was a cross-hatch
of bodily lightning –
The first silence
shook out its leg
and sang low in the drone.
There were no gaps
between it and story.
The first silence
could not conceive
of an absence or end.
when the firesticks arrived,
that’s the first thing they found:
who could not
see their faces in the water;
who could not hear their language in the scrub.
The stage set was there.
But the actors were somebody else.
they misheard and improvised:
track names and creek names and food names;
tribe-bunting/race boundaries/prospects and vanishing points;
the Gregorian time-grid; the Governor’s space-grid;
the long names for misdeeds,
the Flash names – and all the look-dumb names;
the Secretary’s full-sentence edicts. . .
the jokes and elisions that rounded them, late, round the fire.
An emergency lashing, a raft of inventions and doubts –
but the new silence held.
And everything in it was God’s work.
And everything not in it yet.
Banging and whistling,
they worked to install it all over.
The Governor strode round and proclaimed it.
JP’s reinforced it with strokes.
Communions re-drank it –
and even the abject confirmed it by being left out:
a shape-shifting, feral, part-rational silence
of hard labour/Providence/Upper Case Principles/
costume/affection for Ma//
the self-songs of distance and dyings//
the God-song of weather/the sing-song of daily amens.
A flexible, muscular lattice with scope for emergencies.
Except there were those
who kept gnawing away
at an ur-silence, out beyond bounds.
Who would peer
into all those small lights.
I hold the Gorgon’s head, my own, my own;
it stares this lockjaw land to light and stone.
Hal Porter, Dry Final Scene
And this one was too big.
It stared at us blankly.
It howled from the ovens
and laughed at the lovers’ wet oaths.
It shimmied and bristled and clawed in a teeming biota.
It sent Frank Webb crazy: for whom
each next tick would be Morgan’s last breath.
It was Nolan’s one subject: a sluggish but permanent creek
into which all events e.g. murdered policemen, would soon disappear.
It black-holes from Tucker’s burnt faces:
the ironbark-and-blue of a stonewalling rage dried to distance.
Humphries hurled gladdies and home truths to make it take notice.
White tried the glare of close witness.
Silence asked, Who? Them or you?
And it won.
As it must. You can’t out-express silence.
This one was all absence.
Time to invite silence in.
Stand him up.
Brush out the sand from his hair.
Let him take as much time as he needs.
he has no other choice
but fight silence and lose:
that his role’s to raise it with triumphs –
with projects and lovers
that don’t quite add up to a win.
As if it succumbed to arrival.
As if it weren’t what we are made of, as well.
What can we do
except open the sides of our stories?
Dance with it?
Come on Ulysses.
One half-step. One. And now two …
- FREE: 20 Poets anthology
- 91: NO THEME VIIISUBMIT to C Gaskin 90: MONSTERwith N Curnow, coming soon! 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith Fiona Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith Vladimir Lucien 80: NO THEME VIwith Judith Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith Keri Glastonbury 56: EXPLODE with Dan Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with Pam Brown 52.0: TOIL with Carol Jenkins 51.1: UMAMI with Luke Davies and Lifted Brow 51.0: TRANSTASMAN with Bonny Cassidy 50.0: NO THEME IV with John Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with Tracy Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with Corey Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with Michael Farrell 46.0: NO THEME III with Felicity Plunkett 45.0: SILENCE with Jan Owen 44.0: GONDWANALAND with Derek Motion 43.1: PUMPKIN with Kent MacCarter 43.0: MASQUE with Ann Vickery 42.0: NO THEME II with Gig Ryan 41.1: RATBAGGERY with Duncan Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with Kent MacCarter 40.0: INTERLOCUTOR with Libby Hart 39.1: GIBBERBIRD with Sarah Gory 39.0: JACKPOT! with Sam Wagan Watson 38.0: SYDNEY with Astrid Lorange 37.1: NEBRASKA with Sean Whalen 37.0: NO THEME! with Alan Wearne 36.0: ELECTRONICA with Jill Jones
- Alex Creece Reviews Marion May Campbell’s third body
- Ivy Ireland Reviews Steve Armstrong
- Magan Magan Reviews deciBels 3
- Claire Albrecht Reviews Manisha Anjali’s Sugar Kane Woman
- Review Short: Simeon Kronenberg’s Distance
- Review Short: Judith Beveridge’s Sun Music: New and Selected Poems
- Melody Paloma Reviews Keri Glastonbury
- Submission to Cordite 91: NO THEME VIII
- Judith Bishop Reviews Phillip Hall’s Fume
- Bella Li on as Associate Publisher
- Alex Creece on as Production Editor
- Review Short: Diane Fahey’s November Journal and Carmen Leigh Keates’s Meteorites
- Review Short: Vahni Capildeo’s Seas and Trees and Jennifer Harrison’s Air Variations
- To Outlive a Home: Poetics of a Crumbling Domestic
- ‘The Rally Is Calling’: Dashiell Moore Interviews Lionel Fogarty
- Jackie Ryan: Teaser to Burger Force 3
- Dispatch from the Future Fish
- Introduction to Cordite 89: DOMESTIC
- 7 Portraits by Ali Gumillya Baker
- Selections from 3 Yhonnie Scarce Series
- Kathy Acker and The Viewing Room
- To Live There: on ‘Dispatch from the Future Fish’
- The Wild Workshop: The Ghost of a Brontëan Childhood in the Life of Dorothy Hewett
- Externalising the Symptom: Radicalised Youth and The Membrane
- On Deep Breaths and Friends Forever: Im/materiality and Mis/communication in Happy Angels Revisited
- Letter to Anne Carson: Work of Remembrance and Mourning
- Translated Extracts from Chantal Danjou