GUNCOTTON
Precedent
One who would cry over daytime television has been found in my living room. There is a distance between the two anchors to maximise drag. If it’s not a blender and it’s not a juicer then what is it? Depending …
Lucy Van in as Short Reviews Editor
I am pleased to announce that Lucy Van has joined the Cordite Poetry Review masthead as Short Reviews Editor. She will assume duties near the end of 2015, starting with all new short reviews commissioned at that time. Lucy Van …
Marion May Campbell Launches Tracy Ryan’s Hoard
Tracy Ryan, whose new and eighth full-length poetry collection we’re celebrating, Hoard is also a four-time novelist (Vamp, Jazz Tango, Sweet, Claustrophobia), a memoirist and translator. Her work has been acclaimed in multiple commendations and short-listings and has received the …
Robert Wood in as Commissioning Editor
I am pleased to announce that Robert Wood has joined the Cordite Poetry Review masthead as a Commissioning Editor. Shortly, we’ll start a series of critical essays from Australian and international writers, about one a month. This is in addition …
Submission to Cordite 53: THE END Open!
Poetry for Cordite 53: THE END is guest-edited by Pam Brown. Read Corey Wakeling’s interview of Pam from 2012. Let me start at the very end, the dead end, the living end, at wit’s end, the end of the line. …
The Sydney Launch of Harkin, Gibson, Loney and Hawke
OBJECT: Australian Design Centre, Thursday 25 June, 2015 I’m pleased to say that I was at the launch of the very first issue of Cordite Poetry Review, way back in 1997. Good heavens, is that eighteen years ago? The journal …
Submission to Cordite 52: TOIL Open!
Selfie in Oaxaca Ethnobotanical Garden Poetry for Cordite 52: TOIL is guest-edited by Carol Jenkins I’m looking to meet the lone toiler, the staff, whole professions, whole guilds. What I want for TOIL are energetic and intelligent takes and insight …
Cordite Book Launch: Loney, Gibson, Hawke, Harkin
Collected Works Bookstore, Wednesday 6 May, 2015 I will begin with a bit of spontaneous resentful metaphysics. I am sorry to do so, for a number of reasons, but there we are. If it can be justified at all, it …
Cordite Books
We’re pleased to tumble out into the world these first four print collections in the new Cordite Books imprint. We had considered print collections for a few years, but the tipping point to actually publish them came in late November …
Submission to Cordite 51: TRANSTASMAN Open!
Photo by Nicholas Walton-Healey Poetry for Cordite 51: TRANSTASMAN is guest-edited by Bonny Cassidy I’ll be looking for poems that can swim, fly, float, sail and possibly even skim across the very short and very deep difference between Australia and …
Rolfe on with Object Study
Photo by Ian ten Seldam Only heads and tongues loll. Apart from one’s time, what can be bided? And how broad is a swathe? Cordite Poetry Review is excited to work with the next generation of Aden Rolfe poetics over …
O’Keefe on as Audio Producer
Cordite is chuffed to announce that Ella O’Keefe will be our inaugural Audio Producer, and lends a stack of audio production knowledge to the journal. We’re already beavering away on detail for our first 20-30 minute program.
Submission to The Lifted Brow and Cordite’s 51.1: UMAMI Now Open!
Luke Davies, Paris, 2014, photo by Samuel Pignan. Poetry for The Lifted Brow / Cordite 51.1: UMAMI is guest-edited by Luke Davies. Submission of flash fiction (between 1 and 500 words max) and poetry will be accepted until 11.59pm, 5 …
Instructions As Art: Digital Writers as Modern-day Renaissance People
I am now almost thirty years old. While there were many different gaming consoles around when I was a kid, I wasn’t privy to many of them. I was a fairly active child and teenager who spent most of her spare time outdoors (usually wandering around parks aimlessly). My education did not involve classroom computers, however I did have access to one at home.
How Poems Work: Kate Fagan’s ‘Through a Glass Lightly: Cento for Beginners‘
We move through language, swimming on influence, arranging words into patterns that make sense for our purposes. An essay with an argument, an email trying to get the day off work, or a poem that tries to make letters do …
Kevin Matthews Connects with Spoken Word Poet Tanya Evanson
Image from The Great Black North Tanya Evanson is as generous of spirit as she is on stage in the hour we spent on Skype from a sunny, mosquito-netted room in Antigua, following an email correspondence. She has the knack …
How Poems Work: Nora Gould’s ‘While he waited for the school bus’
‘While he waited for the school bus’ is just one example of the extraordinary work that defines Nora Gould’s new book. Steadfastly observant, carefully detailed and with the capacity to twin trauma and beauty, Gould’s debut collection represents some of …
Introduction to Essays on The Best Canadian Poetry in English, 2014
Versions of two essays – ‘Best Isn’t a Beauty Contest: How Canadian Poets Demand More of Verse’ by Sonnet L’Abbé and ‘Investigative Poetry: Are Poets the New Reporters?’ by Anita Lahey – preface the newest volume of The Best Canadian …
Feature Poem with Judith Beveridge: At Willabah
I forget who it was who said that the writer needs to be ‘holy in small things’, but I think there is a great deal of truth in that. That’s one reason why I’m attracted by Todd Turner’s poem ‘At Willabah’. Here, the poet guides us through the details of the landscape in a not dissimilar way to the deep engagement with particulars in such poems as Seamus Heaney’s ‘Death of a Naturalist’ or Elizabeth Bishop’s ‘At the Fishhouses’.
Submission to Cordite 50: NO THEME IV Open!
John Tranter, Sydney, 2009, photo by Anders Hallengren. Poetry for Cordite 50: NO THEME IV is guest-edited by John Tranter Zounds! We’ve made it to issue 50 in the year that Cordite Poetry Review turns 18. Bust out the Passion …
Arc 75: The Arc-Cordite Poetry Special Issue
Cover art by Ian Friend My plumbing? Not exactly. But, well, after 14 months in the planning, making, mulling, and editing, it’s finally here: Arc Poetry Magazine 75: The Arc-Cordite Poetry Special Issue. Shane Rhodes and I (Kent MacCarter) co-wrote …
When the Wind Stopped
I read somewhere that the words ‘ekphrasis’ and ‘ekphrastic’ had at one stage a reference only in the Oxford dictionary, but nowadays these words are very much part of poets’ vocabularies and practices and most poets at some stage write …
Notes on her ‘Gibson’s Folly (Tambo River)’
The Benambra mine is located on the headwaters of the Tambo River which flows into the Ramsar listed Gippsland Lakes. See Louise Crisp’s poem ‘Gibson’s Folly (Tambo River)‘. The Wilga ore body was mined by Denehurst Ltd. from 1992-1996. The …
