.
A mind leaps across light years
between now and: possible.

A gesture, imagined,
collapses stick, hand, mind
into a marriage that lifts him
for ever out of instinct into head.

Soon, if you were to have one of the
future ultra-precise atomic-
synchronised clocks in your home,
the time it told would be different
according to how far up the wall it
was fixed.

Urge slowly segues into word
like star dust into plant into animal.
His mouth and tongue begin to dance
more deftly around vague feelings
in his bones. Suddenly: breath is shaped
into the first wet clay of ‘stick',
‘fruit', ‘get', ‘eat', ‘me'.

GPS already takes into account such
effects, which (assuming you spend
most of your life upright) cause your
scalp to age a few nanoseconds a
year more than the soles of your feet.

Horizons are collapsing,
widening like a new savannah,
desire pushing his mind
into language, tool, poetry.

He has imagined. Then does it.
The sexy poem that is ‘fruit'
is in his hand, that digital outgrowth
of his budding mind
attuned to sugar, pleasure,
bacteria happy in his stomach's walls.
Hunger stilled, he sees the world is good.
Song arises, wild celebration
of all that is, Mother. Eve.

 

By tossing caesium clouds upwards
over the course of a day and
averaging the resulting frequency,
the most accurate caesium-fountain
clocks can now keep time with an
accuracy of 1 second in around 80
million years.

Yet no gain, no pain.
Imagining can't stop at angling fruit.
Now Post-Man dreams of death.
The outside is like a skin
he's one with but must shed
like a snake when his time has come,
for Time has come.
(As the walrus said.)

In 1967, the base unit of time was
officially redefined as ‘the duration
of 9,192,631,770 periods of the
radiation corresponding to the
transition between the two hyperfine
levels of the ground state of the
caesium-133 atom'.

With time and possibility
the world livens up with dream
trees, rocks, rivers, mountains
all teeming with spirits that may help
or kill, like witches, stepmothers,
infanticidal parents in the night.
This first oneness is also paranoia.
Abracadabra.

Does it make a difference if a clock
drifts by 1 second in a billion years
or in 10 billion? Yes, says Gill. For
one thing, a clock accurate to a
second over the age of the cosmos
would allow tests of whether physical
laws and constants have varied over
the universe's history.

When you're on your knees
with helplessness, the mountains
booming, the earth cracking open,
lightning throwing atom bombs,
your woman, child dying without cause,
the night alive with spine-chilling sounds,
your dreams and the world itself
one river, one law
 

‘If they have, that would be pretty
Earth-shattering,' says Gill.

all Post-Man can now do is rock
like a foetus and hope Mum hears,
pray, hum, beat a drum, chant,
sacrifice four- or two-legged ones,
invent religion and some gods,
start singing the poems his shamans sing
when they do battle with the unknown
that is without and in.

Time, gentlemen, please.

Time to be
moving on.

Yours, truly,

The Post-Man.

 

Letter 3: The Emerging

 
Dear Kidman,

One fine day in Mesopotamia,
the Indus Valley, the Nile Delta,
history begins like a textbook.
Maybe with an abacus, writing tablet,
potter's wheel, smithy's forge, baskets
or a perhaps whip: all these proud insignia
of differentiation and class. Post-Man
is now really rolling with his roles.

To be a scientist you have to be an
optimist. We've tied down a huge
proportion of the universe, from
today and the near future right back
to a fraction of a second after the big
bang 13.7 billion years ago.

Definitely with patriarchs lording it
like lions, peacocks over the women,
kids, granaries, shopping lists.
Village big men crown themselves
into kinghood, set up their state
protection rackets, put their shaky
egos and erections still fearful
of big old Mama's monster teeth
into stone, swords, empires,
texts they think will last.

Of course people want to go back
further – past God if you like.

Traders find coins sexier than
pots or produce, and the mind
gets used to abstracting like money
from the feel and taste of things.

My extreme optimism is that the
universe can ultimately be reduced to
something simple. It has been a
powerful business model so far.

You can't eat money but
you can think like it: no more
bogeymen in the bushes, but
first principles like air, water, fire,
philosophy, finally no more gods
but One Principle or God above it all
a tyrant like the belief in gold, reason
limitless, omnipotent, invisible
caller of the all-dance tune.

We have to live for a kind of
performance art, to get civilisation
as far and as high as we can before it
disappears – unless we discover
some kind of Douglas Adams-esque
escape hatch such as a portal to
extra dimensions.

Post-Man's now a spark of brainy ego
emerging from the dark Mothers,
Medusas, Gorgons, dragons
you have to kill like Heracles,
Perseus, Theseus or Saint George,
like the night-conquering sun
this little ego puts on its shields
and crowns, greedy for spotlight
and plunder.

 

You soon realise that humans will
easily live to 1000 once we've fixed
the errors in DNA replication. But

Only in his dreams
does he confess: Big Man
is still dancing for Big Mama,
but boy, those pyramids look good
and love of light and wisdom is love
of Sophia, sweet dark Other in the night.

 

we have  to guard against dark ages

Yours, truly,

The Post-Man

 

Letter 4: Things in the Saddle

 
Dear Kidman,

Now it's now, the time we're still in:
capitalism, industry, doing over nature
till she squeals for the greater good
and double entries in our fat accounts.

Outstanding financial derivatives
contracts relating to securitised
debt obligations and credit
default swaps are a major worry.

Post-Man is getting tricky. Why not,
he thinks, let things men made
rule men? Could be fun. It's a potential
that must be explored. Let my greed reign.

These financial instruments are
exceedingly complicated, and
traded on the unregulated over-
the-counter market with no
transparency or disclosure or
counter-parties.

Money becomes a vampire on work
that sucks out life so it can grow
and turn the world into its dead self.
Eaten, people sell themselves to eat.
The world becomes a factory,
all life a proletariat violated
by men who know no dance
but productivity and profit.

The credit crisis was precipitated
when counter-parties failed to
meet insurance covers, setting off
a chain of losses in the banking
and investment world.

And yes, a double entry this bourgeois
sorcerer I also am, powerless to prevent
the powers I set loose:

universal trade breeds universal laws,
greed spawns human rights, science,
printing, the total doubt of reason
that dissolves the flat-earth eye,
shakes the shaky thrones of dogma
and oppression. No big daddies
of tribe, religion, nation
can withstand the limitless freedom
of those young bourgeois twins
Money & Reason.

 

Nonetheless, full details of
outstanding financial
derivatives are not publicly
known and apprehension
persists of another round of
plunging asset values, given the
potential for counter-parties to
fail.

The Post-Man is now too
a huge-hand prole
who wants to read his own Bible
and finds Jesus is a carpenter
who upturned traders' tables
in the temple, no gentry, kings
around when old Adam delved
and Evie spun, old future Eden
the commons of his unenclosed right,
all equal under God and money
that know no race, class, creed,
gender, communism implied
in holy text and basest coin:
the radical abstraction of the brotherhood
of man jingles in the purses, vaults,
banks, scholars' and sectarian tracts
so ferociously guarded from the poor.

All this would suggest distasteful
financial adjustments are
inevitable, possibly leading to
social upheaval, as well as a
decline in the prestige of the
nation.

Will they be up to it though?
Are they ready, strong enough
to see that they are me?
Can they cope
with such singularity?

Yours, truly,

The Post-Man

 

Letter 5: A Singular Spike

 
Dear Kidman,

Wider and wider
faster and faster,
even the rate
of acceleration
accelerating.

 

If you plot the curve of this sort
of acceleration, you find that the
curve soon approaches the
vertical.

Post-Man is getting dizzy.
Everything madly peaking,
all the old debts
being called,
whirlwinds reaped.
Limitless more
hits the wall
of my other, nature's enough.

 

In other words, the rate of
change tends toward the
infinitely rapid. Mathematicians
call such a point a singularity.

Quantity explodes.
Now is so fast
it speeds into future
bending into past
like some dream
always there
beneath the dream
they call
real.

 

Whether or not humanity actually
reaches this point of unimaginably
rapid progress I shall leave for the
moment.

Utopia is there
for the asking,
global networkman
walks the streets
beyond old warring
tribes, old selves
uplifted
into now.
Remembering the future
past, ice flows, fire
hardens into stars,
the post-man
arrives into ourselves
like a first breath
into the lungs
of a mountain morning
and the world is new
as we understand our
ancient futurity
becoming now

 

What is clear is that a trend that
has been going on for billions of
years is going to come to an end
– and probably fairly soon.

