mourning is women’s business

for Tjama

1

with a gesture as large as the planet
you call up the spirits of women
tonight you can see them thousands
filling up the country so it is
no longer empty

and lonely as it will be
when you are gone

and the multitudes no longer
dance across the spinifex

2

you were dancing
a slow skip
in the grand style
wearing a striped pointed hat
and white ochre
all your golden hair
cut to the grey

you go on without them like those
wounded in the leg
limping
dancing towards the embrace of the others
who limping
dance towards you

when the circles of recognition are complete
after days and weeks of sitting in the dust
you can get up wash go home
back to your places of employment

and the free spirit will burst
out of this belly of grief
into the air

3

when you were young you went to law
childless but free

now the funerals string together
narratives of loss
how hard it is
to think any more of forever

sometimes
you want private you want
out fold your shirt over your chest
and yourself up to sleep
your stomach hurts
with grief

when you were young and went about your business
who would have thought it would end
covered in white clay in a row of widows
seeing the land losing its people

your stomach hurts
and it’s hard to breathe

Posted in LEE CATALDI | Tagged

the opening of the children’s centre in Balgo

a smell of frying meat
drifts across the scene
and steam
from bloodwood leaves assists
departing souls to leave

a tiny child
hurls a rock across the yard
some skills die hard

it is as if the language
centre that was here
had never been the kukatja books
into which we put
our black and white lives have become
art works no-one can read

these days Balgo is a picture

and for sale

Posted in LEE CATALDI | Tagged

c’est l’homme

for John Forbes

you
develope a style until
it can say what you want you need it may
take years and years

of need a style
is a bit like a life
and then
it comes together
style book life
and then
much to your surprise
this neat construction
falls apart

there is no book
the life is not what was planned
and the style
seems hopelessly out of date and
immortality a fading dream but

the need
turns out to be timeless

and in the house there is
some small drug or other
to tide you over
and the style
takes a mini cooper and throws it
down like a gauntlet

and choosing a word is again
the first mouthful of something
brilliant and daring
always perfect

and you know
despite all the stumbling about in the bushes
the stubbed toes the dirt the broken fingernails

there was a kind of twisted little track
leading to the photo opportunity at the top of the cliff
and from there you can see

a mini cooper burning in the snow

perfect

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on breaking things

a clumsy movement of the sleeve sweeps
the blown glass puja bell to the floor
and breaks the handle one in a set

of such moves hasty uncontrolled the snarl
the snap the gesture
of impatience and irritation that breaks

more than the bell the whole
enterprise something which like the bell is delicate but signifies
much more than itself a window

onto another universe
snapped off in effigy
before the music could begin

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the sky is falling in

I drive along in my car
destroying the planet
towing a horse
listening to the cricket

the world
does not look as if it is about to end
but I know it will

here
it will burn

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michelangelo 107

my eyes wild for beautiful things
and my mind have no other means
to get to heaven except
these blow them there

from the highest stars
a splendour descends
which draws desire in their direction
this is love

only this makes the true heart
burn this and its mirror
a face in whose eyes
it can perceive the same

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michelangelo 27

you who kiss run from
love’s burning tongue his
flames are savage his
cuts mortal he
fights to the death

after the first rush nothing
neither effort nor brains nor
leaving the country
will do any good go

you see in me a staggering example
of the sharpness of his tooth
the strength of his arm his
bent disgusting game when first

your eyes meet his
don’t hang around I thought
I could have him
any way I wanted now

see what I am

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mallarme: innocent breathless beautiful day

what does not fly
is not remembered
a sheet of ice
a hard lake
these you could free
with one drunk flap of your wing


the fabulous hopeless
out of date swan
can never escape
the shining places
the useless winter
his boredom inhabits


on the bird who denies it
space inflicts
a pain in the neck
which saves him of course
from sunburnt feathers


a transparent ghost the swan
has distilled himself
into this place and freezes
into a dream of being
misunderstood his

exile is useless

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mallarme: sea change

the body complains unfortunately and I’ve read all the books
shall I run away to where it is warmer? I believe birds
get drunk on the void between spray and sky


