‘Permission to write’: Emilie Collyer Interviews Marion May Campbell

By and | 31 October 2021
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Works cited

Bennett, Susan. Theatre Audiences, London, Routledge, 1997.

Campbell, Marion May. Fragments From A Paper Witch, Cromer, Salt Publishing, 2008.

Campbell, Marion May. konkretion. Crawley, UWA Publishing, 2013.

Chiseri-Strater, Elizabeth., and Bonnie S. Sunstein. FieldWorking: Reading and Writing Research, Hoboken, Prentice Hall, 1997.

Cole, David. The Theatrical Event: A Mythos, A Vocabulary, A Perspective, Middletown, Wesleyan, 1975.

Halberstam, Judith. The Queer Art of Failure, Durham, Duke University Press, 2011.

Yasbincek, Morgan. liv: a novel. South Fremantle, Fremantle Arts Centre Press, 2000.

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Emilie Collyer lives on unceded Wurundjeri Country where she writes poetry, plays and prose, published and produced widely in Australia and internationally. Her poetry collection Do you have anything less domestic? (Vagabond Press 2022) won the inaugural Five Islands Press Prize. Emilie is a current PhD candidate at RMIT where she is researching feminist creative practice.

https://www.emiliecollyer.com/

More by Emilie Collyer on Cordite Poetry Review →
Marion May Campbell’s recent works include the poetry collections languish (Upswell 2022) and third body (Whitmore Press 2018), and the memoir of her father The Man on the Mantelpiece (UWAP 2018) She lives in Drouin, on unceded GunaiKurnai land.

https://blogs.deakin.edu.au/writing-and-literature/marion-may-campbell/

More by Marion May Campbell on Cordite Poetry Review →

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