Yours Truly,

The Post-Man

 

Letter 6: Now No Mountain

 
Dear Post-Man,

Now there is no mountain.
Hey presto.

Back to square one.
Now, ever
beyond square, circle.

The movement
of the universe
motionless, the storm
the eye, the teacup
one.

Evolution inside
now-ever,
infinite grain

all there
already

everyday joke
master game,
timeless

as the heart
singing in the bird

the light word
on the water's paper

the watery word
in the paper light

fading eternally
into birth and death

and dream …

Yours in truth,

The Postman

Posted in 37: EPIC | Tagged

The Search

Here they come! Hordes from
every part of this new world
erupt through the doors, then
pause, all eyes on me. Yet
I nearly didn't make it.

The curator wanted an image
of womanhood which would

be timeless. He was very
drawn to you, Ishtar –
after all, your smile melted men.

And you were that paradox,
virgin and whore which
couldn't fail to please.

He felt your look in battle
astride that lioness
would appeal to feminists

and they'd approve you
needed no male consort,
reigning independent.
I'm pretty impressed too.

But your healing powers
over Pharaoh inspired unease

in a curator who wanted no
connection with disease.

He turned to you, Sophia
Goddess of wisdom

though he was puzzled which
image of you to promote.

The creation one of tree and
flower of life was majestic

but would visitors to the Louvre
understand its symbolism?

A beautiful painting of you
with your three daughters

Faith, Hope and Love grouped
obedient in front, looks

very like the Madonna and
Christians might feel confused

that the child has multiplied.
I was relieved when the curator,
threatened by all this fecundity
looked further afield once more.

He fell in love with my shape
which is considered perfection.

My twisting torso tantalised him
with its sensuality, yet there's

nothing gross about my form.
My raised left leg swathed in

folds of marble hints at movement
marvellous in sculpture.

In earlier days I loved being gaudy,
a painted pagan aglow but

time has brushed me with
a noble pallor fit for a church.

So my sisters Ishtar and Sophia
in the end beauty has won.
Too bad these crowds only
remember me and my name.

Posted in 37: EPIC | Tagged

Visiting Toledo

to the absurdity.

oblivious

engine revving

insistent

and the tour bus

to wars still fought

to now

the link

a bulwark

and the sturdy bridge

to rushing torrents

from massive ramparts

cast down

tortured bodies

the vicious inquisition

injustice

on past intolerance

ponder

Napoleon's plunder

done by armies

regret damage

marvel at mosaics

and terrestrial beings

carved celestial

and El Grecos

glimpse Goyas

on cathedral walls

gazetted

centuries of life

of narrow lanes

and a maze

the Christian kings

the Moors

of past invaders

to ghosts

of Spain

to the sacred heart

concealed by rock

up sheer cliffs

taking tourists

fortress walls

breaches

An escalator

Posted in 37: EPIC | Tagged

The Desert Homeric

for K F Pieters

 

in arid cities we have read as syntax flooded streets, marked tides in museums
where classical shadows

build birds of dust on their shoulders: the old tongue sleeps, forgotten, in patches,
but still the thirst:

the sky, a desert of tiredness, without image to drink, but almost the memory of
rain, half-tasted,

like jealousy in the back of the throat; the lake, maybe eroded, or a salt, unfed
expanse, a wilted lip,

dragging dust boundaries, outside the circle of light, the marble horse's pupil
gilded. sight splits a line,

a dry horizon, a pen raised to the chalky lips of cliffs, the vanishing point chewed
ragged by wide skies,

a seedless devouring, graced by neither coherence nor splendor. where we live,
on the edge of the letter,

a view pointing stillness, behind gray glass; time ripened under the eye's black
canopy, the plum

of a newly born century, split under the hard foreknowledge of a thumb; and after
the music

there will be the calm, a relocation of light, the movement exact, a trace of anger
held between hand

and paper, and in the wind, where cartographies click, and the surfaces rearrange
their notes, the desert

flaring, pulling a long story from our feet, after a lifetime spent suffering the stilted
innocence of flowers,

to avoid the belonging, the dull love: to walk horizontally along the edge of a word,
blinded by sun,

to forget what was seen, and what there is, and beneath real heel, to tread the fiction
of a hill:

Posted in 37: EPIC | Tagged

Passage Through a Daemon

1

where does she stop
if the brush of his hand
draws up from her arm tiny hairs,
lengthens them two, three impossible inches –
finer than nylon, the tail of a comet
lost on the weak naked eye –
and then, when he's gone,
they take more than an hour
to subside?

 

2

stepping into a daemon
a splinter
of his image
slips razor sharp
through her mind's eye
her stomach flips over
her innards
untether
her back ripples
becoming heat haze
she is almost transparent
a person
not of this world

 

3

under a table
the touch of his leg
and her leg
pressing back
a sensation that widens
intensifies
spurts past the knee
in the locked
jigsaw
of what can
and what can't
a pinhole
is scorched
a hole ringed with light
lions
through a hoop
her dash at his heels
dodging round hay bales
and vaulting the fence
without strain
making a maze
to escape
the pursuers
they entered a wood
wind died in their hair
a mist rose around them
and began to erase
solid trees

 

4

at the tips
the half grown leaves
quiver like flames
all the twigs buffeted bend
branches swing back and forth
thrashing in half circles
each independently of the other
boughs creak
stripped of old bark
strain white
almost wrenched from the trunk
which stands
in a gale
like the chemical nature of love

 

5

only his hands
touch
so her eyes swivel inwards
and she's tented by the hanging roots
of Morton Bay figs
fantastic candles drapery and cauls
of limestone caverns
clouds eerily lit like stormy
photographic
negatives
not him
she's lost sight of him
but his hands
do what sleep can't
release the knots of her bonds
tug at pull free
the endlessly flowing
figured scarves
of dream

 
6

his voice
like soft rain
makes every bulb
hidden in her garden
swell
makes each tiny shoot
pressed
between the palms
of uncountable seeds
strive
and begin to grow
his voice
rains down
darkens the soil
topping it up
adding its weight
as the airspaces fill
tenor and bass
beat over her
overwhelm
overflow
a torrent of words
has blocked up her throat
to run from her pores
and stream from her eyes
washing her features
away

 

7

lightning
sees the world
in its mirror
ecstatic
identification
and he's Her
she is Him
himself
his own project
to perfectly
streamline
and purge
electrified
by the touch of a god
Daphne burst into leaf
after decades of tussle
joints crooked
at right angles
she glares from the shape
of a crab
apple
tree

 

8

absent-mindedly swigging
from the drink bottle
she'd used
he gets the faint tang
of the lime juice
that filled
her summer mouth
her coldness
flowing down his throat
his lungs frozen
by a grief
suddenly crystallizing
shatter-lines everywhere
as if the last
grains of a salt
had been dropped
into a beaker
a clear solution
of unacknowledged tears

 

9

the exile's shadow
waxes and wanes
they say
songbird's brains
grow bigger in spring
in summer
love's inflammation
shrinks back to zero
our hero
packed her house
in a matchbox
let memory's
cats cradle collapse
to a lose loop of string
they say
each mating season
the survivors re-sing
their signature tunes
their abolished cadenzas
one diary ended
in a scatter of ash
or blossoms
a stranger
constructed from paper
dry petals unfolding
like time-lapse
in water
the exile's city
has changed

Posted in 37: EPIC | Tagged

A Gifted Child

And Jephthah vowed a vow unto the LORD, and said,
If thou shalt without fail deliver the children of Ammon
into mine hands, then it shall be, that whatsoever cometh
forth of the doors of my house to meet me, when I return
in peace from the children of Ammon, shall surely be the LORD's,
and I will offer it up for a burnt offering.
–Judges 11:30-31

 

I. Genesis

It helps to have a pedigree
where life–back then–was cruel and hard,
resolved by now into a world
of West Side prep school avant-garde
and Dads who quote Foucault.
I guess that they would know

the contradictions of the world–
Great-Grandpa used to follow Marx,
and though the revolution fizzled,
it shot off very pretty sparks
above the tenement.
They usually made the rent.

And in the reeking one-room flats,
Bubi prayed to Dave Dubinsky,
went on strike, and then sent Dad
to college. He met Robert Pinsky,
and all the stars aligned
with first editions signed.

