Music Becomes Memory: What Listening to Music Does to the Poetic Voice

By | 1 October 2020
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Works cited

Abdurraqib, Hanif. ‘On Breakups.’ The Paris Review, 2019, online.

Abdurraqib, Hanif. ‘On Jukeboxes.’ The Crown Ain’t Worth Much. Button Poetry / Exploding Pinecone Press, 2016, p. 36

Grizzly Bear. ‘Threshold.’ Veckatimest, Warp, 2009.

Hsu, Hua. ‘Moses Sumney’s World of Possibilities.’ The New Yorker, 2020, online.

Jinsang. ‘flow on.’ Confessions. Independent, 2017.

Langford, Martin. ‘Minums,’ ‘Stave Dreams,’ ‘Electric Dreams.’ Eardrum: Poems and Prose About Music. Puncher & Wattmann, 2019, pp. 73-137.

Little Dragon. ‘Constant Surprises.’ Little Dragon. Peacefrog, 2007.

Swami, Sridala. ‘All Music is Memory.’ The Bloodaxe Book Of Contemporary Indian Poets, edited by Jeet Thayil, Bloodaxe Books, 2008.

Vuong, Ocean. ‘Threshold,’ ‘Daily Bread.’ Night Sky With Exit Wounds. Jonathan Cape, 2017.

Warsame, Khalid. ‘This Vast Conspiracy of Memory.’ Meanjin, 2019, online.

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Jess Zanoni is a writer and musician. She is the singer and bassist of alt-pop trio Arbes, the founding editor of Interior Journal and runs monthly music/writing series Heavy Sleeves. She is also an editor at Voiceworks and has written and directed plays featured at Melbourne University’s Mudfest. You can find her work in Voiceworks, Beat Magazine, Sick Leave and elsewhere.

More by Jess Zanoni on Cordite Poetry Review →

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