nothing not the familiar gardens seen on gazing into eyes
will keep back those who plunge into the sea
on such nights not the desert clarity of my lamp
on the blank paper’s forbidding white
nor the young woman feeding her baby

no I’m going the steamer with its jutting spar
sets off for a world of strangeness


boredom is made worse by such hopes
and always falls for the handkerchief waving goodbye
but maybe these masts cruising for storms
are the sort that a gale sucks into a wreck and
we are lost dismasted far from green islands
but desire listen

to the song of the sailors

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seventy

sometimes
you crap in the bath

worry
about children with baseball bats
think of getting a gun
just for the noise

even if you’re prime minister you’re in
the nuisance class
everyone
thinks it unfair you have
anything at all

my advice

give away as much as you can
it will
buy you time

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michelangelo 143

as pieces of my life fall away
each day smaller and fewer remaining
compressed
into this shrinking space the fire
burns more ferociously and the sky
has never been known to lend a hand
to an old lag in a tight place you know
even this is not enough a passion
so hot stone might forget itself
let alone desire I’m thankful
shut in these flames my heart
cannot last and so I escape
life as your victim you have no
interest in the dead

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Kitchen Prep

I have done this before
hours pull and twist while splitting seconds bleed. 
(eat your damn food. you’ll be hungry later)
garlic sticks to skin
hours pull and twist while bleeding seconds split
as water follows my spine, bent down.
“This is your favourite! Why aren’t you—”
water follows spine, bent down.
needles of sleep bloom silver in my mouth
“It’s your favourite! Why can’t you—”
My throat cracks around a breathing tube
needlesleep silvers my mouth
(eat your damn food. you’ll be hungry later)
I split down the middle, eyes stuck with salt
I have done this before.

Posted in 80: NO THEME VI | Tagged

Mirrors

Ink blooms in skin
intent sketched down
in blue.
my blood presses up
against the nib. 
fingers (his) brace 
breast and knee and thigh (mine).
He checks left and right on his hands.

“I don’t want to get it wrong!”

I am touch-seen. Lined.
scars ripped and restitched
re-learned with new hands (yours) if
there is still breast and
knee and thigh (mine) for you
under iodine shadows
and broken fluorescent light,

“I don’t want to get it wrong.” 

You are glass-voiced
smile coiling into cracks
as my blood presses
up against your hand.

Posted in 80: NO THEME VI | Tagged

Wordspill

F-sharp in my mouth
bright and shaped to

laughter as I stretch

lazysweet
and safer in my skin

now I know you

(you know, you

—touch, if you want. 
I am vain when I know
you look at me.)

I tell myself: save
your words and wait
.

Wait to slip them
between kisses so
I can feel your breath
catch between us.
But they fall as I do

brimful and heavy

unkept and sung as
my own breath tangles

on how lovely you are.
Your voice like touch
that leaves me open
full-thick with hope

sunshine waterspill.

Posted in 80: NO THEME VI | Tagged

Left Song

She smiled glass through sunshine, which
steals and swallows until
Pain like | hot wires coil
I stretch, unspooling, fingers long
empty space. Hollow as your throat
laughter licks up into
small spaces words have

left song

echoes or unprotected skin
she smiled.  The needle breaks like new sound.
I haven’t seen a mirror in days
Anaesthetic | metal
heated and split, blood pressing up—
dripping down slow. Heavy as | the consent documents
word-rush, want-spill—no, don’t touch
on the desk.
light as | splintered bone

Posted in 80: NO THEME VI | Tagged

The Einsteinian Qualities of Distance

It seems only yesterday a disorienting sense
of unease, and the shrinking autumn sun,
and the scattering leaves of the plane
trees all told me it was time
to escape these iron-born, sky-wrapping clouds,
and drive, or fly, or take a (now impossible) train

journey to you. For years I’d needed to train
myself to deal with the singularity of your absence,
with the state of living under different clouds,
in a different city to you, my old, only son
– with having to face these longitudes and time
zone discrepancies – and not just jump on a plane,

and land on your doorstep. The dry, boundless plain
that stretches between us, spanned only by dead train
lines and gouged-out roads and sheep, stretches Time
somehow, beyond borders or meridians, or a sense
of reality, and is measured in megalitres of sun,
wingbeats of crows, claps of thunder, and clouds

– a barrier as tangible and solid as brick. It clouds
our thinking, this quantity of distance that only a plane
can take on (devouring the miles while it races the sun).
Walking’s too slow (Life’s too short) and you hit rain
squalls and rockfalls in four-wheel-drives. In a sense,
they’re partners in crime: fat Distance and hungry Time.