Marriage, children, teaching job,
manifestos, tenure track,
apartment on West 84th–
but there's a thing you can't get back:
The union hymns they'd sing.
‘The movement's everything,'

said Edouard Bernstein in his day,
but as time passed, the movement changed,
moved to a better neighbourhood.
The signifier became estranged
from the signified.
The sign, though, let it slide.

We've read the books by Philip Roth
and know the tensions as they stretched
throughout the sixties. What's unsaid
is what became of who came next.
La lutte continue.
If only that were true!

And she was born in ‘85,
a babbling thing. Recall the verse.
‘'Let there be light!' And there was light.'
Note, if you will, the universe
began, as we've all heard,
not with Big Bang, but Word.
 

II. Exodus

Then she left home, the clanking downtown A,
the New York scenes we know,
to head to heathen lands out West.
‘Let my people go',
though not unto the mythic Promised Land,
but to the lecture hall
and student cafeteria
with fliers on the wall.

The ghetto residents, just blocks away,
are poor and quite bereft
of what goes on within those walls.
‘But I'm Aesthetic Left!
I do my bit with words and photographs,
with papers and critique.
I'd stay and chat, but I'm afraid
I've got an exam next week.'

The leftists, sagging with their flyers' weight
of exclamation marks
can blend into the background, but
something in her harks
to what they're saying in their tones
of righteousness and rage.
The slender boy who talks to her
looks about her age.

Was her rejoinder parroting a line
inherited like looks
(dark-haired, gray eyes, a heart-shaped face)
or all those fucking books
that she had read before she graduated
top of a top-flight class.
Is hers a revelation, or
just talking out her ass?

She thinks about the kid, the leftie paper,
the spittle on his lips,
the protest that she won't attend,
the classes that he skips.
It's not her problem. All that stuff's passé.
The proletariat
was good enough for grandma, but
it's time to bury it

with geriatric Stalinists back home
who rotted in their flats
not far away from where she lived.
Want to end up like that?
God, no, it's all utopia, and she
is willing to resign
red flags and the May Day march
for the banner of the Sign.

You see, she'll take the system from within,
and if it seems too staid,
she knows about the body, and
she might even get laid
amid the throbs of Underground Du Jour.
She knows it all by heart.
Love is an ideology
like post-Romantic art.

And if she tells her parents what she's seen
or that she knew a man
as Zipporah knew Moses, well,
she knows they'll understand.
The things they say when up for peer review
can sound a little mad,
but on the phone at dinner time,
they really aren't bad,

and in the end, it comes down to support
from parent, friend, or mentor
who knows the dean or publisher,
is slightly left-of-centre,
and knows the proper way to woo a girl,
papers to sign in hand
for what comes next back in New York
or a distant Holy Land.

And sometimes, when the iPod's blaring out
that song she loves to sing,
the rhythm shakes her slender bones.
The backbeat's lilting swing
is sensual, of course, but in a way
that's simple, not transgressive.
Who cares what it represents,
explicit or suggestive.

Within the changes of the 1-4-5,
She's still a smiling child
dancing to the Rolling Stones.
Her mother even smiled
as she cavorted through the living room
and past the kitchen door.
Her smiles came easy in those days–
she wishes she smiled more.

Were it that simple! Everybody knows
about the social text
inscribed with horror from the past
or the sell-out that comes next,
so gird the surge of feeling with a smirk
of knowing irony,
as the coda starts to fade
in grand futility.

As the notes reverberate, she pushes,
testing the song's dimensions.
The Christians say the road to Hell
is paved with good intentions.
And when did curiosity transform
into mournful knowing?
The bus to school is pulling in.
She really must be going.
 

III: Leviticus

She keeps the father's faith in the avant-garde,
the tribe of misfits in the wilderness,
scratches of verse, a rudimentary canon,
and outcast snobbery, a course that ran on
to sandscapes and a Chosen people, barred
from settling down, forced to still transgress

against the same old tired Establishment.
It's not the 1960s anymore;
the paths run smoother now, and she can feel
the pebbles smoothed beneath her feet. What's ‘real',
though, is a thought experiment,
a posture and perception at its core.

So many excommunications come
from places well outside the synagogue
or church or mosque. The sentinels of Gog
note the armies gathering at the gate
with words of quick salvation to the drum
of battering rams. She hopes it's not too late.

Heresy's the merest cataract
within a delta flowing to the sea–
the Nile reintegrates the narrow stream.
It is the captive's ever-present dream
to run from Pharaoh, though we know, in fact
she'll end back in the mainstream, probably.

The desert, on the other hand, is dry,
a place of hermits and eccentric creeds,
of grim commandments and a wild-eyed prophet
speaking for God … Really. Oh, come off it!
We say ‘language'. The rabbis say ‘the sky'.
Either way, I guess it meets our needs.

What do we need? Some laws, a rigid stricture,
a covenant to help us persevere.
The regulations sometimes seem… eccentric.
But hey, they aren't crass and Eurocentric–
but come from oppression. Yes, you get the picture,
although the picture's what you see–or hear?

There is no mannequin to represent
the grim Creator; all we have is Word,
a relayed vision, a guarded tabernacle,
an ankle's distant memory of a shackle.
But is it real? Just asking … ‘I repent!'
That question is beside the point. Absurd.

Some forty years since 1968.
The desert starts to feel like home, the wind,
harsh with sand, caresses like a lover.
Storms ahead, but she's unused to cover.
Her generation came a bit too late
to understand the ways her parents sinned.

And where the hell's the radical other now?
Shirking its duties as the dialectic
negates its own negation in the waste,
a matter of politics–or is it taste?
She'll try to reach the other side somehow
as the prophets grow more apoplectic.

And Mom and Dad would pore through the submissions
that came by mail when she was just a child,
laughing at the also-rans, and sighing
at someone else too obviously trying
to be like them. But all of their transmissions
(subliminal of course) were quickly filed

into the folders of her mind. She knew
they wanted more of her than academics
searching for the tenured job with scribbles
dashed off with a minimum of quibbles
but aiming to slip through the peer review.
The problem, they would say, is all systemic.

But here she is, their greatest protégée,
in cap and gown, scared out of her wits
at somehow failing of an early promise,
dreading the lunch of Zinfandel and hummus.
Solicitous and decent in their way,
their well-intentioned pressure gives her fits–

or rather nervous tics as she surveys
the blasted landscape spreading from the gate
into the city. Christ, she wants a joint–
or maybe just a hint of what the point
of all this is–the disapproving gaze
at what is hers, inherited too late.
 

IV. Numbers

She, I guess, could be the voice
for a latter generation,
a requisite degree,
a well-known family.
But how to speak … now that's a choice
provoking perspiration.
Straight protest? Talk some sense!
There is this conference

taking place next spring at Yale.
It's all in the connections
and good for the CV.
With no advanced degree
(not yet), but not beyond the pale
with Mom and Dad's affections
and clear accomplishment,
the letter soon gets sent.

Faced off against the corduroys,
she grips the bottled water
and somehow holds her own,
although not quite alone.
The topic's ‘mentorship'; her poise
is one of mother's daughter.
Although she steals the show,
who the hell would know?

Written up on the internet,
a minor publication
for the participants,
a pleasant happenstance
for rebels who have not, as yet
founded a new nation
on radical sisterhood.
But fuck it. Life is good.

And if they launch an anguished kvetch
that draws on backlash theory,
it's all a bit abstract,
since we all know, in fact,
that funds come through, and if they retch
when politics turn dreary,
it isn't quite their lot.
Just look at what they've got:

Graduate students, tenured jobs,
gifted kids and spouses
who make a living wage
both on and off the page.
And if they gesture at the slobs
who can't afford their houses,
well, that's for history
(whatever that might be).

All seminars are ‘critical',
and every text ‘transgresses'
in a subversive whirr.
But where does that leave her?
Fighting off the cynical
assumptions of addresses
in each colloquium
as mounting tedium

rejects the carapace she finds
enveloping her parents
and everyone she knows.
But that's the way it goes.
It's less a meeting of the minds
than paths gone slightly errant,
veered from an early goal
and that thing once called ‘soul'.

She takes it in and in good stride.
The setting is familiar.
Christ, she's from New York!
As the bottle's cork
arcs across the room, her snide
doubts appear peculiar,
a momentary blip.
She's won a fellowship

to go abroad and find herself
in some grand ancient city
surrounded by great art.
It's bound to be the start
of something better than a shelf
of trophies that look pretty.
The doubts, as yet, still lurk,
so this had better work.
 

