Works cited
Bennett, Susan. Theatre Audiences, London, Routledge, 1997.
Campbell, Marion May. Fragments From A Paper Witch, Cromer, Salt Publishing, 2008.
Campbell, Marion May. konkretion. Crawley, UWA Publishing, 2013.
Chiseri-Strater, Elizabeth., and Bonnie S. Sunstein. FieldWorking: Reading and Writing Research, Hoboken, Prentice Hall, 1997.
Cole, David. The Theatrical Event: A Mythos, A Vocabulary, A Perspective, Middletown, Wesleyan, 1975.
Halberstam, Judith. The Queer Art of Failure, Durham, Duke University Press, 2011.
Yasbincek, Morgan. liv: a novel. South Fremantle, Fremantle Arts Centre Press, 2000.
Emilie Collyer Emilie Collyer lives in Australia on unceded Wurundjeri land where she writes poetry, plays and prose. Her work has been published and presented in a broad range of contexts, locally and internationally. She has published one poetry collection Your looking eyes, two short fiction collections, and her award-winning plays include Contest, Dream Home and The Good Girl which has had multiple international productions. She is a current PhD candidate at RMIT where she is researching feminist creative practice.
http://www.betweenthecracks.net
Throughout her work,
Marion Campbell has tried to challenge the politics of representation through a poetics of resistance – in poetry, (third body Whitmore Press 2018; Fragments from a paper witch Salt 2008, a finalist in the 2010 Adelaide Festival Literature Awards: Innovation), novels (the most recent of five being konkretion UWAP 2013), playscripts, and memoir (The Man on the Mantelpiece UWAP 2018). Her novels have been shortlisted for Australian awards and twice for the Canada-Australian Prize, with Not Being Miriam winning the WA Week Prize for fiction back in 1988. Her critical monograph Poetic revolutionaries (Rodopi 2014) explored intertextuality and subversion. She supervises graduate writing projects at Deakin University.
https://blogs.deakin.edu.au/writing-and-literature/marion-may-campbell/