But everything had changed this time.
My room was a prison I couldn’t leave. Clouds
of memories cast shadows of doubt and my sense
of gravity failed me. My eyes lied. A passing plane
flew tail-first across the sky. A passing train
of thought reified, opalescent in the west-rising sun.

And now nothing remains, including you, my son,
or not for me. I’ve crossed a line in Time
that no-one recrosses. The curtains of distant rain
always stay away, and their dark, mothering clouds
forever float far beyond my windowpane, in plain
sight but unknowable in this, my eternal loss of essence.

I have a sense of it now: the relativity of Time
clouds the amplitudes of Distance on our brief train
journey across the endless plain and on, into the sun.

Posted in 80: NO THEME VI | Tagged

Shadow

Big elephant swings his trunk as he promenades along Bondi boardwalk–stripy suspenders holding up his pinstripe shorts, his matching bullseye earmuffs. Little elephant swings his trunk as he promenades– shorts, suspenders, bullseye earmuffs. Big orders a single scoop pistachio in a sugar cone at the best gelato shop at the beach. Little winks as he tells the tanned vendor, ditto, ditto, ditto.
          Big and Little fly Business Class. Big money. In Venice, Big asks, di, dei, dello or dell’? Little asks, della, dei or degli? Agreement is important, says Big. I agree with you, says Little. The gleaming gondola has red plush seats and the vase of artificial roses. Big orders pistachio at the best gelato shop in Venice. Little orders a triple choc chip mint. They gaze at each other’s cups.
          Back at Bondi, Big buys a red tee-shirt like Little’s. Little buys an orange tee. Big buys a beach umbrella, with pizza-shaped wedges: red, orange, red, orange. Little joins the best gym in Bondi. Hang on, roars Big.

Posted in 80: NO THEME VI | Tagged

Procedure

Your displeasure encircled,
like descending mesh, that first occasion
we called a conversation.
Was I the blanched insect
and you the hunter,
with your barbed question-net?
The gendered metaphor
flutters weakly, but does not die

No feminist assertion
swoops down to devour it.
This is new territory.
There is no theory that can
rival this, me splintering
under your gaze
like last century’s woman

As if you had pinched the thorax
of a butterfly,
fastened me to a board
with each quick piercing
of disapproving thoughts,
like an entomologist’s
single-minded enamel pins

Pins in a woman’s dress,
pins in her hair,
pins, pins, to fix, to fix her –
with a needle and thread
she sits, sewing her silence,
an inheritance passed on

I hold her in contempt, but here I am
weaving quietude and guilt
while you tell me how you feel.
Still, it seems to me
your mouth is a wound
I want to stitch up
Your eyes, once seamless,
now full of gashes
that refuse my useless craft

I wasn’t trying to convince you.
I just needed you to know
how it felt to cradle this heavy speck,
the frightening consequences
of blood and semen.
To hear of hormones,
caressing me like warm heroin
or the voice of a hypnotist

I couldn’t describe it. I was slipping
from your downturned mouth,
like a stitch from a knitting needle
now futile and crooked.
I told you later that I would do it.
“Fuck the world” I said,
and we fucked,
and I pulled up the blanket
so you wouldn’t see the question mark
hovering like paused scissors
over my terrible belly

I unravelled.
The safety pin inside,
coming loose, lanced me.
And guilt formed, like a clot.
Guilt grew at a faster pace.
I cowered before guilt,
and its threat of emptiness
that gaped at me
like a hole in my stocking,
widening, widening.