V. Deuteronomy

The Grand Canal's no Jordan, she reflects.
No Promised Land lies on the other side.
It's just a fucking postcard after all
for Mom and Dad to tack up on a wall,
and still the words won't come. The mind rejects
the sense of being chosen and the pride  

that father's watching, though she let him down,
a sin she only faintly understands
that he won't mention, maybe doesn't know,
that's either recent or from long ago.
‘Fuck him, fuck them, their stupid-ass renown!'
she thinks, and she regards her trembling hands.  

It isn't getting better, and her doubt
isn't just ennui as she would hope
in summer days before she got this work
in Europe. But it's harder, now, to shirk
that sense that one can never quite get out
of what she signifies. Best just to cope.  

Off-season Venice turns to a museum,
a symbol of itself, with gondolas
and churches and a square and that strange stink
that rises from the water. At the brink
of something … what the fuck … there may be freedom
in someone else's era. But because  

the journey took so long, the destination
is just another pit stop on the way
to … what? Another internship, a culture
of landmarks, books, and avant-gardist sculpture?
It's just another overstuffed vacation.
More of the same. Besides, today's the day.  

The vodka bottle's plastic, and the pills
are over-the-counter, purchased in a rush.
She'd felt a covert buzz when she got back
and set the items by a tottering stack
of books and magazines. The giddy thrills
of possibility turned to a hush …   

Jephthah, stained with blood, victorious
and heavy with fatigue, went up the path
that led him homeward. Israel was preserved.
His cause was won, the Chosen People served.
His service had been meritorious.
He never would have guessed the aftermath.  

She pours a glass and pours the pills across
the table. As she swallows through her tears,
she thinks about her parents and the hope
too overwhelming now for her to cope
with, even face. ‘Well, that's a total loss!'
Twenty-some-odd years are ending. ‘Cheers!'  

Beyond the water lie luxurious flats
and other problems lie behind the light
that twinkles in between the gondolas
as dusk obscures the view from her, from us.
She takes another swig, and then that's that.
Stagger to the futon, and good night.  

‘Who is that on the edge of sight?' the judge
wonders, as he contemplates the life
he tried to save. His daughter's quick embrace
hides the sudden grimace on his face
at hasty promises, a tardy grudge
toward the sharpened sacrificial knife.  

Posted in 37: EPIC | Tagged

Settlement

We lived and farmed, my convict father and I, on the last
clear patch by the Cudgegong River, our hut right beneath
the enveloping hills. On each flat-top there crouched a beast

of stone, these animals glared like sphinxes through a wreath
of trees, guards for the far, black mountains, set to keep
us from their gates. And this land of the valley had a breath:

the tribe. They swam through the bush as an eel in the green deep
of the river, weaving through the dimness. Two peoples, one place
with water, and where the land was fat for game or sheep.

More settlers arrived, and after drink men threatened to chase
that mob of blacks away. From his old scars, so aware
was dad of persecution, behind whatever face,

that he warned me away from the boy. We'd met by the river last year
on the hunt for one quarry, and had fallen in together.
To see me, he'd lean on our gum out the back, standing there

till I'd slip away from my jobs, then we'd go fishing or slither
through the reeds to hunt. I even learnt a few words of their talk,
though never thought to teach him ours, and ignored my father,

happy to see the boy beneath our tree, and walk
after him through the bush. When agate faced, with no laugh
or sign as usual, he grabbed my wrists, then turned to stalk

between the wattles. One heart beat's halt and I headed off
to follow, sticking close behind, though he took a track
far from the valley, among steep hills where the going was tough.

My doubts were surrendered to his sure stride and his lack
of hesitation among the sandstone walls, till I
was lost beyond my own returning, no going back

before the dusk. The last of twilight had left the sky
when we stopped by a creek, merely a skim of water on sand,
here the boy mixed ochre, red and white, to apply

in streaks on our chests, and on our cheeks with prints of his hand.
We'd come to a secret place, a ground for ceremony:
one tree, and in a ring, thousands of prints in the sand

treading, re-treading round the white trunk like the many
long years spun on this axis. All ages seemed to twine
together, so that turning about and about in the honey

of thickened history, could concentrate, in this time,
some thing of the past to be touched. Ritual performed we sealed
the tree with our palms in blood-red ochre as a sign,

ending our dive through ages, and slept till dawn revealed,
among gullies scraped out by claws of darkness, our track
to home. Where at midday we washed and I hid behind a shield

of wattles to watch my father. He was sitting, his back
to the door, when I'd stepped out and said, trying to be bold,
‘I got bushed the other side of the river.' ‘Not with that black,'

he retorted. ‘No, alone' I said. ‘That's what I told
the neighbours, that you were missing, taken away by him.'
I was led inside to eat. My old man didn't scold

or ask another question, but stared over the rim
of his cup at me as I worried the cold meat and damper.
That's when the shooting started, bangs that by the whim

of the wind echoed round the hut. A party of campers
perhaps, but the sound had built and built. I'd tried to shut
tight my ears to the rolling climax and, like a dog, scampered

by instinct to the door. My father held it closed, ‘stay put!'
was all he said. I curled on the mattress, each shot a pound
in the guts, though I'd no grip on the happenings a mile from the hut.

But I'd seen hunts: when startled by dogs a grey would bound
big-eyed through the trees, and then the shot and then the ‘roo
would collapse in a rolling tumble, to kick and thrash on the ground.

Then the dogs would pile in. If you wanted to keep the meat, they'd shoo
them away, but if it was near the end of the hunt, with enough
in the bag, to keep them keen, the pack would be let go.

And the men would stand and watch. There was firing on and off
into the night and later, with father asleep, I stared
at the moonlight splayed, shot on the dirt floor, silver and soft.

Of course some got away, to the pathless country, and speared
a sheep when they could. I was part of that people, by rite
and by guilt, and when in town with those men I never dared

to look up, knowing I was an excuse for that night,
and I chucked my guts when I saw blood on our gum at first light

Posted in 37: EPIC | Tagged

A Day

A broody Medusa eye.
Sulphur-crested cockatoos
Turn like boomerangs on ochreous air.

Fat African cats,
The clouds stretch and gloat.
In the gods

A Devil's honing
Her stone
Arrowheads,

My skeleton
Curves. Planetary moons
Dazzle mercurial seas,

White swimming horses drown,
And I taste, with a pang,
A life as bare as Shark Bay's manatees.

Posted in 37: EPIC | Tagged

Penelope’s Poet

One woman's fact is another man's fiction.
– Lisa Jardine

 

I

I am unknown, not forgotten
But erased, no suitor of Penelope,
But her friend and lover. I escaped
The wrath of Odysseus, shrewdest
Of men as he was, and I,
Most gentle, at least in the annals
Of the women of Ithaka in my time.
I defended Penelope's integrity
Against the lechery of Agelaus
And the other murderers whose eyes
Begrimed her unadorned beauty,
Her chiton without golden thread,
Her tresses, by me seen long and
Flowing, to the barbarous consort,
Born to do nothing but eat fruit,
Only the knotted ball of modesty.

She was crafty but pure
In her chastity, true spouse
Of Odysseus, who was not worthy
Of her cold fidelity. To me
She came, just after the sun
Unfurls its roseate fingers
And Hesperus leads the way.
Near a mountain top she found me,
Having come there for once alone,
Not to watch the horizon for the ship,
But to leave everyone, especially
The thoughts and eyes of men.
She was wandering in the grove
Beneath the summit where I sat,
Tuning my pipe to the last light
Next to the spring as pure as she.
I was there puzzling my own fate
In love, finding little comfort,
The only solace afforded me
The slender harmonies of the shade.
She was laughing among flowers
When first I heard her, between
The silences of my long notes of woe.
I will never forget her first words,
‘O why not play the glories of the day
So sweetly you sing its sorrows?'
She pointed to the skies where she stood
In the light, flushed with
An inner glow that seemed the sun's.
My face turned red knowing how
She had heard my unburdening mind.
No further words need be spoken.
She seemed stunned when she saw my look.
Who knew not the beauty of the Queen?
But no one else I knew heard her laugh.

Weeks went by before the time
I journeyed to her house to sing.
Antinous mocked from his couch:
‘What tune can come from this dreg
Of the wood? Where's Metrodorus?'
‘Metrodorus is ill, my lord,
His lyre broken in your games last night.'
So Doracles, true servant to the good,
A source of amity, as he'd prove to me.

