was a cross-hatch
of bodily lightning –
The first silence
shook out its leg
and sang low in the drone.
There were no gaps
between it and story.
The first silence
could not conceive
of an absence or end.
when the firesticks arrived,
that’s the first thing they found:
who could not
see their faces in the water;
who could not hear their language in the scrub.
The stage set was there.
But the actors were somebody else.
they misheard and improvised:
track names and creek names and food names;
tribe-bunting/race boundaries/prospects and vanishing points;
the Gregorian time-grid; the Governor’s space-grid;
the long names for misdeeds,
the Flash names – and all the look-dumb names;
the Secretary’s full-sentence edicts. . .
the jokes and elisions that rounded them, late, round the fire.
An emergency lashing, a raft of inventions and doubts –
but the new silence held.
And everything in it was God’s work.
And everything not in it yet.
Banging and whistling,
they worked to install it all over.
The Governor strode round and proclaimed it.
JP’s reinforced it with strokes.
Communions re-drank it –
and even the abject confirmed it by being left out:
a shape-shifting, feral, part-rational silence
of hard labour/Providence/Upper Case Principles/
costume/affection for Ma//
the self-songs of distance and dyings//
the God-song of weather/the sing-song of daily amens.
A flexible, muscular lattice with scope for emergencies.
Except there were those
who kept gnawing away
at an ur-silence, out beyond bounds.
Who would peer
into all those small lights.
I hold the Gorgon’s head, my own, my own;
it stares this lockjaw land to light and stone.
Hal Porter, Dry Final Scene
And this one was too big.
It stared at us blankly.
It howled from the ovens
and laughed at the lovers’ wet oaths.
It shimmied and bristled and clawed in a teeming biota.
It sent Frank Webb crazy: for whom
each next tick would be Morgan’s last breath.
It was Nolan’s one subject: a sluggish but permanent creek
into which all events e.g. murdered policemen, would soon disappear.
It black-holes from Tucker’s burnt faces:
the ironbark-and-blue of a stonewalling rage dried to distance.
Humphries hurled gladdies and home truths to make it take notice.
White tried the glare of close witness.
Silence asked, Who? Them or you?
And it won.
As it must. You can’t out-express silence.
This one was all absence.
Time to invite silence in.
Stand him up.
Brush out the sand from his hair.
Let him take as much time as he needs.
he has no other choice
but fight silence and lose:
that his role’s to raise it with triumphs –
with projects and lovers
that don’t quite add up to a win.
As if it succumbed to arrival.
As if it weren’t what we are made of, as well.
What can we do
except open the sides of our stories?
Dance with it?
Come on Ulysses.
One half-step. One. And now two …
- FREE: 20 Poets anthology
- 93: PEACHSUBMIT to L Van, G Mouratidis, L Toong 92: NO THEME VIIICOMING SOON with C Gaskin 91: MONSTERwith N Curnow 90: AFRO AUSTRALIANwith S Umar 89: DOMESTICwith N Harkin 88: TRANSQUEERwith S Barnes and Q Eades 87: DIFFICULTwith O Schwartz & H Isemonger 86: NO THEME VIIwith L Gorton 85: PHILIPPINESwith Mookie L and S Lua 84: SUBURBIAwith L Brown and N O'Reilly 83: MATHEMATICSwith F Hile 82: LANDwith J Stuart and J Gibian 81: NEW CARIBBEANwith V Lucien 80: NO THEME VIwith J Beveridge 57.1: EKPHRASTICwith C Atherton and P Hetherington 57: CONFESSIONwith K Glastonbury 56: EXPLODE with D Disney 55.1: DALIT / INDIGENOUSwith M Chakraborty and K MacCarter 55: FUTURE MACHINES with Bella Li 54: NO THEME V with F Wright and O Sakr 53.0: THE END with P Brown 52.0: TOIL with C Jenkins 51.1: UMAMI with L Davies and Lifted Brow 51.0: TRANSTASMAN with B Cassidy 50.0: NO THEME IV with J Tranter 49.1: A BRITISH / IRISH with M Hall and S Seita 49.0: OBSOLETE with T Ryan 48.1: CANADA with K MacCarter and S Rhodes 48.0: CONSTRAINT with C Wakeling 47.0: COLLABORATION with L Armand and H Lambert 46.1: MELBOURNE with M Farrell 46.0: NO THEME III with F Plunkett 45.0: SILENCE with J Owen 44.0: GONDWANALAND with D Motion 43.1: PUMPKIN with K MacCarter 43.0: MASQUE with A Vickery 42.0: NO THEME II with G Ryan 41.1: RATBAGGERY with D Hose 41.0: TRANSPACIFIC with J Rowe and M Nardone 40.1: INDONESIA with K MacCarter 40.0: INTERLOCUTOR with L Hart 39.1: GIBBERBIRD with S Gory 39.0: JACKPOT! with S Wagan Watson 38.0: SYDNEY with A Lorange 37.1: NEBRASKA with S Whalen 37.0: NO THEME! with A Wearne 36.0: ELECTRONICA with J Jones
- Jennifer Mackenzie Reviews Elif Sezen’s A little book of unspoken history
- Introduction to Charmaine Papertalk Green’s Nganajungu Yagu
- Brigid Magner Reviews Michele Leggott’s Vanishing Points and Elizabeth Smither’s Night Horse
- Jack Kelly Reviews Liam Ferney’s Hot Take
- Submission to Cordite 93: PEACH
- Introduction to Cordite 91: MONSTER
- Poetry, Whatsoever: Blake, Blau DuPlessis, and an Expansive Definition of the Poem
- On Being Sanguine: Two Years of Panic and a Response to Terror in Christchurch
- A Deaf Rough Trade: Defending Poetry to ‘regular people’
- 12 Panels by Chris Gooch
- 5 Translated Yosuke Tanaka Poems
- A Buzz in the Retina: On Translating Luljeta Lleshanaku
- ‘That is some crafty bite’: Trisha Pender Interviews Melinda Bufton
- ‘You’re never disembodied from the action’: Dylan Frusher Interviews Judith Beveridge
- Excerpts from Neon Daze
- Chorography and Toute-eau in the Waters of Lower Murray Country
- 6 Poems from Robin M Eames
- Aussi / Or: Un Coup de dés and Mistranslation in the Antipodes
- Every other Friday
- I Still Love Without My Head
- Heath Ledger’s Joker
- Only fair
- small town lazarus
- from Red Black & Blues