Grief-struck, I messaged you.
I don’t know what to do, I said.
You explained, over text,
the procedure to me,
gleaned from a doctor friend:
“The first pill detaches the embryo
from the uterus.
The second pill flushes it out.”

As if it needed explaining.
As if I had not thought about
running away with
the possibilities in my flesh.
As if I had not scrolled through
countless internet pages,
every medical point a pricking,
drawing blood in advance

When you sent me that text,
matter-of fact, cold, like a needle
through my frayed cloth-mind,
did you feel any sadness,
for the lump that was us, nascent,
for the girl who stroked your hair?
And so I bled, and bled,
and released the tiny burden.

You were sad, you did say,
after I lay in a hospital bed
empty of the loaded clot,
you were sad because of how I felt.
I know men don’t feel
the body’s cushioning response,
its demands, but you demanded too

All feminist affirmations
bounced off the glass or lightly stuck
and slid away.
No rally sign or slogan badge tells us this.
You’re either for, or against –
there is no messy space in between.
No one explains, and I tried to.

But when you explained
the procedure to me,
so calmly over text,
you dropped my heart, like a rag,
in a pool of dirty water.
I didn’t know
you were carrying it.

Posted in 80: NO THEME VI | Tagged

At Western Plains

When siamang gibbons sing to hold their ground
an air-tight pouch vibrates beneath each chin.
Upright primates gather, marvel at the sound

and over-acted gestures. Rounded mouths
shape reverb like a didge’s barking din.
When siamang gibbons sing to hold their ground

one sprints a rope bridge, scales a tree, a bough
so high and so improbably thin
upright primates, three deep, marvel at the sound

and swing bravado of this acrobatic clown
and they applaud. A young boy cries, “Again!”
When siamang gibbons sing to hold their ground

the display’s recurring, urgent, loud
that in the wild occurs just daily, after dawn.
Upright primates gather, marvel at the sound

and crowd the moat, three deep, as vain apes bound
to stand guard every hour of the sun
when siamang gibbons sing to hold their ground.
Upright primates gather, marvel at the sound.

Posted in 80: NO THEME VI | Tagged

Travels with My Father

My father was insatiable salt, pickled
against his maimed leg and mislaid love
with litres of cheap whisky, smoked
joint after joint until the cabin was a cave
and there he squatted by the fire
trying to make sense of shadows.
He was man out of time, could have been
a great victor—dragged his mauled corporeality from the fray of horse
and mud and sword into the heroic—now only ridiculous
in the mirror, a limping giant left smashed
by the roadside while history sped off
without a backward glance.
Still, he had his man-out-of-time personality:
stalked the dark depths of himself
like a ferocious deep sea fish, baited
women with his charm, the glittering dangled light
drew them through black water, through the maw
of his misery, past the laced tongue
of his anger until they were in too deep —
Snap! Off with their heads!
Snap! Off with mine!

It grew back so many times I was
a cat with nine lives balanced on the wave-beaten gunwale
as we fled and fled and fled
from his father his mother his happy-faced family
in the clench-shouldered house in Highgate and that wild spring
heath of the Sixties he strode as my mother’s lover
and how that brief lucid spring
ended one morning in a helmet viscous with blood
ended one morning with this,
our endless wandering in the cave of love.

Posted in 80: NO THEME VI | Tagged

Emperor of 32 Bella Vista Drive

Terracotta Warriors guard their Emperor. Fifteen
archers in the al fresco dining area, a four-car garage
full of foot soldiers. The Emperor is damp
with middle age and dawn dew, askew

on a banana lounge, his dressing gown unhitched.
The High Chariot and team of bronze horses
spent in the master bedroom. Bins line the street,
neighbours sleep. Soldiers will decamp with the sun,

night shadows lost in the civil dawn; he’ll miss them.
He’s found affection for their sandalled feet,
learned to accommodate their placid foment. The sun
will rise over half built mansions. His daughter

has not returned. There have been boys aiming rocks
at her window, quartz pebbles through the night air,
neat parcels of intent. The infantry have reported.
Secrets have passed through the ranks, a ragged, worried

line to his ear. She carries his devious blood. The only
heartbeats in this house belong to his wife and their dog
as it wanders between the ranks. They are a family shuffling
toward roundabouts, born in the first dust of subdivision.