That night of distant worlds I sang,
Laboring out the stars anew,
Of faraway oceans and many moons,
Of waves that spill over diamond rocks,
And Astraea's smile welcoming back
All the forlorn of the earth. ‘Beat him
In his fit if he sings that way again
Or better yet, let's make of him
An Orphic stew and feed it to the dogs!'
But I persisted, by my master forewarned.
To Hermes and his love for this
Newest of worlds I turned my mind,
Of his desire for the myriad sea
Where eons of Time churn endlessly,
When the eaters of fruit stood up.
Penelope was on the stairs. The gloom
Of the smoking meats could not conceal
The penetrating gaze of her solemn eyes.

 

II

The clatter of voices ceased, and silence
Emerged like a homeless child finally
Allowed to sleep. Only my song
Drifted up towards her as the men
And housemaids watched her with eager
Mouths and eyes. She was listening
To my rhapsody, its final chord
Drifting into the night, into the sea.
Then she turned up the stairs again
When Agelaus spoke. ‘Why not join us?
I have kept the best seat for you,'
Indicating the one next to his by the hearth.
She turned her head down to mute her scorn
For this refined man of Mantineia,
Where Arcadians defamed her Spartan claim
To kinship with the gods through Leda.
She looked up, calm and recomposed,
Looking into his eyes to deter his gaze.
Her words rang out clear and strong:
‘I heard the strange voice lifting up,
Singing of the birth of worlds, and I knew
It must be our bard's protégé. Come forward.'
And so I did, averting her solemn eyes
As I unwillingly stood among suitors,
Barely shod and ragged, just one more man
In a palace of mirrors where all was desire
To behold and feast upon the beauty of her way.
Her words made me lift my head as if law.
‘Well versed and well taught in ancient song
You are, young poet, clad in leaf and sand.
Metrodorus's high praise of you is deserved.
But I would hear once more the sorrows
Of how new worlds begin, the spring
Of sadness and the setting sun. Play on.'
And so I took up her theme that I knew
Secretly acknowledged our meeting in the glade.
First how Apollo and then Pan, I sang,
The universe and all creatures yield
To what even the gods cannot rule,
The lyre and the reed, all song
Out of longing shaped. It drives the sea
And fills the fields with asphodel.
But what makes the swift huntress run
And the lonely moon rise? Different still.
An abundance of streams is the world.
Who can fathom their endless flow?
Daphne and Syrinx are enshrined
In their own virginal powers,
Beyond the arms and eyes of love.
As I sang, she walked up the stairs
Slowly into the dark stars I could not see.
My whole song was her praise under shadow.

Eurymachus was first to break the lull
After song. ‘You have upset the Queen
With your weird words and hymns.
We want festive tunes at a feast,
After all, and you're like a mangy dog.
Stick to the hills, outcast as you are,'
And with that, he struck me with a cup
Of wine, reddening me like a new born.
‘There, now you're fit to sacrifice
To the dancing boy, that faggy god
Thigh-born, your kind loves to invoke.'
Melanthius chimed, ‘Yes, hairy Pan
Better suits him than he does us
Though my sheep would run from his wails.'
‘Leave off this foolery,' Polybus commanded,
‘It's easy to insult a man with a lyre.
Put a sword in his hand and then mock.'
I slipped out into the night, to the star-clad
Cliff where I would find some peace alone,
Watching the heavens descend upon the shore
Of Dulichia across the way.
This hovel had become my home if an exile
Of love and loneliness can speak of such.
For the next few days, I felt justified
In my nomadic state, wanderer
Of the wild shore, sojourner of the woods.
Better to live among the birds and beasts,
Content in what they are, than human animals
Who aspire to be Titans and become insects
Of their own pride, hunger and lust.

Of the lore and life of Linus I sing,
First of the holy sages. His footsteps
Traced through the grove the courses
Of the stars and how all things begin.
His voice calls me from an ocean inside
Though I am unworthy. What choice
Do I have, what other fate can be mine
Since the visions come to me unbidden?
The path is the calling that Linus sang,
His song the open mystery of the wood,
The whole world under heavens
Where stars are leaves and oceans tears
And the child of Love dances among the dead.
Who feels not the miracle of the ever new
In the oldest of forests and the dew
That shines never again the same way twice
And makes life from air, earth, fire and ice?
O Walkers of the flame and of the wave,
Those powers without end, themselves
Maker of the gods! The path is our own
Wherever we roam and the sky's ours
For a day. Such prayer I hope
Advances the ancient way, shadow
Before light, the future come what may.
 

III

It was at night beneath the moist stars
Above the sea that she came back to me,
Seeker of my song, lover of my freedom.
A slave in my own eyes, in hers
A portal to the world beyond eyes,
Where she could in solitary walk
Be her own soul in the dominion
Of her hearth. She surprises me
As I leave my hovel in a cave
Above the shore. ‘O Queen,
Why have you come here alone at night?
Where is your escort, Melantho,
And your other maidens? It is dangerous
To be among the dark pine with all those
Suitors of yours pursuing you.'
She is in tears now, her head covered
In the shame and abuse she has suffered
At the hands of men. ‘My father,
Icarius, is sick and dying, and I cannot
Succor him. My own home is lost
To the mob. I walk the night
To invoke Cybele among the firs.
Just let me sit by your fire awhile.'
I am speechless at her being there.

In silence beneath the night
We sit shrouded in the darkness.
I look away to let her be
As she reaches out to still
My hand trembling with fear.
‘You need not be afraid of what I want
Or of what will be said, Archias.
I have come just to seek some peace,
Slipping out down the stairs while they slept.
With my son gone off, I can trust
No one in my own house, but you,
You will lend me an ear, all I ask.
I know of your wisdom in dream lore,
And I have need of your counsel.'
‘My master has doubtless praised me
Beyond my worth, and I am your servant
Who dare not advise you, my Queen.'
‘Just listen to my dream and tell me
What it is the gods would have me do.'
I sit there watching myself
Listening to her as I hover in the air
Hearing the deep tone of her voice
Like a sea gently swelling the night.
‘I see a giant rise above the horizon
Towering up from the land to walk
One step into the ocean. Eagles
Attack his massive head to no avail
For he swats them away. He laughs
As the sun sets, growing higher than ever
Until suddenly he bursts into red sand.
Then a woman comes along the beach
And gathers all the glittering dust
That had been the giant into baskets
She is weaving out of her own hair.
She works and works with eager hands
But she begins to weep, seeing her labor
is endless. The waves bleed red.
I wake, deeply moved by this strange vision
That makes little sense at all
Though it lingers for a week inside
Until another dream, weirder still, comes to me.
Whatever you can make clear, give me.'
‘What little could you make of it?' I ask.
‘Remember your waking thoughts.
What made you feel especially sad?'
‘I felt no grief for the woman and
Certainly none for the giant, but the dream
Disturbs in ways I cannot understand.'

The sea swells beneath us, the crests
Pounding the cliff-side white in frenzy.
A silence follows as I watch the horizon
Where a bird flies downward from the heights.
I think of her great spirit within.
‘Yet, my Queen, from your own mind
Glean the sovereign truth of your fidelity.'
‘This sounds like flattery, Archias.
My title befits me little like a basket
Of my own hair, a crown of sand.'
‘Yes, my Queen, but not inside you
Where you are just, good and wise,
Leading a life of dignity in the midst
Of squalor and the mire of men.
No one can steal your glory there
For that sun and its light is all your own.'
‘But by that cold light it is hard to live
When hearth and home are not your own.'
‘Yet all must crumble into sand, o Queen.
We walk into light curling into the past
Like the foam of the wave receding.
And this is the way, where the bird sings,
Where the pond is too broad to leap.'
‘Yet who is this woman on the shore?
I am not her, grieving for a giant
She cannot hold. And the red waters,
What are they if not the flux of things?
What had once given life in the blood
Returns to the ocean of time inexhaustible.
Each one of us is but a pebble
Though our lives to us seem gigantic.
The basket of life spills out once and forever,
And that is all of eternity we can know.'
‘I see you are wise in fable and lore
And have found the wisdom of the dream.
What is it that you would have of me?
I will do anything to serve you, my Queen,
But how can I possibly counsel you?'

‘You speak of a world always beginning.
I would find some strength in that.'
‘Let me hear the second dream that struck
Your mind like this one, a portent.'
‘Yes, a sign, but not of things to come,
I think, but of the past, the crumbling giant
Of yesterday bootless to weep over.
But in this other dream I feel a mystery.
Listen, o poet, to this marvel of the night.
I am flying in the dream watching myself
Sitting on the roof. The night above me
I have unwoven from the day, both shroud
And sheet, the work of day and night
From my own hands. The flying woman
And the squatting, neither one I am.
I see the horizon like a painting
In a shutter I can close, and so I do.
I walk down a hall I have never seen,
And there are statues in the rooms
But I do not turn to look at them.
They seem everywhere so I hood my eyes.
What others think can turn you into stone.
So that is not my goal. I see a forest
Ahead where there is an opening
Bright in the noonday sun. A stream
Echoes through the woods, drawing me on
Until I come to its dark bank and the light
Of its shimmering rocks. Deer run off
As I enter the stream to drink, the pure
Cool waters enveloping me, the sky
Above dancing like a bird between trees.
I feel delight and joy as I never have before
At the mossy top of a waterfall,
And I am free to sing and laugh.'
Half dreaming this dream again, she turns to me,
As if fallen from a moment's peace, troubled in her gaze.
I look deep into her gray eyes and softly speak.

‘Into the liberty of that place no one
Can enter for it runs off like a deer.
Is this not the way of Artemis?
The very path of her arrow is the purity
Of the moment that will never come again,
Yet it is there we live the body's life alone.
Whatever invades us there will be
Devoured, the just wrath of what we must be,
Our soul immersed but not hidden.
Beware the flatterer and the spy, my Queen,
Be strong against them, the way the goddess
Does to Actaeon first what he would do to her.'
She laughs and after a while retorts,
‘But surely that old myth does not imply
How one must live in the body alone?
It is how women can be strong
In turning the gaze of men back upon them,
To let them be devoured by their own lust.
I have learned that look the hard way.
I am both at the top and the bottom
Of Ithaka, richest of pawns,
Most powerful in my poverty
Where I will learn to live in some peace.
I do not ask for what cannot be.
Let that witch of time turn men to slime
If that is what they will. They can dally
Like statues and blame the gods for their fate.
And their wives can join them too
Hollowed into shells by what they cannot have.
If Odysseus never comes back,
and even if he does, what of my life?
The leaves quiver upon the bough.
The curlew works at what the sea has left.
I cannot stay upon the bank like a stone,
Unable to do what my way decrees.
And it would be wrong to find no joy
In things that must be. That is the wing
That will hold me in place however hard
The path turns in the wood. I need to live
Inside where the forest offers its light
And the stream runs fresh and cool.'
‘And that is the moment of the kairos,
My Queen, the dancing child of the universe
That forever must laugh, or we die.
But what is it that you would know from me?
You draw wisdom from your dreams
Better than anyone I have known.
My mind can be no more than mirror
To your own and say what you have said.'
‘What I need from you, you have given already,'
And with that, she kisses my forehead,
And then my lips, and we float
Into sleep above the shore. This story
Of our care may unravel the legend
Of what has been formed out of its erasure.

Penelope was as free and strong as her mate.
And she taught me much about the world.
Be faithful to yourself, the true spring
Inside, and feel what it is to be chaste
Whether woman, man or beast.
And so Artemis and Aphrodite can hold hands
And Hephaestus and Ares too, their weapons down,
And Strife from the wedding kept, with her silly gold ball.

What happened to me upon her husband's return,
You might ask, if you can still consider
My tale worthy of your mind? I knew
How Aegisthus fought the Argive King
Who tried to kill his wife for having a lover
Though he had his Briseis as concubine.
And the horror that Orestes then faced
When out of conflicting laws no man can solve,
He felt he had to kill his own mother.
I would not have Telemachus destroyed
Or Odysseus burn his own house down.
For who can rule the freedom of the kiss?
Spite and rage follow in its wake
And crash upon a lonely shore.
As for my beloved, my Penelope,
Queen of my heart forever, she
Gave herself back to the sailor of fate
Whom the poet of heroes praised.
But even the Myrmidon with the demon
in his chest would not have died
had it not been for that malice
that showed up at a wedding feast.
Love is stronger than the war its loss brings.
And is not bliss once gone more desired still?
So Penelope became Muse to my songs
of lovers, how Paris was forced to steal
The woman of his dreams when Aphrodite swayed.
Who knows what the gods condone in the dark grove
when they themselves have succumbed?
And how lovers will find each other trembling
with that touch more sweet when secret
no matter how would-be masters peep and rage.
Of Helen too I sing, cousin of my beloved,
Who went off with the shepherd prince,
one eye in joy, one in sorrow, for she knew
The chaos that love would have her make.
And the sacred three who claimed the fruit
Eris plucked from her tree of hate,
Were victims of their own envy and scorn,
The dross left behind when love's not golden.
Even Zeus could not settle the matter square.
Above all, who wants that hag Strife at a wedding feast?
And yet there she is – in our obsession to own.
No matter our will, fortune's wheel
gives way to necessity's spindle.
Even the gods cannot seal the book of fate,
Return the wave or unchop the tree. This is why
Love cannot be forced for it chooses us,
In a whir of wings, in the arc of an arrow.
Its nature will out however pent up,
For she will deliver her babe anew.
And so I left Ithaka, even though
I knew he did not love her the way I did,
The reason why I do not hide my head in shame.
I continued in the path of Linus
And sang in many a land and isle
How Hermes is in love with the world
And out of longing makes eternal song.
This is the way of the ocean and the bard,
Her poet, whose heart and eyes cannot falter
As long as hers are in the world.

 

Coda: Song of Archias

I swear you can see
By starlight
Looking straight into the night
Above a river.

I swear you can walk
The air that sways the bridge
And lift above the stream,
Never to be seen.

Come and join me here,
In the rain of the forest
And the suns inside the dew.
What are the woods without you?

And if you think time holds still
Waiting for your silent footfall
Across the moonlight over the stream
Where I lie awake with the owl,

What do you make of a flower
Not to smell it until tomorrow
When heaven would have taken its due
And the best has been lost to the wind?

Posted in 37: EPIC | Tagged

Jesus’s Ass (by way of Nietzsche)

I

When he enters the town–
     Is it Jerusalem?
With thorns stuck sharp in his crown,
spare a thought for his ass.

When he crosses that bridge
all the light bulbs explode–
     even the one in the fridge,
in a splintering rain.

 

II

An atheist half-Jew
and a sceptic too,
I know squat about JC,
but I remember that donkey,
all sweetness and bite.
Bottoms up and etwas Sachertorte all round;
Just a raw carrot for me, said Zarathustra,
from the high moral ground,
sitting there with flypaper
waiting for his ideas to stick.
A Ladybird.
The first book I ever bought
was hardcover
Ladybird
called Ned, The Lonely Donkey.
That would be Der Einsam Esel in German
the language of Nietzsche,
who made his own sensibility the measure of all things,
and spoke about himself in the name of Zarathustra.

I've always had a thing about donkeys–
and so it seems, does Zarathustra
like Ned
leaves home in search of friends.
Guided by the twittering wisdom of an owl,
Ned tries a number of alternate lifestyles,
until 52 pages later,
Ned, the lonely donkey finds happiness
with Timothy, the lonely boy.
It takes Nietzsche 297 pages to walk off into the sunrise.

 

III

You can hear a donkey's hee-haw
over 3 kilometres away
or so they say.

 

IV

The First World War depended on the mule.
Since then, various politicos have tried
to pin the Aussie values tail on Simpson's donkey,
a beast
by the name of Duffy.

 

V

Saint Francis, Aesop, Sancho Panza
Winne-the-Pooh, George Orwell, jackets and work
associate all with Equus asinus.
Ditto King Midas of the golden touch
in another myth
Pan and Apollo have a musical play-off
the judge says Apollo's the winner
Midas says no
so Apollo gave him donkey's ears.
Midas tried to hide them under a steep-sided hat
but his barber knew
and his barber knew
he was a chatterbox
so he dug a hole, whispered the secret into it,
and layered earth
over the top.

From this spot within a year
sprouted reeds that murmured:
Midas has the donkey's ear–
each time the north wind blew.

 

VI

Then there's Chesterton, G. K.
with his blood-moon moments
of anti-Semitism
critics say we should understand
in the context of his time–
and his time was the nineteen-20s and 30s
and they were nasty times
to be a Jew.