His daughter has outgrown the suburban vista,
outlived artless childhood devotion, now a tussle twists
in every conversation. She rails against these ancient guards,
their empty hands, their ceramic topknots. They

are his alone. The troops bear eight faces of despair.
Rumours arrive hidden in sheafs of silk,
hugged in the dimple of lacquered bowls; cradled
by foot soldiers who lived through the nuclear birth,

The Long March, had their memories cleansed
by one hundred torrents of mercury. They say
– silver will bring gold, the canopy of wealth; still,
young love will arrive with a darkened tooth, a tattoo

behind the ear, a labourer’s inflection. These desires
deboss the blood. He hefts himself from the banana lounge,
takes a step toward an archer, stands eye to eye
and tilts to kiss; holds his lips against the cool surface.

When he draws away there are flecks of ancient paint
on his lips, the taste of clay and fealty; these mute servants
are the body of another epoch. The morning birds start,
the swimming pool filter churns. He imagines kissing his wife

with terracotta lips; wonders if she will remember
his fingertips on her, each touch a scalpel of morning dew.

Posted in 80: NO THEME VI | Tagged

Yet

The self is uncontiguous, undone,
parceled out, then simmered to a sum:
a rivermix of round-run rocks and foam,
cattle piss that tinges a green stone.

One can’t believe in monsters, being one,
or else one’s self would cause one’s self to run.
More than forgiving trespass, God forgets.
We know this; it is written. Still—

the art of self-abridgment
is removal; our essence, the perusaled gift
that stays beyond the shards of what it shatters,
where only what still could’ve been still matters.

Posted in 80: NO THEME VI | Tagged

Clown Face

Moon, all these years
we’ve circled each other:
me, for the most part, indifferently
-­‐ obiter dicta, the back of my neck
-­‐ you, elliptically; that sidestep dark face,
the pale face you keep for daylight,
the sometimes red flush we all live under,
the way you’ll cling to sky
with barely a fingernail.

You hosted us in the classroom
TV honoured guest,
the astronauts strange as starfish
then bouncing around the screen
like little children on a trampoline,
the power glow of pedagogic light
reflected off our shiny foreheads
and back to that visible horizon,
showers of brilliant black and lunar
white. Not bone, far from it,
yet the rocks in your head
have so many names, Moon,
each of your proliferating phases
labelled, no doubt, with exemplary
diagnoses written up, and down,
in some swollen Book of Manuals.

Moon, you are the big pill
day swallows to face the sun.
Though guess what?
I’m no closer to a cure.

Now, this morning’s bag of fog
spills loose across the treetops,
more chill up there than underneath,
and I’m wondering how you’ll fit;
but you do, as ever,
zeppelin descending, drone cold, obese,
easing gently into that bath of dry ice.

This could be a good time, Moon,
to roll up, show the world a clown face.

Posted in 80: NO THEME VI | Tagged

Requiem for a War, with Refrain

Upon the eviction and relocation of Housing New Zealand tenants as part of
the North Glen Innes ‘Regeneration’ Project in Auckland, New Zealand

Not past but present
Not present but protest
Not protest but asset
Not asset but upset
Not upset but redevelopment
Not redevelopment but real developments
Not real developments but housing shortage
Not housing shortage but sanctuary
Not sanctuary but opportunity
Not opportunity but community

Not community but tax credit
Not tax credit but security
Not security but eviction
Not eviction but action
Not action but auction
Not auction but exploitation
Not exploitation but economics
Not economics but envy
Not envy but opportunity
Not opportunity but community

Not community but gravy train
Not gravy train but tipuna
Not tipuna but trickle down
Not trickle down but safety net
Not safety net but progress
Not progress but political redress
Not political redress but freewill and freehold
Not freewill or freehold but family
Not family but opportunity
Not opportunity but community

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