 

VII

After Ned
I read
Robinson Crusoe,
the story of a lonely man.

Jesus meanwhile has got off his ass
and is doing something
with the chickens that count
the horse in midstream
and the fish
in the plentiful sea.

 

VIII

Nietzsche is the man who said
God is dead
Which makes Jesus just another random bloke.
Nietzsche is the man who said
Get a-head
Be an Übermensch
Change the light-bulb, get the joke.

 

IX

Last night Googling around
I hit the wrong key
missed the donkey
and ended up at Lego For Adults:
How to build a working gun with Lego.
I'm not kidding.
Bang, bang–
You're dead
God is dead
but Zarathustra is still talking
the hind leg off the proverbial.
I picture him scrawny and stoop-shouldered,
sharp nose and not much face below.
Nature made her point
then lost interest,
leaving his face to dribble
back into his neck.
His favourite sound is the gasp
as the rubber lips of the fridge door unstick.
He leans into its cold air
and there's his hairy ass …
and the carrot at the wrong end of the donkey.

Posted in 37: EPIC | Tagged

The Centrifuge

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

Walt Whitman, 'Song of Myself'

 
 

1

Wading. Wading is itself a dying skill,
but fishing and wading through a hollow,
with the sun assaulting from above and below,
with the river just touching at the neck?
This is an heroic polaroid – snap it,
snap the boy as he holds his ground
against the surge of north-bound water.
Capture his surprise – the situation,
the regression of environmental flows
to the echoes of green torrent and flood –
to find himself wading, not half an hour
from greener playing fields, shopping-towns,
nipple-deep in a real gouge, an honest-to-goodness river.
Don't shoot the fight with quiet fish –
the inevitable fight, tangential drag.
Immortalise instead the coin of shadow.
Catalogue a moment of stand-and-stare,
when a soul blinks, stifles a metallic laugh,
seeing, in an eddy, the quietest pocket of himself,
surrounded on all sides by the liquidity of rage.

 

2

When the Titans tackle bags of sand,
lit by improbable lights, when the stadium
is quiet, and the peakhour Thursday night
traffic flows around a roundabout like the river
does around an abandoned car, our Odysseus
stands still.
Bearing the leaves of fried chicken boxes at his feet,
absorbing in his stance the tremors of nightly news,
holding off the song of Cleopatra's special feature,
he stands, not even wading, as a whole suburban citadel
sinks around him; the flood of Interest Free!,
the torrent of pornography licking at his thighs.

 

3

Before the scouting geologists and the thrum
of a swarm's construction, Warragamba
was an unassuming river. Like the Coxs,
the Nattai, Wollondilly and the Kowmung,
it squirmed and threw its back through green
ruffles and orange biscuit crust, unseen
by the families coughing out their little grids
in the arid valley.

Odysseus was christened
a day before the dam, as the river split like fruit,
and Burragorang Town broke its waters
and the coal mines became green fingers,
stiff with the dead silence of drowned work.

 

4

The valley of his youth is going slowly bald,
so the frigid hero feels ill at ease in a garden
so overgrown and dewy.
The evening yawns.
The barbeque smoke blues over sweetpea vines
and a cattle dog chases its tail on wet grass.
The night is a car park. His whole world, a carpark – 

bitumen night
sprayed with gummy stars and shooting durrie butts.

If he could just stand long enough, until
this beer shrunk in sun, until the river rose,
until the coin of shadow swelled to take it all –
‘Turn the music up!' someone yells,
‘The party's only just now getting started.'

 

5

When planning to build a dam, it's standard practice
to test a scale model in an industrial centrifuge.
The forces brought to bear are the same ones
that tear blood cells from viscous blood plasma.

That the wall will fail is never at issue.
Instead it's Chronos ‘gainst the clock. The spin –
the same lame trick Superman pulled in sequel –
skips the best bits of a wall's short life, speeds,
slows at a crow's feet fissure, groans and
stops
when Jupiter booms ‘Enough!' and cleaves it through.

 

6

The high street brims with cotton-sack people,
and Odysseus stands
with Telemachus at the traffic lights. The green,
the red. The nearly dead pedestrians swell at the weir,
waiting, then wading through the road, to the shops.

The orifices of shopfronts, closed and opened,
closed again – tobacconists, gift shops and butchers –
give the street slack-mouth, like a row of carny
clowns switched off, ready for transportation.

Telemachus looks up – the bright, bright sky a lure –
and catching his father's face by accident,
asks with his quiet screen-burned eyes,
‘what does my shirt mean?'

 

7

A pair of black cockatoos chase a skywriter to the east,
and Odysseus,
still standing in the street,
thinks of Penelope – her sleeping, mountainous waist,
the deep water of her early morning skin.

 

8

Silence
rends the shopping mall, turns the spruiker stony.
Somewhere distant, concrete girders shatter.

Complication, like a deluge fans across the plain.
Hot signs hiss.
Lost children look to their palms
for answers. The railway station chimes for a train.
The Titans retreat to their world of entertainment,
leaving thick boys to cry on the distant shore.
Frantic tweenies turn in tightening circles,
chasing chimeras and High School Musicals.

Odysseus stands smiling in his river.

He called it with his quiet,
and it came.

Posted in 37: EPIC | Tagged

Medea of Melbourne

At the heart of this respectable city
is some filthy secret.
I know it.
I can see it in the dark glint of the river
in the evening
from the railway station
where I sometimes wait on a cold platform
for a late train to take me somewhere else.
It never comes.
It will never come.
I know it now.
He who brought me to this city
ripped my heart out
ripped my pure and loving heart
out of my bruised chest.
He took the best of me.
He knows it
but he pretends
with all the other weak pretenders
that it's all right
everything is fine, everything is fun
everything is carnivale
like the giant ferris wheel
whose skeleton is filling up
a part of the evening sky
where the stars once had a place.
It is as if there needs to be a show
for everyone to be distracted from the space
where the real wheels are turning
and Jason and his circle of assassins
make their killings.

When I met him in my own country
he was a beautiful thief in the night
adventurer and sailor
smelling of salt and sex
a secret foreign scent in a place
where my senses had arrested
and my own beauty was wasted on old men.
He came and took what he had come for
and then he took me.
In that order.
In the order that I failed to see
and then became accustomed to
as we do
when we place ourselves
somewhere on the lower rungs
of someone else's ladder.
And he was climbing high
believe me
ambition was the hot flame
that I mistook for passion
in his cool eyes.
He was a wheeler and a dealer of bad hands.
I should have seen
how he operated in my country
in my poor country
where all the important deals are made
by foreigners like him
and all the important foreigners
are aided and abetted by monsters
and by dupes like me
and everything is made legal
in clean documents, suspiciously sparse
and written mostly in English
which is the tongue of international business
more than it is the language of poetry.
In my country
where the belief in poems is still strong
and the language fairly chokes on images
I imagined him a poet, a balladeer.
Not a racketeer.
Not the kind of man
to use you.
I listened to what I thought was his song for me
and I surrendered my inherited resistance
to the siren song of strangers
and I was moved
to betray my own fatherland
and my father
and my blood
to be one with him –
the smiling, wealthy, worthless
Jason.

Now I sit in this vast ugly house
in an affluent and vulgar suburb
where he has put me
and his children
so that we are respectably out of the way
while in the very centre of the city
at its very core
where respectability does not count
so much as money
he and his hip-swinging harlot
play their games
force their way to the front of fashion
dance the dance with the rich and famous
shove their faces into photographs
like pigs into a trough
and then to hide their vomit
throw around the stardust
of the glittering gold
that he and his brutal buddies
have fleeced from my country.
Blood money.
My blood
and blood that runs through the veins
of his children.

This little matter
he has overlooked.

Poor Jason.
Poor filthy rich Jason
cannot see where his betrayals have been leading.
Jason my husband
in case you haven't noticed
I am bleeding.
I am bleeding.

Posted in 37: EPIC | Tagged

The Ghost of a Marriage

Alone again, she strains to push the too-heavy door shut.
It shouldn't be open. Why is it? Her neighbour's
nowhere to be seen, though the car's in the drive,
there are playing cards laid out on the table.
That night she watches the man next door
through binoculars. Her own husband
ridicules her suspicions. Aliens, he says,
not murder. It's the last thing you'd suspect, after all,
though it happens every day somewhere in the world.
She plucks a sliver of glass from her toe, but there's nothing broken
to explain it. She finds a key without a lock.
Steam from the bathroom. What lurks there, hidden
in the tub? The bath is full, but never filled.
She pulls the plug and screams
as the water sucks and whorls.

Psychiatry's the answer, they decide. She must be mad.
Fragile, let's say. Hurt somehow. To find out why
will solve all mysteries and rid their home of its ghost.
When talk effects no cure, she consults the spirits.
Darkness falls. The door creaks open
and in plods the family pooch. Such disappointment!
Such relief! Day follows day. She is too much alone
in the cold, blue house. The noises come again, and steam.
She rubs it away to show her own reflection
everywhere. Turning back, she finds the dead have scrawled their pleas
and accusations on her mirror. She flees.

Her husband thinks she resents him. (It's all about him, he thinks
− they always do, don't they? And she probably does
resent him – who wouldn't?) Back to the shrink,
since she accused her neighbour of killing his wife,
who promptly appeared, quite alive, at his side.
(It's all about couples and absences, those left behind. Was there once
a child?) There is a missing girl. The story of her disappearance
tumbles from its hiding place behind her husband's photograph.
(Which is telling, don't you think?) She believes
she has found her ghost. Her husband, of course, is furious. Don't talk to me
about ghosts! She won't be moved. Research leads her
to the missing girl's kin. (I'd like to go to bed,
but could I sleep not knowing
who the murderer is? I hunger
for the final twist that pulls all loose strands
taut and gives a meaning to all this suffering and confusion.
− I think her husband killed the girl! She suffers,
is haunted because she's the killer's wife!
Joined to his guilt by bonds of matrimony,
she now pays penance for her partner's crime,
must seek justice for the one who was wrongfully slain.)
Possessed, she tries to seduce him with her dangerous love,
then suddenly remembers all: his affair, how
she discovered them together in their house, her nearly fatal accident
soon after, in fact, attempted suicide. (Is that it, then?
The haunting: was that in fact no more
than the slow and painful re-emergence of buried truths?)

She returns to him in sleeting rain. The power's off.
He doesn't answer. The bath! He's in the bath!
Nearly shocked to death, an accident it seems,
but the power cut out just in time. (Those safety switches
really do save lives!) She thinks the dead girl's ghost
is trying to kill her husband. He claims she'd threatened
to kill herself, or to kill his wife, and then just disappeared.
(I don't believe him.) Together they burn
a lock of the dead girl's hair to break the spell.
She hugs her instrument, the gift she gave up
to be his perfect wife. But she forgives him finally.
And then the key – remember the key without a lock?
− falls from her robe, chimes like a tinkling bell
against the bathroom tiles. Now she must find out
where it fits (it will destroy her, destroy them).
She finds the box in the mud of the lake's bottom
at the end of the pier. The dead girl's necklace is inside.
She knows now. He denies it, claims
she killed herself, he merely disposed of the body,
tipping it from the bridge into the lake's dark heart.
On his knees he pleads. Forgive me!
Exhume her, she replies. Bring her into the light.

He phones the police and goes upstairs to change.
She's wearing the dead girl's necklace
when she follows him upstairs. She finds the phone he used
and not trusting, presses redial, gets only Information.
Now he must kill her too. He goes to work
quickly, without sentiment, without hesitation.
But before the final blow can be landed, he talks
and talks, confessing all, blaming her
for all his dreadful crimes. (Oh, yes. If only she'd been
a better wife!) He carries her to the bathtub. (All roads.
He will drown her, or she will survive by killing him. To come:
only the desperate and unlikely acts of the finale.)
He sees she wears the dead girl's necklace.
That won't do. Bending to pluck it from her neck,
he catches a flash of the dead girl's face, blue and swollen and changed
by the waters of the lake − panics, slips, cracks
his skull on the bathroom sink, and ingloriously
falls down dead. (Most accidents happen in the home;
most murders too.) Those spidery fingers crawling
to the lip of the tub are hers. His body, though,
isn't where it should be. He's downstairs, playing dead
or slowly dying. She's outside in a flash
with the keys to the truck, and off down the dark road
to the bridge (the bridge!). He's in the back, of course.

And so it goes, until in the final irony
he is drawn down to his watery grave by
the dead girl's ghost, rising from the depths of the lake
to grasp her revenge and free the woman
she once usurped. The torment is over.
She is beautiful again. A red rose on her tombstone signals peace
and time for bed. Matrimony has its dangers,
professors can be cads and monsters, and
two good women − one dead, one living – prevail
against one evil man. A balance is restored
for now at least. Tomorrow new crimes will howl for justice.
Until then, sweetheart, simply sleep.

Posted in 37: EPIC | Tagged

Father’s Day

Stop wheels
Hector's hurting
Priam cries
Dusty from playing in the yard Hector

Astyanax wails
Faint Andromache
Hecuba lactates

On Hecuba's weeping breasts
Rest Priam's drooping cheeks

Whose guts
Garland the dogs of Troy
Not Patroclus'

Intact elevated
Body feted
A high friendship keeps you
In good stead

Your funeral games over now
Release Achilles Release Hector

A man who grieves for a boy
Must have a soft spot
A man Hephaestus shields
Must be made of flesh

His heels I'll cuff with my wrists
His knuckles I'll press my lips

Posted in 37: EPIC | Tagged

US Sailors on Furlough

Here salute the roaming stars and stripes,
here we admit we, too, are implicated
(so galling) in this?
She'll be right types
may have no doubts which need be placated,
but we must feel there is something amiss
with the history & circumstance bit;
which, of itself, cannot explain this.
Our abject fawning, we mean. It
is a given.
We, of course, deplore
lapses―but theirs, when you come to it,
are those of gods! A shared past, en rapport…
That seems only partly adequate
the longer we ruminate. That contrary
our claims won't matter one shit more%0

Posted in 37: EPIC | Tagged

Epic, Untitled

(i)

The sky is raining
clouds and medication
morning is broken
only 2 megs remaining

I must write away

Belmont Chevron 18.02
Pacific Power 49.59
Aero Sanitary 41.95
North West Natural 32.41
(BandAid Medical 422.02)
(BandAid Dental 63.61)
Ambient Properties 700 bucks

Belmont Chevron 22.02
Protection Services 92.85
Portland City Water 148.34
(BandAid Medical 422.02)
(BandAid Dental 63.61)

I must write away

Belmont Chevron 27.05
(BandAid Medical 422.02)
(BandAid Dental 63.61)
Ambient Properties 700 bucks

I must write away for a 20-dollar

The idea of America is a mail-in rebate

The idea of America is a flickering screen
The idea of America is a toy from China

The idea of America is a gaping warehouse
The idea of America is a condo conversion
The idea of America is no work forever

The idea of America is camouflage gear
The idea of America is go-go-go
The idea of America is a medevac liftoff
The idea of America is a burning jungle
The idea of America is an empty sky
The idea of America is death in the desert

The idea of America is an automatic weapon
The idea of America is urban warfare
The idea of America is fighting for crumbs
The idea of America is justice denied

The idea of America is a mechanized wheatfield
The idea of America is a free-floating billboard

The idea of America is to steal what you rescue
The idea of America is a sunset to ride to

The idea of America is only one limousine

The idea of America is its own 5th Amendment

The idea of America is a helicopter thwopping
The idea of America is Special Forces now

The idea of America is an airborne disease

America's the other side of the wind.

 

(ii)

My father worked at General Motors
1938-1966.
He retired after 28 years.
The previous 10 had been spent in the Great Depression
no work, little work, fear.

So far I've worked 36 years
(2008-1971-1)

But my father worked 30 hours/week
And I work 40.
So for every 4 years my father worked
I've worked 5 (since coming to the States)

(2008-1982)/4 = 6.3 + 26 = 31.3

So altogether I've worked
(1982-1971-1)
(1 = p/t, looking for work, etc.)
+ 31.3 = 41.3 years

and I have to work another 10
(= 12.5 barring death)

= 53.8

I want to devour the midnight and the morning.
I want the creaminess of cloud.
I want the secret life of flames.

 

(iii)

I want to be a Chinese punk
spiky black hair & singlet & jeans
cigarette & swagger

I want to strike sparks from concrete
kick holes in the horizon
break the neck of Heaven

I don't want a job.

I want a future.

Posted in 37: EPIC | Tagged